Category: Reviews

  • Hearing Aid: Dank: ‘Dank’

    Dank (formerly Dank Sinatra) are currently touring in support of their most recent self-titled release Dank, which was released in early February 2015. Currently, the band is touring heavily through the south and spreading their new music across to a vast array of new audiences.

    The new album marks a new level of maturity and musical craftsmanship as the band has dipped into new terrain featuring a plethora of new age synth space effects. Staying true to their roots, the band demonstrates plenty of intense guitar solos wrapped around their powerful lyrics. Dank are products of the south and their music is inspired with deep southern rock and roll roots. Hailing from Atlanta, Dank works well at crafting clever melodies around catchy hooks while still leaving so much to be explored.

    Opening up with “Crash The Door” the band is patient letting an ambient sound build and develop before dropping into an upbeat and moving groove. The simplicity behind the music and the soft drumming makes way for the lyrics to make a solid impact. The energy is very much alive as the band powers through the last part of the song with precision. The first track on the album is a great example of the band’s fearlessness approach to trying something different. With great musical risks comes a great reward and “Crash The Door” is a great example of the band successfully breaking through to something different and unique.

    Continuing with the upbeat tone of the first track, Dank pushes on with “Nobody Home” which showcases the intricacy between Jimmy Bones and Joe Gaines on guitar. “Gold Blues” is where the band’s southern chops out in a thick and gritty blues time signature. Matt Henderson really shines on the keys and wastes no time opening the music up. The album is full of highlights but one of the best compositions Dank has to offer is a number called “80’s Dude.” The music flows very well and keeps a consistent tone before it drops off at about two and half minutes in. The band breaks through with a deep exploration of a synth-based jam, which features Josh Birmingham commanding the drum kit before the vocals come back in.

    It seems a commanding force is driving the band and their willingness to explore new terrain will surely translate in the live atmosphere. With gigs booked through the end of March, Dank will continue to spread their unique musical vision across the south and the southeast.

    Key Tracks: “80’s Dude,” “Gold Blues,” “Crash The Door”

    Check out an incredible pro-shot version of “Gold Blues” here.

  • Winter Carnival 2015: Donna the Buffalo with Driftwood at the Waterhole

    Donna the Buffalo kicked Saranac Lake Winter Carnival up a notch Thursday night with a show that packed the Waterhole.

    Americana string act Driftwood opened the show with an energetic set that got the audience moving. Then Donna the Buffalo took the stage and turned up the heat with their zydeco-laced dance music. The band and the audience worked up a sweat despite the freezing temperatures outside as everyone partied late into the night. Driftwood joined DTB on stage for a group encore.

    Donna the Buffalo is Jeb Puryear on guitar; Tara Nevins on guitar, accordion and violin; Dave McCracken on Hammond organ, Honer clavinet and piano; Kyle Spark on bass; and drummer Mark Raudabaugh.

  • Winter Carnival 2015: Beau Sasser’s Escape Plan at the Waterhole

    Beau Sasser’s Escape Plan made their first Saranac Lake appearance Wednesday night at the Waterhole as part of the venue’s Winter Carnival 2015 lineup. The danceable funk kept the crowd on their feet throughout the show as the band jammed through their set, which included a wide variety of covers from Stevie Wonder’s “Signed, Sealed, Delivered I’m Yours” to “Bodhisattva” by Steely Dan.

    The band also plays fun originals, which organist Beau Sasser told the crowd are all about making love (though he used a more obscene word to describe it). Besides Sasser, the band is composed of Bill Carbone on drums, Danny Mayer and Justin Henricks on guitar, and Mary Corso covering vocals.

  • Never a Gamble to See Kenny Rogers With Special Guest Linda Davis at the Turning Stone Event Center

    If a person was to go to research country music over the last 60 years, the one name that would continuously pop up as a pioneer in country music would be Kenny Rogers. Kenny’s unique raspy voice, his charming good looks, his witty personality, and his varied range of talent in all aspects of entertainment sets him apart from the others, and makes him an entertainers entertainer.

    Kenny Rogers at Turning Stone Casino
    Kenny Rogers at Turning Stone Casino

    Beginning his career in the mid 1950’s with a band called The Scholars, Kenny’s career did not begin as a singer. Playing in the band he eventually moved forward to the front of the stage to establish his own band, Kenny Rogers and The First Edition, and by the late ’60s was racking up hits such as “Ruby, Don’t Take Your Love To Town” and “Just Dropped In (To See What Condition My Condition Was In)”. In the late ’70s, Kenny struck out on his own launching what would prove to be a huge solo career garnering him with more than 120 hit singles, albums topping the charts for more than 200 weeks, and sales of more than 100 million records worldwide. As a solo artist and as one of the leading duet partners in country music, Kenny continued to acquire award after award for years to come, ultimately being awarded the Willie Nelson Lifetime Achievement Award by the Country Music Association, and was inducted into the Country Music Hall of Fame in 2013.

    Kenny Rogers at Turning Stone Casino
    Kenny Rogers at Turning Stone Casino

    Kenny has one of those voices that amasses fans everywhere he goes, including those from other genres. Kenny’s ability to cross over into unchartered waters from Country to Pop, when there were clearly lines between the two at the time, set a precedent that would allow other country musicians to follow to this very day. One of Kenny’s most memorable cross over moments recently just celebrated a 30 year anniversary; the “We Are The World” song and video. This particular project was a collective effort of artists from all over the nation to gather to bring a voice for those in need during the 1980’s. To this very day seeing this video and hearing this song, touches our hearts.  I am happy to report as well that this project still continues to raise month to help those in need.  Kenny’s ability to straddle both genres is a feat that not easily accomplished, and whether it was Michael Jackson back in the 1980’s or his recent performance with Phish at the 2012 Bonnaroo Music and Arts Festival, Kenny’s ability to bridge these genres, bridge these generations, and bridge continents bringing his music to those that love him never ceases to amaze me, once again demonstrating that music is a universal language.

    Kenny Rogers - Sheet Music for We Are The World -Autographed by Artists
    Kenny Rogers – Sheet Music for We Are The World -Autographed by Participating Artists

    I recently saw Kenny Rogers on “The Big Interview” with Dan Rather, and was once again blown away  by yet another talent that Kenny possesses.  Over the years Kenny has had the ability to fine tune his camera skills and has become one fine photographer.  In 1987, Kenny Rogers published a collection of photographs featuring some of the days biggest names in the entertainment business; Michael Jackson, Lucille Ball, Elizabeth Taylor, Ray Charles to name a few.  During this interview he spoke of how he shot it all in black and white, and how his friends agreed to the shoot because he promised to shoot one role of film only.  If he got it (the photo), he got it.  If not, than that was it.  To see some of these photos, I am absolutely in awe.  Kenny has the eye my friends. The collection, titled “Your Friends and Mine “,  showcased Kenny’s ability to capture the feelings or another human being in one still moment. His use of black and white was classic, and his use of lighting for the subjects, spot on.  My adoration for the man and his talent just grew tenfold.

    Michael Jackson Photo by Kenny Rogers Featured in Your Friends and Mine
    Michael Jackson – Photo by Kenny Rogers – Featured in Your Friends and Mine

    The one thing I’ve learned about Kenny, he loves to wear many hats, and try many new ventures, and for each one he attempts, he nails it. Whether it is songwriting, performing, producing, engineering, photography, or acting, Kenny’s ambition to satisfy his creative outlet becomes our prize.

    As Kenny took the stage at the Turning Stone his stage presence and witty personality had the audience eating out of his hand the moment he walked out there. I absolutely loved Kenny’s ability to laugh at life and himself. Recently making a commercial for Geico, as the commercial played on the screen behind him, he teased the audience about his role as The Gambler singing “Know When To Fold Them”, and this jesting continued throughout the evening.  It is this lighthearted attitude coupled with his ability to reach out and touch his audience on a personal level that makes him a legend.

    Kenny Rogers at Turning Stone Casino
    Kenny Rogers at Turning Stone Casino

    Joined this evening by the lovely and extremely talented Linda Davis, Kenny is known as one of the most sought after duet partners being paired in the past with Dottie West, Dolly Parton, Reba McEntire, Sheena Easton, Kim Carnes, and Juice Newton to name a few. As he brought Linda out to join him, his ability to harmonize with anyone and everyone astounds me, and the collaboration was a perfect match.

    Linda Davis has been involved in country music since the 1980’s and she herself has won a Grammy together with Reba McEntire on the hit song, “Does He Love You”. As she sang, her angelic voice carried throughout the venue touching everyone’s soul, while her smile brought those to each and every one of us sitting there taking in her performance. She herself shared her excitement with the upcoming holiday celebrations as she was spending the first Christmas with her new grand baby, daughter of Lady Antebellum’s lead singer, Hillary Scott. This lovely lady, by no means Kenny pointed out, looked like any grandmother he had ever encountered.

    This show was an amazing mix of both the celebration of the holidays and the celebration of Kenny’s life long career of hits. Even though he may be the Gambler on-screen, taking in one of his shows is what I would call a sure bet, as there is no gamble involved when taking the time to come see Kenny Rogers in concert at The Turning Stone.

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    Kenny Rogers - Turning Stone Event Center
    Kenny Rogers – Turning Stone Event Center
  • Film Review: Oscar Nominated Live Short Films

    One of the overlooked and underrated categories for the Academy of Motion Picture Arts and Sciences Awards are the short films. Both Live Action and Animated categories have been included in Hollywood’s competition since 1932 yet few have a chance to see them for their lack of ticket sales and difficulty tracking them down. Luckily, Shortz, a network devoted to the short films (under 40 minutes) gives a method of distribution to these films so that these short stories are able to be embraced by a wider audience.

    Trent oscars photo by julian ungano Soul movie

    With the Oscars only a few weeks away, I checked out the Live Action Shorts at Spectrum 8 in Albany. Five short films ranging from 16 to 30 minutes were screened, including submissions from across Europe, the Middle East and Asia. You can check out the trailers for these shorts below and seek out a local theater to see them at before the Oscars are awarded on February 22.

    Boogaloo and Graham (Northern Ireland)
    Set amid unrest in Belfast, Northern Ireland in 1978, this cute film focuses on two young brothers who raise chickens as pets, with a mother who is not pleased with their inclusion in their family. When mom becomes pregnant, the chickens face impending doom but salvation comes in a most heartfelt way.

    Aya (Israel/France)
    In what could be an extended scene from a broader film, this 39 minute short works perfectly as a standalone short. Aya meets a conductor, accidentally becoming his driver from the airport to Jerusalem, and their relationship morphs over a the ride from strangers to a professional relationship towards friendship, with a sexual twist and a touch of romance. The only issue I had with this film was that is starts around lunch but ends late in the night, with the airport and Jerusalem only an hour or so apart. A filmmakers flaw perhaps?

    The Phone Call (UK)
    Academy Award nominee Sally Hawkins (Blue Jasmine) and winner Jim Broadbent (Iris) are Stanley and Heather in an emotionally steady short. Stanley calls a crisis center and Sally answers the phone. After a short conversation of he having lost someone, she discovers he took pills and amid his depresses state, she uses her resources to calmly help him, making every quiet effort on her end to save his life. This life pressing but not jarring or stress inducing film never gives you an emotional overload in the process but has a great payoff.

    Butterlamp (China/France)
    Set in Western China with a camera that does not move position, a small village is having their photographs taken. Behind them are rotating back drops, with scenes of beaches, Disney World, the Olympics and other facades that cover up the ‘progress’ behind them – a highway that looks like it may never be completed. Many come to town to pose for their first photos ever, as couples, kids, in groups, with props, and as families. A unique idea for a film, the awkwardness of these photos is an examination of Westernization meeting Eastern culture.

    Parvanah (Switzerland)
    In what I would predict to be the Oscar winner for Best Short Film, Western influence in Switzerland affects an Afghani immigrant (Parvanah) who is seeking to send money home to take care of her father. Branching out from a group home to seek out a Western Union, she slowly starts to let her hair down, free from the judging eyes of her temporary home, embracing freedom cautiously while seeking a connection to help her family. Befriending Anna, she tries alcohol, dances, steps out of the shadows and in just 25 minutes, she is not the timid girl we were introduced to but lightly acclimated into a welcoming world that does not judge her with the same harsh eyes. The subtext of seeking out Western Union is less than subtle but doesn’t portray Parvanah as changing drastically in two days time, but rather she finds middle ground for her familial obligations and new home and friend.

    Check out where you can see these short films here.

  • Hearing Aide: New Savant Album ‘Invasion’

    Norwegian musician, Savant has been on an upward spiral since his career started four-years agSavant Invasiono. Since his debut album, Ninur, was released, Savant has continued to top the charts of Beatport in multiple genres of EDM. This year should be no different. 2015 begins for Savant with the release of a new album called Invasion, which has killed it so far among fans. The 18-song album covers a wide spectrum of musical styles but each and every song is made for dancing.

    The album opens up with a playful love song called “Orphan”. In the beginning the notes have a buzz type quality while the song jumps around a scale like a video game. This lighthearted type of love song maybe not purposefully pokes some fun into the sappiness that comes along with missing a lover. A lot of the album is fast paced. It is easy to recognize that the strong pursuit of exploration Savant is taking in EDM. Everything takes a turn when trumpets sound in the song “Innocence” which is funk. It is not free form, which makes it grooveable.

    Part of what makes this music appealing is it gives a taste of aspects of many different styles of EDM music and makes it assessable. In one of the key songs on Invasion, “1997,” Savant revisits the style of techno that thrived at that time in the ’90s.

    Key Tracks: Orphan, Innocence, 1997.

  • Jeff Austin Band at the Fox Theatre

    Like the in-laws’ hungry cat gnawing on the end of an electric cord of the family Christmas tree lights, Jeff Austin ravenously rips into the shiny surfaces of his bluegrass melodies till he and his audience are zapped with a thousand volts of raw music. Nearly one year has passed since Austin parted ways with Yonder Mountain String Band, and when he took the stage at the Fox Theatre in Boulder last week, he seemed anxious to throw some sparks.

    Fronting his new band, Austin assembled a small collection of talented, seasoned musicians, including Eric Thorin on the stand-up bass, Ross Martin on guitar, and Danny Barnes on banjo. Barnes traded licks with Austin with the pan-seared sizzle of a fire department fish fry. Lead-in performer, Sarah Siskind opened with a bluesy, easygoing set before the Jeff Austin band joined to close her set.

  • Winter Carnival 2015: The Royal Noise at the Waterhole

    The first night of Saranac Lake’s annual Winter Carnival kicked off Friday night with The Royal Noise bringing the funk to the Waterhole.

    The Philadelphia-based band featured Saranac Lake native Mike LaBombard on saxophone and keys, along with Rodrigo Pichardo on bass and Aaron Zarrow on drums. The band played a free show in the Waterhole’s downstairs bar area, and it was packed with revelers honoring the outset of the weeklong winter festival, one of the oldest in the U.S., which has a theme this year of the Groovy ’60s. The Carnival queen, Linda Jackson, stopped by in her robe and crown after her coronation to celebrate with her subjects.

  • Photo Review: Wild Adriatic and Conehead Buddha at Montage

    Saratoga Spring’s Wild Adriatic enjoyed a 2014 chock full of press and band milestones. Their blues-funk-rock jams are full of pop potential without being emblematic of anything today’s pop scene contains. While shades of The Black Keys and The Strokes may exhibit themselves to a casual listeners ears – what we truly have here is an original sounding trio full of fire, emotion and quite possibly eternal hell fire. Wild Adriatic rocked the Montage on Saturday night with Conehead Buddha and will continue to rock Upstate with upcoming shows April 16 at Buffalo’s Ironworks and a hometown gig April 18 at Vapor.

    moe. fans have come to know the horn section of Coxsackie NY’s Conehead Buddha well over the past year with the two collaborating on multiple occasions. Those fans should get their butts down to see the full experience of the ska/world music based band who has toured for years. If the moe. connection isn’t enough, consider they also recently added Suke Cerulo, former guitarist for the down right epic defunct jazz/psych/funk trio Schleigho. Upstate will have another chances to run Buddha’s belly Feb 13 at Syracuse’s Funk n Waffles.

  • Hearing Aide: Tyler Smilo ‘Dust In a Grave’

    Singing the songs of a true wanderer, traveling throughout the country before settling in Erie, PA, Tyler Smilo has numerous stories to share that are more than worthy of a listen. On top of his deep lyrics, Smilo’s shockingly powerful voice featuring incredible vibrato definitely hits a nerve right from the start of his second and latest album Dust in a Grave.

    tyler smiloIt’s hard not to get sucked right in to the intense emotions of this tremendously talented singer-songwriter. Spouting lyrics about love – and love lost – on “These Will Be the Days” memories of the good old days before technology took over on “Rescue the Radio” and death of a loved one on “Dust in a Grave.” This musician seems to have experienced a great deal of trials and tribulations for someone so young. Let’s hope he continues to have many more adventures that he is willing to sing about for years to come, as after listening to this album, I was left wanting more.

    Because his thoughtful and thought-provoking lyrics are so compelling, it is easy to overlook the fact that this musician has mad guitar talent too. Able to change rhythms on a dime, and switch between minor and major chords several times within just one measure, it is certainly worth honing in on his guitar licks while listening through his album.

    In advance of his album, Smilo put out a series Rooftop Session videos recorded on the roof of the Renaissance Centre in his hometown of Erie, PA. Once you watch these videos, you’re going to find it hard not to delve deeper into Smilo’s music by checking out an upcoming show or purchasing one of his albums.

    Key Tracks: Blood In the Water, Dust In a Grave, These Will Be the Days