Category: Reviews

Funktional Flow Releases Album, Welcomes Two New Members

Funktional Flow and new members brought the funk to Nietzsche’s on Saturday, April 25 with their release party for Let it Settle and not only did they put an album out they also welcomed guitarist Joey Lewis and keyboardist/saxophone player Matthew Lester.

The two local musicians are no stranger to the band as they have been sitting in quite frequently and now officially became part of the growing group.

Sonder, another local product got the party started with some great lights and an equally matched livetronica show. It was a very packed crowd that seemed to have gotten what they have been begging for, a much anticipated album and a complete group of musicians, mission accomplished.

Funktional Flow Setlist

Set 1: Dumber, Strong Feeling , Back Door, Walking Blind ,Moving On, F Trance, Shape , Mulligans>Great Gig in the Sky>Mulligans, Bulls on Parade

Set 2: Trouble, Time Will Tell, Happy Hour Hero>Bullet, Leaving Town, Ambush , You Should be Dancing, Dreidel, Southern Fried, Doin’ Time, Moonlight Tide , Sledgehammer, I Wish

May 6, 2015
Seven Day Music Marathon Day 2: Knuckle Puck, Firestarter and more at Bogies

I don’t go to Bogies often, because that was the high school/early college venue for me, with few bands sparking my interest to bring me to Albany’s famed dive venue; Nietzsche’s, eat your heart out.

I found out about this show through Jambase and was surprised to learn the only band listed on the lineup, Firestarter, was not the headliner. In fact there were three bands that played prior to Firestarter – Broken Field Runner (Albany), Coldfront (Canada) and Routine (Albany, playing their first ever show), all who had 20 minute sets. Knuckle Puck, out of Chicago and drawing the majority of the crowd, headlined the night.

Firestarter is an Albany based band with influences from Blink 182, New Found Glory, Silverstein and Starting Line. I was thrown back to the late ’90s and my pre-jamband heyday with the influences ringing loud and clear, and it was alright. Matt Bliss, Firestarter’s lead guitar/vocalist spoke to me about the two year old band, who have done four cross-country tours and four regional tours, generating solid fanbases in pockets around the country, as well as a few Warped Tour shows. For a band this young and with an audience that is flocking to shows and singing every word, their potential is limitless. A new EP, A Life Inconsistent, is due out this summer.

Firestarter at Bogies. All I hear is Blink 182 #musicmarathon #nysmusic

A video posted by pete mason (@phanart) on May 4, 2015 at 6:41pm PDT

Knuckle Puck, a great rock n roll band name if there ever was one, had a similar sound to Firestarter, but their audience was not just singing/shouting every single word of every single song alongside the band, they were more raucous and lively than before. Crowd-surfing and moshing was the norm for most of the night, just without the flying fists. Being Star Wars night (May the Fourth be with you), the crowd also had lightsabers worked into their fist-pumping action. The dudes in the front row were singing the words right into the face of the lead singer, pushing ever closer towards the lip of the stage, with surfers falling into the pit. I still don’t get moshing, but the crowd was welcoming and full of energy all night.

.@knucklepuckil at Bogies #maythefourthbewithyou #punk #blink182 #moshing #nysmusic #musicmarathon

A video posted by pete mason (@phanart) on May 4, 2015 at 7:29pm PDT

The band has a vast following and an intense crowd at that, and while Knuckle Puck is far from my usual listening, it was a treat to see a thriving fan base for a completely different genre pack 200 people into Bogies, one of the last four shows at the venue, which is closing on May 31.

Next up in this Music Marathon: Halestorm and Pretty Reckless at the Palace Theatre.

May 5, 2015
Hearing Aide: Keller Williams’ ‘Vape’

Vape, Keller Williams‘ 20^th album, is a collection of 10 tracks that flow smoothly and whose sum is greater than any of the individual parts. Quirky vocals and pleasant plucking are aplenty on the new release, which may be best enjoyed relaxing on a lazy summer afternoon.

One of the two instrumental tunes, “Off Time Chorus Line,” kicks things off and sets a mellow tone that resonates through the album. Unique to the opening jam is some silky electric guitar playing on a mostly acoustic compilation. It’s easy for your mind to wander peacefully like a dove throughout Vape, as the second tune,“Mantra,” iterates.

“She Rolls” tells the story of a girl who surprises a state trooper with a kiss and dances on stage in her underwear. “High and Mighty” reminds us most disputes can be settled by uncorking another bottle of wine, and “Jesus’s Gun” lightly critiques Americans’ obsessions with guns. Williams’ soft style never allows the intensity to escalate too much.

Keller informs listeners that he loves donuts in a way reminiscent to Phil Collins once stating he doesn’t care anymore: “do-nuts, do-nuts; no more, no more.”

He wraps up the album by attesting he loves California…and Virginia…in “Cava.” Throughout Vape, whisks of Williams’ unique storytelling style and ability lead the album along a serene meandering.

Williams describes Vape as “highly concentrated music that can be heated up and inhaled through your ears.”

Be prepared to nod along lightly to the easy-listening album that will transport you to a state of tranquility and can only aptly be described as Keller-esque.

Key Tracks: She Rolls, Jesus’s Guns, Donuts

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May 4, 2015
Jesus on the Mainline Fills the Stage at Brooklyn Bowl

Jesus On The Mainline is a fifteen piece ensemble comprised of some of the best young musical talent New York City has to offer. Led by band leader Andrew Neesley (lead vocals, violin) his ensemble consists of Mel Flannery (vocals), Amanda Brecker (vocals), Tim Emmerick (vocals,guitar,banjo), Tomek Miernowski (bass), Dave Scalia (drums), Pascal Le Beouf (keyboard, organ), Andrew Miramonti (guitar), Simon Kafka (guitar), Mike Gorham (trumpet), Sam Oatts (trumpet), Natalie Cressman (trombone), Frank Cohen (trombone), Mark McGinnis (tuba), Jake Goldbas (percussion) and Austin Walker (percussion).

When you are preparing to see a band of this magnitude there is only one question you must ask yourself; will they all fit on stage? In stark contrast to past venues JOTM has played, Brooklyn Bowl gave them a chance to get comfortable on the roomy stage and let their sound shine through. With an eclectic range of tunes, at times ranging from southern rock to gospel and soul, the audience was captivated by the precise arrangements and compositions.

Neesley donning dark shades, shaved head, and a prolific beard, soon to be approaching ZZ Top status, began the set with the soulful and powerful tune “War” and made clear that given the right space to spread their wings JOTM could do not wrong. The gospel sounding “Angel From Montgomery” set the crowd up for a seamless transition into the rocking ruckus of “Jump Right In” with the entire cast firing on all cylinders. JOTM was reminiscent of a young, fresh, Tedeschi Trucks Band, combining all their talents to ensure their compositions resonated with everyone in attendance. Neesley takes time throughout each tune, while leading the band, to step aside and let each musician shine through, whether its Le Beouf’s organ solos or Flannery’s angelic voice giving us a soul filled cover of Nirvana’s “Lithium”.

To close outthe evening the entire ensemble took part in “Sister City, Brother Bone” with a classic rock sound, that gave way to the rhythm section to showcase their synergy. As long Jesus On The Mainline can find a stage to hold them and a room to contain their huge sound they are here to stay.

You can listen to Jesus On The Mainline here or catch them at Rockwood Music Hall on Thursday, 5/14, 5/21, 5/28 at midnite.

Jesus On The Mainline, Brooklyn Bowl, 4/28/2015

War, The Wrong Side, Chronically Lazy, Angel From Montgomery, Jump Right In, Sweet High & Dry, Take Me, Cry The Mamas Did, Lithium, Sister City Brother Bone

May 4, 2015
Seven Day Music Marathon, Day 1: Black Mountain Symphony

Throughout this week, I’ll be seeing one show a night in the Albany area, aiming for seven shows in seven days. Here is Night one of a marathon week of music.

Starting the night at The Low Beat was Dylan Jane, a singer/songwriter with Liz Phair lyrics and a slightly raspy voice. She brought up a mandolin and fiddle player for her last three songs which were the strongest of the night – the mix of string instruments and Dylan’s voice are a natural combination. Looking forward to seeing her down the road.

Cobblestone, a folk/Americana band with a touch of Lumineers worked in, picked up the energy with a dialed back version of Bob Dylan and Old Crowe Medicine Show’s “Wagon Wheel” and a great cover of “Uptown Funk.”

Black Mountain Symphony, a six-piece folk group with a strong jam edge were consistent and had crazy energy in a Railroad Earth style. The songs built up in tempo with a Appalachian/Hackensaw Boys vibe, including a very danceable version of “Rhiannon” and a big closer with the original “We the People,” off their recently released album. All together, a lively start to a week of music.

May 4, 2015
Photo Gallery: ShwizZ at Garcia’s, April 18

On Saturday, April 18 ShwizZ played to a full house at Garcia’s as the official after show for Jeff Beck at The Capitol Theatre. The progressive funk outfit played in support of their new 2 disc album My Good Side/My Bad Side, which will go on sale May 16 with a late night release party at Knitting Factory in Brooklyn, NY.

ShwizZ at Garcia’s Setlist: 12, Duggan, Orange Wreck, Pomegranate, City Of Tiny Lights, Bad Side, Zone, Doorbell, In The Bag, Good Side, Slop Cream, Slow Down, Tax Man, MGF

Photos and Review by: Nick Irving

Upcoming shows:
May 23, Arch Street Tavern, Hartford CT
May 29, Good Times Getdown, White Haven, PA
May 30, Domefest Terra Alta, WV

May 2, 2015
Hearing Aide: Wild Adriatic ‘Never Enough’

Saratoga area trio Wild Adriatic haven’t stopped picking up speed in the past few years, gaining fans worldwide with their contagiously fun and dance-able yet heavy in just the right ways blend of blues, soul and good ol’ straight up rock ‘n roll. They released a full length album in January 2014 and since have been on the road almost non-stop, touring coast to coast and for the first time taking their live show overseas on a European tour. During a six-week residency in Austin, Texas they released a new five-track EP on March 17 titled Never Enough that is a fantastic sampling of the talents and sounds they bring to the table.

The title track to this release starts off with a big, dirty, head bang inducing guitar riff that will grab any listener’s attention whether they’re ready for it or not. Then when the sounds of Mateo Vosganian on drums and Rich Derbyshire on bass join in together, it’s clear that it’s time to crank the volume as loud as possible, because this band is about to show you a damn good time.

The second track, “Strange Persuasions” slows down slightly, with hip swaying grooves. After an electrifying solo towards the end of the song, when guitarist/vocalist Travis Gray comes back in with the words “Tell me now do you want me?” you can envision the ladies in a crowd nodding, weak in the knees after the shredding that just swept them off their feet. Then they let the listener down softly for a moment with the ballad “Because of Me” showing that although good times are what they’re known for, they’re equally able to melt every heart in the room. The last-minute of the song Gray lets his guitar take a verse, showing that his playing can portray the same level of emotion as his soaring falsetto vocals.

The fourth track, “Trouble” full of hard-hitting yet intricate drum fills, funky keys, pulsing bass lines and rocking’ riffs, is a song that in the live setting would be a challenge for anyone to sit still through. This release is short and sweet, and for a new listener, an ideal introduction to what this band on the rise has to offer. Yet the studio version of this trio is only a fraction of the band that they are on stage, a true powerhouse of sound and energy where they take their songs to new levels in each performance.

Oh, and there’s also a cover of Bill Wither’s “Ain’t No Sunshine” but not much needs to said about that. When this trio decides to do a cover, they fill it with soul, make it their own, and exceed all expectations. From releases to live performances, everything Wild Adriatic does continues to set the bar higher and higher for the band. They are truly a band to watch this year and beyond as they continue to grow their sound, picking up influences and styles as they continuously hit the road running. With their intense touring schedule, it’s likely they’ll be in a town near you soon, but until then, Never Enough will keep you smiling, dancing, and singing along from whatever speakers you’re blasting it from.

Never Enough is available at wildadriatic.bigcartel.com and via iTunes.

Wild Adriatic have announced tour dates through August, including Bonnaroo (Manchester, TN) and Summer Camp (Chillicothe, IL). Full list of dates can be found at wildadriatic.com

May 2, 2015
Hearing Aide: Dan Johnson and the Expert Sidemen’s ‘Suck It Up, Cupcake’

Honest heartfelt lyrics, and a raw unadulterated voice help to shape Vermont-based Dan Johnson and the Expert Sidemen’s latest album titled Suck It Up, Cupcake. Listening to this album, the band’s fourth, you get the sense that Dan isn’t trying to impress anyone, yet he manages to do just that. So sit, back, relax, and imagine you are sitting around a campfire with a true storyteller who just so happens to be a great guitar (and pedal steel and mandolin and banjo) player, and who has his friends Pete Murphy, Brian Elsenbeck, and Roger Noyes (the Expert Sidemen) along to back him up.

Gleaning influence from none other than Bob Dylan, which certainly comes through in many of his tunes, Dan has also been singing and picking along with more locally well-known (to Upstate NY) musicians, including Jay Ungar and Molly Mason, who have taught him to appreciate the more acoustic and traditional yet simultaneously individual sides of folk music.

To add to the pure sound of this album, Dan chose to record all the parts in his Vermont home, using Garageband for the mixing and mastering, making this artist a talented songwriter and recording artist to boot! Although a couple of the songs are a bit cheesy, which kind of comes with the territory, being that this album falls under the country music genre, each song has a way of working its way into your head, and sticking there all day. Perhaps it’s the easy-going quality of Dan’s voice, or the familiar sounding riffs reminiscent of traditional folk tunes, or the soothing tones of the pedal steel guitar featured on several numbers, but his songs do have an infectious quality.

Once you give Suck It Up, Cupcake a listen, you won’t have to wait too long to hear them performed live, as Dan Johnson will no doubt be playing some of his new tunes during his upcoming shows, which include stops at Skinny Pancake in Montpelier, VT on June 14, Radio Bean in Burlington, VT on July 4 and a performance at Upstate NY’s very own Hardball Café in Cooperstown on July 10, and the Bellstock Festival in the Catskills on July 16.

Key Tracks: Being Free, Seattle Southbound Blues, On My Gravestone

May 1, 2015
The Disco Biscuits Invade Higher Ground for Late Night Dance Party

The Disco Biscuits officially set the record for the fastest sellout show at Higher Ground ever, when they announced a late night after party for their UVM Springfest show Saturday in Burlington, Vermont. They hauled all their gear a few miles across town for a late night show starting at 11pm and going all night. Given the small size of the venue and the fast sellout, anticipations were high and the band certainly did not disappoint the lucky few who managed to get a ticket.

The band wasted no time, jumping into a nice version of “Aceetobee” which segued into “Bombs”. Bass player Marc Brownstein was really prominent, ironically dropping what some would call “bombs” during the song, before leading the band back into the end of “Aceetobee”. “The Very Moon” followed, and was stretched to almost 15 minutes long, but remained unfinished. It was a rather standard version, but the segue into the Grateful Dead’s “Crazy Finger’s” must be heard. Guitarist Jon “The Barber” Gutwillig really nailed the segue and had the crowd cheering and singing along to the classic tune with a modern electronic twist. They ended the first set by finishing off their own classic song “Mr. Don” from April 16 in Denver,CO.

The second set started things off with fan favorite “Trucker’s Choice”. The time was after 1am, but nobody in attendance showed any signs of letting up, the band included. “Mindless Dribble” followed, and was almost 17 mins in length. The band jammed on several themes through this version, a nod to their older style of jamming, called “rotation jams.” This was a common theme throughout the night, and the band was clearly enjoying it. “Mindless Dribble” segued into “Sound One” which features weird lyrics and a standard jam. The highlight of the night was next in “Crickets”. This 20 minute version was a monster and featured some major jamming across different styles and themes.

Approaching 2am, the band closed the set with “Hope”. A rather unique choice to close the night, but very welcomed by everyone in attendance, many signing along with the band. They quickly returned, and Brownstein gave a huge thanks to the crew for hauling all their gear across town and setting it up again with only a few hours to spare. “Pilin’ it High(er)” closed the night off, and isn’t played very often. This version was great and was a great end to an amazing day and night of music.

The Disco Biscuits. Higher Ground, Burlington VT. 4/25/15

Set I: Aceetobee-> Bombs-> Aceetobee, The Very Moon (unfinished)-> Crazy Fingers-> Mr. Don (completes 4/16 version)

Set II: Trucker’s Choice, Mindless Dribble-> Sound 1, Crickets, Hope

E: Pilin’ it High(er)

*Editor’s Note: Check out Dave’s coverage of the UVM Springfest Disco Biscuits show from 4/25/2015

April 30, 2015
The Disco Biscuits Take Over UVM for Springfest

The University of Vermont (UVM) hosted its annual Springfest event and invited The Disco Biscuits to jam out this year. Hardcore fans and newcomers were plentiful for this late afternoon set and the band did not disappoint.

Diving right into a daytime “Strobelights and Martinis,” the band was already in sync and you could tell we were in for a treat. “Strobelights” morphed into “Air Song” which slowed things up a bit before segueing into fan favorite “Spacebirdmatingcall”.

The band was having a ton of fun at this point, and so was the college crowd, many who had never seen The Disco Biscuits before. An intense sandwich of “Digital Buddha” into an inverted “Little Betty Boop” back into “Digital Buddha” was certainly the high point of the afternoon. The “Digital Buddha” featured some great interplay between guitarist Jon ‘The Barber’ Gutwillig and keyboardist Aron Magner.

The set ended with a nice rendition of “Little Lai”. They returned for an encore of “Little Shimmy” in a Conga Line which had the crowd dancing to its sweet rhythm and melodies, leaving many wishing they had tickets to the sold out show later that evening at Higher Ground.

The Disco Biscuits – UVM Springfest, Burlington, VT. 4-25-15
Set One: Strobelights & Martinis-> Air Song-> Spacebirdmatingcall-> Digital Buddah-> Little Betty Boop (inverted)-> Digital Buddah-> Little Lai
Encore: Little Shimmy in a Conga Line.

April 29, 2015