For someone only exposed to American music, the concept might be lost. That has always been the case with Consider the Source though who has always pushed global boundaries. Never before though has the band done it this masterfully and with such vision. This isn’t just food for thought, but a feast, with such lush sonic depth that can’t simply be explored in one pass. This is music that commands focus in a time when fans are more flippant than ever. You could say the band is fighting a natural progression, but I applaud the effort and what they force a willing listener to listen to. The continuity between songs is beautifully orchestrated and only possible with an overall delivery being kept in perspective from the onset.
Consider the Source continues to improve upon the layered depth the trio creates. Most bands employ a second guitarist or a keyboard player to fill in some of those aural gaps the ear senses. Consider the Source somehow rarely leaves those though, instead filling the air with enough character and integrity on both the individual level and collectively as the full body of work.
It’s difficult to break this album down like a typical review because it lends itself more to a movie score than an actual music album, weaving rhythm and melody like a story line. This certainly isn’t a movie for everyone though. Hell, it might not even be for most, but for those willing to spend the time, this album is certainly capable of hitting you places wouldn’t think music could.
Staying with the movie parallel, this is no comedy, but a serious drama. It’s the type of movie that’s meant to make you think and not entertain per say. While there are plenty of parts where the band digs into a danceable groove, the vast majority is a complex structure meant to unlock pieces of your imagination and brain that may have been untouched otherwise.
In terms of sound, the band has always had their Middle Eastern and Sci-Fi elements, and while I would say the former is true on this album, the latter has now been pushed outside of this galaxy. The Middle Eastern elements underscore all of these other directions the band is going in. You can hear heavy metal influences this time around and that’s not a bad thing as they use it tastefully for emphasis throughout. I also heard Latin rhythms and a tonal landscape that covers so many other cultures. To someone with chromesthesia, these guys are coloring with the big box of crayons. Again, it must have taken an impeccable vision to be able to weave a thread through all of this the way they do.
On the individual level, these guys are simply incredible musicians in their own right and have found a chemistry that allows them to have a musical conversation. Jeff Mann should be commended for his uncanny ability to keep these two explorers on track, while bassist John Ferrara pulls double duty holding the rhythm and providing a sturdy base for Gabriel’s melody lines. Ferrara isn’t just support though and steps out many times throughout to take the reins and lead with the low. On guitar, Gabriel’s tonal breadth is equal parts beautiful and haunting. His understanding of timbre and where and when a tone should be called upon is literally right at his fingertips with his instrument’s flexibility. For example, when he needs a xylophone, like the solo on “Up to, But Not to Exceed…Whoa,” he does and he makes that perfect call every time. The three have hit a stride on this like they’ve never hit before.
The album ends on a dream-like wave of layered tones. The beautiful blend has a very natural and earthy feel to it that slowly draws this masterpiece to a close. The play between the various instruments perfectly compliments one another and the gentleness of the track is a great counterpoint to some of the more aggressive playing that proceeds it. This is not a loose collection of songs, but a score. The tracks below were some gems, but it really deserves a full listen to understand the concept.
Key Tracks: This Dubious Honor, Up to, But Not to Exceed…Whoa, I’ll Fight for the Imp, You Are Disappearing
Imagine Dragons has released their newest album, Smoke & Mirrors. With the huge success of their first studio album Night Visions in 2012, selling more than 2 million copies to date, Imagine Dragons took the world by storm and by doing so set the bar pretty high for themselves when it came to following up with their second studio album. They had fallen into the proverbial trap of having such a huge success right out of the gate, that anything following was bound to be held to a higher standard.
Imagine Dragons Smoke & Mirrors
So with this dilemma, how did this Grammy Award winning band follow up their first hit album? They did it like they should, with an album written for themselves. After all, isn’t that what music is about? Personal messages paired with instrumentals to express themselves.
Writing continuously while on the road touring , the band compiled and recorded demos and as the Night Visions Tour ended, they purchased a house in Las Vegas, converted it into a studio, and for the next 8 months put together a story of sorts from experiences on the road that were laden with a roller coaster of personal emotions. After all, the whirlwind of life on the road from local venues to sold out arenas, had to take a toll on them emotionally. What better way to share than through song?
Hailed as one of rock n roll’s greatest newcomers in the 2013, their new found popularity and accolades brimmed over the top as America welcomed them with open arms. As new artists trying to achieve success, was the photo in their mind exactly what they pictured once achieved, or was it writ with unbeknownst angst they would encounter throughout the tour and along the way? I believe it may have been some of the latter. As I listened to the new album the creative differences between the two albums were not as apparent as other seemed to say. I still saw the same vocals and rhythmic distinctions still shining through.
I love Imagine Dragons, and I believe it’s their unique sound and truthful lyrics that caught my attention initially and holds it still today. It’s not their commercial success that makes them stand out. They are not mainstream music, they are not mainstream artists, and their unique style and sound is representative of who they are and how their creative process. Yes, their sound has been compared to a mix of The Killers, U2, Coldplay, Mumford & Sons, and Arcade Fire; taking bits and pieces from each band when making that generalization – influences have that kind of effect on you. You tend to find yourself creating similar sounds because, well you like them in the first place. They have been criticized for using every technical instrumentation trick known to mankind in their new music, and my reply to that is, ‘so what?’ That’s why it exists: to use it. Artists are known for creating something from their souls. It doesn’t have to be what you would want it to be. If that was the case, it would be your creation. So the fact that they use any or all technical tricks doesn’t lessen their musical creations to me in the least. I feel it has an energy to it. Although the lyrics on this album brim with a deep dark almost undaunting edge, the pulsating rhythms and melodic vocals give it an upbeat sound that over plays the underlying message.
Working along side Alex Da Kid on this album, his reputation for bringing out the creative sides of artists like Eminem and Christina Aguilera, demonstrates the perfect example why he’s a perfect match with Imagine Dragons on each of their studio albums.
As I listened to this album I had to do so a few times before I could collect my thoughts to develop a constructive opinion. In true Imagine Dragons style you have the strong percussions and amazing vocals and harmonies with a mix of synthesizer in there throughout the album, but with this particular album you got something else. You get variety in sounds that represent their travels with the first album. What the audience had become accustomed to (vocal/harmonies/percussion/synth) from Imagine Dragons was there in songs such as “Shots” and “The Fall”, but you also got a hint of some R&B with “Friction”, mixed with a flair of the Middle Eastern sounds in there as well. In “Hopeless Opus” you’ll see a flavor of Asian sounds intermixed with a bit of rapping, guitar solo, synth. Heck you pretty much get a bit of everything in that song. Same goes for “Summer”. The beauty though is how well they were all mixed together seamlessly. In fact in most of the songs you’ll see a variety of sounds and tempos within the songs that without the expert help in mixing could have been a disaster. This is where the expertise of Alex Da Kid played a huge part.
I have to say my favorite tracks were “I Bet My Life” and “Trouble” demonstrating their folky sounds mixed with a huge helping of underlying percussion. Just love their take on this sound. Running close second would be “It Comes Back To You” and “Dream” where I can definitely see influences from Coldplay and U2 in this song. It was the upbeat tempo and lyrics in this song that hooked me; “…all the things you had lost will find their way to you… am I a shadow you drew.” I can definitely see a commercial success with this release.
Criticized by others on this album, I definitely can see a darker side in their lyrics though with an underlying message perhaps of life on the road wasn’t all they expected, but I can’t understand the criticism. Music is an expression of life and everyone’s message is different. Give me a break negative Nellies. In both “Gold” and “Polaroid”, focus should be on the mixing of sounds, not the lyrics. “Gold” was another example of expert mixing. “Polaroid” to me was a little disappointing but only because as a photographer I had hoped this track would be as upbeat a message that the tempo held. But hey, everyone sees something different in a photo hence the saying “a picture is worth a thousand words”, and the message was something totally different. But still, it was a good song. No one is going to like every song on an album; you can’t expect every album to be Sgt. Peppers Lonely Heart Club Band.
The title track “Smoke and Mirrors” and “I’m So Sorry” give the listener a true rock and roll feel to the songs. These will be great live songs with the guitar and percussion in them.
After listening to the whole album several times, I came one conclusion: it’s a great album. Was it what the public anticipated from them? Perhaps not. Was it the mix of techno sounds with anthem rock and pop beats they are known for? Yep. With so many negative reviews and plays on words with the title, I find Smoke & Mirrors nothing but honest and forthwith. I can see the growth within the band, and the influences of experiences of the last few years in their lyrics. It’s the honesty on this album though that makes it the perfect second album. As far as commercial success, I believe those that loved Imagine Dragons will agree with me that this was a great album. It may not be a mainstream as some expected, but when it came to making an album that is true to themselves, this definitely met their expectations. This is one of those albums I think that when you listen to it initially you may not get it right away, so listen a few more times. Read the lyrics and see the messages. Then go back and listen to the music once again, and you will see that this really was a great album and will play out even more so as a great live performance.
As they roll into town this week to the First Niagara Center in Buffalo, they will be joined by Metric and Halsey. Show starts at 7pm and tickets can be purchased through Live Nation. Hope to see you there.
Taste of Country 2015 kicked off its third annual country music festival at Hunter Mountain on Friday afternoon with a bang and a star-studded lineup. Set in the gorgeous Catskill mountains in Upstate New York, legions of East coast country fans packed the mountain ready for great country music, delicious food and drink and myriad of other activities and attractions carefully designed to create an exciting and unforgettable summer festival experience.
Although a ski resort during the winter months, it’s scenic mountain views framing the main stage, sprawling hills for fans to spread out on and numerous camping areas make Hunter’s transformation into a music festival venue in the summer, a seamless one. As usual, fans arrived at the show enthusiastic, animated and ready for a party.
Keith Urban – Taste of Country 2015
Friday, Day 1: Fans crammed the venue and fair ground area for a highly anticipated opening day lineup of Rachel Lipsky, Logan Mize, LOCASH, Colt FormEli Young Band and Keith Urban. They were also able to enjoy a bunch of delicious food choices, plenty of drinks and various shopping, where anything from cowboy boots to band merch was available. The food stands, despite having been good from the first year of the festival definitely took a step up this year, providing a wider variety of food and more choices than ever. When in search of lunch I found myself wandering through the grounds unable to decide what to get because there were so many delicious options!
Taste of Country Festival 2015
Although the forecast predicted that a massive thunder storm was looming, the weather throughout much of Friday at Hunter Mountain was clear, sunny and hot, albeit very humid. It was only around 9 p.m. when Eli Young Band (whose set had already been move up 15 minutes due to the impending lightening) finished their set that the festival announced a delay for headliner Keith Urban’s set. Fans were directed to quickly and calmly leave the mountain and take cover in their cars until the festival deemed it was safe for them to return. Fans were kept updated on weather conditions and the delay through both the Taste Of Country Festival app and through social media such as Twitter and Facebook. Thankfully, venue announced that it was safe for fans to return at 10:24 p.m., and after some stage cleanup and giving fans time to return, Urban was finally able to take the stage around 11 p.m. Outside of weather issues at the end of the night, the festival ran very smoothly throughout most of the day.
As the day of music began, Rachel Lipsky was the first to take the stage. This young lady has one heck of a voice and a “hell ya” attitude that captured the audience immediately and reeled them in and amped them up, setting the stage on fire from the get go. Singing both originals and covers, this young lady owns the stage and gathers fans everywhere she goes. Whether it’s overseas to perform for the troops or at the next Nascar Race, Rachel’s a fan favorite and a veteran to the Taste of Country stages being her second year performing at the festival.
Rachel Lipsky – Taste of Country 2015
Next up was Logan Mize. This young man, with his wholesome good looks and amazing voice owns both stage and screen when he performs. Fans adore him, and music lovers can’t get enough. Keeping up the momentum, Logan continued to engage the audience and by the end of his set, the party was well under way.
Eli Young Band – Taste of Country 2015
LOCASH was the third act to take stage on Day 1. Anyone who has seen this duo before knows that they are the life of the party on stage, and aways know how have a good time while putting on an amazing show. Comprised of Chris Lucas and Preston Brust, the duo is down to earth, funny, patriotic and always vibrant on stage. It is truly hard not to like LOCASH, and the pair is easily able to connect with the crowd in live settings because of their engaging nature and the relatable subject matter of their songs. Although I arrived about 10 minutes late, I was still able to catch most of their set. The duo was just about to begin playing a new song called “I Know Somebody” as I arrived. The song was undeniably catchy and featured pleasant harmonies between Lucas and Brust. It should be a good track or even a single on a future album or EP.
Eli Young Band – Taste of Country 2015
The pair delighted a predictably intoxicated crowd with their fun and carefree song “Drunk Drunk,” which to no surprise, they wrote when they were drunk one night. LOCASH’s set also featured another new song, “What We Got”, a romantic and charming track about being thankful for the love in their life. The duo also performed some notable covers; “Truck Yeah” which the pair wrote with fellow country artist Chris Janson, and was recorded by Tim McGraw. This number was a huge crowd pleaser as the lyrics are fun and easy to sing out loud. LOCASH briefly went out of genre with covers, of Bruno Mars’ “The Lazy Song” and a rousing version of Def Leppard’s “Pour Some Sugar On Me.” They rounded out their setlist with self-proclaimed redneck anthem “Hey, Hey, Hey”, and a track they called a “meat and potatoes, knockout punch” song that they plan to be their next single, called “All I Need Is You.” LOCASH closed with their current hit single and fan favorite “I Love This Life,” an anthemic track that details the simple pleasures of living a country lifestyle. Before performing the song, they informed the audience that New York is the No. 1-selling market for LOCASH, and thanked fans for their support, dedication and for buying their songs.
Keith Urban – Taste of Country 2015
Country rapper Colt Ford followed LOCASH. Known for his patriotism and high profile collaborations with some of country music’s biggest stars, Ford’s setlist contained an abundance of popular and well known songs. The always aware and generous Ford is also heavily involved in various charity projects to aid current soldiers as well as veterans suffering from PTSD, noting how important it is to support those who fight and sacrifice every day for our country and our freedom. A prime example of the entertainers desire to help others, all of the proceeds of one of his current songs that he performed called “Workin On” will go to help soldiers with PTSD. He also mentioned that he always performs with an American flag attached to his microphone stand, a tribute to soldiers and first responders. Ford performed his infectious party song single “Crank It Up” a track with a dance beat and killer hook, as as well as “Country Thang” recorded with Eric Church, “Driving Around Song” recorded with Jason Aldean, “The High Life” recorded with Chase Rice and even covered Eminem song “Lose Yourself” which the crowd got a kick out of.
Although he is known as a country rapper of sorts, Ford kept his music grounded in country with plenty of fiddle during his time on stage. He ended his set with “Dirt Road Anthem” a game changing, massively popular song he wrote with Brantley Gilbert that was taken to No. 1 on the country charts by Jason Aldean. LOCASH joined him on stage to perform the song, adding camaraderie to an already fun set.
Eli Young Band was the fourth act to take the stage, but the last before the festival issued it’s weather delay. Known for their vocals, songwriting and the pleasant overall sound of their music, Eli Young Band has been able to accomplish the often rare feat of finding critical, commercial and radio success during their time together. They opened their set with a song called “Revelations” an emphatic rock influenced track from their most recent album 1000 Towns, which were followed by the album’s title track, previous single “Dust” and three songs from their new Turn It Up EP, “Drink You Up” and “Plastic” and it’s title track (also the band’s most recent single). Self-proclaimed “bonfire tune” “Always The Love Songs” soon followed. The four man band kept the patriotism going as well, leading several enthusiastic USA chants with the pack out crowd and like Ford, keeping an American flag on stage at all times. They also took the time to dedicate their touching and heartfelt song “Prayer For The Road” to members of the military and first responders. Eli Young band made sure to express how lucky they knew they were to be able to play music for a living, and how thankful the were for the fans that have continued to support them throughout their career.
LOCASH – Taste of Country 2015
The group chose to perform several well known covers, including David Lee Murphy’s crowd pleasing “Dust On The Bottle,” Tom Petty’s “Learning To Fly” and Garth Brooks’ “The Thunder Rolls” which was unfortunately a very appropriate prediction of the weather that was soon strike the mountain. Radio hits and Eli Young Band staples “Drunk Last Night,” “Even If It Breaks Your Heart” and “Crazy Girl” came at the back half of the band’s set, delighting the thousands of fans in attendance with their relatable lyrics, catchy hooks and deep content. Even though a nasty storm was soon to come, Eli Young Band’s set definitely rocked the thousands sprawled out on the hills of Hunter Mountain before the thunder, rain and lightening could ruin the party.
Logan Mize – Taste of Country 2015
Not 10 minutes after Eli Young Band’s set (around 8:50 p.m.), the festival announced the temporary delay of Keith Urban’s set, and informed fans that for their own safety, they would have to leave the mountain until the weather improved. Although disappointing, the festival officials always maintained that they believed the show would be able to go on after the delay. Sure enough, around 10:20 p.m. they announced via Twitter and the Taste of Country Festival app that the venue had re-opened and that headliner and worldwide superstar Keith Urban would finally be able to perform after the stage was cleaned and fans had returned.
Keith Urban – Taste of Country Music Festival 2015
Urban, who has been a titan in the music industry for decades has drawn millions of fans to his concerts and music though his perfect pop-country formula, movie star good looks, sweet personality world renowned skill on the guitar, and distinguishable voice and musical sound. The Australian native’s illustrious career beginning in 1991 includes 10 wildly successful headlining tours starting in 2004, 18 No. 1 songs, three Grammys and numerous country music awards.
Taste of Country Festival 2015
Fans were relieved and thankful to see Urban take the stage. The continuing rain, and substantial pools mud that were a result did nothing to deter fans from flocking excitedly back to the mountain for his set. While the guitar is nothing more than a prop for many musicians on stage, for Urban it is like an extension of his arms, and at times can be just as poignant and affective as his vocals or lyrics. He often delights the crowd in live performances, showing off his extensive shredding ability with long, emphatic and complicated guitar solos at the end of many of his songs that leave fans wondering how he has enough fingers to hit each note and this night was no different. Urban also has a fully stocked stable of well known hits that he trots out confidently each show, often having to trim down the list to fit his set into the allotted time frame. He began his set with the upbeat “You’re Gonna Fly,” the catchy “Put You In A Song,” followed by “Somewhere In My Car” a No. 1-hit from his most recent album Fuse, and irresistible summer jam “Long Hot Summer.” Urban then brought talented singer and fan from Saratoga Spring Kayla Saris, who won a fan contest on stage to help him perform his hit song “We Were Us” a duet he recorded with fellow country artist Miranda Lambert. Also from Fuse, Urban performed popular singles “Little Bit of Everything” and “Cop Car” before the romantic, fan favorite “Sweet Thing” which included an extended guitar solo to close out the song and an acoustic rendition of “Making Memories of Us.”
Urban also broke out his brand new lead single “John Cougar, John Deer, John 3:16” an easygoing, laid back, easy to jam out to track that is sure to become another hit for the talented singer, and the last single from Fuse, “Raise Em Up,” a star-studded collaboration with Eric Church that also included a thrashing guitar solo at it’s conclusion. The audience enthusiastically screamed back the lyrics of sweet, fan favorite “Kiss A Girl.” He closed the show and brought down the house with performances of massive hits the cheeky and anthemic “You Look Good In My Shirt” and the the uplifting ” Someone Like You.”
By the end of the show Urban had proven yet again why is a must see performer for all casual and serious music lovers and showed that even a storm couldn’t stop the thousands of loyal country music fans in attendance from, showing up in droves to enjoy their favorite performers. Urban’s headlining set was the cornerstone to an incredible day full of great music, delicious food, eclectic festival environment and beautiful views at Hunter Mountain. The best part was that there were still two more exciting days of the festival to look forward to.
The general public may not know or remember who Tom Keifer is but they do know his music. Keifer has been a stronghold in the rock music scene for over 30 years, as a solo artist and with his band Cinderella.
Keifer and his band made a stop in Binghamton at the recently re-opened Club Eclipse in support of his debut solo album The Way Life Goes.
The crowd was regrettably on the small side but their excitement and enthusiasm filled the room to its capacity. You could physically feel the energy and excitement from each individual when Keifer and his band busted out on stage playing the bluesy rock Cinderella song “Fallin’ Apart At The Seams”. Keifer kept the crowd captivated by going into “Its Not Enough”, followed by “Different Light” and “Save Me”.
Slowing the set down and switching gears to an acoustic setting, Keifer brought his wife Savannah out to perform with him. She beautifully assisted him (and stole everyones hearts) with songs “Ask Me Yesterday” and “Don’t Know What You Got (Till Its Gone)”.
Tom Keifer performs with his wife, Savannah in Binghamton, NY
After thanking Savannah for her assistance Keifer took the show up a notch and rounded out the set with fan favorites “Solid Ground”, “Cold Day In Hell”, “Coming Home”, and “It’s Only Rock n’ Roll”.
He also did a fantastic cover of The Beatles’ “With A Little Help From My Friends”. This cover was one of the most memorable songs of the night. It had people hugging and swaying/singing along with their friends that accompanied them that night. Keifer also brought out a few of the band members wives (along with his own) to “help” with the song.
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Keifer undoubtedly appreciated his fans and was truly moved by the audience’s love for him and his music. He personally thanked everyone for their 30-plus years of dedication and for having faith in him while he overcame his vocal chord issues. Toward the end of the show to commemorate the night and his fans there, he brought out his camera and recorded a video clip of the crowd cheering for him. There wasn’t one unsatisfied fan in the venue when the house lights came on at the end of the night.
After the set Keifer graciously came out and greeted fans who were eagerly waiting to meet him. His appearance in Binghamton impressed long time fans and won over a few new young ones for life.
Keifer’s tour in support of The Way Life Goes will continue around North America and the UK through the end of 2015.
On a picturesque day in New York City, tens of thousands of visitors flock from all around the world to Central Park. Some are row boating on the Lake, some come for lunch at Tavern On The Green, and many came for hometown funk band Lettuce. As the crowds filtered in to Summerstage one of New Orleans finest brass ensembles, The Soul Rebels, serenaded them with their powerful horns. For Brooklyn based Lettuce headlining Summerstage is a monumental accomplishment and coming off their sold-out show at Red Rocks they had set the bar high.
With Erick “Jesus” Coomes (bass) straddling his usual center stage position he lead Lettuce, consisting of Adam “Shmeeans” Smirnoff (guitar), Adam Deitch (drums), Neal Evans (keys), Ryan Zoidis (sax), and Eric Bloom (trumpet) on a funk filled journey in the park. The band was joined on stage by The Soul Rebels for an ensemble performance of “Sam Huff” and Nigel Hall stopped by as well. As the set got moving Central Park Summerstage shut the gates as the capacity crowd reveled away in the sun and the deep funk grooves.
Lettuce will be back on the East Coast opening for Umphreys McGee in Boston, Asbury Park, Philadelphia, and Baltimore. You can find tickets here.
Setlist: Lettuce at Central Park Summerstage, 06/13/2015
Reunion, Big Anthem, Chief, Blast Off, Lettsanity, Phyllis, Get Greasy, Sam Huff*, Hip Hop Odyssey, Madison, New Reel,
Lett Gogo, Makin My Way, Hang Out and Hustle, Do It Like You Do
Ginger Baker brought his new band Jazz Confusion to The Egg for a grand evening of music for a packed audience. Playing two sets, though the second was a little shorter, and an encore, Ginger and his band had the crowd sitting on the edge of their seats to see what they would perform next. Ginger Baker is of course known most famously for being in the super groups Cream and Blind Faith, but at the heart of his playing has always been jazz. He was just getting over a bout with pneumonia, but the only time you would have know he had been sick was when he talked to the audience or stood up from his drum kit. When he was sitting behind the kit, his hands still flew all over the kit with ease. After all these years and problems he has gone through in life, it is a joy to be able to see him still be able to play the drums so effortlessly.
The band that Ginger put together displayed their power during the show, seamlessly weaving in and out of one anothe. Pee Wee Ellis, formerly James Brown’s band leader, played beautiful solos and dotted the songs with intricate melodies on his saxophone, while Alec Dankworth’s bass playing kept the music steamrolling forward. Abass Dodoo, a tremendous percussionist from Ghana, added a flair of Afrobeat to the music of the others and complimented Ginger’s playing perfectly. Anytime one of the members had the chance to take a solo, it was great to see the other three members of the band watch as if they were in the audience and seeing the other member play for the only time on the short tour the band is on. Though there may not have been any “famous songs” played by the group, the crowd at The Egg got their moneys worth and then some from the four virtuoso musicians.
The third event at CMAC’s 2015 Summer Concert Series, Ed Sheeran was what I would refer to as a winning musical trifecta wrapped in a “Lego House.” With the combination of stellar weather + stellar crowd + stellar music, CMAC couldn’t have planned it any better. This show sold out it’s 15,000 capacity within a 24 hour period of time as just one of several great shows planned for the series, the summer sure has kicked off with a bang.
Ed Sheeran – CMAC
As the long and winding crowds made their way in to take their seats, it was apparent that Ed Sheeran’s music held mass appeal to multiple generations. In a matter of minutes the green grassy area up above on the lawn filled in that you couldn’t see a blade of grass anywhere. Yes there were crazed teenagers everywhere sporting “X” t-shirts, carrying signs, and even letters to spell out ED! There were also adults of all kinds, and trust me they were not there just because their daughters needed rides. They too danced and sang along the entire night.
Opening the evening was the UK sensation Rixton. The energy level of these four young men blew me away. Was totally impressed by their musical talent and their showmanship. They had the crowd at hello. I’ve seen numerous opening acts prime an audience for the main show over the course of my career, however they were one song in and the audience was on their feet dancing and singing along. Amazing. With Jake Roche on vocals, Charley Bagnall on lead guitar and vocals, Danny Wilkin on keyboards, bass, and vocals and Lewi Morgan laying down the beat on drums, their energy levels were contagious. Singing hits from their recently released album, Let The Road, they engaged the audience by pitting section vs. section, pointing out audience members, and just rousing everyone out of the seats. It was fun to watch and even more fun to photograph.
Ed Sheeran – CMAC
With a quick set change, Ed Sheeran took the stage. A man, a guitar, some platforms, two mics, and a loop pedal. That’s all this amazing musician needed to put on a show that blew the roof off the place. This young man’s musical abilities astound me. He played non-stop, gave more than 110% on each song and was the whole band rolled into one. His writing ability and ability to mesh melodies together and sing/rap them seamlessly blew my mind.
Ed Sheeran – CMAC
As he sang, his eyes were closed feeling everything from within and projecting out to the audience where they took hold of it and became part of the show. The entire audience sang along, waved their arms, flashed their cell phones and became as immersed as he was in each and every number. One audience member was so emerged she stormed the stage to see him. Ed so graciously agreed to take a selfie prior to her being escorted out. His kindness and love for his fans is well known as he takes the time to join one fan recently on stage at a local mall while she performed his cover of “Thinking Out Loud.”
In addition to his outstanding performance, his visual production was top notch projecting animations and videography of Ed (with some amazing special effects) as he performed behind him on stage side screens. The moments matched the music perfectly and the show was an auditory and visual celebration. So glad I was there to celebrate with him. Okay CMAC, this show will be a hard one to follow. Can’t wait to see what’s in store next. Stay tune readers for our next show from CMAC.
Setlist: I’m a Mess, Lego House, Don’t/Loyal/No Diggity/Nina, Drunk, Take It Back/Superstition/Ain’t No Sunshine, Photograph, Bloodstream, Tenerife Sea, Thinking Out Loud, Feeling Good/I See Fire, I Was Made to Love Her (Stevie Wonder cover), The A Team, Give Me Love
Todd Rundgren released his 25th album, Global, on April 7 and immediately set out on a 34 date North American tour. Having had the pleasure of seeing Todd in concert several times, reading some of the early reviews didn’t surprise me at all. If you expect to hear “I Saw The Light,” “Can We Still Be Friends” and “Hello, It’s Me,” TR never disappoints, but, he may make you wait and tease you a few times before giving in. I grabbed a couple of quotes from a good friend’s Facebook posting post-show, before delving deeper.
“Todd always brings his own cutting edge and set his own parameters, very few artists are this talented and confident. If fans struggle with change and evolution, they should choose another artist to follow.”
“It takes a lot of courage as a fan to follow him with an open-mind, but the rewards are worth the effort”, Tommy Allen.
“Just a killer show, filled with positive energy from the girls (The Global Singers) and the DJ (DaM FunK). Todd was in fantastic voice and delivered all of the songs with passion. The choreography and light show turned the whole thing into a very immersive experience. Don’t listen to the bad reviews on the internet, this is a very unique and futuristic show,” said Mark Doyle.
Honestly, it took several spins of Global to get the feel, but being familiar with his previous release, State, it warmed me quicker to the work. The opener, “Evrybody” sounds like a slap in the face to the entitled or a call to arms for the populace. Either way it sets the tone for the album. As on most albums, it’s all Todd, all of the time. Almost exactly the way he would take it on tour. “Flesh & Blood,” another EDM-like tome that pokes fun at DJs while showing what really can be done electronically with real lyrics that have something to say. The verses sting, the chorus, “You’ve got free will, but you’re flesh and blood” simplifies and drives the message. Keep in mind this man is one of the fathers of multi-media, usually several steps ahead of the game, ultimately disenfranchising some. A pity really. “Rise” is right to the heart of the state of things, yes, globally. He speaks directly to the Romanesque status of civilization, “Time’s ticking away, time keeps ticking away. If we don’t rise, then we will fall.” Pretty simple and right on the point. This leads into “Holyland,” a rhythmic adventure into the definition of what that is exactly. Everything. If this track doesn’t hit home, you’re simply not paying attention.
“Blind” slows the pace a blue-eyed, soulful bit and illuminates the false-flag of media. “I’m not a scientist, everybody likes to brag these days. And yet they still insist, twisting all the facts their way.” Directly aimed at climate-change deniers, god-trusting book wavers, that believe all will be taken care of for them, perhaps still on the entitled ones. Shielding their eyes from the reality in front of them. “You have to be blind, blind, blind. Eyes that will not see it. (Writing’s on the wall.)” “Earth Mother” kicks back into EDM as a anthemic call to action, from a Rosa Parks reference to the choruses repeated message, “Can I get a shout-out from my sisters, a shout out from my girls. Now go out there and change the world. “Global Nation” flows right into the theme of one world, one cause, one solution. “Calling out to the planet, calling out to the world. (Global Nation) I wanna wrap my arms around the world, wrap my arms around the world and dance.”
TR always has his moment when his heart bleeds out, “Soothe” is this record’s example. His lyrical emotions move you, the timbre of his wavering voice speaks directly to the listener, whomever it may be. Something TR does exquisitely. This is chicken-skin arms material. “Maybe I can’t make gray skies turn blue, but I can soothe you. When your lovers are untrue. And the whole world seems out to hurt you. Know that I would try, everything I knew, to soothe you. I will soothe you.” “Terra Firma” sequences forward analogously as a tale of the intrepid explorer casting-off to someplace unknown. With solid ground being the love and home he left behind, “I am off to great adventures, leaving you behind. Far beyond the border and I have no clue what I will find. But the thought of home never leaves my mind, no. Though the minutes stretch to hours and the hours stretch to days. With the trials and tribulations, well it seems like I’m so far away. And it’s just too high a price to pay. There’s one thing I can always say. Whenever I feel the rain I put my faith in terra firma. And I’m never far away, because you’re my terra firma. (terra firma) Whenever I feel alone, I go home to terra firma. (terra firma) The place I can call my own, because you’re my terra firma (terra firma).”
“Fate” poses destiny as a card game and addiction that everyone seemingly has. The future being out of our hands like a roulette wheel spinning out of control. No one wants to face up to the realities of our time, it’s easier to rely on fate than make an effort to change. Manifest destiny, worldwide. “Skyscraper” shines the light on the trappings of civilization. Buildings and cars, partying with friends, living in the moment with no regard for what’s ahead. “This Island Earth” closes and wraps it all up, neatly exposing what needs to be for change to happen, allowing the future a chance to exist beyond man’s current course. “There is no other place in this universe, like this island earth. We fantasize about this spoiling other planets, like this island earth.”
When taken as a whole, this album is yet another message from a very old soul, living on the cutting edge of technology. Drawing distinct lines between reality and fantasy, fate and destiny, what can and cannot be. A statement from one of the bravest, deepest songwriters of our time that is not to be ignored.
Of course TR has multiple platforms to read and learn from. Check out more on facebook and his website.
Key Tracks: They’re all key tracks, it’s Todd Rundgren! Check out “Terra Firma” and “Soothe,” they crush.
Every once in a while the music industry often has break out artists that stand out, as a little bit different and unique. At times these musicians begin a new musical culture. We saw that as Elvis introduced rock ‘n’ roll. The Beatles took the Ed Sullivan show by storm, Diana Ross & The Supremes lead the Motown revolution, KISS began a hair-band revolution. Tupac made his mark in hip hop/rap, and Kurt Cobain became legendary as part of the grunge phase. It’s been a while since this musical culture shifted.
As I cover shows across the state I see a trend occurring. I notice more so often than not, a great majority of musicians are returning to the basics. You know, a good song, a great voice, a clear instrument, and not so much lighting that they become a figment amongst smoke and mirrors. Yes, these are the bands and musicians that seem to be making their way today in the sea of musical opportunities.
Enter Jonathan Jackson +Enation. Most of the readers know Jackson as Avery on ABC’s hit television show, Nashville, where he plays a musician. On the show Avery’s character stands out as unique and special, and not fitting the form of the traditional country music we’ve grown accustomed to.
Joined in Enation is Jackson’s older brother, also an accomplished actor, Richard Lee Jackson, and Daniel Sweatt — who is one of the most talented musicians out there. Together these three blend together in a perfect mix that makes up one heck of a rock band. Yes I said a rock band.
Jonathan Jackson + Enation – Westcott Theater
When I first came across this band I was surprised to learn how long they’ve played together, and although I was late to the party, I was so happy to have gotten there. Touring currently with their fourth album, these three have been perfecting their craft. Striving to capture that energy from their live show. Radio Cinematic I believe has achieved just that. Having heard their album before their live performance I questioned and hoped whether their live show would live up to my expectations. Well it did just that, and then far exceeded those expectations.
Jonathan Jackson + Enation – Westcott Theater
Opening the evening was a local Pop/Rock/Alternative/Indie band from the Ithaca area called Maple Hill. These four young men were quite energetic. Not only did they prime the crowd for the main event, they were actually quite humorous and entertaining throughout their own set. Their new album, Headspace will be released June 19, 2015. Joel Beckwith (Bass), St. John Faulkner (Drums), Max Gaeta (Lead Guitar), and Kristian Wood-Gaiger (Vocals/Guitar) amped up the crowd with original music and remixed covers such as Drake’s, “We’re Going Home”.
They thoroughly surprised and delighted me with their style, sound, and high energy performance. I highly recommend if you are in the area of The Dock (415 Taughannock Blvd. Ithaca, NY 14850) June 18, you should stop by and join them to help celebrate their record release party from 7-10pm. All ages are welcome and the cover charge is only $5.
Maple Hill – Westcott Theater
Then came Jonathan, Richard, and Daniel who from the moment the spot light hit Jonathan at the piano and he began to sing, I was totally blown away. Opening with “Young World’s Riot,” Jonathan’s voice along with his piano permeated your soul.
Jonathan Jackson + Enation – Westcott Theater
As they moved into the rest of the set, Richard’s percussion laid down a constant rhythm while Daniel’s bass and resounding vocals added to Jonathan’s, and together they found a synchronicity that not only encapsulated the live sound they were striving to achieve on the album, but far exceeded my expectations. From the moment they began playing right up to the end, I was in a hypnotic trance. In addition to mesmerizing the entire audience, they took the time to recognize a special guest on her birthday and dedicated a song to the sweet young lady.
Jonathan Jackson + Enation – Westcott Theater
These kind young men were gracious, appreciative, and as famous as they all are in their own rights between television and movie stardom, you wouldn’t know it as their humility was refreshing. As they wrapped up the evening, Jonathan took to the piano once again to close out the show as he began, with Young World’s Riot, moving me almost to tears.
Jonathan Jackson + Enation – Westcott Theater
I highly recommend if they come anywhere within driving distance (or if you’re up for a road trip) to take in one of the shows on the second leg of the Radio Cinematic Tour this year. If you can’t catch them live this time around, by all means head straight to their website to purchase this album. You will be glad you did.
Jonathan Jackson + Enation – Westcott Theater
Setlist: Maple Hill
Never Enough (original)
Well, Well, Well, How the Turntables (original)
Argyle (original)
Hold on, We’re Going Home (Drake cover)
Space to Grow (original)
Stomping Ground (original)
Jack Blinked (original)
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Set List: Jonathan Jackson +Enation
Young World’s Riot
Ascending
Things You’ve Never Seen
Kicked In The Head
The One I Love
Everything Is Possible
All The Best
Let The Beauty Out
I See God In You
The Hands of Your Drug
Let Me Out
The Fly
The National Anthem
Corduroy
In My Tree
A Far Away Reality
Keep Asking Why
The Morning Of The Rain
Eyes of Grace (Birthday Dedication to Miss Lily)
Young World’s Riot
Yonder Mountain String Band will release their 12th album, Black Sheep on June 16, with a new sound and two new additions to the band. This album is unlike previous albums with a Yonder 2.0 feel with Allie Kral and Jake Jolliff making their recording debut. Black Sheep is Yonder’s move from a jamgrass boy band to a traditional sounding bluegrass ensemble.
There is no doubt that change and growth have effected this band in a very positive way. By adding Allie on the violin Yonder has embraced the power of a soulful female voice matched with her epic jams. Her violin was the missing link in their music previously in my opinion, I have felt this way since the beginning. Allie does a remarkable job of adding in her feminine touch.
While Jolliff is also a fantastic addition to the band, his mandolin playing is a completely different sound than Austin’s — making the transition virtually seamless without actually trying to ‘replace’ Austin or to duplicate his style. Jolliff brings a highly technical but light sounding vibe to the group.
Another change heard on Black Sheep is the lead that bassist Ben Kaufman has taken in many of the songs. No longer will you hear the energy that was once shared by Kaufman and former mandolinist Jeff Austin. The energy is still there, it’s just headed in a different direction, a direction in which I am happy to follow as a long time fan.
Black Sheep’s opening track is titled “Insult and an Elbow,” is a precursor to how Kaufman takes lead vocals to another level. He told RollingStone this is a reflection on his younger days when he was “… drinking and smoking for all the wrong reasons. But it is also written from the perspective of a person who is on the brink of a moment of growth and self-awareness.” This album most definitely debuts that growth.
On the album’s third track Yonder Mountain hits another cover out of the park musically, once again. The cover of punk rock band the Buzzcocks, “Ever Fallen in Love with Someone You Shouldn’t Have,” is reminiscent of their cover of the Misfits, “20 Eyes in My Head”. YMSB has a knack for taking these punk songs and masterfully turning them into bluegrass jams.
Bringing listeners back to a more recognized sound is “Analee,” reminiscent of Kaufman’s Bolton Stretch series — with less boyish shenanigans. He speaks of true love and deep heartache. Jolliff’s mandolin is gentle and a light presence.
“Landfall” is an Adam Aijala song. For the first time on the album, Kaufman has taken a backseat on vocals and lends his signature thumping bass line. Again, this song is a much more mature version of this band.
The songs on this album have a sense of deep thought and maturity, a refection of their lives — becoming men, husbands, fathers, has brought YMSB to a new level.
Finally on “I’m lost,” Allie starts light and feminine in her playing, then jamming hard to the end, a true moment for her to shine on this album. Allie also makes an impression with her soulful vocals on “Love Before You Can’t”.
It seems as though these boys have gained and lost love and friendships over the last year and half and they are expressing themselves lyrically in a much deeper philosophical way. This album definately is not a band of young bluegrass boys paving the path for the jam grass scene and telling stories of smoking weed and drinkin beer, they have grown up, they are men — and one woman.
As much as I love the new sound, this isn’t a Yonder album that I would jump out of my seat to dance to. It’s more for listening to in its entirety on a road trip to nowhere.
This album sounds like a romance novel reads. Given the level of energy that has been happening at Yonder shows lately, this album creates a very low-key vibe. One that makes you think, about your own love and regrets and how we all grow out of the ashes like a Phoenix and we carry on after tragedy, we don’t stay the same, we grow towards the light. YMSB has opened up their entire souls on this album while simultaneously exhibiting remarkable maturity in their musicianship.
Black Sheep will be available in stores and on iTunes on June 16 but you can get it now online and at tour merch shops.
Also worth noting is the updated website for the band which now includes bios for Allie Kral and Jake Jolliff, officially making them a part of Yonder Mountain String Band. Cheers!
Key Tracks: Insult and an Elbow, Analee, I’m Lost, Around You
If pop music is reading at an elementary level, Consider the Source‘s latest release, World War Trio Part II + III, is at least a 400 level college course.
Imagine Dragons has released their newest album, Smoke & Mirrors. With the huge success of their first studio album Night Visions in 2012, selling more than 2 million copies to date, 
Yonder Mountain String Band will release their 12th album, Black Sheep on June 16, with a new sound and two new additions to the band. This album is unlike previous albums with a Yonder 2.0 feel with