Category: Profiles

  • The Little Venue That Could: Why Broadway Joe’s Deserves More Respect

    It’s hard to come across a band from the Western New York area who hasn’t played a show at Broadway Joe’s Bar and Grille. At the same time, it’s hard to attend a show in the Western New York area without hearing at least one person talking the venue down. “It’s too small”, “It’s poorly run”, “It’s shit”, are the usual complaints I overhear from various show goers. But I respectfully disagree with just about every bit of criticism I’ve ever heard about the place. That’s why I’m appointing myself the public defender of Broadway Joe’s in the Buffalo, New York metal scene’s courtroom.

    broadway joes

    With venues shutting down left and right in this area, both national and local metal acts in and around Buffalo are left with very few options. But for many years now, Broadway Joe’s has been there to host the shows that no one else will. Hundreds, probably thousands of metal acts by now have graced their stage and had successful shows. Over the last ten years, I’ve personally performed there in multiple bands as a drummer, guitarist and vocalist. Never once, have I had an issue with the staff or the venue itself. Sure, the room capacity is only 300, but if no other promoters are biting and the other venues in the area are either already booked or nonexistent, then why the hell wouldn’t you just appreciate what you can get and move on?

    In recent years, I’ve seen both Soilwork and Shadows Fall play that room and realized that I prefer seeing bands of that caliber in a more intimate setting anyway. How many times have you gone to a show to see your favorite bigger band and had to deal with overpriced drinks, guard rails, huge crowds, a distant stage and constricting set times? At Bways, the drinks are cold and reasonably priced, the service is friendly, the headliners never get ordered off stage (unless they’re being big dicks), and the stage (your favorite band) is right in your face.

    Furthermore, shouldn’t the band members who come and go from the venue be the only critics with any merit? It’s kind of interesting how most of the people I hear trash talking this room aren’t in bands, nor do they have any experience working in, with or for bands (at least none that I’m aware of). I’m not saying I know the life story of every last show goer in this area, but I definitely keep track of who I see in bands and who I see working the rooms they play in. If you think you can put on a better show for a band coming through the area, then where’s your venue? Where’s your offer?

    Broadway Joes

    Now, there’s nothing wrong with wanting to play in a bigger room in front of a bigger audience, but when the going gets tough, deal with it and make the best of the situation. Would you rather the shows not happen at all? Just this past Sunday night, I saw Psycroptic, Arkaik, Ovid’s Withering and The Kennedy Veil at Bways. Before that night, I had little to no experience with any of those bands. But it looked like a reputable tour with sick bands and I wanted to check it out. Evidently, the tour as a whole had been doing pretty poorly and their Buffalo date was nearly cancelled.

    But the folks at Broadway Joe’s kept their promise and gave them a room to play in. The attendance was a little disappointing but those who were there had a great time and I got into some great new music. I wish more people in the scene paid more attention to bulletin boards in bars, or wherever fliers are typically found and of course, social media. Sure, people work, have kids, are married, and naturally, there are usually multiple shows booked each night in this town, especially on weekends. But I know there are more of you out there who just aren’t making the effort for whatever the reason may be. I’ve been plugging reasons to attend shows in this area on this site for months now, and I’m nowhere near done.

    I suppose the last point I’m going to make about Broadway Joe’s is this: If you have no experience with bands or running a place of business, don’t badmouth this room. These are great people doing great things, and I’ve never really heard too many bands complain. Most bands that play Bways are just happy they still got to play a fucking show, which is one of the most important parts of being in a band. People like Bryan Parker (owner), Joe Tonaus (promotions), Frank Short (go-to sound aficionado), the bartenders, bar-backs, etc. are helping ensure that we still have a scene to support.

    Now I’m going to post a few more clips. Here are some tunes from bigger acts who have played Bways in recent years. WARNING: The footage below displays band members and show goers having a good time in a smaller venue. “Live show elitists” are urged not to expose themselves to this level of fun.

    This article was originally posted on The Metal on 7/21/15.

  • Meet Your NYS Music Staff: Photographer/ Writer Meredith Snow

    Meredith Snow raised in Buffalo, NY for most of her life. She was brought up on rock n roll music and the local music scene as a young child. Her uncle would bring her to shows as he worked the sound and light for bands at various music venues. He would constantly bring her albums and band stickers to put all over her bedroom. This is partially what inspired her to get involved in the music scene.

    meredith snowMeredith Snow has been part of the NYS Music team for almost a year now and works as a photographer and writer. Her love of photography and music could have not put her in a better spot. When she is not tending to local bands needs with promotional photo shoots you can find her almost any day of the week at a music venue taking live pictures from your just getting their feet wet local bands to world known bands like In This Moment. On top of all this she attends college for business and her end goal would be to work in the music industry helping local bands reach that next level or working as an assistant. 

    Her bucketlist of bands she has yet to photograph include Slipknot, Mushroom Head, and her all time favorite Shinedown.

  • Meet Your NYS Music Staff: Neil Benjamin Jr.

    That’s Neil Benjamin Jr., newly tasked NYS Music Associate Editor, in a nutshell. He will tell you some of the worst “jokes” you’ll ever hear, then laugh maniacally even when everyone else sighs. A sports enthusiast who hates the Red Sox more than he loves the Yankees, Neil will even go on a rant of Biblical proportions to defend Phish 2.0 prior to droning on about how “jamtronica” is just a cop-out synonym for “bands who suck at jamming.”

    When he’s not saying whatever pops into his head, he is usually at work as the sports editor/music columnist for a newspaper in Saratoga Springs, N.Y. A product of the SUNY system, Neil has been enthusiastic about journalism since he was 5, when he made his parents subscribe to three daily newspapers. Upon graduating college, Neil started working as a sports reporter for the Berkshire Eagle, before taking over as the sports editor at the now-defunct North Adams Transcript (RIP).

    neil benjamin jr.He has served as a staff writer for the marijuana entertainment and activism glossy, SKUNK Magazine, has penned some things for Relix and Jambands.com, worked at various Syracuse, N.Y., news outlets and has known our boss Pete Mason for a while now. Neil worked very closely with Grateful Dead drummer Mickey Hart for a few years, chronicling Hart’s new projects and helping publicize his tour. Neil considers having dinner with Phil Lesh at Levon Helm‘s barn in Woodstock, N.Y., in 2012 to be the coolest thing the journalism profession has ever gifted him, although meeting all the guys from Phish isn’t far behind.

    Neil has a passion for music of the live and improvisational variety and will not hide his obsession for all things Phish and Grateful Dead, as he has traveled the country seeing them and almost every side project. He considers Trey Anastasio to be a guitar god (he has a cat named Trey, because, you know, they both shred), better than anyone who came before him, and Jerry Garcia an American hero for unwittingly leading an entire cultural revolution that is still alive and well in 2015. He plays guitar and likes all sorts of music, but you might not know it by checking out what’s on his phone (Hint: A ton of 2004, some Oysterhead and every Phil and Phriends show.)

    He has a passion for baseball and even has a New York Yankees tattoo melded with a Grateful Dead 13-point bolt. For some unknown reason, he loves the Buffalo Bills and often lives for the agony they provide.

    More than anything, he covets his time with friends and family, loves being a journalist (even though he will never make enough money to buy a brand new car) and is beyond thrilled to play a much more active role in helping NYS Music grow.

    Neil’s musical bucket list includes the Grateful Dead, with Keith on keys, but no Donna, The Allman Brothers with Duane Allman, Operation Ivy, Frank Zappa, Jimi Hendrix, The Beatles and Oysterhead.

  • Turning Stone Does Country Music Fans a Solid by Keeping it Country

    For several years now, right in the heart of Central NY we have had one gem of a venue, that has continuously brought country music fans the latest and greatest music directly from Nashville. Proudly displayed on the walls within The Turning Stone Casino & Resort you’ll find show posters. Signed by each artist that have performed over the course of the almost twenty-two years since their opening in July 1993.

    It’s a good thing they keep expanding as they would run out of wall space. Some of country music’s most decorated stars have graced the stages at The Showroom and The Event Center. Audiences have enjoyed the likes of Dolly Parton, Kenny Rogers, Loretta Lynn, Clint Black, Alan Jackson, Wynonna, Trace Adkins, Brantley Gilbert, Justin Moore, Darius Rucker, Love and Theft, Gloriana, Scotty McCreery, Eli Young Band, and I can go on and on here.

    Constantly bringing audiences their favorites from both today and yesterday, The Turning Stone certainly has kept country music fans entertained.

    The first show I ever saw at The Event Center, would be the legendary Martina McBride. This sold out show was the perfect introduction for me to this venue as Martina McBride performed two full hour sets of award-winning music. Featuring some of the greatest country classics from her recently released Timeless album — later to be certified as Gold and Platinum.

    Ms. McBride’s performance took me back to my youth in Tennessee, as she sang country standards of Hanks Williams, Loretta Lynn, Tammy Wynette, and Johnny Cash to name a few. After a quick costume change, back on stage she came belting out her own hit after hit. This show and Ms. McBride made a lasting impression on me that evening.

    Eli Young Band - Turning Stone Showroom
    Eli Young Band – Turning Stone Showroom

    Fast forward to today, as a music photojournalist I absolutely love covering shows at this venue and still feel that excitement, the same feeling that came over me as I watched Martina McBride mesmerize her audience. The amazing lighting & sound staff, and the top-notch lineup this venue constantly brings to the country music fan base here in Central N.Y. is very much appreciated.

    These shows continue to sell out and the big acts continue to frequent this centrally located venue. In my opinion, I believe their ongoing success can be attributed to the fact that they continually listen to their audiences and bring to them the acts they wish to see. Turning Stone also provides these acts with top-notch technology to give their audiences the best performances possible.

    Tin Rooster - Turning Stone Casino Exit 33
    Tin Rooster – Turning Stone Casino Exit 33

    For those just looking for a place to relax, have some down home country barbecue for dinner, and hear some of your favorite local country musicians on the weekends. The Turning Stone once again listened to their patrons. In 2013 they added their Exit 33 Venues which includes the Tin Rooster, an establishment focusing on everything down home country. With a shiny bedazzled rhinestone clad saddle hanging from the center of the dance floor like a disco ball, locals have had the chance to chow down on down home country cooking, enjoy libations at the full bar areas, while working it off afterwards line dancing and shaking what their momma gave them country-style.

    Tin Rooster - Exit 33
    Tin Rooster – Exit 33

    The Tin Rooster, along with the other venues within Exit 33 provide a constantly packed venue for the local acts. Showcasing their music each weekend to an eager audience. On occasion you can even see some major national acts for little to nothing on the Tin Rooster stage.

    In fact, this past New Year’s Eve, the Tin Rooster treated their patrons for a night to remember. Ringing in the New Year with local favorites The Beadle Brothers. They kicked off the night and primed the already eager audience while they counted down the clock, waiting for the new year to arrive.

    To round out the eventful evening, national act and crowd favorites, Love & Theft took the stage. As Love & Theft performed, they rang in the New Year in country-style. Patrons celebrating the holiday and donning proper New Year’s Eve attire, goofy glasses on their “Angel Eyes”.

    This is just one of the treats we continue to get from our country music venue sources at the Turning Stone.

    Nashville may logistically be about 13 hours away. However for central New Yorkers, one of country music’s largest fan bases — it’s just a hop, skip, promenade, do-si-do, and two-step down the road and off of the thruway on Exit 33.

    For more information on weekly acts, please take a moment to visit the webpage for Exit 33’s Tin Rooster, where you’ll find the latest acts, menus, and information on how you can book your own parties.

  • Meet Your NYS Music Staff: Writer Carly Knaszak

    Carly Knaszak joined NYS Music in early 2014. She is studying Journalism and English at SUNY Fredonia and will be graduating in 2016. She loves going to every rock concert that hits town. Some of the highlight shows that Carly has covered for NYS Music are Paul McCartney in Pittsburg and Ringo Starr at Artpark. 

     Carly KnaszakShe started her love of writing in high school when she joined her school’s Writers Guild where she expanded her passion with creative writing and poetry. But as she got older, she become more interested in the music industry and decided to make music part of her writing. She reached out to many websites and soon discovered NYS Music and she loved all the opportunities the staff gave her and the advice editors gave her to become a better journalist.

    Carly enjoys watching horror movies in her free time, listening to classic rock and hopes to become Elvira when she grows up.  She is currently obsessed with tattoos and Halloween.

    Carly’s musical bucketlist artists include: The Rolling Stones, AC/DC, Shinedown, Slipknot and Kenny Chesney

  • Engineering The Local Shop: A Look At Gorham Brothers Music

    For Syracuse’s Gorham Brothers Music, they had to do it their way. They had to because that’s how they’ve always done it. The three brothers, Ryan, Brad, and Bobby have been entrenched in the local music scene for over ten years now. Some might know them as part of the bands Engineer and Blood Sun Circle. But these days most know them as the owners of Gorham Brothers Music, an independent guitar shop on Seeley Rd in Syracuse. The brothers took their experiences being in a gigging band and applied it to their business to make a shop run by musicians for musicians. But to get to there we have to go back and see what lead them to running their own store.

    You want to bring something cool to your town. If it’s not here, you can make it here

    The three brothers grew up playing guitar despite not coming from a musically inclined family. When they started playing together around 2003 it was during a point where the local scene in Syracuse was thriving. Bands always had a place to play and you could always find a show happening on the weekends. The band they have become most known for; Engineer, came together very quickly after the three brothers bounced around in other bands. They started to become serious and started practicing every day. An indication for any band that you’ve stumbled on to something good. It was a great time to start a band in Syracuse because the scene was supporting touring bands coming to town. Ample opportunities were available for the local bands to fill opening slots on a bill.

    Gorham Brothers MusicThe venues weren’t big, most were under 200 capacity but they were always full. I remember being at shows where people were literally standing outside watching the bands through the windows. It hasn’t been like that since and those memories are some of my most cherished and I know many who feel the same way.

    Bobby Gorham said, “Engineer was like our job, more so than any other job at that time. We were able to do it for so long, longer than any of us expected. Once you do something like that for so long, none of us wanted to get a career working for someone else. This was a way for us to still do our own thing.”

    Engineer put out records that helped define the sound coming out of Syracuse during the 2000’s. Their 2007 effort The Dregs was named one of the top 40 albums of the year by respected extreme music magazine Decibel. They along with area bands like Ed Gein, Achilles, and Another Breath solidified Upstate New York’s roster of incredible local bands at the time.

    But all things come to an end and Engineer slowly faded in to the background and from it came the store. Ryan Gorham compared the two telling me “Writing and recording is real expressive. You get to experiment so much in the studio. The store is sort of like another band. We go in with a focus. Not a cookie cutter store. Not always a store someone wants or expects.”

    Walking into Gorham Brothers Music immediately gives you the sense that you aren’t in your typical big box music store. There aren’t any pushy sales people working on commission. You can get an answer to your question. And they’re more than happy to chat with you about music. You feel at ease. It’s a place where you can go and test out a guitar pedal and really get a feel for if it’s going to work in your set up. You aren’t battling against 25 other guitarists all trying to wail on the solo from “Eruption”.

    One of the biggest takeaways in discussing the store with the three brothers was that their store can change. They have complete control which means they can mold it to fit the store they want to have. The biggest benefit of this is the fact that they can stock the store with used gear you might not see at another store. Bobby Gorham said “We can do all the wheeling and dealing. Which a lot of actual musicians like to do. They want to come in and see what comes in, old vintage gear, stuff guitar center can’t deal with as much.” And Ryan Gorham added “Buying stuff face to face from people lets us decide what we want to do. We don’t have to have Fender banners everywhere. We don’t have to order 20 squires.”

    The store started to see success as the years passed after opening in December of 2011. But the biggest downside was the physical size of the storefront they were in. However when the opportunity struck, they decided to expand. In October of 2014 the brothers moved the store just a few feet down in the building they were in to a much bigger space. When I asked the brothers about the expansion what I heard from Brad Gorham was exactly the kind of thing you regret not doing “It was too good of an opportunity to miss.” While the brothers said they didn’t plan on moving they all agreed it was the right decision despite the risk they were taking on.

    One of the best things to come out of the expansion was the ability to have more room for bands to play. The older smaller store hosted live acts but in the new space there is a dedicated stage with monitors set up that allows the bands to hear vocals. For anyone who has played live, you know how important that is. It’s another example of how this store is designed with musicians in mind because its owners and sole employees are musicians themselves.

    I wanted to get a feeling for what it’s like to see bands play in the store so I checked out a show booked the night we conducted our interview. The store was transformed in a very subtle way to accommodate the larger amount of people than normal. Expensive gear was protected and amps were moved around. And I have to say the sound quality was fantastic. I listened to a couple of bands from the back and got right up front for another and couldn’t believe how professional everything sounded. Other venues in the area dedicated to live acts should take a few notes.

    The future looks bright for the Gorham Brothers. The store is doing well and they get to wake up every day and know that they own a store that is uniquely theirs. A store that is crafted from their experiences on the road as a band going to other independent shops. Taking an idea from here and there and bringing in their own as well they have handcrafted a store as one of a kind as the music they made and the opportunity they offer Syracuse musicians to come in and get the gear they need at a price that makes you feel good. Not just for sales but for repair work and now for bands to have a venue to play at in a scene that has sadly lost venues in droves over the past ten years.

    They are the local shop and I don’t think they want it any other way.

    You can visit Gorham Brothers Music in Syracuse, NY at 118 Seeley Rd. They are open seven days a week. Or check them out online at gorhambrothersmusic.com.

  • Meet Your NYSMusic Staff: Writer Jay Saint G

    Jay Saint G was born in Syracuse, NY, and his first taste of working in music was taking the radio program at SUNY Onondaga where he wound up launching the first all metal college radio show “Monday Night Massacre” which ultimately landed him with Cumulus Media in Syracuse with 95X (WAQX) working behind the scenes in promotions and board oping.

    After a couple years there, he took a stab at radio advertising sales at other local radio stations before eventually landing a job as a Stage Hand Tech at Turning Stone Casino and Resort.  During that time, he met NYS Music on the way to a festival in Columbus, Ohio which led him to join the team.

    Jay Saint GJay Saint G is a life long metal fan,  and is also really into old school Hip-Hop he is just as passionate about his favorite music as his sports.  His favorite teams are the NY Giants, NY Knicks, NY Rangers, NY Yankees, and  also a proud SU Sports fan. He also enjoys watching boxing, playing football, volleyball, and travels across the state and country to different shows.

  • Local Limelight: Getting to Know Simple Jack

    simplejack1.4Even at first glance it is clear that Simple Jack is not your typical small town band. Bringing people of all ages together since 2011, they are a band that encompasses many generations. Tim Martuzas, Anthony Ubriaco, Paul Juiliani, and Pat Myers have combined their different backgrounds to form the next up and coming band in Watertown, NY. With decades of experience under their belt they flawlessly breathe life back into otherwise forgotten hits and put an old school flare on the new ones. No matter the genre, or generation of music you love, there is something for everyone at a Simple Jack show.These guys are not only talented but they embody a love for music at its core. They are a refreshing reminder that we are separated by many things but music should not be one of them. I was able to sit down and talk with them recently and after learning about the men of Simple Jack I am more a fan than ever before.

    Katrina Johnson: How did Simple Jack get started?

    Tim Martuzas: We started on November 11, 2011. At the time it was Steve Morley, Paul, and myself. We were all in between bands and Steve asked if we wanted to jam. There was Simple Jack.

    KJ: Where did the name Simple Jack come from?simplejack13

    TM: We were sitting around trying to come up with all these different names and most of what we were coming up with could be offensive

    Paul Juiliani: Steve suggested it because he was talking about the movie Tropic Thunder. We got it from that Simple Jack. But then I could be considered a Simple Jack.

    TM: Also it was brought up, we just wanted something simple. So what better than to just use that as part of the name.

    KJ: How did you get to the current line up with Anthony and Pat?

    Anthony Ubriaco: Tim had called me and told me if I ever needed a band to give him a call. At the time I didn’t think he was serious. But a couple of weeks later, after my band broke up, he asked why I didn’t call him. So I came out to jam with them and it stuck. Then about this time last year Steve decided he wanted to part ways and focus on work. Tim worked with Pat at musicology and approached him about playing bass. So he came and we jammed and now he is a key member.

    KJ: When did you learn to play?simplejack5.2

    Pat Myers: I started playing music in 2006. I started playing professionally when I joined this band.

    TM: I went to music school, it’s not where I learned music though.

    PJ: It comes from the heart. If you want to do it you will go out and learn how to do it, and find people to do it with.

    TM: I started playing in 1982. My first gig was at a roller rink. This was back before the days of the DJ. A DJ used to have to carry in racks of boxes of records. Now they walk in with an iPod and get paid more than musicians get for all of their thousands of dollars in investment. The older school people grew up with a multiple of venues to play in. Not just bars; there was dances, dinners, weddings. Long before the DJ market dominated all of that. School dances never had a DJ, there was always a live band. It didn’t make any sense to have a DJ come in with boxes of records and hope he had the right ones. Today someone can pull up whatever they want on their iPad and carry nothing as far as equipment. It discourages the market as far as live music goes. At a lot of those school events the bands went to those schools, so the kids knew the bands. U had a ready-made following.

    PJ: Yea but once you got popular you would go to other schools.

    AU: I learned to play the guitar seriously 3 or 4 years ago. I’ve been singing since I was 3 or 4. I started playing professionally with Wagners in 2009. I have had other bands but nothing was real serious, it was just fun.

    PJ: I couldn’t tell you for sure but I would say I started playing in the late 60’s

    KJ: Who are your idols?simplejack2.2

    PJ: That is a tough one. There is so many. You get it every day, from anything, from the past and present. Of course my first influence was the Beatles, I love them.

    PM: I was influenced by my cousin who let me play his drums and bass whenever I was at his place. He showed me a few bass lines and got me started.

    TM: Mine would be a cross between Stevie Ray Vaughan, David Gilmour, and Randy Ross. Those are my main influences. But if I had to pick a musical idol I would say my Uncle Chuck. He wasn’t a national musician but he is the reason why I have had the success I have had in this business. His notoriety gave me a lot of access to doors that wouldn’t have been open to just anybody. His name has gotten me further than my own ability has.

    AU: In terms of singing, my earliest influence was Billy Joel. 12 inch records that I would play over and over again and sing along with. I have always been a big fan of Huey Lewis, tons of blues acts like Clapton and Vaughan, Colin James from Canada. I would say that is my wheelhouse vocally. But I also try to do other things so I can be as useable as possible. For guitar, I just play, I don’t really try to emulate anyone. I just listen to things and try to pick up little pieces. But at the core I would say I’m probably a blues guitar player so again Clapton. Not so much Vaughan, I’m not as fast as him.

    KJ: Do you have a favorite song to play?simplejack4

    PJ: It’s hard to say, we like them all. Huey Lewis comes off strong. We play a variety for the crowd and because it makes us feel good.

    TM: We try to play to our crowd. With the age difference we are picking stuff for every one of our genres. I tend to like a heavier rock, like Rush, but that’s not the crowd pleasing stuff so we don’t tend to do a lot of it. We basically play what we think people want to hear based on who we are playing for.

    KJ: What are your fondest memories in your music careers?

    TM: That’s a tough one because it actually happens about one in every five gigs. Where we have an incredible job and the audience connects with us. There is a lot of memorable moments as a musician. It’s hard to pick just one because some of the best times of my life have been on stage. With the people I play it with. And the things that lead up to the gigs, the road trips. Anthony and I went on a 2200 mile road trip across the entire gulf coast. Stopped in every music town there was, sampled what they were putting out. It was his trial by fire. We hired him and the next day he gets in the car with me and we travel the gulf coast. Playing as much as we can, experiencing as much as we can, seeing how many flavors we can get in, and then came back and played the next weekend. Those are the fun things, the things you get to do because you are a musician.

    PM: It would have to be either the night we played at The Paddock during this small tattoo festival they had. Double Barrel Blues Band started the night and we finished it out. After the gig, I went out into the arcade and got a brand new tattoo. Either that, or a night that we played at O’Brien’s in Clayton. They had some shooter girls brandishing Fireball Whiskey and the house was just packed. The girls were bringing shots on stage and it was just a really amazing night.

    PJ: One of my favorite events to play was kite day. It was up at the park. You are on a huge stage and you look out and see a whole sea of people. That was fun.

    TM: Large crowds are obviously fun because of the noise level. There have been a couple of them that have been awesome.

    AU: It’s really nice when you put out the energy and they give it back to you. If you get enough people in the room and they are interested it brings out the best in you. Like new town was probably one of the coolest things I ever did. Not only was it for a really great cause but there was a ton of people and they were interested in the music. It’s not like a bar where they want to drink, they don’t want to listen to music.

    KJ: Do you think the age difference helps you?simplejack3

    TM: I think it helps because it allows the younger perspective. Which has more of an insight on what’s happening now. Plus you have the experience of the older musicians who have done it and knows the ropes. I think it’s an advantage having multiple generations. A lot of bands today pick their members based on availability. Its compatibility that’s important, whether they work well with you. You can get really cool sound by mixing different backgrounds of people.

    PM: I don’t care about the age difference. Playing with people who are far more experienced than myself has been great.

    AU: I would say I agree. It works well in our favor. You got generations with different points of view adding their little bits into the mix. If you have so much distance in terms of the way that you were raised and learned to play then that can mesh together and either be good or bad. In our case it ended up being good. We just kind of gel. I would say if you took any other 4 random people and tried to do what we do you have a 50/50 shot that it’s going to be bad.

    TM: If you put 4 older musicians in a band they are going to play for crowds that are older and only play crowds that are older. They are going to play the music from their generation to one group of people. And it’s the same with young bands. But I think a mix like this we get people in their 20’s up to their 80’s.

    Check out Simple Jack at an upcoming show!

    April 24 – The Paddock Club, Watertown NY

    April 25 – Time Warp Tavern, Watertown NY

    May 15 – The John Hoover Inn, Evans Mills NY

    May 23 – First Round, Watertown NY

    June 26 – First Round, Watertown NY

  • Rock and Roll Hall of Fame – A Music Lovers Mecca

    April 18, 2015 was a celebratory day for music in America.  Not only was it National Record Store Day throughout the nation, it also was the 30th Annual Rock & Roll Hall of Fame Induction Ceremony. Each year the Rock and Roll Hall of Fame, located in Cleveland, Ohio, honors musicians and those in the music industry with the highest accolades possible.  For the last thirty years, artists have come home to this regal glass structure to accept recognition from an industry and loving fans, and add their names to the glass wall.

    rock hall

    Recently, I ventured on a journey to this mecca of sorts to see and experience the destination of the Rock & Roll Hall of Fame.  This amazing glass sculpture erected on the banks of Lake Erie, stands majestically.  The architectural design of the facility matches the creativity of those it honors.  Designed by renowned architect I.M. Pei, “it is a composition of bold geometric forms and dynamic cantilevered spaces..anchored by a 162-foot tower. The tower supports a dual-triangular-shaped glass “tent” that extends (at its base) onto a 65,000 square-foot plaza, providing a dramatic main entry facade”.  The building is spectacular.  Its 55,000 square feet of exhibition space and administrative offices encapsulates the vitality of rock and roll and becomes a worthy accommodation to house all the memories of where the innovation of music and rock and roll began here in America.

    Welcomed by the staff, and given a quick overview of upcoming exhibits and projects to look forward to in the very near future, I was sent on my way like a kid in a candy store to view each and every square inch.  I immediately was greeted with photos and music of the great Louis Armstrong, Nat King Cole, and so many other legendary musicians who made a footprint on music history in an exhibit of “The Roots of Rock”. As I listen on the most high quality apparatus, it transformed me back into the times when the juke joints were hopping and the nightclubs were popping.

    This road of discovery of American music was paved out splendidly in the “Cities and Sounds” exhibit.  I felt as though I was traveling along a pathway of how it unfolded over the course of time.  It shared details along the way of how rock and roll wasn’t always socially acceptable (what?!!), and how rock and roll itself made a journey of diversification from the sounds of Hank Williams Jr. and Ray Charles, to Elvis and Hip Hop legends.  While along the way sharing tangible pieces to help visually transcend there.  It demonstrated an evolution of musical instruments, the means in which music was brought to listeners, as well as featured those iconic voices on the radio we came to know personally.  In exhibits outlining these DJ’s and these mediums of music, you couldn’t help think of how far we had come since it’s inception.

    Your path took you through cities that spawned unique sounds and started cultures of their own.  First stop, Memphis with Johnny Cash, then off to Detroit and the Motown sound.  After that, you hop across the pond to London (Liverpool) where the Beatles and Hermans Hermits introduced us to a new culture of the English influences.  Making our way back to the west coast we saw San Francisco in the 1960’s and influences of artists like the legendary Santana, before making our way down to LA where we are greeted with Stevie Nicks, Momma Cass, the Eagles, and Linda Ronstadt.  As we travel down these pathways of “Cities and Sounds”, we see a new focus of life emerging not only in the cities in which these artists  came from, we also see a transcendence of sounds throughout the years and how they evolved and took bits and pieces of other genres to create unique sounds.

    London in the ’60s and London in the ’80s brought us whole new experiences with artists.  The sounds of the ’60s coming from Liverpool and London from the Beatles had evolved to the newer sounds of artists from both London and New York such as The Ramones, Blondie, The Sex Pistols, and Adam Ant.  We also saw drastic changes as we go from sounds of Otis Redding and the R&B flavors, to the ’80s and ’90s with hard rock hair bands like Alice Cooper, AC/DC, to a whole new sound with Seattle’s grunge invasion of Nirvana, Pearl Jam, and Alice in Chains.  These were sounds like nothing else we had ever heard before.  I really enjoyed “The Music of Cleveland and The Midwest” exhibit, featuring musical stars such as Devo, Kansas, and Eminem to name a few.  Musicians come from all over and to celebrate those from your hometown is so important.  This demonstrates to those who may wish to pursue a musical career that those from your hometown had the same dream, went after it, and achieved it.  As I reflected on all that I had seen while traveling through all the wonderful exhibits of the “Cities and Sounds” I felt as though I truly had transcended through time to gather an appreciation of how music had evolved in America.  This ground floor exhibit space absolutely laid the foundation necessary to take in the rest of the museum while highlighting musical greats like Elvis, Jimmy Hendrix, The Beatles, Rolling Stones, The Doors, U2, and so many more.

    One of the newest exhibits that I was super excited to take in was the “Paul Simon Words & Music” exhibit.  Narrated in the fist person by Paul Simon himself, we learned first hand his musical journey while viewing and hearing the his story, his music, and his artifacts.  To stand there and hear Paul Simon as I meandered through the memorabilia that included original writings, special photographs, a Grammy, and so much more gave me a very personal experience with this exhibit.

    As a child of the ’60s, ’70s, and ’80s, I went through an entire process of musical transition from albums and single LP’s, to 8 tracks, cassettes, and then CD’s.  I also was from the generation that first experienced MTV; you know, the channel that used to focus solely on music and music videos.  One of my favorite exhibits was “Video Killed the Radio Star”.  As you see below, this exhibit truly demonstrates our generation of videos.  As I sat there with my son and his friends I couldn’t help but keep saying, “I remember that one, and that one…and that one.”  Those of you that were with my generation will truly appreciate this exhibit as some of the most memorable videos flash upon a multitude of screens giving you visual overload.

    As a musical photojournalist, the next area that truly excited me was the “Rolling Stone Magazine exhibit.  Iconic covers of musical legends papered the walls here, igniting my dream once again to one day work for this iconic magazine.  As we veer away from written news in today’s day and age, these covers, this medium of musical news, becomes so much more important to us as it may one day disappear altogether.

    As we continued to move upward, you can’t help noticing the large Phish-furter flying high above you, or the cars dangling from the rafters above.  This spectacularly open space creates areas and light for your eyes to constantly take in something amazing that had such cultural significance.  As I came off the escalator on the third level, my musical senses became tingley as this is the floor in which all the Inductees are recognized.  It must be a music journalist super power of some sort.  Not sure what to expect, I was totally blown away by this exhibit and could have stayed there all day looking at the numerous famous signatures on the walls of those that have been inducted into the Hall of Fame over the course of the last thirty years.  To me, it was the perfect way to highlight these greats visually.  Spectacularly done, for spectacular individuals.

    Finally making my way up towards the top of the museum, we unfortunately couldn’t go up to levels five and six as they were preparing those floors with new upcoming exhibits.  At that point I was so blown away with what I had already experienced, that I felt that level four was the cherry on top of this musical cake of a day. Here I experienced music as part of an exhibit as I stood below “The Wall”, an exhibit dedicated to Pink Floyd’s song “The Wall”.  This monstrous exhibit brought you right into the song as it played in the background, and as you made your way through the walkways underneath a gigantic creature, you found the lyrics to sing along to the song. Epic.

    As I completed my tour of the Rock & Roll Hall of Fame, I couldn’t help feel proud of American music and the history that surrounds it.  I knew immediately that I would definitely come back, and not just because they had a new exhibit scheduled to open “Herb Ritts: The Rock Portraits”, that would be featuring some of the unpublished works of rock and roll photographer Herb Ritts.  Not because my son’s music program would be soon visiting to perform on the stage within.  I just knew that one visit couldn’t possibly be enough to truly take it all in and digest it.  I needed several visits, I needed more time, I needed to come back to celebrate our national innovations of Rock & Roll, R&B, Jazz, Blues, Country, and all music that is truly an American.

    As I write this article a few months have passed since my visit and I purposely waited to tell you my story as I knew that the 2015 Rock & Roll Hall of Fame Inductions were quickly approaching and I wanted to share with you an experience and not just report on an event.  The 2015 Rock & Roll Hall of Fame Induction Ceremony is now in its 30th years and this years inductees were once again among the elite in their fields and genres sharing their talents over a course of their lifetimes to their fans that couldn’t get enough.  Last night’s event was spectacular, and the stage was peppered with the who’s who in the musical community paying tribute to those inductees.  Those in attendance of the sold out event enjoyed amazing performances by Miley Cyrus and Joan Jett & The Blackhearts, Zac Brown and Tom Morello, Beck and Karen O., Leon Bridges, Green Days Billie Joe Armstrong, John Mayer, Gary Clark, Jr., and Bill Withers and John Legend.  Presenters included Miley Cyrus inducting Joan Jett & the Blackhearts; Paul McCartney inducting Ringo Starr; Stevie Wonder inducting Bill Withers; Patti Smith inducting Lou Reed; Peter Wolf inducting the Paul Butterfield Blues Band; Fall Out Boy inducting Green Day; John Mayer inducting Stevie Ray Vaughan & Double Trouble, and Steve Cropper inducting the “5” Royales.  Our sincere congratulations to all the Inductees from NYS Music.

    If you have been on the fence as to where to go for a quick day trip, an extended weekend trip, or a full fledge vacation, I strongly urge you to take in the Rock & Roll Hall of Fame and Museum. Located in downtown Cleveland, this family friendly, walking city boasts not only this spectacular museum, it also has a rich cultural history and plenty to keep you busy. I suggest though that first thing on the list however must be a full day planned at the Rock & Roll Hall of Fame and Museum so that you have plenty of time to meander and read each and every piece there.  This amazing state of the art facility, successfully brings to you not only “stories of the people, artifacts and events that shaped rock and roll — through Museum exhibits, materials in the Museum’s Library and Archives, traveling exhibitions, and a wide array of innovative educational programs and activities”, it also brings to the community musical festivals, educational programming, and concerts year round.

  • Meet Your NYSMusic Staff: Writer Julia Wolfe

    Julia Wolfe joined the NYS Music bandwagon in the fall of 2014, entering her senior year of college. Now graduating from Syracuse University in May, she hopes to continue her career in writing her own music as well as live show reviews. Throughout her studies of the Music and Entertainment Industries at SU, she has participated in a number of internships, both in London, Syracuse and New York City. She has also done live sound for a variety of college campus events, and has performed her original music to venues all over Syracuse and her home state of Connecticut.

    julia wolfeWhen she’s not playing or listening to music, she serves as an Event Chair for the Syracuse University Relay For Life Committee, which organizes year-round campus fundraising events that raise upwards of $100,000/yr for the American Cancer Society. After graduation, she hopes to stay involved in the development of campus and community Relay events around Connecticut and New York.

    She is a frequent concert and festival attendee, but her greatest passion is interviewing artists. Though her musical bucketlist is pretty scattered across genre, some tops include: The Monkees, Fleetwood Mac, The Civil Wars, Atreyu, Motion City Soundtrack, Blink-182, Incubus, Rodrigo y Gabriela, The Barr Brothers, Gary Clark Jr., Atmosphere, Kendrick Lamar, The 1975, MGMT, Snarky Puppy, Mayer Hawthorne, Nine Inch Nails, Led Zeppelin, Dixie Chicks, Raphael Saadiq, Moby, David Gray, and Glass Animals.