Category: Features

Twiddle: A Growing Brand, the Peaking Phenomenon and the Next Big Fan Base

I’ve come across a great number of Twiddle fans in the past year and found that a band I rarely see has far more fans than I expected. If you live in the Northeast, it’s highly likely that you know at least a few of them. There are a few reasons that Twiddle has blown up in the past year, with the main one being a vibrant, rabid and insane fan base of Twiddiots who resemble the larger fan bases among jam bands at earlier stages. In meeting these fans and seeing the band recently, I’ve found Twiddle’s music as comfortable and easy to access with a well-rounded sound, but more importantly, I have discovered Twiddle fans to be the next great fan base waiting to be tapped.

Twiddle

Having seen Twiddle three times in the past three months – Upstate Concert Hall in April, Rock n Roll Resort in May, and Disc Jam Music Festival in June – I have come to be amazed by the fans while enjoying the music. It’s not that I’m not interested in the music — I just find the fans hanging on every note of this band eerily similar to that of the fan bases of Phish, Widespread Panic, moe. and Umphrey’s McGee. It appears that Twiddle is a jam band for fans of the post-EDM explosion who grew tired of the music and scene but retained a desire for a larger community aspect of EDM, particularly PLUR – Peace, Love, Unity, Respect, things all found within the Twiddle community. While I can go to a Twiddle show and listen to the music and enjoy it to a degree, the fans are the main attraction – young, exciting, seemingly even male/female, in college and containing a desire to be a part of something larger.

There are those jam bands with strong fan bases that come out in droves for shows, buy all related merchandise (both fan made and official), focus squarely on all components of the band and intertwine it with their daily lives. Twiddle fans are similar to those of Phish, Widespread Panic, moe., and Umphrey’s McGee, just at an earlier stage – the Vermont-based band is only in its 10th year and the fan base, while far from fledgling, is supportive of the band and growing rapidly as each of these now established bands saw their fan base grow around the same point of their careers. They’re not the same musically, but they have their die-hard fans as well as their detractors, an annual music festival many consider to be the band’s own and offer up-and-coming bands a fan base that is as fertile for exposure to new music and brands as they are enthusiastic for every note Twiddle plays. Twiddle fans are a once in a great while occurrence – a fan base thriving around one band and everything they bring to the table.

Twiddle fans seek, and find, a more inviting environment and acceptance among a new community. They could be Phish fans first, but with Phish, you have an older group, some of whom have been closely following the band for 25 years or more, and with a greater amount of jaded fans and a larger degree of negativity and criticism compared to other fan bases, it makes sense that a 18 year old might go see Twiddle more often than Phish and find a home among the former’s community.

It may be that Umphrey’s might be over their heads, Widespread Panic too Southern-based and moe., like Phish, having an older fanbase that may not be as accessible to find space in as they do Twiddle’s. This is entry-level fandom with ease via a consistent and growing touring schedule, fan groups on Facebook, as well as Friendly Gathering this weekend, and a fan base that is welcoming for the most part. moe. is smart to bring Twiddle in for shows and festivals, knowing full well that their fans might become moe.rons, and vice versa.

This targeted marketing to the fan bases via performances at moe.down, Saranac Brewery in Utica in mid-June and Waterfront Park in Burlington this August, serve as testament to the viability of Twiddle through its fans; those who can harness that fan base will find great success.

Twiddiots (a term of endearment, much like moe.rons despite sounding negative upon first glance) were the driving force behind Twiddle’s Kickstarter campaign for their upcoming album Plump (due out later this year), which hit a goal of $20,000 in 24 hours, more than doubling that goal by the end of the campaign and catching the eye of outsiders, myself included.

The fans have uTwiddle, an online community with setlist stats and news on the bands, a growing fan art community and a plethora of pins that are highly sought after. Grassroots California could retire on sales the now iconic Twiddle hats alone. The fans are what makes the band, and seeing the band feed off the fans and vice versa is the connection between band and fan that is rare to find at such a nascent stage and one that is worth paying attention to. Watch their fans and you’ll see a swarm that look like they are having the greatest time ever while experiencing pure bliss during each song played. You might not get it, but they do. The music makes the fans happy and the vibe and pe/king (more on that in a minute) carries through and can make you want to enjoy the music or disregard it wholly.

Those who detract from Twiddle and make it a point to rip on them do so because of the fast rise of the band, the ascendance and coronation from their fanbase as ‘the next _____’ (insert notably large jamband here) without having heard a note, having seen the fans and not wanted anything to do with it. You’d be skeptical too if you heard some band was considered ‘the next ______.’ I read an article about The Jauntee being the next Phish – I enjoy The Jauntee but that label is always going to be there because of that article, and there’s a certain level of comparison that can make it hard to forget. Regardless of the fact no band is the next _____, there are the haters who simply don’t like the band or their fans.

Being in the Northeast and around Twiddle fans more than others, it can be easy to grow tired of peaking and the discussion of songs and shows at length, especially when a more established band may provide more content, musically and otherwise to lead to a more familiar conversation, one that is safer and doesn’t involve knowing a great deal about a new band, their musical mythology and all the inside jokes. Some find early Twiddle fans to be less receptive to new fans, ironic as fans of other jam bands are not as receptive to Twiddle in general. A cited lack of originality in sound paired with the inability of Twiddle fans to handle criticism echo other fans bases when something hot, new and exciting takes attention away from their current fixation. “I don’t want to learn new stuff” seems to be the mantra behind some of the vitriol, but that goes in lockstep with Deadheads hating Phish heads, Phish fans refusing to cross over to moe. or Umphrey’s, and now Twiddle fans finding ire among non-fans. Twiddle is Buzz Lightyear to the established and accepted Woodys of the jam band world – shiny, sleek, new, full of new features and immensely popular as of late – all valid reasons to question viability and scoff at the new sound.

Kevin Rondeau, Twiddle’s manager since 2011, is another factor in the growth of the band in the past few years. Rondeau began booking shows for Twiddle in 2010 then in 2011 became manager while continuing to book shows before the band signed with Madison House in 2013. Now with a growing staff including Kevin, road manager Dan Travis, Sam Johnson running sound, a lighting designer joining the crew soon, a well-respected publicist in Destiny Beck, as well as web designers and various artists part of the growing Twiddle Co., the band’s growth has led to changes in the behind the scenes for the band, a positive step as the band is not about to test the brakes anytime soon.

“I think Twiddle’s music right now is as good as if not better than any of the top jam acts. All of this growth that is happening, we all knew it would happen; it was just a matter of time. We have pushed a philosophy of friendliness and positivity and the fan base has embraced it,” cited Rondeau when asked about growth in recent years. “The fanbase is incredible and we have a lot of close relationships with fans. When I was walking around Disc Jam on Sunday, I saw fans I have known for many years now and it resembles a family in many ways. I try and keep a very steady presence in the fan base so that they are informed of what is going on.”

“I asked my wife if she thought we could get people to fly to Costa Rica for a Twiddle festival, and she said certainly. There are a lot of dedicated people now among the fans.”

Under Rondeau’s guidance, the band has moved from side stages at festivals to hosting its own festival, sort of. Frendly Gathering (yes, Frendly, no I), held this weekend at Magic Mountain in Londonderry, Vermont, is not the band’s festival, but rather promoted by professional snowboarders Jack Mitrani and Danny Davis, with Twiddle acting as the official unofficial host band. While Frendly Gathering is a separate event from the band, the two are connected and benefit each other – the festival has a headliner bringing a guaranteed crowd and the band has a festival identified as their own, increasing their visibility and building comparisons to bands such as Phish, moe. and Umphrey’s, where the band has a vested interest in a festival as well as being comparable to festivals of similar size bands – The Werks (The Werkout), The Mantras (Mantrabash), Lucid (Backwoods Pondfest) and Pigeons Playing Ping Pong (Domefest).

A recently formed fan-based charity, White Light Foundation, connects the band and fans together, giving back to local charities and gaining visibility thanks to generous donations from both Twiddle and Burton Snowboards. These and other donations will help to raise funds at Frendly Gathering for Love Your Brain and Kurn Hattin Homes for Children, both Vermont based organizations. Founded by Jay Segal and Steve Perlah, they cite inspiration from the charitable efforts of the Phish community who they herald as “amazing role models for a fledgling organization.” Fans looking out for each other and supporting their local community are a part of the growth of many bands and Twiddle and their fans seem to be on the right track in giving back to local communities of which they are a part.

Musically, a reggae jam seems to be the recurring theme of the music, and overall, it is very happy music, jams and compositions both. With more chances to watch the band members perform, their individual talents and position in the band are more apparent.

• Mihali Savoulidis has a voice similar to that of Dave Matthews but distinct in its own right. Wearing a Bob Dylan hat on his head and permagrin on his face, he looks like the happiest guitarist ever while playing and singing to the fans, whether shredding or noodling or anything in between.
• By evidence of wearing a winter hat on stage nearly all the time, bassist Zdenek Gubb is from house Stark; winter isn’t coming – winter is already here. Any given song and Gubb drops some serious meatballs and adds depth to compositions.
• Keyboardist Ryan Dempsey is talented in every capacity behind the keys but is a wild card otherwise, the oddball among oddballs in the band and off stage. Accessible and visible among fans, he revels among the fan base and doesn’t shy away from the spotlight.
• Brook Jordan is a clutch drummer and exciting to watch in every instance – he keeps the beat while the other three meander about a jam and serves as a point of reference for accessing the music.

Together on stage they dial in and flow together nicely, if without taking a great number of chances. This is not Buddy Mihali and the Crickets, with Mihali taking lead throughout, but his presence is undeniable whether on stage or off. He knows he’s a rock star but doesn’t come off like one. He’s the band frontman but seems to shy away from the spotlight.

Twiddle has two side projects, Gubbulidis, a duo featuring Mihali and Zdenek, and Best Good Frends, a new band that recently held their first three shows in early May of this year, featuring Mihali, Zdenek, Ryan Clausen and Josh Dobbs (Dead Set Tuesdays) and Ratdog saxophonist Kenny Brooks. The latter group has great potential for extended improvisational jams as witnessed at their second ever show at The Hollow Bar and Kitchen in Albany, where six songs were played over the course of two sets and an encore. If there is an exciting aspect of Twiddle’s music to pay attention to, this is the one.

Twiddle also offers a great deal of generosity and assistance in supporting up-and-coming bands, giving the next wave of bands and musicians a shot. At the three shows from the past three months, every show featured sit-ins from musicians who may not otherwise be introduced to the Twiddle fan base. Too many in total to list, but among them, I wouldn’t know who Honeycomb is without Twiddle, as he has sat in twice with the band and twice I’ve been blown away by this beatboxer out of Windsor Locks, Ct.

Then there is peaking, or pe/king as Twiddle fans type the term. The concept, developed by Twiddle fan Spencer Frank, with Sam Luke and Nick Cioffi, was conceived by the fans to make an otherwise bad day seem far better than it truly was – a way of pumping themselves up to events yet to come. Popularized via Gubbulidis shows in Burlington on Tuesday nights, when Ryan Dempsey asked about peaking, Spencer replied “Dude, its the next level,” and with that, it crossed from fan idea to band supported identification which fans therefore find greater participation with. In seeking a definition of peaking, Frank returns with “I would say that peaking is taking any situation at its current status and bringing it to the next level.” For Luke, peaking is used “as a fuel to inspire ourselves to maintain constant optimism and motivation.”

“I think peaking is awesome,” notes Rondeau. “Fans have little symbols and hand gestures, and it’s cool that fans have adopted something. There’s an obvious drug reference to peaking, but I don’t think that the way in which our friends use it. It could be any moment in life, at a concert, feeling bliss and something incredible, a great feeling of positivity and all those things can be experienced at a Twiddle concert with a bunch of friends. It’s a great way for the band to communicate to the crowd that they appreciate that the music is being appreciated, it’s an acknowledgement of feeling the same way, doing what we love.”

Added Rondeau, “Nothing is possible without the fans, the band is super aware of that.”

“What was really cool was when we realized that it’s different for everyone, but that we were organically sort of creating a community where people were supportive of each other’s /s (peaks)” Cioffi observed. “I think we are just taking concepts like mindfulness and positivity and rewording them in a way that is digestible and translates well to the medium of Facebook as well as the real world and it’s cool because there are people posting hikes they have taken, and their kids doing something awesome, or talking about how they have been sober for a few months, or how they are psyched for the upcoming shows its just pure positivity and support.”

For those who are finding Twiddle as an entry level band and fan base, peaking can be something that resonates with newcomers and established fans, a message of community and positivity and support, a well as a challenge to do better. Sure, it’s a cliquey concept, but Umphrey’s fans do that thing where they put their fists together and stick the pinkies and other fingers down to make a UM sign, but there is more to it than just saying ‘rock on’ in Umph-speak. Yet peaking is all inclusive, much like how the Twiddle fan base appears, although some older fans do retain a certain ‘OG’ status that can be off putting to some, something that can be found among every fan base of established jam bands.

In talking with Twiddle fans about highlights from Disc Jam Music Festival, the two that were offered up immediately were Turkuaz’s Craig Brodhead sitting-in on “Polluted Beauty” and the jam during “Apples” which saw Mister F’s Scott Hannay (keys), Formula 5’s Joe Davis (guitar) and James Woods (bass), Honeycomb (beatbox) and Michelangelo Carubba of Turkuaz (drums). I referred to the pair of songs as personal highlights of the weekend at Disc Jam and specifically stated that these two songs were ‘the tits.’ This, to Spencer, Nick and Sam is the equivalent of pe/king. There is a universality of pe/king that can provide an inroad to understanding what their fans are peaking about, and which also carries with it an outsider perspective of ‘what the fuck is that?’ Much like two languages having two words to describe the same thing, the peaking phenomenon is more familiar than outsiders may realize, despite being on the dork side of all things Twiddle.

Twiddle is definitely not for everyone, but those that identify with it are really into it. It brings to mind the Jerry Garcia quote about licorice and the Grateful Dead: “We’re like licorice. Not everybody likes licorice, but the people who like licorice really like licorice.” Twiddle isn’t the next Phish, but its fans may very well be the next Phisheads, Spreadheads, moe.rons or Umphreaks, and that is well worth paying attention to.

https://www.youtube.com/watch?v=opbZdlP3TxQ&t=54s

June 24, 2015
Hearing Aide: Imagine Dragons ‘Smoke & Mirrors’

Imagine Dragons has released their newest album, Smoke & Mirrors. With the huge success of their first studio album Night Visions in 2012, selling more than 2 million copies to date, Imagine Dragons took the world by storm and by doing so set the bar pretty high for themselves when it came to following up with their second studio album. They had fallen into the proverbial trap of having such a huge success right out of the gate, that anything following was bound to be held to a higher standard.

Imagine Dragons Smoke & Mirrors

So with this dilemma, how did this Grammy Award winning band follow up their first hit album? They did it like they should, with an album written for themselves. After all, isn’t that what music is about? Personal messages paired with instrumentals to express themselves.

Writing continuously while on the road touring , the band compiled and recorded demos and as the Night Visions Tour ended, they purchased a house in Las Vegas, converted it into a studio, and for the next 8 months put together a story of sorts from experiences on the road that were laden with a roller coaster of personal emotions. After all, the whirlwind of life on the road from local venues to sold out arenas, had to take a toll on them emotionally. What better way to share than through song?

Hailed as one of rock n roll’s greatest newcomers in the 2013, their new found popularity and accolades brimmed over the top as America welcomed them with open arms. As new artists trying to achieve success, was the photo in their mind exactly what they pictured once achieved, or was it writ with unbeknownst angst they would encounter throughout the tour and along the way? I believe it may have been some of the latter. As I listened to the new album the creative differences between the two albums were not as apparent as other seemed to say. I still saw the same vocals and rhythmic distinctions still shining through.

I love Imagine Dragons, and I believe it’s their unique sound and truthful lyrics that caught my attention initially and holds it still today. It’s not their commercial success that makes them stand out. They are not mainstream music, they are not mainstream artists, and their unique style and sound is representative of who they are and how their creative process. Yes, their sound has been compared to a mix of The Killers, U2, Coldplay, Mumford & Sons, and Arcade Fire; taking bits and pieces from each band when making that generalization – influences have that kind of effect on you. You tend to find yourself creating similar sounds because, well you like them in the first place. They have been criticized for using every technical instrumentation trick known to mankind in their new music, and my reply to that is, ‘so what?’ That’s why it exists: to use it. Artists are known for creating something from their souls. It doesn’t have to be what you would want it to be. If that was the case, it would be your creation. So the fact that they use any or all technical tricks doesn’t lessen their musical creations to me in the least. I feel it has an energy to it. Although the lyrics on this album brim with a deep dark almost undaunting edge, the pulsating rhythms and melodic vocals give it an upbeat sound that over plays the underlying message.

Working along side Alex Da Kid on this album, his reputation for bringing out the creative sides of artists like Eminem and Christina Aguilera, demonstrates the perfect example why he’s a perfect match with Imagine Dragons on each of their studio albums.

As I listened to this album I had to do so a few times before I could collect my thoughts to develop a constructive opinion. In true Imagine Dragons style you have the strong percussions and amazing vocals and harmonies with a mix of synthesizer in there throughout the album, but with this particular album you got something else. You get variety in sounds that represent their travels with the first album. What the audience had become accustomed to (vocal/harmonies/percussion/synth) from Imagine Dragons was there in songs such as “Shots” and “The Fall”, but you also got a hint of some R&B with “Friction”, mixed with a flair of the Middle Eastern sounds in there as well. In “Hopeless Opus” you’ll see a flavor of Asian sounds intermixed with a bit of rapping, guitar solo, synth. Heck you pretty much get a bit of everything in that song. Same goes for “Summer”. The beauty though is how well they were all mixed together seamlessly. In fact in most of the songs you’ll see a variety of sounds and tempos within the songs that without the expert help in mixing could have been a disaster. This is where the expertise of Alex Da Kid played a huge part.

I have to say my favorite tracks were “I Bet My Life” and “Trouble” demonstrating their folky sounds mixed with a huge helping of underlying percussion. Just love their take on this sound. Running close second would be “It Comes Back To You” and “Dream” where I can definitely see influences from Coldplay and U2 in this song. It was the upbeat tempo and lyrics in this song that hooked me; “…all the things you had lost will find their way to you… am I a shadow you drew.” I can definitely see a commercial success with this release.

Criticized by others on this album, I definitely can see a darker side in their lyrics though with an underlying message perhaps of life on the road wasn’t all they expected, but I can’t understand the criticism. Music is an expression of life and everyone’s message is different. Give me a break negative Nellies. In both “Gold” and “Polaroid”, focus should be on the mixing of sounds, not the lyrics. “Gold” was another example of expert mixing. “Polaroid” to me was a little disappointing but only because as a photographer I had hoped this track would be as upbeat a message that the tempo held. But hey, everyone sees something different in a photo hence the saying “a picture is worth a thousand words”, and the message was something totally different. But still, it was a good song. No one is going to like every song on an album; you can’t expect every album to be Sgt. Peppers Lonely Heart Club Band.

The title track “Smoke and Mirrors” and “I’m So Sorry” give the listener a true rock and roll feel to the songs. These will be great live songs with the guitar and percussion in them.

After listening to the whole album several times, I came one conclusion: it’s a great album. Was it what the public anticipated from them? Perhaps not. Was it the mix of techno sounds with anthem rock and pop beats they are known for? Yep. With so many negative reviews and plays on words with the title, I find Smoke & Mirrors nothing but honest and forthwith. I can see the growth within the band, and the influences of experiences of the last few years in their lyrics. It’s the honesty on this album though that makes it the perfect second album. As far as commercial success, I believe those that loved Imagine Dragons will agree with me that this was a great album. It may not be a mainstream as some expected, but when it came to making an album that is true to themselves, this definitely met their expectations. This is one of those albums I think that when you listen to it initially you may not get it right away, so listen a few more times. Read the lyrics and see the messages. Then go back and listen to the music once again, and you will see that this really was a great album and will play out even more so as a great live performance.

As they roll into town this week to the First Niagara Center in Buffalo, they will be joined by Metric and Halsey. Show starts at 7pm and tickets can be purchased through Live Nation. Hope to see you there.

Key Tracks: Shots, I Bet My Life, Dream

June 23, 2015
Hearing Aide: Consider the Source ‘World War Trio Parts II + III’

If pop music is reading at an elementary level, Consider the Source‘s latest release, World War Trio Part II + III, is at least a 400 level college course.

For someone only exposed to American music, the concept might be lost. That has always been the case with Consider the Source though who has always pushed global boundaries. Never before though has the band done it this masterfully and with such vision. This isn’t just food for thought, but a feast, with such lush sonic depth that can’t simply be explored in one pass. This is music that commands focus in a time when fans are more flippant than ever. You could say the band is fighting a natural progression, but I applaud the effort and what they force a willing listener to listen to. The continuity between songs is beautifully orchestrated and only possible with an overall delivery being kept in perspective from the onset.

Consider the Source continues to improve upon the layered depth the trio creates. Most bands employ a second guitarist or a keyboard player to fill in some of those aural gaps the ear senses. Consider the Source somehow rarely leaves those though, instead filling the air with enough character and integrity on both the individual level and collectively as the full body of work.

It’s difficult to break this album down like a typical review because it lends itself more to a movie score than an actual music album, weaving rhythm and melody like a story line. This certainly isn’t a movie for everyone though. Hell, it might not even be for most, but for those willing to spend the time, this album is certainly capable of hitting you places wouldn’t think music could.

Staying with the movie parallel, this is no comedy, but a serious drama. It’s the type of movie that’s meant to make you think and not entertain per say. While there are plenty of parts where the band digs into a danceable groove, the vast majority is a complex structure meant to unlock pieces of your imagination and brain that may have been untouched otherwise.

In terms of sound, the band has always had their Middle Eastern and Sci-Fi elements, and while I would say the former is true on this album, the latter has now been pushed outside of this galaxy. The Middle Eastern elements underscore all of these other directions the band is going in. You can hear heavy metal influences this time around and that’s not a bad thing as they use it tastefully for emphasis throughout. I also heard Latin rhythms and a tonal landscape that covers so many other cultures. To someone with chromesthesia, these guys are coloring with the big box of crayons. Again, it must have taken an impeccable vision to be able to weave a thread through all of this the way they do.

On the individual level, these guys are simply incredible musicians in their own right and have found a chemistry that allows them to have a musical conversation. Jeff Mann should be commended for his uncanny ability to keep these two explorers on track, while bassist John Ferrara pulls double duty holding the rhythm and providing a sturdy base for Gabriel’s melody lines. Ferrara isn’t just support though and steps out many times throughout to take the reins and lead with the low. On guitar, Gabriel’s tonal breadth is equal parts beautiful and haunting. His understanding of timbre and where and when a tone should be called upon is literally right at his fingertips with his instrument’s flexibility. For example, when he needs a xylophone, like the solo on “Up to, But Not to Exceed…Whoa,” he does and he makes that perfect call every time. The three have hit a stride on this like they’ve never hit before.

The album ends on a dream-like wave of layered tones. The beautiful blend has a very natural and earthy feel to it that slowly draws this masterpiece to a close. The play between the various instruments perfectly compliments one another and the gentleness of the track is a great counterpoint to some of the more aggressive playing that proceeds it. This is not a loose collection of songs, but a score. The tracks below were some gems, but it really deserves a full listen to understand the concept.

Key Tracks: This Dubious Honor, Up to, But Not to Exceed…Whoa, I’ll Fight for the Imp, You Are Disappearing

June 23, 2015
Binghamton Rock Isn’t Dead Yet Tom Keifer

The general public may not know or remember who Tom Keifer is but they do know his music. Keifer has been a stronghold in the rock music scene for over 30 years, as a solo artist and with his band Cinderella.

Keifer and his band made a stop in Binghamton at the recently re-opened Club Eclipse in support of his debut solo album The Way Life Goes.

The crowd was regrettably on the small side but their excitement and enthusiasm filled the room to its capacity. You could physically feel the energy and excitement from each individual when Keifer and his band busted out on stage playing the bluesy rock Cinderella song “Fallin’ Apart At The Seams”. Keifer kept the crowd captivated by going into “Its Not Enough”, followed by “Different Light” and “Save Me”.

Slowing the set down and switching gears to an acoustic setting, Keifer brought his wife Savannah out to perform with him. She beautifully assisted him (and stole everyones hearts) with songs “Ask Me Yesterday” and “Don’t Know What You Got (Till Its Gone)”.

Tom Keifer performs with his wife, Savannah in Binghamton, NY

After thanking Savannah for her assistance Keifer took the show up a notch and rounded out the set with fan favorites “Solid Ground”, “Cold Day In Hell”, “Coming Home”, and “It’s Only Rock n’ Roll”.

He also did a fantastic cover of The Beatles’ “With A Little Help From My Friends”. This cover was one of the most memorable songs of the night. It had people hugging and swaying/singing along with their friends that accompanied them that night. Keifer also brought out a few of the band members wives (along with his own) to “help” with the song.

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Keifer undoubtedly appreciated his fans and was truly moved by the audience’s love for him and his music. He personally thanked everyone for their 30-plus years of dedication and for having faith in him while he overcame his vocal chord issues. Toward the end of the show to commemorate the night and his fans there, he brought out his camera and recorded a video clip of the crowd cheering for him. There wasn’t one unsatisfied fan in the venue when the house lights came on at the end of the night.

After the set Keifer graciously came out and greeted fans who were eagerly waiting to meet him. His appearance in Binghamton impressed long time fans and won over a few new young ones for life.

Keifer’s tour in support of The Way Life Goes will continue around North America and the UK through the end of 2015.

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June 22, 2015
Taste of Country 2015 Takes The Mountain By Storm

Taste of Country 2015 kicked off its third annual country music festival at Hunter Mountain on Friday afternoon with a bang and a star-studded lineup. Set in the gorgeous Catskill mountains in Upstate New York, legions of East coast country fans packed the mountain ready for great country music, delicious food and drink and myriad of other activities and attractions carefully designed to create an exciting and unforgettable summer festival experience.

Although a ski resort during the winter months, it’s scenic mountain views framing the main stage, sprawling hills for fans to spread out on and numerous camping areas make Hunter’s transformation into a music festival venue in the summer, a seamless one. As usual, fans arrived at the show enthusiastic, animated and ready for a party.

Keith Urban – Taste of Country 2015

Friday, Day 1: Fans crammed the venue and fair ground area for a highly anticipated opening day lineup of Rachel Lipsky, Logan Mize, LOCASH, Colt Form Eli Young Band and Keith Urban. They were also able to enjoy a bunch of delicious food choices, plenty of drinks and various shopping, where anything from cowboy boots to band merch was available. The food stands, despite having been good from the first year of the festival definitely took a step up this year, providing a wider variety of food and more choices than ever. When in search of lunch I found myself wandering through the grounds unable to decide what to get because there were so many delicious options!

Taste of Country Festival 2015

Although the forecast predicted that a massive thunder storm was looming, the weather throughout much of Friday at Hunter Mountain was clear, sunny and hot, albeit very humid. It was only around 9 p.m. when Eli Young Band (whose set had already been move up 15 minutes due to the impending lightening) finished their set that the festival announced a delay for headliner Keith Urban’s set. Fans were directed to quickly and calmly leave the mountain and take cover in their cars until the festival deemed it was safe for them to return. Fans were kept updated on weather conditions and the delay through both the Taste Of Country Festival app and through social media such as Twitter and Facebook. Thankfully, venue announced that it was safe for fans to return at 10:24 p.m., and after some stage cleanup and giving fans time to return, Urban was finally able to take the stage around 11 p.m. Outside of weather issues at the end of the night, the festival ran very smoothly throughout most of the day.

As the day of music began, Rachel Lipsky was the first to take the stage. This young lady has one heck of a voice and a “hell ya” attitude that captured the audience immediately and reeled them in and amped them up, setting the stage on fire from the get go. Singing both originals and covers, this young lady owns the stage and gathers fans everywhere she goes. Whether it’s overseas to perform for the troops or at the next Nascar Race, Rachel’s a fan favorite and a veteran to the Taste of Country stages being her second year performing at the festival.

Rachel Lipsky – Taste of Country 2015

Next up was Logan Mize. This young man, with his wholesome good looks and amazing voice owns both stage and screen when he performs. Fans adore him, and music lovers can’t get enough. Keeping up the momentum, Logan continued to engage the audience and by the end of his set, the party was well under way.

Eli Young Band – Taste of Country 2015

LOCASH was the third act to take stage on Day 1. Anyone who has seen this duo before knows that they are the life of the party on stage, and aways know how have a good time while putting on an amazing show. Comprised of Chris Lucas and Preston Brust, the duo is down to earth, funny, patriotic and always vibrant on stage. It is truly hard not to like LOCASH, and the pair is easily able to connect with the crowd in live settings because of their engaging nature and the relatable subject matter of their songs. Although I arrived about 10 minutes late, I was still able to catch most of their set. The duo was just about to begin playing a new song called “I Know Somebody” as I arrived. The song was undeniably catchy and featured pleasant harmonies between Lucas and Brust. It should be a good track or even a single on a future album or EP.

Eli Young Band – Taste of Country 2015

The pair delighted a predictably intoxicated crowd with their fun and carefree song “Drunk Drunk,” which to no surprise, they wrote when they were drunk one night. LOCASH’s set also featured another new song, “What We Got”, a romantic and charming track about being thankful for the love in their life. The duo also performed some notable covers; “Truck Yeah” which the pair wrote with fellow country artist Chris Janson, and was recorded by Tim McGraw. This number was a huge crowd pleaser as the lyrics are fun and easy to sing out loud. LOCASH briefly went out of genre with covers, of Bruno Mars’ “The Lazy Song” and a rousing version of Def Leppard’s “Pour Some Sugar On Me.” They rounded out their setlist with self-proclaimed redneck anthem “Hey, Hey, Hey”, and a track they called a “meat and potatoes, knockout punch” song that they plan to be their next single, called “All I Need Is You.” LOCASH closed with their current hit single and fan favorite “I Love This Life,” an anthemic track that details the simple pleasures of living a country lifestyle. Before performing the song, they informed the audience that New York is the No. 1-selling market for LOCASH, and thanked fans for their support, dedication and for buying their songs.

Keith Urban – Taste of Country 2015

Country rapper Colt Ford followed LOCASH. Known for his patriotism and high profile collaborations with some of country music’s biggest stars, Ford’s setlist contained an abundance of popular and well known songs. The always aware and generous Ford is also heavily involved in various charity projects to aid current soldiers as well as veterans suffering from PTSD, noting how important it is to support those who fight and sacrifice every day for our country and our freedom. A prime example of the entertainers desire to help others, all of the proceeds of one of his current songs that he performed called “Workin On” will go to help soldiers with PTSD. He also mentioned that he always performs with an American flag attached to his microphone stand, a tribute to soldiers and first responders. Ford performed his infectious party song single “Crank It Up” a track with a dance beat and killer hook, as as well as “Country Thang” recorded with Eric Church, “Driving Around Song” recorded with Jason Aldean, “The High Life” recorded with Chase Rice and even covered Eminem song “Lose Yourself” which the crowd got a kick out of.

Although he is known as a country rapper of sorts, Ford kept his music grounded in country with plenty of fiddle during his time on stage. He ended his set with “Dirt Road Anthem” a game changing, massively popular song he wrote with Brantley Gilbert that was taken to No. 1 on the country charts by Jason Aldean. LOCASH joined him on stage to perform the song, adding camaraderie to an already fun set.

Eli Young Band was the fourth act to take the stage, but the last before the festival issued it’s weather delay. Known for their vocals, songwriting and the pleasant overall sound of their music, Eli Young Band has been able to accomplish the often rare feat of finding critical, commercial and radio success during their time together. They opened their set with a song called “Revelations” an emphatic rock influenced track from their most recent album 1000 Towns, which were followed by the album’s title track, previous single “Dust” and three songs from their new Turn It Up EP, “Drink You Up” and “Plastic” and it’s title track (also the band’s most recent single). Self-proclaimed “bonfire tune” “Always The Love Songs” soon followed. The four man band kept the patriotism going as well, leading several enthusiastic USA chants with the pack out crowd and like Ford, keeping an American flag on stage at all times. They also took the time to dedicate their touching and heartfelt song “Prayer For The Road” to members of the military and first responders. Eli Young band made sure to express how lucky they knew they were to be able to play music for a living, and how thankful the were for the fans that have continued to support them throughout their career.

LOCASH – Taste of Country 2015

The group chose to perform several well known covers, including David Lee Murphy’s crowd pleasing “Dust On The Bottle,” Tom Petty’s “Learning To Fly” and Garth Brooks’ “The Thunder Rolls” which was unfortunately a very appropriate prediction of the weather that was soon strike the mountain. Radio hits and Eli Young Band staples “Drunk Last Night,” “Even If It Breaks Your Heart” and “Crazy Girl” came at the back half of the band’s set, delighting the thousands of fans in attendance with their relatable lyrics, catchy hooks and deep content. Even though a nasty storm was soon to come, Eli Young Band’s set definitely rocked the thousands sprawled out on the hills of Hunter Mountain before the thunder, rain and lightening could ruin the party.

Logan Mize – Taste of Country 2015

Not 10 minutes after Eli Young Band’s set (around 8:50 p.m.), the festival announced the temporary delay of Keith Urban’s set, and informed fans that for their own safety, they would have to leave the mountain until the weather improved. Although disappointing, the festival officials always maintained that they believed the show would be able to go on after the delay. Sure enough, around 10:20 p.m. they announced via Twitter and the Taste of Country Festival app that the venue had re-opened and that headliner and worldwide superstar Keith Urban would finally be able to perform after the stage was cleaned and fans had returned.

Keith Urban – Taste of Country Music Festival 2015

Urban, who has been a titan in the music industry for decades has drawn millions of fans to his concerts and music though his perfect pop-country formula, movie star good looks, sweet personality world renowned skill on the guitar, and distinguishable voice and musical sound. The Australian native’s illustrious career beginning in 1991 includes 10 wildly successful headlining tours starting in 2004, 18 No. 1 songs, three Grammys and numerous country music awards.

Taste of Country Festival 2015

Fans were relieved and thankful to see Urban take the stage. The continuing rain, and substantial pools mud that were a result did nothing to deter fans from flocking excitedly back to the mountain for his set. While the guitar is nothing more than a prop for many musicians on stage, for Urban it is like an extension of his arms, and at times can be just as poignant and affective as his vocals or lyrics. He often delights the crowd in live performances, showing off his extensive shredding ability with long, emphatic and complicated guitar solos at the end of many of his songs that leave fans wondering how he has enough fingers to hit each note and this night was no different. Urban also has a fully stocked stable of well known hits that he trots out confidently each show, often having to trim down the list to fit his set into the allotted time frame. He began his set with the upbeat “You’re Gonna Fly,” the catchy “Put You In A Song,” followed by “Somewhere In My Car” a No. 1-hit from his most recent album Fuse, and irresistible summer jam “Long Hot Summer.” Urban then brought talented singer and fan from Saratoga Spring Kayla Saris, who won a fan contest on stage to help him perform his hit song “We Were Us” a duet he recorded with fellow country artist Miranda Lambert. Also from Fuse, Urban performed popular singles “Little Bit of Everything” and “Cop Car” before the romantic, fan favorite “Sweet Thing” which included an extended guitar solo to close out the song and an acoustic rendition of “Making Memories of Us.”

Urban also broke out his brand new lead single “John Cougar, John Deer, John 3:16” an easygoing, laid back, easy to jam out to track that is sure to become another hit for the talented singer, and the last single from Fuse, “Raise Em Up,” a star-studded collaboration with Eric Church that also included a thrashing guitar solo at it’s conclusion. The audience enthusiastically screamed back the lyrics of sweet, fan favorite “Kiss A Girl.” He closed the show and brought down the house with performances of massive hits the cheeky and anthemic “You Look Good In My Shirt” and the the uplifting ” Someone Like You.”

By the end of the show Urban had proven yet again why is a must see performer for all casual and serious music lovers and showed that even a storm couldn’t stop the thousands of loyal country music fans in attendance from, showing up in droves to enjoy their favorite performers. Urban’s headlining set was the cornerstone to an incredible day full of great music, delicious food, eclectic festival environment and beautiful views at Hunter Mountain. The best part was that there were still two more exciting days of the festival to look forward to.

June 22, 2015
Local Limelight: Peekskill’s Joe Duraes and The Skills

Everybody needs to have some fun with proper dosage of Hudson Valley rock. That’s what Joe Duraes & The Skills are all about. Rooted in the lower Hudson Valley of NY (Peekskill, to be precise), JD&TS strips down the heavily wax-coated, over-produced sounds common to today’s records to the purer elements of a four-piece rock and roll band. Their focus on performing with a cohesive energy and engaging tunes has garnered attention and brought people back to more of their shows around town.

The band didn’t quite start as a band; rather a solo act of Joe Duraes with a regular residency at the Peekskill Coffee House and a few other small gigs here and there. It was early 2014 when things finally lined up and clicked to bring together a group of talented musicians to play the songs Duraes had previously written and work on new material as a band. Currently, Joe Duraes and The Skills is Joe Duraes (guitar, vocals), Rodman del Castillo (lead guitar), Steve Geller (bass/vocals), and Kevin Hupp (drums).

The band rolled out a much stronger, tighter sound with the debut of drummer Kevin Hupp at The Winery at St. George in Mohegan Lake, NY on June 13, 2015.

Let’s hear what JD&TS had to share with NYS Music.

Steve Malinski: So Joe, what prompted you to form the band and how did it come about?

Joe Duraes: There are a couple of reasons. First because I wanted to have a band to play my songs with me. I missed having that for a long time, doing the solo gigs for a while. The other reason is I released Ebb Flow in 2013 and because that album was so well produced it just didn’t make sense for me to do all that work only to go play it solo/acoustic again. It was very necessary to get a band together for that, so people can get the full effect. I put the band together January 2014. I put a few ads on Craigslist for a drummer, bass player, and a guitar player and that’s how I found them.

SM: What are your backgrounds in music?

JD: For me, I’m really just self-taught. I started on guitar when I was 13, kind of following the footsteps of my older cousin who at the time was 18. My lessons were really listening to the records I picked up – they were my teachers. All the bands I had listened to over the years, that was my schooling. In my 20’s I was in my first band – well I was in my first band when I was 16 but we never played any gigs – Most of the bands were goth and alternative, so I kind of went through that phase. Then I stopped for about 13 years, a break for a while. I got back into it when I started writing songs again and a few of those made it to the Ebb and Flow record. So the Skills has really been like my baby for the last three years, including the recording process (even though the band has only been around for a year or so now). I was joking recently with Steve and Rodman that they were at their one-year mark and that I had to get them something – a pin or something.

Steve Geller: I’ve been a bass player for close to 30 years now, both road musician and studio musician. The most famous gig I had was with The Monkees. I’ve worked with a lot of me heroes – Pete Best (original drummer for the beatles), Ray Manzarek of The Doors, Buckethead, Jane Wiedland from The Go Go’s, just to name a few.

Rodman del Castillo: I started with a metal band – Planet Hate back in the early 90’s. From there I did my own thing in Manhattan with My Brothers Dream, kind of a typical rock thing. Did a lot of funk-rock type things and played CBGB’s a couple times. From there I went on with Elisabeth Withers, a singer who later signed with Blue Note Records. I wound up on tour with Janice Robinson – the opening act for Tina Turner on her 2000 tour. Then I came back to NY doing a blues, Hendrix type thing in the Village.

Kevin Hupp: In the last 15 years I’ve been producing records out of my studio and Joe came along and I was taken by his sound. We got along very well and I produced and played on his debut album. Fast forward: I’d seen him live a few times and the band sounded great. But as a producer and someone who knows the songs inside-out, something just wasn’t quite gelling. Last time I saw him live I was thinking to myself about who I could turn Joe on to the drums and I thought about it for a moment. So the next day I got a text from Joe about joining the band and we talked for a while. I thought it would be a lot of fun. Joe’s got a great live sound.

SM: Can you tell us who some of your influences are?

JD: Gosh, I’m going to start with the Beatles. It depends a lot on the decade we’re talking about as I’ve been listening to music since I was five years old. Beatles, Led Zeppelin, U2, Nirvana, Peter Murphy, Bob Mould – I always play his stuff.

SG: The Beatles of course. I grew up in the 60’s. I watched the Ed Sullivan Show the night they were first on and it changed my life. I saw McCartney with the left-handed violin shaped bass and it was all over for me – “I want to learn how to do that!”

RdC: I started off digging “Frankenstein” by Edgar Winter and that was it, I was pumped. When I was 9 my cousin asked if I could play this and I was like “no”. Also Clapton, the classic Hendrix. On into the 80’s and 90’s I was getting into the metal guys, Testament, some of the older acts. I liked to listen a lot and emulate their stuff.

KH: I’d say the one person I respect a lot is Dave Grohl because he basically came from behind the drum kit with Nirvana and now he’s one of the biggest artists out there and I love his band, what he does. Great drummer, great producer. I appreciate the mindset where a drummer can come to the front of the band and produce as well. There’s been a handful of those guys over the years.

SM: Each of you have a somewhat similar story behind joining up with Joe for the band. What can you say about that?

SG: I had been on the road non-stop for about six years and I was pretty burnt out and needed to be home. But I wanted to keep playing, not in a local classic rock cover band though. So I started answered some ads, went to some auditions. Then I saw an article in a paper on Joe and later an ad which happened to be Joe’s. We played together and knew right away that this was something that was interesting and I’d want to be involved with. It was too good not to become a part of.

RdC: I was just looking around on Craigslist and saw the ad. Joe and I spoke by phone several times and things started clicking. He mailed me the record, I liked it and started learning the stuff. There was a chemistry there.

Left to Right: Kevin Hupp, Steve Geller, Joe Duraes, Rodman del Castillo

SM: Kevin, since you already mentioned how you recently joined the band, how did you first get involved with Joe’s music before the Skills even came about?

KH: Joe was referred to me by Matt Turk, another artist in the Hudson Valley. Joe called me up and I listened to his songs. The cool thing is that Joe sounds like Joe, with a really identifiable voice and the things he brings to the songs. When you’re producing a record you look for things like that and things took off from there.

SM: And Joe, what’s the story behind Kevin joining the band in 2015?

JD: I met Kevin around 2012 when I hired him to produce ebb and flow and always wanted him in the band. I asked him several times but he politely declined because he wasn’t around. We’ve had a couple of drummers in the band and while they were good players they just weren’t the right fit for us. So we recently spoke to Kevin about going back to record in the studio again and I asked him like a hail-Mary pass and I asked him as a far-reaching question if he’d consider again joining the band. I didn’t expect in a million years for a reply but just 5 minutes later he said that he was actually thinking about that. So we talked, the four of us. I basically told him that he created the sound of the CD and that set the foundation for what became The Skills, we play those songs live. Every drummer we’ve had has basically been playing your parts so it just makes sense for you, as the creator of that rhythm and sound to be a part of the group.

SM: What’s the future looking like for Joe Duraes & The Skills?

JD: The future’s looking good now that Kevin is in the band. Kevin, being a world-class musician, drummer and producer for 35 years, brings with him a lot of experience and a lot of knowledge not just with playing drums but in music. You can be a drummer but if you’re not a musician you’re not a good drummer. We’re really looking forward to the door this will open for us. He has a lot of friends, and we have a lot of friends and it should bring us new opportunities to play bigger shows, bigger venues.

Joe Duraes & The Skills are online at their website, Facebook, YouTube, and ReverbNation where you can keep up with their show schedule. Check out the gallery below of some of their 2014 performances in Peekskill, at the River Street Beat Shop in Troy, NY and of Kevin Hupp’s June 2015 debut at The Winery at St. George in Mohegan Lake, NY; but more importantly check them out live.

June 20, 2015
Gathering of the Vibes 2015 Schedule

Gathering of the Vibes 2015 has announced its schedule for its upcoming four-day festival at Seaside Park in Bridgeport, Connecticut. This also marks the 20th anniversary for the annual festival.

Thursday, July 30

Main Stage

Dark Star Orchestra feat. Melvin Seals 9 p.m.

Max Creek 7:05 p.m.

Strangefolk 5:15 p.m.

Ryan Montbleau 4 p.m.

Green Vibes Stage

Bombino 5 p.m.

Fly Golden Eagle 3:15 p.m.

Banooba 1:30 p.m.

Late Night Stage

Karl Denson’s Tiny Universe 1:05 a.m.

Friday, July 31

Main Stage

The String Cheese Incident feat. David Grisman & Peter Rowan and Friends 9:00 pm

Gregg Allman 6:45 p.m.

Tedeschi Trucks Band 4:45 p.m.

Sharon Jones & The Dap-Kings 2:45 p.m.

The Word feat. Robert Randolph, John Medeski, Luther & Cody Dickinson & Chris Chew 12:45 p.m.

Twiddle 11 a.m.

Green Vibes Stage

School of Rock Allstars 7:15 p.m.

Tea Leaf Green 5:15 p.m.

Doyle Bramhall II 3:30 p.m.

Jaimoe’s Jasssz Band 1:45 p.m.

David Gans 12:15 p.m.

Nattali Rize & Notis 11 a.m.

Late Night Stage

Electron 1:05 a.m.

Saturday, Aug. 1

Main Stage

Warren Haynes and the Seaside Allstars 11:45 p.m.

Wilco 9:15 p.m.

Warren Haynes feat. Railroad Earth 7:30 p.m.

Billy & the Kids 5:30 p.m.

The Gaslight Anthem 3:45 p.m.

Deep Banana Blackout 2 p.m.

Greensky Bluegrass 12:30 p.m.

Kung Fu 11 a.m.

Green Vibes Stage

Turkuaz 6:15 p.m.

Trevor Hall 4:30 p.m.

Moon Hooch 2:45 p.m.

New Riders of the Purple Sage 1 p.m.

The Primate Fiasco 11:15 a.m.

Late Night Stage

The Nth Power 3:45 a.m.

Lettuce 1:05 a.m.

Sunday, Aug. 2

Main Stage

Ben Harper & The Innocent Criminals 6 p.m.

Weezer 3:45 p.m.

Zappa Plays Zappa 1:45 p.m.

Preservation Hall Jazz Band nooon

World Peace Flag Ceremony 11:45 a.m.

Green Vibes Stage

John Brown’s Body 4:45 p.m.

Cabinet 3 p.m.

Earphunk 1:15 p.m.

Band Together CT 11:50 a.m.

Andy The Music Man 11 a.m.

School of Rock Allstars 10 a.m.

Connect with Gathering of the Vibes:

Facebook | Twitter | Youtube | Instagram

June 20, 2015
Lettuce and The Soul Rebels bring the funk in the sun to Central Park SummerStage

On a picturesque day in New York City, tens of thousands of visitors flock from all around the world to Central Park. Some are row boating on the Lake, some come for lunch at Tavern On The Green, and many came for hometown funk band Lettuce. As the crowds filtered in to Summerstage one of New Orleans finest brass ensembles, The Soul Rebels, serenaded them with their powerful horns. For Brooklyn based Lettuce headlining Summerstage is a monumental accomplishment and coming off their sold-out show at Red Rocks they had set the bar high.

With Erick “Jesus” Coomes (bass) straddling his usual center stage position he lead Lettuce, consisting of Adam “Shmeeans” Smirnoff (guitar), Adam Deitch (drums), Neal Evans (keys), Ryan Zoidis (sax), and Eric Bloom (trumpet) on a funk filled journey in the park. The band was joined on stage by The Soul Rebels for an ensemble performance of “Sam Huff” and Nigel Hall stopped by as well. As the set got moving Central Park Summerstage shut the gates as the capacity crowd reveled away in the sun and the deep funk grooves.

Lettuce will be back on the East Coast opening for Umphreys McGee in Boston, Asbury Park, Philadelphia, and Baltimore. You can find tickets here.

Setlist: Lettuce at Central Park Summerstage, 06/13/2015

Reunion, Big Anthem, Chief, Blast Off, Lettsanity, Phyllis, Get Greasy, Sam Huff*, Hip Hop Odyssey, Madison, New Reel,

Lett Gogo, Makin My Way, Hang Out and Hustle, Do It Like You Do

* w/ Soul Rebels

June 19, 2015
2015 Edition of Fox Fest to Benefit CNYSPCA

Fox Fest, the 2015 SAMMY winner for best festival in Central New York, returns for its 6th year. The not-for-profit festival will support the CNYSPCA this year.

Music at the festival runs from 12pm-12am and includes sets from Scars n Stripes, Barndogs Plus, Country Swagg, Redline, TJ Sacco, Dirtroad Ruckus, Chris Taylor and Seeking Monte. Fox Fest boasts plenty of room for campers , motorhomes and tents with a variety of food sold at the event. Alcohol may be brought by patrons.

To buy tickets, Fox Fest sells t-shirts as admission. To order a shirt and gain admission to the festival, you may order online or fill out a form at one of the following locations: Limp Lizard on Onondaga Blvd., Tanner Valley Golf Course, Frank’s Moondance on Rt 20, Amber Inn in Marietta, and the CNYSPCA on Malloy Rd. in North Syracuse. Patrons may also call to order a shirt via 315-382-5896 or 315-256-7005.

With over 2000 attendees in 2014, Fox Fest 2015 will be an immensely popular event with great music, all supporting a good cause.

The CNY SPCA is open for viewing Monday – Saturday from 10 AM to 3:30 PM. All adoptable animals are on our website www.cnyspca.org. If you are interested in one of our available animals please fill out an application and get pre-approved.

June 18, 2015
Ginger Baker Sets Albany Ablaze, a Night of Improvised Jazz

Ginger Baker brought his new band Jazz Confusion to The Egg for a grand evening of music for a packed audience. Playing two sets, though the second was a little shorter, and an encore, Ginger and his band had the crowd sitting on the edge of their seats to see what they would perform next. Ginger Baker is of course known most famously for being in the super groups Cream and Blind Faith, but at the heart of his playing has always been jazz. He was just getting over a bout with pneumonia, but the only time you would have know he had been sick was when he talked to the audience or stood up from his drum kit. When he was sitting behind the kit, his hands still flew all over the kit with ease. After all these years and problems he has gone through in life, it is a joy to be able to see him still be able to play the drums so effortlessly.

The band that Ginger put together displayed their power during the show, seamlessly weaving in and out of one anothe. Pee Wee Ellis, formerly James Brown’s band leader, played beautiful solos and dotted the songs with intricate melodies on his saxophone, while Alec Dankworth’s bass playing kept the music steamrolling forward. Abass Dodoo, a tremendous percussionist from Ghana, added a flair of Afrobeat to the music of the others and complimented Ginger’s playing perfectly. Anytime one of the members had the chance to take a solo, it was great to see the other three members of the band watch as if they were in the audience and seeing the other member play for the only time on the short tour the band is on. Though there may not have been any “famous songs” played by the group, the crowd at The Egg got their moneys worth and then some from the four virtuoso musicians.

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June 18, 2015