Kissing Candice brought their bloody, gory horror themed show to Syracuse’s newest DIY venue, The Rock Garage on December 18th. Syracuse area locals, The Entropic Principle, Welcome the Ancients, and IMPULSE helped get the crowd warmed up.
The lights go dark, smoke rolls onto the stage, the crowd’s excitement builds as the intro cues up; then the band explodes onto the stage tearing right into “Unloaded” off of their newest album “Blind Until we Burn.” They didn’t waste any time before ripping into “Successful test” and their latest single “Put em’ up.” The band played a very powerful and supercharged set consisting of a mix of songs from their EP “Conjured” and newest release “Blind Until We Burn” including highlights “Tusk” and “Nilbog” to which they pay homage to one of the “best” worst movies of all time Claudio Fragasso’s Troll 2!
Even though it was cold outside, Kissing Candice had no trouble keeping fans excited and engaged throughout their 50 minute set. After taking a short break, the band came out a played a two song encore ending the blood and smoke filled set with a song that that is not often played “Rampage.” The band thanked everyone and invited the crowd to hang out with them at their merch table before they were on their way back to Long Island.
It is certain that with their mix of metal, hardcore and industrial and let’s not forget some very catchy heavy and hook – laden songs, Kissing Candice puts on one hell of a blood and gore soaked show!
Phish returned to Watkins Glen International Raceway on Aug 21-23 for their 10th festival, Magnaball. The sold out event gathered more than 40,000 fans to the gorgeous hillsides of the Finger Lakes Region of New York for 3 days of camping, art and the musical jam stylings of the Vermont quartet.
Magnaball was not just some mash-up of two random words, but simply the best way to describe the current state of Phish, a band sounding as fresh as ever, even after 32 years. The first third of that definition was in the books.
Many Magnaball attendees were foggy rather groggy Sunday morning after an epic Saturday of music, so it was good that fans had all day to recover and gather their strength for a final night of revelry with Phish.
Sunday’s show started out with a cheer as fans recognized the opening chords to “Punch You in the Eye.” That segued into a rarity, “Buffalo Bill.” The song hasn’t been played since Ohio in June 2012 and the set continued with “A Song I Heard the Ocean Sing,” then “Limb By Limb,” which featured a jam that built to a quick payoff. The melancholy “Waiting All Night” moved into “Theme From the Bottom,” with a beautifully melodic breakdown in the middle. That transitioned into “Maze,” the only song of the night off Rift, the album released on vinyl for the first time the previous day. “Maze” built to a frightening frenzy multiple times before breaking back into the dark, sparse end section.
The mood lightened with the lyric-heavy “The Line” while “Stash” got everyone dancing with a jam that included some great guitar/bass interplay and piano builds. “Reba”’s nonsensical recipe for disaster was super fun, as always.
Band members then sang “I Didn’t Know,” until Trey asked the Little Beast Boy (Fishman) to come forward and play the vacuum and “suck love” at a long list of people Trey read off that the band wanted to thank, ranging from the band’s crew and staff to local officials. The set finished off with a high-energy version of “Character Zero” that left the crowd hungry for more.
A loud appreciative roar from the crowd accompanied the opening audio segment of “Martian Monster” whose words of blasting off on a voyage of discovery undoubtedly rang so true for so many at Magnaball. An energized but fairly standard jam soon followed before the music shifted towards ambient spacey tones and, soon after, the opening bass notes of “Down with Disease.” As they’ve done regularly this summer, Phish stretched out a second set “Disease” jam into a beautiful one that started out with a slow ambient groove that slowly and surely evolved into a raging rock and roll blissed out jam.
After reaching an apex and stagnating for a few minutes, the music shifted seamlessly into a far less common song of late, “Scents and Subtle Sounds.” Although not played with the full intro section as it was in Philadelphia two weeks prior, this newly revived 2.0 gem ushered in a new wave of beautiful improvisational rock with standout fills from Page on piano and Trey repeating some soaring and beautifully dissonant chords on guitar. The short and power packed jam was not even finished yet as the opening chords to another rarity, “What’s the Use?” started up with Fishman still singing along to a petering out “Scents and Subtle Sounds.” This along with “Dirt” that followed seemed to serve as a chance for everyone to conserve some energy for the stretch run and for some to cross some rarer songs off their lists.
The final leg of a magical weekend began with a “Mike’s Song” that was played to perfection with Page again shining on the clavinet and Trey unleashing a relentless attach of high octave shock waves courtesy of the Echoplex. While some held their breath for another go round of the second Mike’s jam, instead, the group launched right into “Fuego” which brought its signature brand of powerhouse rock to the second set. While the composed section was run through perfectly, it was a fairly short version with no jam as the music immediately shifted gears into “Twist.” One of the true MVPs of this summer tour, “Twist” featured some of the more improvisational moments of the second set as a quick run through of the composed section gave way to a nifty guitar and bass breakdown between Trey and Mike. A quick blues based jam with the whole band involved soon followed which escalated into yet another full on rock barrage replete with “Immigrant Song” vocal teases from Trey and Fishman. Although it may not have been as stretched out or as epic as previous summer “Twist’s,” this version served as a clear example of how effortlessly the band can shift from one musical mode to another. The customary “Weekapaug Groove” that followed was also a prime example of this as some light-hearted toying around with the song’s tempo towards the end of the jam gave way to a reemergence of “Martian Monster” and all the audio samples that come along with it. If it was the band’s intention to pack as much different music and madness as they could into a short “Mike’s Groove,” then they succeeded most admirably.
A show and a weekend like this one could only have one fitting encore and the group’s seminal classic “You Enjoy Myself” fit that bill. This final musical sendoff gave Phish one last chance to delight the crowd with its mastery of ambient noise, blissful cohesiveness, trampolines and vocal jamming. At its completion, a majestic fireworks display went off to the right of the stage that left revelers with minds blown and mouths agape. It served as both the final page of a fantastic and memorable Magnaball and the initial call to arms for those fortunate fans ending the summer tour with the annual summer ending party in Colorado in two weeks.
Set 1: Punch You in the Eye > Buffalo Bill, A Song I Heard the Ocean Sing > Limb By Limb, Waiting All Night > Theme From the Bottom > Maze, The Line, Stash, Reba, I Didn’t Know[1], Character Zero
Set 2: Martian Monster > Down with Disease[2] -> Scents and Subtle Sounds[3] -> What’s the Use? > Dirt > Mike’s Song > Fuego > Twist -> Weekapaug Groove[2] -> Martian Monster
Encore: You Enjoy Myself
[1] Trey thanked the crew, production staff and local officials.
[2] Unfinished.
[3] No intro.
String Cheese Incident knows how to throw a New Years Eve party. For their third and final show at 1stBank Center in Broomfield, CO, the band delivered above and beyond with each successive set, and a New Years stunt heading into 2015 that sets a high water mark. Watch below and check out incredible photos below from Andrew Wyatt.
Set 1: Black Clouds, Smile, Let’s Go Outside, Sweet Spot, Water, Kinky Reggae, On The Road
Set 2: Can’t Wait Another Day, Miss Brown’s Teahouse, Desert Dawn, I’m Still Here, Way Back Home, Fool in the Rain, Way Back Home, Jellyfish, Desert Dawn
Set 3: Don’t It Make You Wanna Dance, Land’s End, Glory Chords, Celebration, Rosie, Late In The Evening, Rivertrance, This Must Be the Place (Naive Melody), Just One Story
Yonder Mountain String Band packed the house in Boulder, and brought a few friends along for the ride. Per Live Music Blog, each night featured a different theme and a variety of guests: a three-set traditional show New Yearâs Eve, a funked up evening with John Popper (Blues Traveler), Shawn Camp (Earls of Leicester) and Dave Watts and Joey Porter of the Motet on Thursday, a horn-filled soul affair with Jen Hartswick and Natalie Cressman of the Trey Anastasio Band on Friday and a bluegrass supergroup on Saturday joined by Andy Hall and Andy Falco from the Infamous Stringdusters.
Set 1: All Aboard, Left Me in a Hole, Hello City Limits, Sometimes I’ve Won, Damned If The Right One Didn’t Go Wrong1, Complicated1,2, Run-Around1,2, Pockets1,2, Fingerprint1,2, Shakedown Street1,2
Set 2: Spanish Harlem Incident, Polka On The Banjo, Honestly, Would You Go With Me1, Criminal1,2, Hook1,2, New Deal Train1,2, Rain In Durango1,2, I’ve Got A Name1,2, Girlfriend Is Better1
Encore: My Love Will Not Change1,2, Ziggy Stardust1,2, Shady Grove1,2
1 Shawn Camp on guitar, vocals & fiddle 2 John Popper on vocals & harmonica, Joey Porter on keys & Dave Watts on drums
The lights go dark, smoke rolls onto the stage, the crowd’s excitement builds as the intro cues up; then the band explodes onto the stage tearing right into “Unloaded” off of their newest album “Blind Until we Burn.” They didn’t waste any time before ripping into “Successful test” and their latest single “Put em’ up.” The band played a very powerful and supercharged set consisting of a mix of songs from their EP “Conjured” and newest release “Blind Until We Burn” including highlights “Tusk” and “Nilbog” to which they pay homage to one of the “best” worst movies of all time Claudio Fragasso’s Troll 2!
It is certain that with their mix of metal, hardcore and industrial and let’s not forget some very catchy heavy and hook – laden songs, Kissing Candice puts on one hell of a blood and gore soaked show!
