Author: Zach Hitt

  • Bogie’s to Close its Doors

    Legendary underground music venue, Bogie’s, in Albany, will be shutting its doors for business at the end of May. Upstate Black N Blue – who partly run and hold shows through multiple venues in the Capital Region – announced via Facebook that they are no longer able to able to keep the place running.

    Bogie's closeBogie’s officials cited financial problems as a cause for closing. Not enough people have come to shows to support costs between upkeep and regular bills. Bogie’s recently had a $10,000 crowd funded overhaul which covered a new roof, flooring, and other much-needed equipment.

    However, after a ‘state of our scene’ type meeting at the venue, attendees were given the down to earth truth: Bogies was not making ends meet, and the lack of support had become a strain for a while.

    Representatives of Upstate Black N Blue say that they will continue to hold live shows for underground musicians at nearby venues such as Upstate Concert Hall and Trickshots, as well as Fuze Box, which is just blocks away from Bogie’s.

    Bogie’s, which saw bands like Blink 182, Black Flag, as well as The Acacia Strain, and many more, will have its last show in Albany on May 31. Show lineup will include Recon, GhostXShip, Vice, Artisan, Before I Had Wings, and Towers.

  • Joey Eppard Streams Live Album

    Joey Eppard – Woodstock, NY singer/songwriter, front man and guitarist of progressive band 3 – made his 2013 live album Joey Eppard: Live in Concert available in full on Bandcamp nearly two years after release. Previously only four songs had been available for play.

    joeyeppard

    Eppard said that the goal of recording the set was to give far away fans the ability to hear him live. The set was performed in front of an intimate audience, mixed by Eppard himself, and includes guest spots – notably by drummer Chris Gartmann. The performance also includes some songs off of Eppard’s 2002 solo album Been to the Future, as well as a number of acoustic 3 arrangements.

    Joey Eppard: Live in Concert can be purchased through Eppard’s BandCamp page and on his web-site.

    Check it out below.

    [bandcamp width=100% height=120 album=1349531312 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

  • Hearing Aide: Murder by Death ‘Big Dark Love’

    Murder by Death 'Big Dark Love'My roommate introduced me to the band Murder by Death. I found myself instantly impressed by their blend of soulful, Johnny Cash’esque blues and hard rock leanings. Some might simply call this Americana, but the Indiana born quintet is quite obviously deeper than the title of a genre. Their latest release, Big Dark Love, is proof of that.

    The band’s fearless leader is Adam Turla. Over the course of the band’s history, his voice has deepened and matured like a tasteful red wine — only getting better over time. My introductory album was Red of Tooth and Claw — where songs like “Fuego!” and “’52 Ford” quickly had my attention. Big Dark Love is stylistically similar on a musical level, but Turla’s vocals have more fold to them this time around. He uses the fullness of his range and is not afraid to employ harmonies, but still stands with his emotional integrity — making the message of each song completely convincing. The creepy title track gave me chills, “isn’t that fun?”

    Likewise, Turla delivers a tear – inducing performance on “Send Me Home,” which deals with death of a loved one. Quite the same is suit on “Hunted,” which lyrically encapsulates a man’s perspective on women’s issues. “We don’t know what it’s like to be hunted. We don’t know what it’s like to be wanted,” Turla admits.

    But Murder by Death is not the Adam Turla show, thank God. Each member is quite obviously showcased in his or her own way, perfecting the art of being a band. Quite simply put, you can’t have one without the other. And none of their music is ‘simple rock songs’ either, which is why Sarah Balliet’s cello playing is so perfectly placed on each song. Cello isn’t a typical rock instrument, either. But before you dismiss her back to the first cello seat in orchestra class, realize that without Balliet, Big Dark Love would not have quite the round aggression it needs and accomplishes.

    Likewise, the rhythm and bass section of the album simply kicks ass. With songs like “Natural Pearl,” and “It Will Never Die,” a strong ‘backbone’ is not the important thing. The important thing was to create a natural ambiance. The title track does this extremely well. The showcased members are less Turla and Balliet and more autonomously Matt Armstrong on Bass, Dagan Thogerson on drums — he delivers an equally emotional and driving drum performance — and a strong presence from David Fountain on keys and additional stringed instruments. Fountain’s performance (including his vocal harmonies) throughout the album displays a sort of musical growth for Murder by Death, as if the band has taken another step in the evolutionary process.

    Either way, Big Dark Love is another slam dunk for Murder by Death. No questions asked.

    The album can be purchased directly from the band and on iTunes,

    Key Tracks: Big Dark Love, Send Me Home, Hunted

  • Davenport Cabinet Releases Lyric Video, “Sorry for Me”

    dav

    Davenport Cabinet, the Warwick, NY – based rock band, released a lyric video for “Sorry for Me,” a song off of their newest album, Damned Renegades, via YouTube on January 14th.

    The band features Coheed and Cambria guitarist Travis Stever on lead vocals and guitar, Tyler Close on co – lead vocals and guitar, Tom Farkas on bass, and Michael Hickey on drums. Damned Renegades is their fourth record. It can be purchased through the band, or on iTunes.

  • St. Vincent Announces Reissue of ‘St. Vincent’ album

    St. Vincent albumManhattan based experimental musician Annie Clark, more commonly known by her stage name, St. Vincent, announced that she plans to reissue her newest album, St. Vincent, as a deluxe edition with five new songs, set to launch on Feb. 10.

    St. Vincent said that alongside the unreleased songs, the reissue will contain remixes as well as digitized versions of “Pieta” and “Sparrow” which previously were only officially released on vinyl. She also said that one new title will be “Bad Believer.”

    The reissue will be available through St. Vincent, iTunes, and retailers.

  • Hearing Aide: Turnstile ‘Nonstop Feeling’

    Until January 13th, hardcore band Turnstile had not ever released a full album — but since 2010 they have gained a following of 32,000 devoted Facebook fans, all enthused by their live performances and demos. Especially known in the underground Albany scene, their followers are almost cultish, rejoicing at the release of their debut: NonStop Feeling.

    turnstile live

    In many ways, the word, ‘feeling,’ does not pair well with ‘hardcore band.’ However, one listen to a song like “Love Lasso,” the penultimate song — an instrumental — and you’ll soon understand. The title Non Stop Feeling could quite easily could refer to the idea that Turnstile’s efforts, energy, and hardness are nonstop insane and the second track, “Drop,” proves this. Thus, the “nonstop” and “feeling” work very well together.

    It seems that there are few complaints one could have about this album. It should have been longer on one hand, but at the same time, its short, sweetness gives it a tasteful edge; like amazing sex: it lasts a certain amount of time, but it won’t leave your head for awhile.

    Turnstile is composed of five gentlemen from Ohio, Baltimore, and Washington, D.C. who share the uncanny ability to write a fully energetic album with deliberation, but carry immense emotional capacity at the same time. Their use of two guitars is especially impressive because it allows the band to carry an extra dimension of melody and a rounded out sound, while still being diligent with that nasty hardcore anger. Fans of Rage Against the Machine and Black Flag will enjoy songs such as “Addicted” and “Stress.” Even some of The Dillinger Escape Plan – like chaos echoes through the production of the album.

    So far, it might sound to the reader like just another melodic hardcore album, but Nonstop Feeling goes a lot further than that. The great thing about it is the dynamics therein. Few times will bands — especially in hardcore — experiment enough to find ways to make melodies, slow songs, and ambiance work the way Turnstile does. For this reason, Non Stop Feeling is already gearing up to be one of the most memorable, brave, fierce releases of this year and Turnstile just earned themselves a new fan.

    By the way, we definitely recommend going to see Turnstile at a show. Their New York dates are always famous. And whether you’re a hardcore junkie or you have never cared for the genre, these guys put on a show to be remembered.

    NonStop Feeling from Turnstile can be purchased on iTunes, through the band, and at retailers.

    Key tracks: “Love Lasso,” “Drop,” “Stress”

  • Hearing Aide: Stellar Young ‘Vessels’

    stellar

    Known as one of Albany’s most distinct rock acts, Stellar Young are back with a new effort, Vessels. With great tracks such as “Helen, I…” and “We Got Away,” one would be hard pressed to deny the musicianship and writing ability of Stellar Young. Vessels is not just a good album, though, it is a breath of fresh air (if you’ll pardon the cliche) on the modern rock scene. It’s one of those albums that you can close your eyes to and relax. It’s definitely on par with some of the legends of this generation and days before.

    They say every great band has an X – Factor. Stellar Young has five.

    It starts with Dave Parker. He’s not just a bass player. He’s a f*cking weapon. The man had his start in Kingston, about an hour outside Albany, recording the likes of Weerd Science (of Coheed and Cambria fame) and has gone as part of Stellar to Applehead Recordings in Woodstock, where the band worked with engineer Chris Bittner to make Vessels sound like a million bucks.

    All song compositions, including lyrics, are attributed to the entire band, but the broadcaster of those lyrics, John Glenn (not the astronaut) has the voice of a god; each lyric is sung with deep emotion and thought — allowing the listener to insert him or herself into the soundscape. And one live performance will have audiences convinced he is damn close to pitch perfect. On “Hitting Reset,” those high notes will leave you amazed. And his synth playing adds a new dimension to the music — one of ambiance and emotion.

    “Red Lights” shows off the perfect partnership between guitarists Kyle Hatch and Erik Flora. While a lot of bands choose simply to go with a single guitarist for their own reasons, the match of Flora and Hatch remains a gold team. The two guitarists have the ability to “weave” between one another, creating a slight chaos, but also a tasteful depth. Their dirty tones work well with Glenn’s voice — think something between The Killers and The Rolling Stones.

    Curt Mulick is no stranger to the drumset, either. He delivers a dynamic performance, often alternating styles for the broadest spectrum. One song that high lights his ability to do this would be “Nomad.” Not every performance is played in any traditional style, but Mulick is the driving force, the glue that kept this album together.

    Overall, Vessels, is simply an album very well done. Stellar Young is no longer some underdog and they definitely don’t fit into the profile of local band anymore. It’s quite the surprise

  • Spaceland Releases Live Video, ‘Stay’

    Spaceland, an Albany-based Indie rock band, have released a live video for “Stay,” taken from their debut album, Empty Worlds, on January 8th.

    spaceland

    The band consists of three brothers, Peter Bombard (lead vocals, guitar, and key), Ryan Bombard (bass and backing vocals), and Kris Bombard (drums), who wrote and recorded their debut album after a successful Kickstarter campaign to help them build a studio.

    Empty Worlds can be purchased directly from the band, streamed through their BandCamp page, or on iTunes.

  • Hearing Aide: Bishop ‘Hate Wide Open’

    bishopAlbany based band Bishop might have been described at times as an alternative metal or hard rock act, as their blatant use of loud, blasphemous guitars suggests, but their upcoming album, Hate Wide Open, set to drop Jan. 6, has more to offer.

    From an overall perspective, Hate Wide Open, is an experience in groovy, hard rock mixed with the melodic type of vocals. The instrument section, composed of three brothers – Tom Semeraro on guitar and lead vocals, Rocco Semeraro on drums and backing vocals, and Vincent Padula on bass and backing vocals — who also generate a fairly tight system of vocals based around their lead singers melody. The music  is not far from groove – oriented hard rock. Clutch fans will enjoy the riff driven guitars, rather than stand alone chords — the latter of which is all but absent in the album, while Anthrax and Metallica fans will likely enjoy the vocal styles. And finally, Bishop, clearly understand the necessity of deliberation in an album. If nothing else, Hate Wide Open hits its listener in the jaw.

    You’ll be able to shout along, bang your head, and nod to the groove in your car.

    Unfortunately, the album is far from perfect. Bishop seems to have committed three great sins against their own ministry. One is that the album is repetitive. Guitars repeat the same scale all too much, and follow the same pattern. Songs such as the title track, and Pretty, come off as a rehashing of Clutch’s Blast Tyrant, Anthrax, and at times even Mötley Crüe. And these combinations result in the listener’s belief that Bishop’s ability to write is limited, and worse, it can cause the listener boredom.

    Likewise, some of the lead vocals come off as lazy, as at certain points, they lack integrity, or may have been rushed through the recording process. In these instances, Tom Semeraro’s voice simply seems tired, it drags on for just too long.

    Luckily, Hate Wide Open ,contains a few tricky twists, at least enough to keep the listening party active for one full round. “Awaken” is a brilliantly a constructed straight rock ballad — it seems to draw its influence from a few different acts and sounds different from any other song on the album — transitioning from an emotional acoustic dance to heavy sway.

    Further, the album is strong with enough NOLA type riffs, along the lines of Down or Crowbar, to further the great energy the album has. In similar fashion, “Neverland” is quite possibly the strongest track on the album. It twists straight rock with psychedelic build. If this song doesn’t capture your attention, few things will.

    Overall, Hate Wide Open, is a solid attempt, but Bishop doesn’t really bless us with this one. They would do well to reevaluate how songs are written — and although the album is energetic — it just doesn’t satisfy. But don’t worry, guys, we’ll give you a second chance. Say ten Hail Mary’s and we’ll consider you absolved.

    The album can be purchased directly from the band at bishopmusic.com.

    Key Tracks: Awaken, Neverland, Pretty