Author: Thomas McKenna

  • NAP Dials It in at Palisades

    NAP is a three piece, post-punk New York City band.  With Pat Glass on drums, Nate Cepis on guitar and vocals, and Andy Cush on bass and lead vocals, they have a dynamic unlike anything else.  The first time I saw NAP play was when they formed two years ago and their intensity pulled me in instantly.  I remember how refreshing it felt to be hooked on a band so quickly.
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    On Friday, December 11th,  I watched the trio perform at Palisades in Brooklyn and they delivered yet again. It was sweaty, loud, and absolutely intoxicating. Their stage presence was captivating; dead eyes, screaming vocals, and head banging fit seamlessly with their perfectly simple lyrics.  At a NAP show everything comes together and makes you want to drink cheap beer and party.  What more could you ask for from live music?

    New York City is a sea of young musicians making their presence known and voices heard.  NAP’s raw performance style and unconventional sound genuinely sets them apart from the rest.

  • Hearing Aide: lespecial “Omnisquid”

    Boston-based death-funk trio lespecial released their first, full-length studio album titled Omnisquid on November 20. It invites listeners to follow on a sonic voyage of nautical proportions. lespecial is Luke Bemand (bass, vocals, synth) Rory Dolan (drums, percussion, sampler) and Jonathan Grusauskas (guitar, vocals, sampler, synth).

    The album tells a story of extra-terrestrial beings commandeering the minds of giant squids which rise from the ocean to wreak havoc and destruction upon the populace. This storyline plays out through a heavy soundscape with, at times, playful, nautical inspired riffs and beats that make the listener feel like they’re in an underwater dancehall. lespecial has created a world with this album and it’s oceanic inspirations are evident.

    The first track on the album, “Fruit Wolf Dance,” opens with a haunting, aquatic groove building into a driving onslaught of the trio’s instrumental talents. This driving force has moments of respite allowing for each instrument to shine yet remain cohesive. Halfway through, the track takes a turn showcasing their electronic sample proficiency with bubble-like pops and the live-trap drumming lespecial has become known for. The live-trap and sample sounds coalesce into the heavier tone found earlier in the song making for a seamless display of the genre bending this band is capable of. Bemand has stated previously that this album is a return to their musical roots, showcasing “a heavier vibe throughout.”

    The second number, “Squid Rising,” introduces the listener to the story of the giant squids with noticeable seafaring compositions and Bemand’s thick basslines amidst the recordings of news reports of the squid’s destruction. Following up the tale’s intro is the title track, “Omnisquid,” a frenetic serenade of layered guitar riffs and polyrhythmic drumming. “Optimus Prime Slot” features some industrial-heavy drum programming by fellow Boston-based music-maker, Rob Uslan aka Supersillyus, and make for an excellent juxtapose to Grusauskas’ pinching guitar riffs and eerie vocals.

    “Sugaboi” is a jamtronica laden track, again displaying the bands diverse and ample capability of playing different styles which they seem to be poking fun at with the overlay of a recording stating “see there’s some question about my identity/ let me put it to ya this way/ I’m not sure who I am.” Possibly answering that question is the following, “Leaps Evil,” where Dolan’s drumming keeps an excellent, relentless pace amongst Grusauskas’ soaring vocals and Bemand’s standout bass riffs. “Ships in the Night” feels like a reprieve from the repetitive build and crash that previous tracks include, giving way to the album’s first pre-release single, “New Fish.” Sliding bass and a wonky guitar vibe swell to a powerful, double-bass filled barrage fading out unrelenting. Like “Leaps Evil,” “Pressed for Time” conveys lespecial’s distinct command of differentiating time signatures and penchant for high-pitched vocal harmonies.

    Closing out the journey is the track “Absolutely Stunning,” recounting a fisherman’s tale of what he may or may not have seen. There’s a very cinematic, “end-of-times” vibe to this track with the addition of a cello arrangement by Julian Lenz. The cello amplifies another build and release to the heaviness that lespecial has been touting the whole album.  Whilst weaving a tale of cephalopods taken over by aliens, Omnisquid most definitely exemplifies a return to form of contrasting time signatures and dark, heavy grooves. If you’re in need of a cinematic auditory experience, lespecial’s first full length has it.

    All songs on the album were written and performed by lespecial and all tracks recorded and mixed by Andrew Greacen at More Sound Recording Studio in Syracuse, NY except “Ships in the Night,” recorded and mixed at the Music Cellar in Millerton NY, and the Morrison Gallery in Kent, CT. All of the tracks were mastered by Jocko at More Sound Recording Studio in Syracuse, NY.

    Omnisquid is available for direct download at lespecial.bandcamp.com/album/omnisquid and also on iTunes, Spotify, Amazon Music and CD Baby.

  • Space Jesus Touches Down at Slake

    At Slake on Friday, November 20, Space Jesus threw quite the party for the release of his brand new album, Close Encounters. The highly anticipated album drew a crowd that was teeming with energy.  Even the line waiting to get in was buzzing with electricity.  That element of infectious excitement seemed to flow through the whole evening to the very last beat.

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    The lineup was fire, with the ultra danceable sounds of producer/DJs Esseks, Brightside, and Soohan, the world debut of super far out rapper Pipus, and the staggering beat-boxing talents of the show’s host, Honeycomb. The venue was absolutely packed with fans who created a genuine family-like community.  The amount of smiles, fist bumps, hugs, and high fives going around engendered a feeling of old friends coming together to celebrate the new creations of their leader, Jasha Tull, better known to them as Space Jesus.

    By the time Tull took the stage everyone was in full party mode and surrendered to his presence as he completely took over.  The performance was visually captivating with an absolutely stunning light show (by Drew Suto of Dutch Masterson Design) filled with the juiciest neon and primary colors.  The whole stage was packed with raging fans and friends.  Up high there were cages filled with gorgeous women moving effortlessly to every sounds pouring off the stage as smoke and screams of euphoria filled the air and the warm buzz of powerful bass passed through every being present.

    “Close Encounters” has a heavy hip hop influence, which has been evident in his earlier albums but perhaps not quite to this extent.  With a span of diverse multicultural genre samples and at times a haunting, almost eerie feel the record displays lyrics with raw truth, beats with just the right amount of sex appeal, and bass that won’t quit.  His entire performance was undeniably evocative and left everyone in the room satisfied and dripping with sweat.  The future seems bright for this up and coming artist.  Or in the words of the DJ himself, “everything’s cake.”  Killer party, Space Jesus. Can’t wait till the next one.

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