Author: Neil Benjamin Jr.

  • Shapiro Does the Right Thing for “Fare Thee Well”

    Fare Thee Well promotor Peter Shapiro released a statement to fans on June 10, explaining the ticketing situation and addressing some fans’ concerns over receiving tickets for seats they did not request through GDTS TOO. In it, he talks about how he wanted to use the old mail ordering process to essentially make these shows feel just like they did in the 1980s and 90s, when fans sent in money orders in decorated envelopes in hopes of snagging tickets to see the Grateful Dead. He even offers refunds to those who are not satisfied with what they received from GDTS TOO.

    The most encouraging piece is that he is offering to refund the difference between what a fan paid for the seats he or she received if that person does not get the desired experience from the shows. I have to give Shapiro a round of applause, as this has been a difficult situation from the start.

    He also explains how promotors decided to open up the general admission portion of the venue to fit more fans inside. In a commendable response, Shapiro comes across as a true fan and seems quite sincere. I called for him to give an explanation, as did many other media outlets, of what has become a ticketing fiasco, and Shapiro delivered.

    He closes out the note with a lyric from “Terrapin Station,” where Jerry Garcia sings, “statements just seem vain at last,” making it seem like it’s in the promotors’ self interest and not the fans’. Maybe he should have completed the lyrics: “Some rise, some fall, to get to Terrapin,” as that’s how it feels to some fans.

    Either way, I pat Shapiro on the back. I won’t even call this damage control — he stood up, gave an explanation, offered a solution to unhappy ticket holders and offers encouragement in advance of the shows.

    Dear Mail Order Ticket Purchasers,

    It’s hard to believe that it’s already June. Soon we will be together in Santa Clara and Chicago celebrating 50 years of the music of the Grateful Dead. We think you know by now that we are fans too, and your experience at the event is important to us, so before we get there, we want to address an issue that has affected a number of you who ordered your tickets through GDTS TOO mail order.

    We decided early on – even though it would have been easier for us to follow the well-trodden path of nearly every promoter in the past 20 years and sell 100% of the “Fare Thee Well” tickets online – that we wanted to honor the Grateful Dead spirit and make a portion of the tickets available through GDTS TOO mail order.

    When it became clear the extent to which Dead50 was resonating with people and how many of you wanted to be part of it (over half a million mail order ticket requests), we added capacity by changing the reserved floor sections to GA and opening up the sections behind the stage – quadrupling the initial mail order allotment.

    Since the mail order process began in January, by the time we were able to make these ticket allotment changes and update our seating chart, the ticket requests and money orders had already been sent in. Despite the extra work opening up the floor and adding more mail order tickets made for us and the GDTS TOO crew, we still felt this was the best way to get more core Grateful Dead fans into the shows, so we set out to make our new seating configuration work within the confines of the January mail order ticket request submission rules.

    It was not feasible for the GDTS TOO crew to reach out to everyone who had sent in money orders for $199.50 or other priced tickets to discuss preferred alternatives to reserved floor seats or other selected seats that were no longer available, nor were partial refunds a practical option. Also, GDTS TOO did not think it was right to force fans who had ordered reserved floor seats to take general admission standing room tickets instead — anyone who had ever been to a Grateful Dead show would be at least 20 years older now and had probably ordered reserved seats for a good reason. Nor was it possible to fit everyone who had ordered reserved floor seats into the existing allotment of $199.50 seats; there simply were not enough available.

    At that point, we could have easily decided that these orders simply couldn’t be fulfilled and returned the uncashed money orders without tickets. Instead, in the spirit of trying to accommodate as many fans as possible, we decided to allocate those reserved floor and other specific requests to other available seats using the same price points. We know how disappointing mail order rejection letters are, especially since these are the band’s final shows, so we sought to figure out a way to get as many of you as possible an envelope with tickets in it.

    REFUND INFORMATION

    If you received tickets by mail order for seats in a different section than what you ordered on your envelope or were charged more than the price of such tickets on the seating chart made available at the time your order was mailed, and you no longer wish to attend “Fare Thee Well,” you may return your tickets to GDTS TOO for a full refund. Tickets must be received in the GDTS TOO office by Monday, June 22nd to be eligible. See gdtstoo.com for more information on how to obtain a full refund.

    If you received tickets by mail order and were charged more than the price of such tickets on the seating chart made available at the time their orders were mailed and still wish to attend “Fare Thee Well,” we personally encourage you to attend the shows and sit in the seats you received via mail order. If you’re not satisfied that you got your money’s worth, we will refund the difference between what you paid and the price of such tickets on the seating chart made available at the time your order was mailed. Save your ticket stubs, and in the week following the shows, check the FAQ section of dead50.net for information on how to obtain a partial refund. However, all requests for partial refunds must be received by Monday, July 20th to be eligible.

    These refund offers apply to all GDTS TOO mail order ticket purchasers who received seats in a different section than what was shown in the initial seating chart or were charged more than the price of such tickets on the seating chart made available at the time their orders were mailed.

    Please understand that we did what we did in order to enable as many of you as possible to have your ticket requests fulfilled. Given the lighting, sound and video elements we have created specifically for these shows, we are confident that all mail order ticket holders will enjoy an amazing experience.

    Statements just seem vain at last,

    Peter Shapiro
    Mike Luba & Don Sullivan (Madison House Presents)
    Promoters, “Fare Thee Well”

    Peter Shapiro’s statement on Fare Thee Well

  • Stoops out, Sasser in as Kung Fu Keyboardist

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    In a shocking statement, funk group Kung Fu announced that the band and founding member/keyboardist Todd Stoops have parted ways, and that Beau Sasser, of the Alan Evans Trio and Beau Sasser’s Escape Plan, will be his replacement.

    Stoops co-founded the band in 2009, and Kung Fu has been a staple of the festival circuit ever since, with a unique blend of psychedelic funk, high-energy rock and jazz.

    Here is the band’s official statement:

    Change is exciting, challenging, and a constant part of life. It is the process of evolution and growth. We do our best to embrace change in our lives and the music we play, and it is in this spirit that we announce that Kung Fu and Todd Stoops are parting ways.

    Todd is our brother, a brilliant musician, and composer. This decision has been difficult for everyone involved. We wish Todd nothing but the very best for his family, his musical endeavors, and we are grateful for everything he has contributed as a founding member of Kung Fu.

    We would like to give a gigantic welcome to Beau Sasser as our new keyboardist. Beau is most notable for his work with Alan Evans Trio, Melvin Sparks, Beau Sasser’s Escape Plan, The Z3, Uncle Sammy, Ryan Montbleau and more. He is a beast of a different flavor on keys, with incredible song writing skills, and we are very excited to have him on the Kung Fu team. With Beau on board, we know that Kung Fu will continue to be one of the best live bands on the scene.

    We would like to thank you, our loyal and dedicated fans, for your continued support! We can’t wait to see you this summer!

    Peace, Love and Music-

    The Ninjas

    Stoops took to Facebook to issue his own statement, seeming to tell a bit of a different story. It appears the band kicked him out via email, and that it may not have been a mutual decision:

    Dearest Family, Friends, and Fans,

    This is tough, but here goes…

    It has been the utmost honor to have performed for all of you with Kung Fu for the past 5+ years. I have experienced some of the greatest highs of my life onstage with the band that I co-founded, and I consider myself one of the luckiest humans alive to have been able to share that energy with all of you.

    From the bottom of my heart, thank you…

    After an incredible run out to the midwest for sets at SummerCamp and Revival, I came home to an email Tuesday from the rest of the band informing me that I was being replaced. Effective immediately.

    Needless to say, it was as shocking to me Tuesday afternoon as it must be to all of you reading this now…

    I can only wish the best for the remaining members of Kung Fu as they continue their journey. They are good musicians. With only two original members remaining, I’m excited to hear the evolution of that collective.

    Moving forward….. 

    I have always kept a commitment to myself to perform with as many different artists and projects as possible. Always with the intent of broadening my musical vocabulary, personal growth, and most importantly, learning from everyone I have had the opportunity of performing with.

    I fully intend on continuing this mission.

    Much love!!
    Todd Stoops

    ‪#‎emailbreakupssuck‬ ‪#‎imwithstoops‬

    NYSMusic.com has reached out to Stoops and the band’s management for comment.

  • Golden Novak Band to rock World of Beer in Albany May 9

    In and around Syracuse, Jess Novak has made quite a name for herself. She is one of the strongest voices in music Journalism with her work for the Syracuse New Times, but it’s her passion for performing music that is bringing the 28-year-old notoriety.

    jess novak
    Brian Golden, left, and Jess Novak bring their unique sound to Albany on Saturday.

    So many musicians and bands are often labeled as eclectic, but Novak, who is half of the Golden Novak Band, truly fits that billing, melding blues, rock and roll, pop and rhythm and blues with hints of improvisation to form something that you need to experience to understand.

    “There’s a lot of great musicians in Central New York,” Novak said on April 28. “We try not to stick to just pop or blues; we play everything. And we’re weird! I sing boy songs; Golden plays his heart out. I just think we’re different.”

    Novak plays her violin on many songs, and busts out her acoustic Alvarez on others, while taking the share of lead vocal duties. Brian Golden, the fleet-fingered fret master who has been playing guitar for 24 years, provides a bluesy sound with his instrument and gritty voice.

    The pair will be joined by pianist Mark Nanni (of popular Syracuse blues outfit Los Blancos) and drummer Phil Leone this Saturday, May 9 – when the group comes to Crossgates Mall for a gig at the World of Beer. It’s a free show that begins at 7 p.m.

    In late 2013, Novak released her first album, titled Bad Habit, and it consists of 11 original songs that feature her powerful voice, ability to craft emotive songs and her chops on the violin. Songs such as Haven’t Found You Yet and Bad Habit translate well to the live setting, where Golden tends to display his talent as a soloist.

    Novak said the band has an IndieGoGo campaign out to help fund a new recording, tentatively titled Rodeo. You can help the group get to its $5,000 goal here.

    Last August, the pair released their first album, titled The Golden Novak Duo. In support of the release, the pair packed up an SUV, and toured from Vermont to Florida, opening eyes and pleasing ears on an exhaustive tour. Because of this tenacious touring schedule, the band has been booked for a five-night New Year’s run at Margaritaville in Key West after auditioning for the Jimmy Buffet-owned string of clubs.

    “We have been really well-received,” Novak said. “There were a lot of bands who didn’t get it, but they seemed to love us. It really has opened up a lot of doors for us and it feels good.”

    The band has been playing World of Beer up and down the coast, and Novak said that has helped them grow and become more visible, but won’t pat herself on the back too much.

    When asked if the combination of an attractive young singer with a powerful voice mixed with a seasoned guitarist makes the band an easy sell, Novak did not agree.

    “No, I don’t think we’re just an easy sell,” she said. “I think people are still trying to figure us out.”

    I met Novak when I first moved to Syracuse in 2011. She got me some assignments with the newspaper, and we started jamming together with a mutual friend. We used to play on my front porch for hours at a time, repeating “Friend of the Devil,” “Folsom Prison Blues” and even Phish’s “Waste” among other songs. What struck me the most about Novak was her enthusiasm to keep playing and honing her skills

    What I recall from that time was seeing Novak develop a passion for making music that has grown into an obsession. She’s played in Syracuse group Master Thieves and Jess and the Beards in the last few years, and the evolution of her as a musician is easily visible. If you ever take advice from a music writer, take this: Get out and see Novak and Golden on Saturday, before they get really big and popular. Because that will happen.

    The group’s dedication may just set the band ahead of others, as they are constantly announcing new shows or hosting open mics in Syracuse or jamming with other local musicians. It shows in Novak’s smile, and Golden’s soloing face.

    “For Golden and I especially, we’re always going, meeting new people,” Novak said. “We’re always trying to promote new shows, and that’s a lot of the fun in this. Our live show if fun; it’s just different.

    “There are a lot of great musicians around here, but not all of them travel like we do. In the near future, I would like to be opening for a huge act!”