Author: Julia Wolfe

  • Hearing Aide: Papadosio ‘Extras In A Movie’

    “When spring arrives epiphany/I’m still the last leaf on the tree.” As homage to the changing seasons, Papadosio has changed their musical hues from bright neon to softer, more organic colors in their fourth phenomenal studio album, Extras In A Movie. 

    Despite their label as a “genre-bending” group of musicians, Papadosio’s initial album releases of Observations and T.E.T.I.O.S. did in fact fall under one specific category- and that was electronic music. Yes, adoring fans may argue that they possess the improvisational capabilities inspired by jazz, progressive rock, and even jam rock to shape their melodic phrasing and musical transitions, and thus don’t belong under the same umbrella as electronic artists Skrillex or Bassnectar. However, I saw a dash of prog rock and a sprinkle of jazz for what they really were to Papadosio- and that is mere sensibility. I believed that to be labeled as a band that dismisses categorization, each style of music had to be crafted on an individual basis, incorporating the key elements and instrumentation of that style, yet somehow creating one inner voice over the entire work, as a subtle reminder of the single creator.

    It wasn’t until the release of Extras In A Movie that I felt this proficiency in musical obscurity towards Papadosio, but I am confident that this album will break ground for many listeners, especially those who may not have approved of the band’s stylistic approach at first.

    With an addition of some interesting sound effects, acoustic guitars, and tight harmonies, opening track “The Last Leaf,” and tracks “Epiphany,” and “Bypass Default” bring a strong introductory splash to the album, with an erratic yet satisfying mess of musical classes, ranging from styles of barbershop quartets to Pink Floyd to Awolnation. Anthony Thogmartin’s adaptation of vocal timbre throughout each track is complimentary and appropriate, while the surrounding band of Mike Healy, Rob McConnell, Billy Brouse, and Sam Brouse tend to throw in some instrumental surprises, most of the time in an effective and aesthetically pleasing manner.

    The fact that the average track is about three minutes long throughout this sixteen track album speaks great masses as well- this album was created to defy the standards of recorded music, and the ideas were organized in this fashion to isolate and preserve the individual conception of each instance.

    By writing, recording, mixing, and even video conceptualizing themselves, Papadosio has become the purport of the avant-garde composer, keeping the pillars of studio-induced creativity a strong part of their foundation. Their ability to showcase psycadelia-inspired electronic anthems like the album single “Glimpse of Light,” followed by the stripped down acoustic rawness in “Anima Mundi,” “Gazing the Great Oscillator,” and “Open” adapts Papadosio to any kind of setting, guiding listeners into an array of color, vibrancy, and authenticity. Along with developing their own voice, I also heard inspiration from other great genre gods, including Incubus, Genesis, and Daft Punk.

    As part of their grand release, Papadosio has introduced a tour they’ve cleverly named Extras In A Movie Tour – Act 1. If that doesn’t leave you with a curiosity of what “Act 1” implies, I don’t know what will. I suppose the only way to find out is to hitch a ride on their tour, with stops at Irving Plaza, the Westcott Theatre, and Town Ballroom in November.

    Key Tracks: The Last Leaf, Epiphany, Bypass Default, Anima Mundi

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  • 20 years in 4 days: A Gathering of the Vibes 2015 Recap

    The 20th annual Gathering of the Vibes Music Festival made quite the statement this past weekend, bringing upwards of 20,000 people from all over the world to gather along the shores of Seaside Park in Bridgeport. Starting out as nothing more than a Jerry Garcia memorial, Gathering of the Vibes has blown up beyond the tri-state area over the past 20 years, providing attendees with a weekend of memories, meditation, and music. In celebration of Vibes’ past, here’s the breakdown of Gathering of the Vibes 2015, in a more present setting.

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    Thursday, July 30

    Along with a powerful spirit, the opening day of Vibes brought a heavy amount of rain. Not a chill to the winter but a nip to the air, thousands of musical inhabitants set up camp and made their way towards Main Stage to experience the jazzy timbre of Ryan Montbleau’s voice. After a torrential (but brief) downpour, the sun made a rather profound return throughout Seaside Park, drying up tent flys and restoring the sunny disposition of each festival-goer. Max Creek took to the stage after Ryan Montbleau, performing several of their hits, including “Blood Red Roses” as well as a cover of “Peace Train” by Cat Stevens. It was also quite surprising to see a Max Creek band member rap suddenly, but boy was he good.

    As bright stage lights, glowing hula hoops, and light up bracelets illuminated the audience, Dark Star Orchestra played around 9pm with an intensity only understood by those who have seen them live. Featuring tunes like “Franklin’s Tower,” “Scarlet Begonias,” and “Fire on the Mountain,” each audience member spun with delight, dancing with their friends as well as strangers to the triumphant anthems of the Grateful Dead. While most Dark Star Orchestra shows throw in a few surprises, no one in the audience was prepared for the intensity coming from DSO member Lisa Mackey’s diaphragm as she belted out her soul throughout their set. As audience members begged for more before closing out the evening, DSO also threw in a dash of Bob Dylan, putting their own spin on “Tangled Up In Blue” and “Forever Young.” After an already packed night of great music, and a continuation of music featuring some late night jammers, campers slowly drifted off to sleep to recharge for another dawn of music, and of course, good vibes.

    Friday,  July 31

    As the morning mist lay across Seaside’s waters, Twiddle brought an amplified alarm to sleeping campers around 11am from the Main Stage. Though their set time was much shorter than it should have been, adoring fans were pleased to hear a selection of songs from their 2011 album, entitled Somewhere On the Mountain, including its title track. Shortly after Twiddle finished their set, many fled to the food area for some decent breakfast food. However, before returning to the Main Stage to see The Word around noon, a vibrant new sound came from the School of Rock tent, known as the Funky Dawgz Brass Band. Whether they crowded dozens of fans in the performance tent or into the streets of the main drag as they played in between artist sets, many Vibers were grateful to experience a new and lively group to be added to the Vibes family, especially one that channeled a college frat.

    For those who wanted a slight change of pace, Sharon Jones and the Dap-Kings graced the stage around 2:45pm, bringing a jazzier breath of air to the cloud of funk left behind from The Word and Funky Dawgz. With great enthusiasm to their latest release, entitled Give the People What They Want, Sharon and the Dap-Kings didn’t play many of their more notable tunes, and not many people from the crowd could recite the lyrics back to them. Still, the diverse spectrum of musical style changed from song to song, bringing the audience members from a steady sway to a jumping jive within a matter of minutes, which was definitely a treat to witness.

    Following shortly after, blues enthusiasts filled the front of Main Stage in preparation for the Tedesci Trucks Band. Joe Cocker as well as Sly & the Family Stone fans were quite pleased by the Tedeschi Trucks set, after they performed covers of both “The Letter” and “Sing a Simple Song/I Want to Take You Higher.” To top it all off, they also covered “Let’s Go Get Stoned” by the Coasters, which both surprised and excited many audience members. Their set was also a great segway into Greg Allman’s set, where Derek Trucks himself was invited up to play “Southbound,” an Allman Brothers Band classic. Other songs included in Greg Allman’s set included “Come and Go Blues,” “Stand Back,” “Melissa,” and the great “Midnight Rider.” Though many would have been satisfied ending the night there, it was the String Cheese Incident that closed out Friday night, with one of the most impressive light shows to date. Having featured guests like David Grisman and Peter Rowan, the amount of white beards, yodeling, and intense mandolin playing was astronomical. Even if the music was too fast to dance to, let’s just say everyone tried anyway.

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    Saturday, August 1

    Despite being three days into the festival, there didn’t seem to be any loss of energy whatsoever from Saturday morning’s crowds. After a warming up from Kung Fu, Deep Banana Blackout and Moon Hooch graced the Main and Green stage for equally memorable performances. As a veteran as well as a newbie to the Gathering of the Vibes family, Deep Banana Blackout and Moon Hooch’s sets showed great stage presence, as well as unbelievable musicianship. Upon hearing Moon Hooch’s “Number 9,” everyone who was once sitting rose to their feet, and anyone who was stopping around the Green Vibes area moved immediately to the stage to listen in. After an electric performance of jazzy house by Moon Hooch and the soulful growl of Jen Durkin, the Gaslight Anthem secured a spot as one of the first punk/heartland rock bands to take the Main Stage. Though many Deadheads may have left the scene, the crowd that was left certainly greeted the Gaslight Anthem with opening arms, singing along to their songs “Mulholland Drive,” “Sweet Morphine,” and “The ’59 Sound.” Despite being the odd band of the bunch, the Gaslight Anthem brought even more artistic diversity to the festival, provided some musical contrast, and more importantly, got everyone ready for Wilco.

    In between set changes, it’s really hard not to notice music from the opposite stage, and sometimes following it will lead you to a brilliant discovery. In the case of Vibes, that discovery was known as Turkuaz. Before heading back to see Wilco, many jazz and funk fans perused over to check out this 9-piece ensemble. After the release of their EP Stereochrome, Turkuaz rallied all the audience dancers for their tune “Tiptoe Through the Crypto” and included their hit song “Bubba Slide.” The energy this group brings to the stage is unmatched, and whether each audience member was an adoring fan or a passer-by, there was heads bopping all over the Green Vibes area. If you don’t know these cats already, you should.

    Wilco opened their set around 9:15pm on the Main Stage, opening with a selection of songs from their 2015 release, entitled Star Wars. Songs such as “EKG, “”Random Name Generator,” and “More…” were played surprisingly early in the set, which left room for earlier repertoire later in the set, including “Jesus, etc.” and “California Stars.” It was also quite a surprise to see Warren Haynes join in on their final number, along with Joe Russo on drums.

    Though they should have just stayed on stage, Warren Haynes was sure to make a grand entrance for his set featuring the Seaside All-Stars: George Porter Jr., Branford Marsalis, Jackie Greene, Joe Russo, and Marco Benevento. Along with adding Eric Krasno from Soulive to the mix of musicians, the ensemble did a variety of cover songs, including “Karma Police” by Radiohead, “Tough Mama” by Bob Dylan, “Dreams” by the Allman Brothers Band, and “King Solomon’s Marbles” by the Grateful Dead. Not only did this large ensemble attract fans of every genre, but each song was a new puzzle to be unraveled, with their tricky interludes and extensive solos to mask the melody. With such a unique group of musicians, there’s no doubt that this performance was a once in a lifetime opportunity, and it was a great way to close out Saturday night.

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    Sunday, August 2

    As Gathering of the Vibes came to a close on Sunday, many people took advantage of the single day ticket, making it a rather crowded atmosphere. It was odd seeing excited arrivals of people mixed in with dirty, tuckered out campers in one last attempt to rally for the great sets scheduled that day. After a long night of music by Lettuce and a visit to the beach for Silent Disco (it’s exactly what you think: music being projected through wireless headphones so no one on the outside of the listeners can hear it), it was not hard to notice the slow pace of Sunday. Luckily, the announcement of Weezer coming to the Main Stage around 3:45pm brought enough spark to pump that last bit of energy. Along with performing their new songs, including “Back to the Shack,” they also made plenty of room for their best throwbacks, including “Hash Pipe,” “Say It Ain’t So,” “Pork and Beans,” and “Beverly Hills.” For their encore, they even remembered to play “Buddy Holly,” which completed the list of songs Weezer fans wanted to hear.

    For one of the final bands of the night, singer-songwriter Ben Harper teamed up with a large ensemble to create Ben Harper & the Innocent Criminals. As people packed up their campsites and finished their final beers, Ben Harper kept the positive vibes through the full band versions of hit songs, including “Steal My Kisses” and “Ground On Down.”

    As the sun set over Vibes for the last time, Harper closed out with his song “Better Way,” and it was finally time to head home. Seeing so many bands perform was both enticing and overwhelming at the same time, making leaving Vibes even more bittersweet. The range of genre, popularity, age, and background is what makes Gathering of the Vibes separate from other festivals. After 20 years, Gathering of the Vibes has remained one of Connecticut’s most well-known festivals, and it’s attention to bringing about change while discovering your own inner peace is what will bring success for future gatherings to come. Until next time, thank you vibes for a real good time.

  • What Does the VibeTribe Mean to You? Here are Your Answers

    The official Gathering of the Vibes 2015 countdown is down to two DAYS. Before we finish stuffing all our camping equipment into our cars, we wanted to up the suspense by asking members of the ever-growing VibeTribe to tell us what they love about GOTV, and what being a member of the VibeTribe means to them. In no particular order, here are the responses we love the most.

    Submission by cdrhead:

    “My first introduction to ‘the vibe tribe’ was when I started collecting GD tapes. I lived in the next town over from Terrapin Tapes so I would walk in and buy blank Maxell’s there. I switched to cd and started buying blank cds there too. I got to know some of the folks that worked there a little. I would see Ken barefoot at shows, and I was slow to catch on to festivals but when I learned Ken was the promoter I knew GOTV would be good (and I still see him barefoot at shows). I got into message boards at dead.net, then moved to an international forum that got shut down. I came to the vibes board and found lots of friends. I live in CT so I started going to the Vibes full time when they moved it back to Bridgeport. The family feeling is there, we are one tribe.”

    Submission by jefferjm:

    “Being part of the Tribe means knowing that at least once a year I can arrive in a place where I can be completely myself, and free of worry and the judgement of others.  It’s also my chance to spend the highest possible quality time with my 19 year old son. He was born 3 months after Jerry passed but Vibes and all the shows we attend together gives him the chance to see the community that changed my life for the better when I hopped on the bus on Halloween 1979 at the Nassau Colosseum.  Vibes continues to be the highlight of our year.”

    Submission by Occifer Boland:

    “I could go on for pages upon pages…. I won’t. In 2002 my big brother passed away at 37 years old. He was a ‘boardie’ at the time . He died one month before Vibes 2002… He bought my ticket for us to attend together. I wasn’t going to attend, as I was still a mess from losing him. Five days before event, my brother’s crew told me my bro Bob would want me to attend. I went…NEVER LOOKED BACK!!! Only missed 2 Vibes since then. Became ‘family’ with so many. As someone else stated, this is my yearly vacation. I am now 37 years old (age my brother was when he passed away), I am grateful for the years I put in to honor his memory of a festival he enjoyed. And this year The String Cheese Incident is playing, the last fest I saw them was in 2001 with my bro.”

    Submission by Depends:

    “My first vibes, 2008, I knew no one there.  Now, 2015, I have high hopes of seeing and hanging with upwards of 50 people, 25 of which I’m more than happy to call friends. I used to sit and wonder how/why so many younger people were there. I thought that it was an older person thing. Then I remembered my first GD concert, I was 15. I knew then, the teens and 20/30 somethings have had that same feeling. It’s home, with a heart.”

    Submission by In A Silent Way:

    “I wandered in by accident as the publicist for a local radio station, and met some of my favorite people in the world. I’ve been to two Vibe Tribe weddings, and my kids have had the privilege of growing up at Vibes. There is nothing, NOTHING like the hooting, hollering, and hugging that happens when the festival opens and everybody is saying ‘HAPPY VIBES!”

    Submission by Lostsailr:

    “In 1996, it was an ad in Dupree’s Diamond News that got us to get a sitter for out one year old twins and head to SUNY Purchase, to listen to some music to fill the void after the loss Of Jerry Garcia. We all wondered what would  happen, now that there were no more shows to go to (there will always be more concerts, but not any ‘Shows,’ though Chicago did just prove me wrong on that point). We came upon a group of fellow deadheads we never met, but automatically knew we were home. We were even greeted by the first volunteer we came to that day, and have been greeting others the same way ever since: ‘Welcome Home!”

    Not excited enough yet? The team at Gathering of the Vibes just announced some new acts this past week, including Road To Vibes winners Relative Souls, along with the incredible Nigel Hall and Eric Krasno. In addition to great music, great weather is being forecasted for this weekend, upward of 86 degrees. We hope you all try to get through the first half of your work week, and we thank everyone for their responses. We can’t wait to see you over this sunny, musical weekend.

  • FarmBorough Music Festival Brings The Rumble To Randall’s Island

    Decorated in patriotic flags, cowboy hats, and crowds, FarmBorough Music Festival made a huge splash on Randall’s Island for its premier first year.

    Spanning over three days, flocks of daisy-duke wearing dancers crowded the festival Main Stage and the up and coming ‘Next from Nashville’ tent to witness some of the best damn country music in New York City. Featured in this celebration of colors and covers was none other than headliners Dierks Bentley, Brad Paisley, and Luke Bryan. Though their sets proved to be quite responsive amongst their fans, the earlier sets throughout the day were equally as impressive in level of musicianship.

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    If there’s anything to learn from the opening day of FarmBorough, it’s that everyone should be a fan of Maddie & Tae. After living in Nashville in their teens to pursue music full-time, this duo of gals landed a record deal with Big Machine Label Group and transformed those girl power anthems you had in your childhood to raw rhythms of southern soul. Their song “Smoke” spoke to a hopeless relationship, and quite contrasted from their rather sassy tune “Sierra,” which was dedicated to a girl from their high school. Their hit single “Girl In A Country Song” launched their success throughout a very short year, and as they release more singles, they prove both their vocal technique and songwriting abilities as a team each time. The 2015 release of Start Here features a number of their great anthems, which the crowds were able to recite word-for-word. Their stage presence was energetic and memorable, and their cover of Rihanna’s “Umbrella” made a lot of young country girls happy.

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    While I’d say their take on a pop tune may have stole the show, many other acts came to follow with their own takes on songs, including Canaan Smith’s “Jealous” cover, originally by Nick Jonas. One of the most memorable covers came to be later on the evening, when Joe Nichols took the stage and covered The Band as well as Tom Petty. Throughout each of his originals, including “Hee Haw, ” “Sunny and 75,” and “Yeah,” it was nice to hear an occasional dash of classic rock hits. Continuing the cover trail was none other than Dustin Lynch, who did quite the spin on “Hold On, We’re Going Home” by Drake in between his hit songs “She Cranks My Tractor” and “Where It’s At.” Randy Houser brought the crowd to a sentimental mood when he laid down an unexpected cover of “Stay With Me” by Sam Smith. Despite each artists’ great individual success, witnessing so many great cover songs brought a whole new style to each live set.

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    As anticipated, the crowd’s size and energy built as the headlining acts made their grand entrances. With Dierks Bentley’s giant curtain falling as he entered, each beer-infused fan made their voices heard amongst the Main Stage audience. Shortly after shotgunning a beer with a fan in the first row, Bentley shared his 2009 hit “Sideways” that made everyone dance in their thick cowboy boots. Ever since his release of the album Riser in 2014, he has made a country anthem out of hits like “Drunk On A Plane” and “5-1-5-0.” As the crowd maintained the same voltage of energy, Brad Paisley struck the stage on Saturday night with a variety of fan-adored songs from his most recent album, Moonshine In the Truck. His engagement with the crowd matched with the impressive technical abilities of the venue made his set a performance to remember.

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    The most impressive part of each headliner’s performance is that is stood out separately in each unique way. What I can say, however, is that every headliner’s set had to include a staple in country music: lots of beer. Luke Bryan closed out the weekend on Sunday night, where he made several toasts to the audience in celebration of a great weekend in music. As he dove into several of his greatest hits, such as “All My Friends Say” and “Kiss Tomorrow Goodbye,” he truly pleased the crowd with his new single “Kick The Dust Up,” which only came out this past May.

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    Witnessing so many country superstars performing in the same space as lesser-known underground talent brought a new form of festival to Randall’s Island. We also shouldn’t forget that FarmBorough is the first three-day country music festival to ever hit New York City, which is quite a rare and random accomplishment. It was a truly rewarding experience to achieve the city bustle of concerts like Governor’s Ball, while enjoying and experiencing the music and culture of the South. Though their is no official word on what will take place in terms of next year, we’ll be frequently checking their website and hoping that next year will be as successful and memorable as their first run.

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  • Cheers to 20 Years: A Gathering of the Vibes Flashback

    There’s no doubt that we’ve been having one hell of a year in music. Most recently, we’ve seen artists like Joan Jett & the Blackhearts, Stevie Ray Vaughan, and Bill Withers (finally) becoming inductees into the Rock and Roll Hall of Fame. Leading up this year, we’ve seen big name artists like Taylor Swift pulling their music from online streaming services to crush the myth that “physical sales just don’t sell anymore.” We’ve seen lawsuits changing the recording world and the way we associate artists with earlier musical predecessors.

    In the live show atmosphere, we’ve seen many great small music festivals lose the support they need to bring us great music. Luckily, there’s one festival that seems to have left a firm stance in an ever changing music industry, and it’s back for its 20th year to bring us the music that’s so very near and dear to our hearts. Friends, get ready for the Gathering of the Vibes.

    Starting as nothing more than a small memorial celebration at SUNY Purchase, “Deadhead Heaven: A Gathering of the Tribe” was created from a batch of devoted, yet mourning fans of the legendary Jerry Garcia: local promoter Bob Kennedy, business guru Ken Hays, and publishers of the fan magazine “Dupree’s Diamond News” Sally Ansorge Mulvey and John Dwork. Their aim was to provide an atmosphere that celebrated the incomparable success of the Grateful Dead, while mourning the loss of a respected, legendary frontman with hope and celebration. As the word spread about the show’s reminiscent and engaging atmosphere, so did the festival itself. Moving to Croton Point Park, NY a year later, it was renamed “Gathering of the Vibes,” named after the devoted fans self-proclamation as the ever present “VibeTribe.” To meet the growing number of attendees, the festival moved the following year to Plattsburgh, NY as the founders searched for an even bigger venue to host a long-term contract. Upon finding Seaside Park in Bridgeport, they immediately jumped on the opportunity, gracing Connecticut with the 1999 and 2000 Gathering of the Vibes Music Festival. It was then that Bob Weir himself played the Vibes stage, alongside his band Ratdog.

    With great success always comes great challenge, and renovations needed to be done to Seaside Park as Vibes gained notoriety. For the next six years, the festival hopped over to Red Hook, NY followed by the Indian Lookout Country Club in Mariaville, N.Y. That certainly didn’t stop Dead members stopping in on the fun, however, since Phil Lesh & Friends made a two night cameo appearance in the 2002 festival in Mariaville.

    Despite the festival’s continued success in New York, Vibes was able to relocate back to Seaside Park from 2007 onward, with endless support from the Town of Bridgeport as well as the devoted VibeTribe. Today, you can still witness the same spiritual cleansing and celebration of great music that these great pioneers aimed for back in SUNY Purchase. Along with the great artists that graced the stage back in 1996, including Strangefolk, Max Creek, and moe., Gathering of the Vibes has brought in some of the greatest legends in music, including Elvis Costello, Allman Brothers Band, James Brown, Buddy Guy, and Primus, to name a few.

    This year, the team at Vibes has thrown us a couple of surprises in their 2015 lineup, including Weezer, Wilco, Ben Harper & The Innocent Criminals, and The Gaslight Anthem. Though you may plan to make your way into a crowd of sweaty, sprightly individuals to jam out to the newbies of the Vibes lineup, make sure you take part in the shows of those who came at the early stages of Vibes, including but not limited to Max Creek, Strangefolk, Warren Haynes, and Deep Banana Blackout.

    With so many venue relocations and constant adaptations, Gathering of the Vibes has been no easy wind. With constant support from the beloved VibeTribe, Gathering of the Vibes has been able to withstand the odds and survive as a notable festival, earning ranks on Rolling Stone’s “Summer 2015 Must-See Music Festival.” To join in the 20 year celebration, visit the Gathering of the Vibes official website and get your tickets. While you wait in anticipation for this year’s festival, however, make sure to check out the past performers that graced the Vibes stages, dating back to SUNY Purchase in 1996. The Gathering of the Vibes has certainly beaten many odds and maintained its high reputation, which is certainly worth celebrating, so we’re looking forward to this year as well as many years to come.

  • Hearing Aide: JJ Grey and Mofro ‘Ol’ Glory’

    From the former farmlands of Jacksonville, JJ Grey and his band Mofro have made a sweep of the northeast, bringing a funky sizzle that can only come from down south. In their most recent release, entitled Ol’ Glory, this seven piece ensemble brings listeners an eccentric mix of Earth Wind & Fire, James Brown, and Al Greene sensibilities.

    There’s no doubt that Grey has a bluesy roughness to his vocal tone, and with the combination of a brass section, tight harmony lines, and gnarly bass parts, this is guaranteed to be the soundtrack of your (hopefully soon) spring barbecue.

    JJ Grey and Mofro 'Ol' GloryDespite the underlying groove ringing throughout Ol’ Glory, there are 12 unique tracks that make up this record. Tracks like “Hold On Tight” set the scene for your candlelight dinner, while the incorporation of the guitar slide on “The Island” brings you to an outdoor tailgate scene. As the songwriter, JJ Grey also incorporates his coffeehouse roots with a country sensibility in songs like “Tic Tac Toe” and “The Hurricane.”

    For those with motown-colored ears, tracks like “Everything is a Song” and “Brave Lil’ Fighter” are sure to be right up your alley. While those may be great warming up tunes, however, the real dance jams come later in the album, like my personal favorite, “Turn Loose.” I try not to use the slang term ‘phat’ often, but if you hear the rhythm of this tune, you’ll be sure to understand my reasoning.

    JJ Grey and Mofro 'Ol' GloryWhile JJ & Mofro may not be stopping in on New York this festival season, they will be headlining several national festivals and playing alongside bands like No Doubt and Zac Brown Band. In the meantime, you can learn every song on their Soundcloud and keep up to date with their tour via Facebook and their website.

    Key Tracks: Ol’ Glory, Turn Loose, Brave Lil’ Fighter

  • Hearing Aide: Years & Years, “Y&Y EP”

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    They say you should never judge a book by its cover, but what about judging a band by their album artwork? It’s an interesting concept. As a musician, I’ll admit I enjoy the contents of a record way beyond its initial art, but as I’m gazing along multiple music search engines, I have to say bright colors do catch my eye first. But what does this have to do with British band Years & Years and their new album? Everything.

    Many have been drawn to this talented trio’s previous releases, including their 2012 single “I Wish I Knew” and 2014 super hit “Real.” However, it wasn’t music alone that brought me to the masterpiece that is Y&Y EP. Once the intricate design of the album cover caught my attention, there was a sudden urge to listen to the entire collection, which of course, I did.

    In typical EP fashion, the EP contains only four tracks, each contrasting in style. The opening track “Desire” leads us in with what some would consider to be a champion pre-game anthem, with an engaging house-inspired pulse courtesy of beat master Emre Turkmen. The combination of Turkmen along with bassist Mikey Goldsworthy was the start of Years & Years back in 2010. Since then, Olly Alexander’s soulful vocals have been added to the band after Goldsworthy heard him singing in the shower. With the addition of Alexander, Years & Years have been gaining great success before even releasing a full-length album, like undergoing an extensive UK tour. The tender mix of bluesy melodic lines and urban dance blends make this band very distinct to listeners, especially for tracks like “Take Shelter” and “King.”

    Placed last in the EP is a track entitled “Memo,” which you could say is the outlier of the Y&Y EP. With subtle use of electronic embellishments, Alexander plays block piano chords as he sings jazzy vocal syncopations. His use of vocal trilling is similar to that of Tracy Chapman, yet there’s an intimate softness in his voice that is close to the style of James Vincent McMorrow. While the song may leave the EP on a rather gloomy note, it shows great versatility within the group that leaves us anxious for a full-length album. While there’s no official word on what this group will do in the studio next, we will surely be keeping watch, at least for some new artwork to marvel at.

    Key Tracks: Desire, Take Shelter, Memo

  • Hearing Aide: Charley Orlando, “Starseed”

    charley orlando starseedHailing from our eastern neighbor region of Glenville, singer-songwriter Charley Orlando has earned quite a live performance reputation here in the Upstate region, playing upwards of 3,000 shows. Though he has decided to take a break from music for this upcoming year, he has ended 2014 with a bang, and it’s name is Starseed.

    Orlando released this eight-track album on December 9th, where it has since been released on Spotify, Facebook, and of course, his own website. He has established himself as a pioneer for an “Organica Groove” genre, that stems from the Acid Folk he grew up listening to. Through most of the album, I agree that the ever-present bright timbre of the acoustic guitar brings me back to Bob Dylan’s Blonde On Blonde days, but Charley’s voice in particular sings to the tune of a more recent ensemble to me: The Decemberists. Though they are more in the indie rock sphere, the Decemberists maintain a high folk sensibility through their lead vocals, which Orlando also embodies, whether it was his intention or not. In songs like “Drop,” “Think It Over,” and “Rise,” the throbbing rhythmic pulse is supported by a multitude of fresh drum patterns that aren’t familiar to the traditional pop-trained ear. Other songs, like “Positive Fire” have very intricate pre-chorus sections, with attention to his abilities as a guitarist. My favorite, however, is the 80’s New Wave style synth that accompanies “If You’re Down.”

    Along with his choices of instrumentation, Charley Orlando has an interesting strategy to his songwriting. Along with the constant major chords that ring throughout his album, he is trying to adapt a new recording style through use of his Ableton software. Before ever adding vocal and instrument lines, he is working on recording and creating based primarily on rhythmic pulses, allowing the music to find itself. While I’m not sure when he’ll return to the music sphere, I can guarantee that Starseed is only a preview for what is about to come from Charley Orlando.

    Key Tracks: Think It Over, If You’re Down, Rise