Shana Falana who are releasing a fantastic album next week started their tour in support of it at Albany’s The Low Beat.
Starting off the evening was local duo Moon Magick. With hauntingly beautiful vocals from Laura as well as some keyboard work and endlessly looping guitar work from Phil, the duo set the stage for the evening. Their set up was minimal and the music relaxed everyone into the long evening. Next up was Eternal Crimes who woke up the crowd with their version of English Punk via outer space. The band had a great light show to go along with their distorted vocals that pushed them towards psychedelia as the set continued on. Then despite some early sound issues, a packed house got the chance to witness Shana Falana’s new songs out in the open for the first time. Looping vocals underneath Shana’s beautiful voice merged with her ferocious guitar playing and were pushed along by Mike Amari’s drumming. Video in the background was a great way to make the evening feel like an art show with music at times, which suits the band perfectly. Catch them out on tour throughout the United States this spring.






Touring in support of Phosphorescent Harvest The CRB, as they are known by their fanbase, played a few highlights of the album with “Meanwhile in the Gods…” and “Jump the Turnstiles” in the first set. The band was tight throughout the evening, which was great to see as they are breaking in new drummer Tony Leone. Sometimes when bands change members it takes a while to gel as a group, but The CRB was in fine form. Chris Robinson was in vocally great, as he always is, and even showed off some impressive guitar playing from time to time. Neal Casal handled much of the work on the guitar and it was wonderful to listen to his playing all night. He can solo with the best of them, but can also intricately shape songs without taking over the whole sound. “Tulsa Yesterday” closed the first set out with a thrilling jam that was a preview of what the meat of second set was going to be.
After a short break they came back out and hit the ground running with “Try Rock & Roll”. Everyone in Bearsville was tuned in to what the band was giving them and smiles were seen on everyone’s face, including the band between songs. Adam MacDougall seemed to be steering the jamming ship throughout the second set with some great work on the keys. The psychedelia was strong from his side of the stage and only pushed the others to join in. Chris Robinson is of course no stranger to that sound, so it was easy to see why he recruited Adam into the band. Mark Dutton may have gone unnoticed by many throughout the evening on the bass, but he has mastered being the grounding sound during the intense jams that happened. The biggest jam of the night took place during “Vibration & Light” that bled into “Hard to Handle” with a beautiful transition. The two songs were great, but the middle area where the band got weird and just jammed for a while was the clear highlight of the evening. This was followed by “Rosalee” where they once again went off the rails of the traditional song and let the space around them dictate where the song would go. Coming back with a live debut cover of Van Morrison’s “Call me up in Dreamland” was a fitting end to the evening.
Set 1: Good Rockin’ Tonight, Jump the Turnstile, Shore Power, Roane Country Blues, Star or Stone, Meanwhile in the Gods…, Tulsa Yesterday