{"id":169,"date":"2014-02-19T00:00:00","date_gmt":"2014-02-19T00:00:00","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2014\/2014\/02\/19\/buffalo-and-aqueous-a-love-affair\/"},"modified":"2014-02-19T00:00:00","modified_gmt":"2014-02-19T00:00:00","slug":"buffalo-and-aqueous-a-love-affair","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2014\/2014\/02\/19\/buffalo-and-aqueous-a-love-affair\/","title":{"rendered":"Buffalo and Aqueous&#8230;A Love Affair"},"content":{"rendered":"<p>It has been unbearably cold in Buffalo this winter. Last Wednesday, <a href=\"http:\/\/www.aqueousband.com\/\">Aqueous<\/a> and <a href=\"http:\/\/themantras.com\/\">The Mantras<\/a> brought setlists that centered around the theme of \u201cLove\u201d and things were more Kate Upton inside of <a href=\"http:\/\/www.nietzsches.com\/\">Nietzsche\u2019s<\/a> than the Roseanne Barr we have been experiencing outside of it. \u00a0After an excellent first residency, could Aqueous build upon the great foundation they laid down the <a href=\"https:\/\/nysmusic.com\/site\/2014\/02\/11\/decades-night-becomes-dancing-night-aqueous-at-nietzsches-february-5th\/\">first week?<\/a> \u00a0The Mantras gave them a running start by pumping up a much larger crowd and Aqueous was certainly up to the task.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-242453 aligncenter\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2018\/01\/Aqueous-Mantras-8.jpg\" alt=\"Buffalo and Aqueous\" width=\"1024\" height=\"683\" data-wp-pid=\"242453\" data-pin-nopin=\"nopin\" \/><\/p>\n<p>The Mantras are an excellent six-piece band from Greensboro, North Carolina that had the place rocking from the moment they hit the stage. \u00a0The Mantras\u2019 set featured excellent originals as well as welcome renditions of Umphreys McGee\u2019s \u201cHurt Bird Bath\u201d and Michael Jackson\u2019s \u201cBeat It\u201d. \u00a0With their progressive rock sound that somehow doesn\u2019t deny their southern roots, The Mantras connected with the Buffalo crowd. \u00a0It is safe to say that when The Mantras finished their set, Nietzsche\u2019s was buzzing with excitement.<\/p>\n<p>The theme of the second \u00a0Aqueous residency show was the broad theme of \u201cLove.\u201d \u00a0Aqueous chose a gutsy opener of Haddaway\u2019s \u201cWhat is Love\u201d that quickly segued in and out of the hard-hitting Aqueous original, \u201cEon Don\u201d. \u00a0The \u201cEon Don\u201d segments of this back and forth sandwich provided some new territory for the usual straightforward rocker. \u00a0After it finished, the crowd was primed for the fan favorite \u201cOrigami.\u201d<\/p>\n<p>\u201cOrigami\u201d would show the crowd that it was business time during \u201clove night.\u201d \u00a0From the dream-like intro, this \u201cOrigami\u201d was one for the books. \u00a0Taking their time and exploring new paths in the intro allowed the drop into the composed section of \u201cOrigami\u201d to take flight. \u00a0When it hit, the place exploded and many heads were sent banging. \u00a0The jam would come firing out with high energy before almost grinding to a halt. \u00a0Changing pace and varying the intensity of sound are two weapons that Aqueous has solidified into their jamming arsenal. \u00a0Following the halt, Nick Sonricker (drums) would provide an upbeat rhythm that the band slowly built on. \u00a0Not rushing into a peak allowed the band to find a gorgeous soaring groove. \u00a0The second jam would center around a minimalist playing of the \u201cOrigami\u201d theme before it became Godzilla eating every piece of origami ever created.<\/p>\n<p>The second nod to the night\u2019s theme would be The Beach Boys\u2019 \u201cWouldn\u2019t It Be Nice\u201d that brought the lightheartedness back after the hard-hitting \u201cOrigami\u201d.<\/p>\n<p>After the short cover, Aqueous would be right back on the heavy improv, crafting a 24-minute version of \u201cAll-In\u201d, which has done the exact of opposite of what I have done after hitting 5\u20199\u201d&#8230; grow. \u00a0\u201cAll-In\u201d has come from humble beginnings to become a jam monster. \u00a0The last couple of performances seem to have set the bar higher and higher each time out. \u00a0When Aqueous dove into another minimalist jam, they began infusing hints of reggae and funk. \u00a0Had Darth Vader been in attendance, he would have said, \u201cThe groove is strong with this one.\u201d \u00a0The patience that the band displayed set up the final annihilation. \u00a0The slow groove transformed into a Mike Gantzer (guitar, vocals) and David Loss (guitar, vocals, keyboards) shred fest, that reached peaking heights that few jams fail to find. \u00a0After a short return to the \u201cAll-In\u201d theme, Evan McPhaden (bass) lead the band back down into the groove. \u00a0Loss moved to the keyboards and the dance party continued. \u00a0\u00a0This \u201cAll-In\u201d was the clear highlight through the halfway mark of the Aqueous Nietzsche\u2019s residency.<\/p>\n<p>After 24 minutes of \u201cAll-In\u201d fire, Aqueous smartly decided to take things down a notch, and revert back to the Love theme. \u00a0With Keith Allen (guitar) and Julian Sizemore (keyboards) from The Mantras joining Aqueous on stage, Marvin Gaye\u2019s \u201cLet\u2019s Get It On\u201d would be the centerpiece of this love affair. \u00a0Loss would have the task of the legendary Gaye vocals. \u00a0While he sounded nothing like Marvin Gaye, Loss sang with everything he had and owned the stage, making it a fun rendition. \u00a0The real star was Allen, playing a gorgeous-sounding slide guitar that perfectly rang out through the bass groove.<\/p>\n<p>Aqueous chose to place its newest song \u201c20\/20\u201d after \u201cLet\u2019s Get It On\u201d. \u00a0Reaching the 12-minute mark in only its second performance, \u201c20\/20\u201d continues the trend of Aqueous songs that have big open-ended sections for jamming.<\/p>\n<p>The set would conclude with \u201cMarty\u201d, an instrumental take on \u201cI Will Always Love You\u201d by Whitney Houston, and \u201cThe Median\u201d. \u00a0The band had placed a net full of red balloons on the ceiling prior to the beginning of the show. \u00a0During the line in \u201cMarty\u201d, \u201cred balloons are falling from the sky\u201d they were released and served as party favors during the closing trifecta.<\/p>\n<p dir=\"ltr\">After a set that thrilled the crowd, the encore would not disappoint. \u00a0James Taylor\u2019s \u201cHow Sweet It Is\u201d would be the last Love cover before seguing into \u201cPictures\u201d and a reprise of \u201cWhat is Love\u201d, which segued back and forth multiple times. \u00a0It felt as if the two had became one song and finished the night on yet another highlight.<\/p>\n<p>Mixing smart and unpredictable covers, Aqueous engaged the roughly 200 people in attendance for two and a half hours. \u00a0This Aqueous set gave everyone a chance to sing along and have some fun, yet provided some serious improvisational music. \u00a0Missing either of the next two Nietzsches show would be a big mistake.<\/p>\n<p>Of note, the band was dressed in shirts and ties, except for Evan who was shirtless except for a bowtie. \u00a0That is all I have to say about that but I am told that the ladies loved it.<\/p>\n<p dir=\"ltr\"><strong>Setlist:\u00a0<\/strong>What is Love&gt;Eon Don&gt;What is Love&gt;Eon Don&gt;Origami&gt;Wouldn\u2019t it be Nice&gt;All In&gt;Let\u2019s Get it On&gt;20\/20&gt;Marty&gt;I Will Always Love You&gt;The Median&gt;Marty<\/p>\n<p><strong>Encore:<\/strong>\u00a0How Sweet it Is&gt;Pictures&gt;What is Love<\/p>\n<p>Remaining Aqueous at Nietzsche\u2019s Show Dates:<\/p>\n<p>2\/19 with The Broccoli Samurai (Willy Wonka Theme)<br \/>\n2\/26 with Big Something (Mystery Guest Theme)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It has been unbearably cold in Buffalo this winter. Last Wednesday, Aqueous and The Mantras brought setlists that centered around the theme of \u201cLove\u201d and things were more Kate Upton inside of Nietzsche\u2019s than the Roseanne Barr we have been experiencing outside of it. \u00a0After an excellent first residency, could Aqueous build upon the great [&hellip;]<\/p>\n","protected":false},"author":280,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[21,6,4,14,9,44,10,15],"tags":[85,23,338,239],"class_list":["post-169","post","type-post","status-publish","format-standard","hentry","category-buffalo","category-features","category-news-desk","category-regions","category-special","category-upcoming-shows","category-upstatelive-archives","category-western-ny","tag-aqueous","tag-buffalo","tag-nietzsches","tag-residency"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Buffalo and Aqueous...A Love Affair - NYS Music 20\u200b14<\/title>\n<meta name=\"description\" content=\"It has been unbearably cold in Buffalo this winter. 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