{"id":1195,"date":"2014-12-15T00:00:00","date_gmt":"2014-12-15T00:00:00","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2014\/2014\/12\/15\/the-yusuf-cat-stevens-peace-train-pulls-into-boston\/"},"modified":"2014-12-15T00:00:00","modified_gmt":"2014-12-15T00:00:00","slug":"the-yusuf-cat-stevens-peace-train-pulls-into-boston","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2014\/2014\/12\/15\/the-yusuf-cat-stevens-peace-train-pulls-into-boston\/","title":{"rendered":"The Yusuf\/Cat Stevens Peace Train Pulls Into Boston"},"content":{"rendered":"<p>A frigid and blustery <a href=\"https:\/\/nysmusic.com\/site\/tag\/boston\">Boston<\/a> night was braved by a sold out crowd, many who had waited 38 years for <a href=\"https:\/\/catstevens.com\/\">Cat Stevens<\/a>&#8216; (now known as Yusuf) return to the performing stage. In support of his 2014 studio LP <em>Tell Em I\u2019m Gone, <\/em>Yusuf is currently playing a limited number of engagements across the US. His second appearance of six dates in the states took place in Boston on Dec. 7, exceeding any and all expectations for the talented and sometimes controversial artist.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-253653 aligncenter\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2018\/01\/Peace-Love-714x475.jpg\" alt=\"Peace Train\" width=\"714\" height=\"475\" data-wp-pid=\"253653\" \/><\/p>\n<p>The intimate and ornate Wang Theatre was the setting for a two-set, 105 minute performance composed of Steven\u2019s most beloved classics as well as samples of Yusuf\u2019s contemporary dusty desert blues compositions. The tour moniker, <em>Peace Train&#8230;Late Again<\/em> was reflected in the stage set, which was constructed of a broken down train station that changed mood and vibe based on the song performed.<\/p>\n<p>The concert illustrated the elder Yusuf as an artist willing to reveal and explore all aspects of the Cat Stevens catalog that made him famous, in addition to the expanding song list of current Yusuf compositions. The first hour-long set of the concert settled into mellow dual acoustic guitar groove opening with \u2018The Wind\u2019, the same number that opened Cat Steven\u2019s last US tour in 1976. Similarly to 1976, long time Yusuf friend and musical colleague Alun Davies was included on acoustic guitar. In addition to Davies, Yusuf was joined by keyboardist Pete Adams, bassist Stefan Fuhr, Drummer Kwame Yeboah and additional guitarists Matt Sweeney who sat in on tracks from the new LP and Eric Appopoulay.<\/p>\n<p>The first half of the concert drifted between familiarity and discovery with Cat Stevens classic tracks and deep cuts intermingled with Yusuf\u2019s poignant new material. Regardless of the composition, the songs and stories are all developed from the same earth spring of inspiration, the musical and spiritual journey of Cat Stevens. Yusuf reclaimed his early hit \u2018The First Cut Is the Deepest\u2019 for his own in a sing along performance featured early in the show. Highlights of the opening set included a rousing reading of <em>Catch Bull at Four\u2019s <\/em>\u2018Sitting\u2019 that rivaled the original reading, a rare and floral \u2018All Kinds of Roses\u2019 off of 2009\u2019s <em>Roadsinger <\/em>and an always relevant reading of \u2018Where Do the Children Play\u2019 that received rapturous applause and soulful accompaniment from the crowd.<\/p>\n<p>Yusuf\u2019s voice was a perfectly preserved specimen for the duration of the evening. It\u2019s strength somewhat diminished by time, but its resonance and emotion deepening with every performance. A deft pairing of the old and the new displaying this current vocal approach found Cat Stevens first single \u2018I Love My Dog\u2019 given a jazzy reading before followed with 2014\u2019s \u2018Cat and the Dog Trap\u2019, in my opinion the most beautiful song both lyrically and instrumentally on the new LP.<\/p>\n<p>The opening set then closed with a collaborative \u2018If You Want To Sing Out\u2019 from the 1971 <em>Harold and Maude <\/em>soundtrack that left the crowd smiling and highly anticipating the second set.<\/p>\n<p>The second set began dark and the train station turned twilight and dim. The Peace Train was drawing near, the band was armed with electric instruments and break into a funky and strident cover of \u2018Big Boss Man\u2019 that enunciated the tastefulness and collaborative interest displayed by Yusuf\u2019s touring band.<\/p>\n<p><iframe loading=\"lazy\" title=\"Yusuf\/Cat Stevens &quot;Trouble&quot; Boston MA 12\/7\/2014\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/UCyRGaFUU00?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Yusuf then introduced \u2018Eddie Vedder\u2019s favorite song\u2019 before playing an intimate and definitive version of \u2018Trouble&#8221; off of 1970\u2019s <em>Mona Bone Jakon,<\/em> an inspired choice. \u2018Oh Very Young\u2019 followed and received a standing ovation after a flawless rendition illustrating Yusuf\u2019s acceptance of his Cat Stevens legacy as well as the joy it brings him by playing the music. The set now revealed the big songs, the songs that cemented Yusuf\u2019s career then and now. \u2018Moonshadow\u2019 was played by the full band in a triumphant arrangement, &#8216;Wild World,&#8217; \u2018Father and Son\u2019 and the long-awaited \u2018Peace Train\u2019 were played with infectious joy and virtuosity. Intermingled with these well-known and sought after classics were the impressive tracks off of the new LP including a soaring reading of Edgar Winter\u2019s \u2018Dying to Live\u2019 and the gritty \u2018Editing Floor Blues\u2019.<\/p>\n<p>The second half of the performance gave everyone exactly what they had come to see, whether a child of the 60\u2019s, an aging hippy, or a recent passenger on the \u2018Peace Train\u2019, there was a song or a message for everyone. Each of the Cat Stevens songs performed felt fresh, their arrangements rediscovered, their melodic nuances fully explored. A celebratory reunion of an artist with his long-lost musical children was taking place on the performing stage.<\/p>\n<p><iframe loading=\"lazy\" title=\"Cat Stevens - Wang Theater, Boston 12\/7\/14 Sad Lisa\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vKS93v3EQOQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>The hardcore Cat fans were sated throughout the set, first when Yusuf amazingly quoted multiple movements from the 1973 opus \u2018The Foreigner Suite\u2019 and then again with the encore choice of \u2018Sad Lisa\u2019 which brought the house down in its unique spot as a closing encore number. The set first concluded with the aforementioned Cat Stevens signature readings of \u2018Peace Train\u2019 and \u2018Father and Son\u2019, songs that defined an era as well as inspiring the beliefs and relationships that developed during the two songs popularity.<\/p>\n<p>Then for the encore Yusuf and band returned with a welcome appearance of \u2018Miles from Nowhere\u2019 which made for a <em>Tea for the Tillerman <\/em>double encore when followed by the spooky beautiful piano based \u2018Sad Lisa\u2019. Again, Yusuf sang with precision and grace, offering a broad smile after a slight vocal hiccup during \u2018Miles from Nowhere\u2019. The small miscue illustrated a fantastic moment, revealing Yusuf\u2019s new musical joy, and his sincere appreciation for his fans and followers who had waited so long to see him again.<\/p>\n<p>We can only hope that the success and musical developments that have occurred on Yusuf\/Cat Stevens\u2019 recent <em>Peace Train\u2026Late Again <\/em>tour are enough to keep him performing and creating into the near future. The performance at the Wang Center on Dec. 7, 2014 was worth the wait, it offered inspired lyrical stories, instrumental magic and a message of peace by an artist who has rediscovered his place in the world of popular music.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A frigid and blustery Boston night was braved by a sold out crowd, many who had waited 38 years for Cat Stevens&#8216; (now known as Yusuf) return to the performing stage. In support of his 2014 studio LP Tell Em I\u2019m Gone, Yusuf is currently playing a limited number of engagements across the US. His [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[6,9,10],"tags":[740,1796,2321,1797,2322,2037],"class_list":["post-1195","post","type-post","status-publish","format-standard","hentry","category-features","category-special","category-upstatelive-archives","tag-boston","tag-cat-stevens","tag-peace-train","tag-tell-em-im-gone","tag-wang-theatre","tag-yusuf"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Yusuf\/Cat Stevens Peace Train Pulls Into Boston - NYS Music 20\u200b14<\/title>\n<meta name=\"description\" content=\"The tour moniker, &#039;Peace Train...Late Again,&#039; was reflected in the stage set, which was constructed of a broken down train station.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dev.nysmusic.com\/2014\/2014\/12\/15\/the-yusuf-cat-stevens-peace-train-pulls-into-boston\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Yusuf\/Cat Stevens Peace Train Pulls Into Boston - 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