Tag: The Westcott Theater

  • Turkuaz Is A Class Act

    Winter has finally fallen here in Syracuse. The air is cold and on the trees hang a soft white blanket. While some prefer to warm up with hot cocoa, the crowd at the Westcott was heating up in the musical arms of the joyous soul band, Turkuaz. When drummer Michelangelo Carubba gave the cue, it was game on. The Westcott immediately began dancing as the notes of the opening song “20 Dollar bill” began to blast out of Chris Brouwer’s trumpet. The Turkuaz ladies, Shira Elias and Sammi Garett sang out, “look at how they come and how they go”. The voice of Turkuaz hosted the smoky vocals of lead guitarist Dave Brandwein paired with the jazzy vocals of the ladies to produce an old school vibe. The sound from the stage gives a sexy millennial twist to the big band era style of playing. This in your face funk is the kind of music you feel from the top of your head down to the tips of your toes. This is the kind of music that makes a person feel alive. There was a glimmer of pride in the eyes of each member as they preformed.

    Taylor Shell is a very impressive bass player and a sure sign that the funk is alive. A few points in the night he could be seen standing on the pedestal where the drums were set up, laying down some smooth bass lines. Taylor Shell brings the party. Also, two hands in the air for Craig Brodhead the synth player. He was like a cloud raining down sentences of notes from his synthesizer. The use of the synthesizer added a contemporary aspect to the funk. These musicians have a natural chemistry and stage presence; they were all swinging their hips and all dancing together. Even occasionally throwing in a synchronized dip to the ground as they did in the song “Bubba Slide”. In the midst of the high-fi funk the band did give the lovers and potential lovers in the crowd one slow song. Thursday night was a blast and a non-stop groove party and at the end no one wanted to quit. Turkuaz gives fresh meaning to the saying bigger is better.

    A special recognition should be given the band Annie in the Water who opened for Turkuaz. Their sound is really special. It is as though Rusted Root, Dispatch and Zach Deputy had three acoustic babies whose umbilical chords were plugged into speakers. These are the nights live music lovers live for.

  • Physical Education class with Animals as Leaders

    On December 2 Animals as Leaders came to The Westcott Theatre. The musicians took the stage stoically, then, without words, began playing. Animals as Leaders, genre is, very, experimental metal. A few tunes they played off of their most recent album The Joy of Motion were, “The Woven Web” and “Physical Education.”

    Physical Education Animals as Leaders“Physical Education” is a really fun song with an incredibly catchy hook and slap-ity guitar. Here and there they would play a tune, such as that, that was danceable, but for the most part the crowd was a bunch of bobbing heads and ears wide open. As it goes, the recipe for the more exploratory songs of Animals as Leaders could be described as constructive composition.

    Members, Javier Reyes on the 8-string guitar, Matt Garstka on the drums and Tosin Abasi on 8-string guitar, play with impressive speed, concentration and fervor. Thankfully, repetition is incorporated in their style. They take their well-constructed riffs and repeat them. Then, each member takes an individual excerpt of time to transgress.

    The music does indeed at times have a meditative quality as the notes cascade over each other, but don’t be fooled because the music rides the tide back to solid dark metal. Another impressive quality of this completely instrumental band was the their tightness. They demonstrated this with wonderfully executed rests. This is a quality of music that is not often used outside of classical and Jazz. Animals as Leaders closed out the show with the classic, CAFO, leaving behind a crowd of pleased fans.

  • Turkuaz to Perform at The Westcott Theatre December 11

    Turkuaz, a fun filled funk band out of Brooklyn, NY who are infamous for their matching jumpsuits are playing at The Westcott Theatre in Syracuse on December 11. This large family consists of 8 members; Dave Brandwein on guitar and vocals, Taylor Shell play the bass, Craig Brodhead on guitar and synths, Michelangelo Carubba on drums, Greg Sanderson plays saxophone, Joshua Schwartz also on saxophone and vocals, Chris Brouwers trumpet and keyboard, lastly Sammi Garett, vocals and tambourine. Despite the size of the band, these multi-talented musicians have a unique chemistry amongst themselves. This celebration starts on Thursday, December the 11 at 8pm. Annie in the Water and Ocupanther open up the night. Get your tickets here.

  • Animals as Leaders to play at The Westcott December 2

    On December 2, Animals as Leaders will take to the stage at Syracuse’s Westcott Theatre. This progressive metal band consists of three very talented members, Tosin Abasi, Javier Reyes and Matt Garstka, with the bands’ sound being something of an experimental jazz infused technical metal. MetalSucks has ranked Animals as Leaders Guitarist Tosin Abasi as number 2 on their list of modern metal’s top guitarists and he will surely grace Syracuse’s Westcott with his 8 string guitar. The trio released The Joy of Motion earlier this year and hopefully it will be celebrated on Tuesday night. The show starts at 8 pm with three bands including Monuments, Turn the Tide, and How to Disappear Completely.

    Animals as Leaders

  • Electron ends Fall Tour at Syracuse’s Westcott Theater

    I still maintain Syracuse is a weird city, but they got one hell of a show at the Westcott on Saturday October 18. For fans of live-tronic music, this was the show to catch. The bill featured three bands (all instrumental) leading up to Electron, making for an impressive five hours of music. The night opened with Ocupanther, who got fans moving with their intricate but danceable compositions, featuring smooth rhythm sections and weaving guitar/synth parts on top. Ocupanther is always a treat because they are unique—not just progressive scales, not just untz beats—but truly original sounds put together in an organic, funky way. Up next was Horizon Wireless, who laid down smooth beats that were subtle but sexy and often trance inducing. Horizon has a warm sound that just makes you feel good, relying more on the groove than huge peaks or changes. This was almost a direct contrast with Solaris, who took the stage next and threw down heavy beats that really brought the energy back up a notch as the room began to fill in. Ithaca’s Solaris is a one-two punch, first they get you in the zone with beats that are predominantly electronic and then they mix in moments of sheer rock and roll dirtiness. By the end of the set everyone was moving and ready to go.

    Photo by: Andy Hill at Catskill Chill 2014 - Electron
    Photo by: Andy Hill at Catskill Chill 2014 – Electron

    Electron, to put it bluntly, is essentially a Disco Biscuits cover band that plays Biscuits’ songs better than the Biscuits. This is not at all a bad thing, or meant to discredit the original incarnation(s) of Bisco—they are the ones who did it first after all, and they have a chemistry that cannot be replicated—but rather to highlight the similarities and areas of improvement. This crossover is no secret; the night’s set list featured mainly Bisco songs, all of which were tight and on-point. Throughout the tour Electron also covered a different band each night, including The Beatles, The Grateful Dead and Pink Floyd. Friday’s two-set show added Radiohead to that list, with solid covers of “Karma Police” and “National Anthem,” before ending the night with Pink Floyd’s Brain Damage into Eclipse for an encore.

    The set opened with the classic, “Floodlights” and moved into another time-tested favorite, “M.E.M.P.H.I.S.” which had fans new and old singing along. Brownie held it down on the bass [as he does] showing a revitalized energy I had not seen since years previous. There is no doubt that Brownie drives the band, both with his relentless bobble-head and groove-heavy lines with sneaky bombs – his excitement was contagious. Lotus drummer, Mike Greenfield, was also a true joy to watch and blends perfectly with Brownie and the Electron formula. The argument of Sammy Vs. Allen actually kind of finds resolution in the middle with Mike Greenfield; he has the intensity and (almost) technical precision of Allen, with the feel and taste of Sammy. Personally, I never took a side on the drummer comparisons because I liked both for different reasons. That said, Greenfield is the ipso facto peace-maker that would ultimately satisfy both sides of the debate. On the keys, Magner seemed a little more subdued than his role with Bisco, but still served as the essential binding factor. All of Magner’s parts were, though not extravagant, especially important. He really only let it rip a couple of times, mainly towards the end of the second set with “Shelby Rose” but quite frankly, I think I prefer it that way. The real standout of the night for me, however, was Tom Hamilton on guitar. I had heard Hamilton play in recordings of Brothers Past, American Babies and with Marco, but had never seen him live. Simply put, he won me over. I came into the show not knowing much about Hamilton and left a Hamilton fan. Each guitar line was clean and tasteful, but when he decided to rip it, his chops really shone through. Even in songs where his parts were simpler, Hamilton has a calm sort of confidence that is super entertaining to watch and appears to inspire the band to consistently play to the top of their ability. All in all, this show was spot-on musically; a real treat for Biscuits fans, and the band’s chemistry was a pleasure to watch.

    Syracuse’s show marked the end of Electron’s mini-tour, but Brownstein and Magner will be back with Conspirator, another side project which is more heavily improvisation and jam based, on November 20.

    Set 1: Floodlights, MEMPHIS, Kamaole, Humu ending, Grass is Green end, Plan B, Karma Police*, Plan B
    Set 2: National Anthem*, Little Lai, Humuhumu, Kamaole ending, Shelby Rose, the City, Shelby Rose
    Encore: Brain Damage, Eclipse

  • Kung Fu and Groovestick: Upstate Funk Doubleheader

    kung-fu01-(1-of-1) Kim RicherNYS Music loves their funk so we wanted to make sure we sent our writers and photographers to both Kung Fu shows in Upstate, NY – Syracuse’s review features words and photos by Kim Richer and the Albany show is highlighted by writer Susan Rice. Keep reading for the details of both funktastic shows!

    Syracuse:
    Kung Fu had their game face on Friday night, bringing lethal doses of high-powered funk-fusion to the newly remodeled Westcott Theater in Syracuse.  Tim Palmieri’s undeniable ability to shred on the guitar, coupled with Todd Stoops skill at traversing the keys of four keyboards simultaneously left the crowd dancing and smiling.  Opening with the title track off of their latest release, “Tsar Bomba” Kung Fu graced the audience with a nice sampling of their extensive musical library.  They entertained with some newer material and then resorted back to classic fan favorites “Gung Ho” and “Bopcorn”.  The real treat of their performance was a funky perfect rendition of the Jimi Hendrix single, “Cross Town Traffic”.  Closing the show with encores “Hollywood Kisses” and “Do the Right Thing” Kung Fu left the crowd fully satisfied with a need to replace their worn out dance shoes.
    Opening the show, “The Chop Shop” and “Gridline” were very groovy and well fitted to prime the crowd.  They each gave a solid stage performance and their music was a perfect fit to prep the audience for Kung Fu, but the real elephant in the room Friday night was The Primate Fiasco.  They happened to be passing through Syracuse and stopped by to see Kung Fu.  They treated the crowd by playing acoustic ‘brasstronica’ street corner style sets, unplugged and in the middle of the dance floor; the way fans have come to expect it in festival campgrounds.  They played in between stage sets, bridging that gap when there is nothing to do except wait for the next act.  Before the show started, some fan sentiment outside the venue was less than enthused about The Westcott Theater’s new “No Re-Entry” policy.  That didn’t matter though, because once The Primate Fiasco started to play, nobody was leaving anyway.  The band was enveloped by a dance party and kept the energy at a high until the next band was ready on stage.  This worked so well that the crowd was begging Primate Fiasco to keep playing, even when Kung Fu was ready to begin.  A brilliant idea, I hope we see more of this at live shows!
    Photos by Kim Richer

    Albany:
    Saturday night at The Hollow was funktastic thanks to power groups Kung Fu and Albany’s own, Groovestick. The trio turned quintet performed a jazz funk fusion with raw energy and a unique sound. “Sharkbait” gave chilling harmonies and quaking bass line from Dan Gerken. Chris Carballeria is a key smashing jazz wizard, providing waves of organ soul. Guests got a special treat when Kung Fu guitarist Tim Palmieri joined in for chord climbing rockage. “Horde” one of their newest songs and a fast paced jazz jam with impeccable string stretching from Justin Hendricks, ended the set leaving the crowd fully charged up for Kung Fu.

    Bryan-Lasky-Kung-Fu-15

    The Capital District got round housed to the face with extreme funk served up by none other than the masters, Kung Fu. Front man, Rob Somerville blasted the venue with his explosive saxophone as Chris DeAngelis stood out with major plucking magnitude before the groove came back around in full band force. But the crowd went wild when Mister F mad man, Scott Hannay joined Todd Stoops went head to head over the keys to create the ultimate electric melody meltdown. The four song encore was the cherry on top, with the light-hearted funk of unstoppable buildups from the likes of “Loose” and a boogie get down of “Hollywood Kisses”. Kung Fu will return to the Upstate area on November 13 at The Waiting Room in Buffalo –  which can’t come soon enough.

    Photos by Bryan Lasky

  • Papadosio and Twiddle Transcend The Westcott Theater

    In typical jam band fashion, hundreds of deadheads and hula hoopers gathered outside the Westcott Theater doors Wednesday night with great excitement to witness Twiddle and Papadosio (or Papadiddle, as I like to call it).

    With a strong opening, Twiddle brought a variety of tunes from their album Somewhere On the Mountain , as well as a cover of “Big Country” by Bela Fleck and The Flecktones. In order, their setlist consisted of continuous jams with songs like “Polluted Beauty,” “Gatsby the Great,” “When It Rains It Pours” and “Frankenfoote”. I’m also pretty sure they threw in a Pachelbel’s “Canon in D” somewhere in there, too.IMG_0190

    With a well blended sound system and impressive light show, nobody could stand still, let alone sit on the Westcott’s new keg benches and tables. Along with their signature quirky hats and long flowing hair, band members Brook Jordan, Zdenek Gubb, Ryan Dempsey, and Mihali Savoulidis celebrated their Upstate stop on their Chilled Monkey Brains Fall Tour, dating from October 10 when they commenced in Charlottesville and plan to conclude the tour on November 26th in Fairfield, CT. If you’re in the Buffalo, Albany, or Connecticut area in the upcoming months, make sure you check out their fall tour dates and make sure you experience the greatness that is Twiddle.

    The blackout right before Papadosio’s entrance was one of the most chilling feelings I’ve gotten in Syracuse, not including the arctic tundra we get every winter. As the crowd cheered, a LCD screen abruptly lit up with a collection of nature, art, and historical images in a sequence to accompany the band’s startup jam. Along with their collection of songs from Day & Night (Live) commencing a dance party throughout the audience, the vibrant visual effects took us on an uplifting adventure. My highlight had to be when they performed “Cloud Found”, with their silhouettes faded to black while images of mountains and clouds filled the background of their set.

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    With the release of their 2009 album Observations, their 2012 album T.E.T.I.O.S., and their 2014 release of Day & Night (Live), Papadosio certainly had some repertoire to choose from. With only a few years under their belt, this dynamic group has sailed through multiple prestigious festivals and venues, and have undergone their Imaginal Cells Tour, which only hits Upstate New York one final time on October 22 if you’re in the Buffalo area. If you’re prepared to experience the transcendental music of Ohio’s premier experimental band, make sure you see them live. Otherwise, keep up with their upcoming events at news at their Facebook and Twitter page.

  • Kung Fu Set To Funk Upstate

    Kung Fu-Fall 2014 TourEvery rocker/ninja’s favorite band, Kung Fu, kicks off its fall tour this weekend and Upstate New York gets two of the first three shows.

    The Fu will provide musical therapy to Baltimore, whose Orioles just fell a step short of the World Series, on Thursday night. Friday, Kung Fu brings their high-octane funk fusion to Syracuse’s Westcott Theater before wrapping up the weekend at The Hollow in Albany on Saturday.

    Like every great funk outfit, the band has a bassist, Chris DeAngelis, who will send vibrations through your bones and shake up your soul. Each show gets more than slightly Stoop-ed as Todd Stoops handles the keys and Robert Somerville will be center stage crushing the tenor sax. Adrian Tramontano is absurdly relentless on the drums and Tim Palmieri, who just added a newborn ninja to his family last week, rounds out the band on guitar.

    If you’re not following Kung Fu on Facebook yet, you’re missing out. Earlier this week, the band offered free tickets and 10% commission to volunteers for manning its merch booth all weekend. Wednesday, Stoops took to the social media site to give away free tickets to anyone who asked — no contest or duties involved.

    Kung Fu       Nietzsches       4-12-13 (8)

    For more information or to check out Kung Fu’s new album, Tsar Bomba, visit the band’s website.

    Tickets to Syracuse’s show can be purchased here. Click here to purchase Albany tickets.

    And in case you can’t catch them this weekend in Syracuse or Albany, the band is heading to Western New York later in the tour for a stop in Buffalo on Nov. 13. Click here for tickets to their show at The Waiting Room.

  • Joe Driscoll and Sekou Kouyate with Sophistafunk; Syracuse Artists Collaborate and Fuse Worldly Sounds

    A European tour can do a lot for an artist or group. It can bring a performer to a new level of recognition and exposure. It can allow for a performer to invite a partner in crime to open for them and effectively “bring/put them up.” It can allow a performer to meet artists from all over the globe and form new collaborations and projects. It can also crystallize the love of one’s hometown where it all started, and bring an artist back for a nostalgic homecoming. For Sekou Kouyate and Joe Driscoll, Syracuse native and one-man “band” hero, touring Europe did just that.

    Joe Driscoll Sekou KouyateBesides providing a fresh fan-base, touring Europe allowed Joe Driscoll to bring along fellow Syracuse-based hip-hop heads, and inexorable party-starters, Sophistafunk. This “Euro-tripping” also facilitated Joe’s acquaintance and partnership with an absurdly gifted musician by the name of Sekou Kouyate. Joe and Sekou met at the Nuit Metis (Mixed Night) Festival in Marseille, France and developed a unique, multi-cultural sound that gave birth to the album Faya. This album, like all albums, required promotion and therefore a tour schedule. This tour brought the family back together where the roots of these musical branches started: Syracuse, including and especially the Westcott Theater. On Friday, August 22, the Westcott packed itself while Sophistafunk, Joe Driscoll and Sekou Kouyate, and a host of other supporting local musicians played their hearts out for the hometown fans.

    Sophistafunk, led by the dual hype-man and frontman in one, Jack Brown, played time-honored songs from both full length studio albums, Freedom Is and Twentyeleven. As always, Brown laid down the intellect and positivity on songs like “Gotta Walk”. As expected, Emanuel Washington, known as E-Man, rocked the house with that heavy and tight drum sound, especially on songs like the dance-inspiring “Wil’ Out”. As presumed, Adam Gold churned out those chunky-funky lines on the keys/organ on songs like “Freedom Is”. And as a super-special, highly unexpected, and highly enjoyed surprise, Sophistafunk covered the soulful and sexy “SpottieOttieDopaliscious” by Outkast. “’Nuff said.”


    After saying goodbye to Sophistafunk (temporarily), Joe Driscoll and Sekou wasted no time getting the audience back up and dancing. Joe’s funky, reggae-infused, hip-hop melodic style of guitar provided a solid grounding and space for Sekou to add his signature hummingbird-fast arpeggios and angelic riffs in between beats. Sekou, to understate it completely, plays the kora. The kora is an instrument made partly from a humongous gourd, called a calabash, covered with cow hide, and is “formally” classified as a “double-bridge-harp-lute.” When played masterfully, this “double-bridge-harp-lute” makes music that is silky, swift, exotic, and truly exquisite. This sound, along with Sekou’s vocals, sung in Soussou (with spot-on accompaniment by Joe), symbiotically fuse with Joe’s increasingly impressive guitar work to create music that is worldly and graceful, yet familiar and catchy.

    Joe told stories, both between songs and lyrically, throughout the set. Joe commented on everything from loving and appreciating your roots; to the inevitably deepening experience of traveling the world and meeting special people with whom you connect; to the visualization of lighting a fire in your heart and then lighting someone else’s (the meaning behind the title song “Faya”). Joe’s reflective and socially conscious verses painted pictures of the many “vampires” in ghettos around the world in “Ghetto Many”, and warned of the “deepest threat”: the figurative Babylon in the song “Wonamati”; which means, “It’s got to stop.”

    Joe also made sure to play a whole new (Sekou infused) take on classic Joe Driscoll favorites, like the sweetly melodic “Mixtape Champs” and the smooth, autobiographic “Origin Myth”. This song brought onstage Sophistafunk, DJ Afar, a Syracuse saxophone player named “Hollywood”, and a very talented female trombonist whose name was unfortunately missed by this writer…for an all out Syracuse hip-hop/funk/world-beat jam session. This multi-song jam served as a fitting conclusion to a night all about roots, collaboration, and love for one’s neighbor and neighborhood.

  • Pink Talking Fish Swimming Through Northeast This Fall

    Pink Talking Fish, with the wonderful combination of musical influences from Pink Floyd, The Talking Heads, and Phish, will once again make their way around New York and the rest of the Northeast this fall.

    The band loves to weave in and out of all three bands’ repertoires without a pause, making this band one of the most interesting tribute acts out there today. It’s no secret how much New York loves all three of these bands, and the band is playing the most shows in that state to satisfy the crowds. The first New York date is on October 18 at New York City’s The Cutting Room. The following Thursday and Friday will see the band tackle The Wescott Theatre and Putnam Den respectively.

    “There’s some serious energy when it comes to live music in Upstate New York,” said Eric Gould, the band’s bassist. “I went to college in Ithaca so, between attending shows all around the region during my time there and touring with Particle, I have a special place in my soul for this music scene. So psyched about late night Bella Terra and the 1-2 punch of Syracuse/Saratoga. We are going to have no repeats between those 2 shows so that people have an opportunity for a multiple show run PTF experience and catch a bit of the “tour fever”.”

    The last time they were at Putnam Den was a great show and it sounds like this time will be more of the same. The full tour can be seen below.

    pink talking fish 2014