Tag: the tralf

  • The Nth Power Shares in the BuffaLOVE in Buffalo

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    smackdab singer Jon Marc Johnson

    If you’re hip to The Nth Power, you know that they preach the power of love and have become a musical sanctuary for that message. Drummer Nikki Glaspie took some time during their set in Buffalo and told the crowd, “The purpose is to share love with all of you and to share love with the world because there’s not enough.” When the band made their stop last Friday before their Saturday night Chill, the group and city came out to share in the compassion for one another.

    With anything love related, you have to be careful not to get in too deep, too fast. So let’s take a step back and start at the beginning, where most love stories start. The Friday night began on the earlier side for typical Buffalonians with Jamestown’s smackdab starting things just before nine. The band has been an area staple for funk for quite some time now and really knows their own strengths, playing to them specifically at shows. The group is fronted by vocalist Jon Marc Johnson whose strength and power has the ability to draw you in. The rhythm this group has is like none other in the area as they’re anchored by thick cuts from bassist Ryan Ecklund and precision stickwork from drummer Daniel Witherspoon. Their music though has so many different facets and that’s largely due to the melodies that are being crafted around everything.

    During one particular section, keyboardist Mark Cooper laid down a heavy synth section that propelled a psychedelic drift into a borderline metal tear. The group may be heavy on the funk side, but they dabble and take some exploratory jamming out into other areas right in stride. At times, the band would slide into some more jam-heavy segments that were slow and droney, conjuring up sounds that were akin to Pink Floyd and The Doors having a funky little baby.

    It was the perfect pairing for the night as the band’s sound complimented The Nth Power’s well and the crowd enjoyed the smackdab set overall. If we’re back on the topic of love though, this was simply the first date and Buffalo was already tripping over their words in anticipation for more.

    For a little taste of smackdab, check out a video of their song “First and Main” from their set. The video is brought to you by our friends at Buffalo.fm.


    As The Nth Power took the stage, Buffalo gave a warm welcoming to the group being that it was their first appearance in the Queen City. After a few bars of an intro, the band dove head first into “Spirits”, easily an early favorite with its haunting melody and fat bass line. It might’ve been early on in the relationship, but this band was not shy about bringing it early on. Percussionist Weedie Braimah played off of the rhythm from Nikki Glaspie, adding an incredible range of percussive sounds to the overall color of the song. With no setlists visible, it seemed as though this band was just going to feel its way through the set.

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    The Nth Power’s Nick Cassarino and Nate Edgar

    While the drumming from Weedie and Nikki was a powerful force in and of itself, it seemed the crowd couldn’t take their eyes off of the front of the stage where guitarist Nick Cassarino bobbed and danced as he plucked his strings and felt every note through the expressions on his face. His energy and presence alone had the crowd charged and equally feeling the same emotions that Cassarino was going through. The excitement he brought not only fueled the crowd, but the band seemingly fed off of it as well, engaging each of them deeper into the music. Love usually takes time to develop, but when you’re this passionate, you can quickly fall head over heels for what’s being created, and the crowd in Buffalo that night was all in.

    Throughout their set, you could tell that the band was communicating through a romantic language that was in the music vernacular. At one point, Nick Cassarino asked each member how they were feeling to which each responded with a strike of a key or a hit on their drum. They were feeling good and the eye contact and shared smiles were an easy indicator from the beginning. Not wanting to leave the crowd out, Cassarino also asked the crowd, “Does it feel good to you?”, to which the crowd responded with a heartfelt scream.

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    Nikki Glaspie of The Nth Power

    It was easy to get swept away in the compassionate delivery of The Nth Power’s music. Each member added so much to the music itself, but also to the overall performance. Bassist Nate Edgar was another who you could physically see was feeling the music. As he swayed along to the beat, he would not only keep up rhythmically with Nikki Glaspie’s superb drumming, but also dance around the melody and support Nick and Nigel in where they were headed throughout a song. It’s a daunting task that Nate not only handled, but challenged the other band members at times with some colorful bass runs of his own.

    When falling in love, there’s usually several factors that add up to the infatuation, and the same can be said about the band. It’s not just one member that does it, it’s their collective efforts that builds them up that high. At one point during their set, percussionist Weedie Braimah took a solo that really showcased his prowess and what he adds. The man was literally combing out a rhythm with his fingers on his djembe, pulling every possible note, yes I said note, that is possible through pure precision. A thrusting beat came barreling out of the solo with which drummer Nikki Glaspie and the rest of the band jumped on, bringing the remaining sitters to their feet. The band’s control over the mood and feel in the room was apparent as they could lift the crowd before gently laying them down. In the same way Cassarino’s axe could cut, his voice could simultaneously cull the deepest of woes with grace and pure empathy. Every part of this band fits together like a puzzle, filling in the proper gaps, while leave the right amount of space.

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    The Nth Power keyboardist Nigel Hall

    The band wrapped up the lovefest with “Soul Survivor” as an encore, unleashing blinding rhythmic speeds and a guitar solo that was dropped like a bomb on the crowd. Since they initially walked off to a chant of “ten more songs”, I guess the band wanted to pack the power of ten into one. The power of love is strong and if you don’t know that, you need to check this band out and feel it for yourself. Leaving the venue, you could tell everyone still had butterflies in their stomach as they went through a rollercoaster of emotions and were walking on clouds being simply uplifted. There’s something special about this band and it’s amazing and exciting at the same time that this is only the beginning.

    As mentioned earlier, “Spirits” was an early favorite from The Nth Power.  Watch the video of the song here from that night:


    smackdab:

    The Nth Power:

    After the show, The Nth Power was gracious enough to sit down with us for an interview. Here are some shots from after their set and the interview itself. We want to thank our friends at Buffalo.fm for all of the video from the night and to The Nth Power for taking the time.  Buffalo and NYS Music love you right back!

  • The New Mastersounds and Orgone Meet in the Middle

    One band from Leeds, England and the other from Los Angeles.

    Meeting in Buffalo last Wednesday, Orgone and The New Mastersounds packed The Tralf for a soulful throwback with a good helping of funk thrown in for good measure. With one making the far trip east across the U.S. and the other coming west across the pond, Buffalo was treated to a perfect pairing of solid musicianship all on one stage.

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    Frontwoman Adryon De Leon

    Orgone kicked things off, and while they may have opened the show, this is FAR from your typical opening act. The band came onstage Wednesday night and laid it right out for the Queen City, jumping into a tight melody that rode along the rhythm and combined to pull at people’s feet and sway their hips. The band blends funk and soul in a very classic, yet powerful way, emitting a surplus of energy that immediately powered the crowd. The Wednesday night audience was sparse at the release of the first note, but had the floor covered by the time the song wrapped up.

    Singer Adryon De Leon joined the band onstage after the start, gracefully stepping up to deliver her powerful voice. She didn’t let the crowd have it right out of the gate, opting to ease in with a soulful, yet jazzy hook. Her full capabilities were quickly realized by the city’s funky fans. The diva commanded the stage with her presence and elevated the already incredible musicians who backed her.

    The band was able to walk around the venue before the show started without many noticing, but that is sure to change after the performance they put on. The sitters were soon standers and standers quickly became dancers. Their sound was the catalyst to a shift in energy in the room. Other music websites must not have caught an Orgone show yet, because this band is without a doubt worthy of a mention when talking about the Top 10 Current Funk Acts if you’ve seen them live.

    The enthusiastic crowd that filled the place on Wednesday let the band know how they were feeling during any lull in the action, screaming and encouraging the band to keep it up. Orgone’s throwback sound was refreshing and deeply intoxicating. The way the instruments played off of De Leon’s voice left many with eyes closed, fully embracing the sound. In retrospect, the West Coasters damn near stole the show.

    De Leon sat out for a few songs, allowing the rest of the talented group to share in some of the spotlight. All around, this is a special mix of people, from guitarist Sergio Rios to percussionist Chuck Prada who ripped a solo all his own earlier in the night. As De Leon stepped back out though, her quickly developed fan group cheered her back on. Her multifaceted approach was showcased through her ability to groove through low-end melodies and belt out highs that sent the crowd reeling.

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    Keyboardist Dan Hastie

    Before finishing their set, guitarist Sergio Rios said, “That’s what it feels like to love.” Surely it was a setup though as the blistering solo he saved for the final song completely blindsided the crowd. He just let us have it, throwing everything he had through the six strings of his guitar. With how powerful of a set overall, and especially in closing, this band put on, it wouldn’t surprise me if Orgone packed the same room on their own next time they come back.

    New MasterSounds-0259The New Mastersounds were up next and did not have an easy act to follow. Guitarist Eddie Roberts’ suave and dapper attitude was quickly exuded though as he setup, letting everyone know that they were up for the challenge.

    Kicking the night off, the band immediately showed the crowd their stripped down and organic approach, while simultaneously filling the room and proving the old adage of “less is more” to be true. With little to no introduction, the band went from the first song into “Dusty Groove”, leaving only a rhythmic reset in-between. This may have been the first date of their U.S. tour, and also the first time they had played together in over two months, but the crowd would have been oblivious if the band hadn’t told them. The four-piece from across the pond settled in rather quickly with no visible rust.

    Drummer Simon Allen and bassist Pete Shand were tightly synced from the start, becoming even more intertwined as the show wore on. Their direction provided a moving treadmill that the other two members had to jump on with their melodies. While the lengthy break might be a detriment to some bands, The New Mastersounds seemed to be actually using the reunion to their advantage with an excitement you could feel through their music.

    In true testament to how rhythmically tight this band is, Eddie Roberts played a tambourine with his foot as he started the opening line of “Morning Fly” through his ’65 Gibson hollow body guitar. As Eddie ripped through jazz scales, Simon built the beat while the remaining members would join for support. The undeniable swell captivated the whole room and pushed everyone to dance harder into the night. It was as though the band just picked up their musical conversation right where they left off. And just like a renewed friendship has those exciting moments, so too did this night with the entire band sharing smiles with the crowd when they would particularly nail a segment.

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    As individuals and collectively as a band, their simplistic approach utilized spacing as tension that fought an incessant rhythm. By laying back, the band drew your ear in and allowed the music to breath before taking off again. As they launched into the opening track “Old Man Noises” from their latest album Therapy, the band brought an unmatched ferocity to whatever song they damn well chose. Organist Joe Tatton threw his heavy Hammond overtones out into space while Eddie took that same foot he used for the tambourine and turned it loose on his wah pedal, creating a tremelo effect on an incredible rendition of that song’s solo.

    Many people were caught deeply entrenched in the music throughout the night. The positive and soul-quenching material was absorbed by everyone who happened to venture out and written across their faces even after it came to a close. It may have been a trip for both bands, but the crowd was thankful for the night of music and everything the bands put forth on stage. As for the battle of who had the better set, well, it would be a tie in this writer’s eyes, but you can decide for yourself…

    Thanks to our friends at WNYmedia Network, we have audio of both band’s full sets:

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     All Photos by Thomas Sgroi

  • The Nth Power Makes Debut in Buffalo on Chillgrimage to Hancock

    10462784_498814903584071_2315225169758555355_nJust over a year ago, five musical soul mates came together to form The Nth Power and have seamlessly risen to the top, carrying the power of love and transcending the senses in the most purely uplifting manner. The supergroup of sorts is comprised of keyboardist and singer, Nigel Hall, whose raw emotion and passion is one of the many driving forces within their music. Drummer/vocalist Nikki Glaspie, who recently parted ways with the NOLA funk outfit Dumpstaphunk, truly believes in what The Nth Power is doing and made the band her primary focus with the decision. Rounding out the group is Nick Cassarino on guitar and vocals, Nate Edgar who holds down the low-end on bass, and percussionist Weedie Braimah. The band may be less than two years in the works, but have an immense amount of experience with members playing with such acts as Lettuce, Beyonce, John Brown’s Body, Warren Haynes Band, Toubab Krewe, and the aforementioned, Dumpstaphunk.

    Taking on the soulful side of funk, the group embraces a mutual love and respect for music’s power and utilizes the tool to take people on a roller coaster ride of emotions, hitting them right where it counts. Their live show has been described as more than just music and, as the band rolls into town next Friday, Buffalo is ready to embrace the band’s love with open arms.

    The Nth Power is set to play Catskill Chill Music Festival the following night in Hancock, NY with a late night set start time of 1:15am. For those in the western N.Y. region, this is a great opportunity to check these guys out if you’re unable to make the fest. Being that this is the band’s first time to the Queen City, they’re hoping to see a good turnout and mutual love for their overall mission. If you have ever checked out their Twitter page, you will see a lot of hashtags that say #thenthpowerlovesyou, and it’s through their music that it’s expressed. On the flip side, I can say to them that #buffalovesyouback and the excitement and anticipation for the show is washing over the city with less than a week left.

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    Photo by Joshua Brasted

    Opening the night will be Jamestown’s smackdab. The funk band not only draws influence from the headliner, but was extremely excited to be announced as the opening act. The five-piece is fronted by singer Jon-Marc Johnson and also includes Matt Baxter on guitar, Mark Cooper on keys, Ryan Ecklund on bass, and Daniel Witherspoon on drums.

    Tickets are only $10 in advance and can be purchased here. They can also be purchased at the door for $12.

    If you’re still on the fence, check out a video of The Nth Power below. Being that this is their first show in Buffalo, the band is sure to dig deep and put on a great performance for all who show up to The Tralf next Friday.

    https://www.youtube.com/watch?v=Y0-WQ7zCsBY

  • The New Mastersounds Kick Off Tour in Buffalo Next Week

    Eddie Roberts of The New Mastersounds
    Eddie Roberts of The New Mastersounds

    Over the years, music has become more accessible than it’s ever been. With internet radio sites, 160GB iPods, satellite radio, YouTube, and every other outlet, the amount of choices out there are near limitless. Listening to music in your headphones and in the car are one thing though, while actually experiencing the collective force of a live show is far different. Even with how accessible music is, shows are still something that unfortunately can’t be everywhere, all the time. We’ve yet to figure out the whole geographical boundary thing, outside of live streaming, which is ultimately a better-than-nothing alternative. The further a band is from you, the lower the chance you will see them. It’s still just as dead simple as that. Thankfully for one band, that is all about to change. This Fall, The New Mastersounds, a band whose roots in Leeds, England has limited their Stateside exposure, are making their rounds with a first-time stop in MANY Upstate cities with three nights in Brooklyn (9/11-9/13) and closing Catskill Chill (9/7), the band will be making first time trips to Buffalo (9/3), Rochester (10/7), Saratoga Springs (11/8), and Syracuse (11/9).

    The New Mastersounds are riding on the heels of their latest album Therapywhich was released back in March. While they will surely play a few off of the album, the depth of their catalog should bring out some longstanding favorites and a few surprises. The show in Buffalo will be the tour kickoff and is being held at one of Buffalo’s best venues in The Tralf. On the same stage where Lettuce played earlier in the year, the British funksters will bring their jazz-spiked flavor out for all to hear, and finally see. The anticipation around the city for fans is getting stirred into a frenzy with less than a week before the show. The band is known for their blending of old school tone and approach with pure energy. Their music’s simple mission is the passing of kinetic energy, whether through dance, foot tapping, or a neck-jarring head nod. There’s just no way to shake that.

    With the Catskill Chill Music Festival looming, the Wednesday night show is the perfect setup for anyone who is looking to get a sneak peek of what they’ll be in for down in Hancock. What you won’t find at The Chill though, and coming to Buffalo for only their fourth show, is West Coast-natives Orgone. The band calls Portland, Oregon home and, again, with the geographical divide, the band has not made it over on this side of the country as much as fans would like. With the funk scene thankfully growing stronger in every city, this band can now make a worthwhile trip to help spread their word.

    The combination that was put together by ECE Presents for this show is worthy of an applause. And while we’ll get the jazz side of funk from The New Mastersounds, Orgone plays on the soul side of funk’s fence. Regardless of style, both bands have been around a while and surely will not disappoint the expected packed house at The Tralf.

    The New Mastersounds

    Grab your tickets now to these shows throughout New York State:

    |  Buffalo  |  Hancock (Catskill Chill)  |  Brooklyn (9/11, 9/12, 9/13 Early, 9/13 Late)  |

    |  Rochester  |  Saratoga Springs  |  Syracuse  |

  • Lettin’ Us Have It: Lettuce’s First Trip to Buffalo

    Lettuce is one of those bands that just have some kind of inexplicable X factor. Whether it’s their tight rhythm section, funky melodies, or combined personalities, there’s just something that sets them apart from everyone else. As I waited in line at The Tralf  in Buffalo for the doors to open, I realized that you’d never be able to guess who was in town judging solely by the people waiting.

    There was such an eclectic mix and every single one of them was visibly excited and anxious to get inside.  There was a collective buzz in the air as the three-month build up from the time the concert was announced was finally over.

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    The night started slow as doors opened at 7 and people began to fill in the Tralf. It would be three long hours before the Lettuce show would start, but everyone was more than willing to wait. DJ Kraz kicked things off, blending old school funk, hip-hop, and jazz into a danceable mix to get the crowd ready for what was to come. The anticipation grew at the same rate the crowd did. Before long, the floor was filling up as Kraz was finishing up. The thirty minutes of anticipation in-between sets was only amplified by the fact that Lettuce had never played Buffalo. As our seven fearless funk leaders stepped onstage, the crowd lost it. The Tralf was as packed as I’ve ever seen and Buffalo came to rage.

    After a brief intro, the opening riff to “Sam Huff’s Flying Raging Machine” began playing and the band dove into their set. Buffalo’s own Neil Evans and the horn section of Ryan Zoidis and Eric Bloom were dialed in right from the start. The three controlled the first song, dictating exactly when the beat would drop and forcing the change in tempo. The crowd’s energy really pushed the band early on, causing trumpeter Eric Bloom to break out some dance moves and drummer Adam Deitch to smile from ear to ear through the first few songs. As the set progressed, the band touched on classics “Fly” and “Outta Here” before testing a new track out titled, “Phyllis.” The recent creation had an emotional groove to it and the crowd not only felt it, but gave the love right back. There’s just something about the way this band constructs their songs that just hits you. Whatever it is that they do was resonating with everyone Friday night.

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    In the middle of the set, bassist Jesus Coomes took the lead laying down his fat bass line on top of a rich texture of beats that drummer Adam Deitch provided. Jesus even teased “Rapper’s Delight” as the hype reached its peak. To the crowd’s surprise, the band brought out singer Alecia Chakour who was expected to keep up. Her vocals lit the place up as her powerful bluesy voice was the perfect complement to Lettuce’s funk train. Alecia sang three songs with the guys, including the favorite “Do It Like You Do.”

    As the singer thanked the crowd for the love and stepped off stage, the band dove into another favorite in “Ziggowatt.”  The potent riff that runs through the song was highlighted by Eric Krasno with one of the best solos of the night. As the band met up on beat, Krasno attacked the rhythm of the song and caused a swelling tension that only added fuel to the fire. It might have been February, but the concert could’ve been held outside with how much heat Lettuce was packing.

    The band closed out the night with a three song encore, ending on “Madison Square.” In my years of attending concerts, I have never felt the same collective high I felt that night. It was said before, but there’s something these guys have and do with their instruments that few else can even replicate. Their music can stand up on its on, but they take it to the next level when they rage it live. The entire night went by in one fast-paced, funky minute and I can only hope it feels that long until they return.

    Setlist: Intro, Sam Huff’s Flying Raging Machine, Salute, The Last Suppit, Fly, Outta Here>Let It GOGO, Phyllis, Afraid to Try*, Do It Like You Do*, The Sun*, Ziggowatt, Bowler, Ghost of Jupiter, Lettsanity, Slippin’ Into Darkness

    Encore: Do Your Thing, Love You Left Behind, Madison Square

    * with Alecia Chakour

  • Bringing Back the Funk: An Interview with Jesus Coomes of Lettuce

    Similar to Restless Leg Syndrome and sharing the acronym, a Raging Lettuce Show will cause an irresistible and uncontrollable urge to move your body.  Funk might typically be an exercise in rhythmic synchronicity, but the way Lettuce does it conjures up words like relentless, entrancing, potent, and completely intoxicating.  Their sound is composed of seven members whose sole purpose is to contribute to this runaway funk train that’s been taking down anyone in their way.  The band is currently wrapping up their winter tour, but not before a stop in Buffalo, NY at The Tralf on Friday, February 21st.  Their most recent album Fly has only built upon what’s made them so good: commanding beats, catchy melody lines, and stripped of anything that doesn’t add to the overall groove. Writer Jeremiah Shea got the chance to talk with Lettuce bassist Jesus Coomes about the band, a new album, and funk’s recent rise in popularity.

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    Jeremiah Shea: How did you get your nickname?

    Jesus Coomes: I got that nickname from working in L.A. with DJ Quik. I was really devout with my lifestyle, my beard was long, my hair was long, and he just started calling me Jesus. After that, it caught on and everyone started calling me that.

    JS: How did the band name come about?

    JC: The name just kind of dawned on us. We were playing out at a lot of places and when we went to parties, we’d say to the band: “Let us play.”

    JS: Explain the importance of the overall sound and feel of the band versus highlighting one particular member.

    JC: Rather than having one person being the guy that’s standing out, we like to keep the perspective where the sound of all of us together is much more important than the sound of any us separately. We play our part in the band and when everyone plays their part and we’re vibin’ off each other, that’s what creates really good feel. It’s really just keeping the overall sound of the band being paramount to any individual.

    JS: Lettuce came on the scene in the early 90’s, but didn’t record Outta Here until 2002.  Why is that and what developed during that time period?

    JC: Because recording an album is expensive! That’s one way of looking at it. Also, we formed in 1992, but didn’t really start playing a lot until 1994-1995. I think it’s good for a band to play the material live first before you go record it. By the time we went to record, we had played it so many times that we were able to record quickly. Instead of going into the studio and figuring out what you want to do, we could play as a band basically and get it almost all done live. We had to play out a lot of shows first before we could have something really great to record. I think that’s why it took from 1992 until 2000 to get that going; we were basically playing for a while.

    JS: How does the band balance the band’s responsibilities alongside all of the side projects that everyone is involved in?

    JC: It’s all about priorities. When you give your life to music, you always have a couple of things that are really important to you. We all have those things that we’re involved in, but we keep Lettuce high-up on that priority list. I think the amount of fun that we get to have when we play in Lettuce makes it easy. We’re also all good friends and keep in contact all the time. When all you do is music, you SHOULD have a couple of things that you’re working on I think. It’s not as hard as it might sound; when I’m not touring with Lettuce, I just go super hard in L.A. and write. You want to stay busy. We like to play music, so if there’s a day when we’re not playing music, we’re freaking out! It also keeps us fresh – when I haven’t played a Lettuce show in a while, it makes me really excited to play one.

    JS: There’s a lot of overlapping members within Royal Family Record’s various bands; is it possible we get to see a full Royal Family Tour in the future?

    JC: Oh yeah – you never know what we’re going to do; that’s for sure.

    JS: You can hear funk’s influences in a lot of genres these days, but it seems like there has been a rise of bands lately that just play a pure form of funk – bands like Lettuce, Kung Fu, Orgone, Dumpstaphunk, etc.  Why do you think that is?

    JC: I want to be completely egotistical and say it’s because we’ve been playing funk! Lettuce has been going around playing funk at all of these festivals for so long that somebody must have heard us. You know, I really don’t know why though, but I’m happy about it. I think it’s just a lot easier these days to just get your ear on some dope shit! You used to have to search out that music, but now it’s a lot more accessible and easy to find.

    JS: How does Lettuce continue to evolve while still staying true to funk’s original roots?

    JC: I mean, for me personally, the key is to not be bound by a genre. When you think of a genre, they’re all creations of some dude who probably didn’t play music. It’s just a way to try to say this band sounds like that band, and that’s bullshit! We keep that genre stuff out of our minds and just worry about playing good music.

    JS: Can we look forward to another Lettuce album in the near future? It’s been two years since Fly came out.

    JC: We’re going to be working on it. We did two songs in the studio and we’re going to release those, but I can’t speak on that. We have stuff that’s already recorded and the album is in the works.

    JS: What’s the best part about playing in Lettuce?

    JC: It’s such a blessing to get to play music and be in a band that people enjoy; it’s honestly a dream come true. There’s nothing better in my life than having people appreciate what we do. It’s so dope!