NYS Music 20​14

Tag: soul

  • Michelle Renee and Local Female Vocalists Serenade the Lost Horizon

    Imagine you have a singers voice, a deep love for making music, and a desire to share wisdom through lyrics. You know that a voice by itself often needs some accompaniment to truly be heard. So you learn guitar. You then start writing complete songs and playing them for people wherever you can. Fast forward, and in a few years, you are requesting a spot on the highly celebrated and well-attended local festival – Sterling Stage – and you get the spot. As things progress you realize that your dream is not complete without a means for more people to hear your music. So you pull together some talented friends, and voila! In three months, you put out a LP, via the premier Syracuse recording studio- SubCat Studios.

    But in order for people to really get excited about the album, you know you will have to give people a live experience first. So you book your first big show (that you happen to be headlining) at a well-known, long-established venue in Syracuse, the Lost Horizon. But that isn’t enough. You know that for others, your vision and message might not convince them to buy a ticket to your show. They want to be entertained all night with different types of music. So you pull together even more friends, including a stage-grabbing young upstart (Riley Mahan), a band of ambitious young composer/performers (Early Bird), and a funky veteran band (Root SHOCK) that you know will make them dance the hours away. And, it all goes down without a hitch.

    This is the story of the fiercely driven, big-dreaming Michelle Renee, whose Reflections album debut party November 7 at the Lost Horizon culminated the realization of a vision and brought out over 150 people from the community to enjoy it. And enjoy it they most certainly did.

    The lineup for Michelle’s party began with Early Bird, a self-described progressive/folk/indie-pop band that actually held up to the appellation of “progressive.” Their vocal harmonies were adventurous, carefully composed, and stylistically diverse. Although there were moments where intonation wasn’t perfect, Sheralyn Wellman, Katherine O’Leary and Aaron Walters (who also played lead guitar) gained “Hella” respect points for their musical bravery, intellectual creativity and diligence in writing and performing this level of vocal music. Guitarist Aaron Walters mirrored this well-trained yet genre-defying theme with his tasteful and seldom-simple chord progressions. This was best demonstrated on the hauntingly beautiful, finger-picked arpeggiation in the tune “Lullaby,” from the Early Bird EP. In reflecting on this young band, a much-loved, incredibly skilled “progressive” indie band was immediately brought to mind as similar in structure and writing style. The Dirty Projectors, an indie cult favorite, also base their songs on shared vocal harmonies between a soprano, alto, and tenor voice, the last of which (in both bands) happens to be the guitarist. Early Bird also followed suit with the Dirty Projectors in regards to their trans-genre songs, highly composed harmonies, and usage of intentional vocal dissonance. Bravo!

    Early Bird’s performance provided a seamless transition to Michelle Renee’s act, as every member of Early Bird (besides singer Katherine O’Leary) assisted in backing up Michelle for the full band experience of her debut album, Reflections. Michelle’s music was written in a folk/soul/singer-songwriter style, but as she worked with a full band to release her album, the sound evolved to incorporate undeniable rock/pop elements. This ensured that Michelle’s unique, soulful, rich, almost choral vocal parts were held up by a solid rhythm section, vocal harmonies and a rock ‘n’ soul energy that got folks dancing. Michelle’s songs were catchy, solidly performed, and included moments of sorrowful sweetness that shut the crowd up to the degree that you could hear a pin drop.

    Michelle came prepared with some secret weapons too, including “shredding” violin solos by guest musician Brandon Gosson, vocal harmonies by the angelic voice of Sheralyn Wellman, and cover collaborations with a petite young lady that made you ask, “did that just come out of her?”, Riley Mahan. Michelle teamed up with Sheralyn for a bluesy rendition of “Give Me One Reason” by Tracy Chapman and a high energy cover of “Long Train Running” by the Doobie Brothers.  She then passed the mic to Riley as she took the lead on covers of “Mercy” (Duffy), “Dock of the Bay” (Otis Redding) and “I Want You Back” (Jackson 5). Riley’s voice never fails to stun listeners, as her grasp of R&B/soul improvisation and runs (think young Aretha meets Winehouse), and her raw energy evoke the image of a singer far beyond the tender age of 19. At the apex of Michelle’s act, she re-took the lead with Sheralyn, and brought down the house with the classic CCR (and later Tina Turner) tune, “Proud Mary.” Michelle let out her sassy side for this tune by announcing to the crowd, “First we’re going to do it nice. Then, we’re going to do it nice and rough.” Michelle started with an innovative, almost eerie, ambient introduction. She then came in full-force with her sexy, soul-woman alto sound backed up by some rockin’ instrumentals. Tina would have done a double-take for sure.

    The third act was the Syracuse-born, party-proven, soul/roots-rock Reggae band, Root SHOCK. Root SHOCK was the perfect conclusion for a night of of female-led groups. Jessica Brown “came correct,” as she always does, with a mature, soul-shaking vocal strength, and a band that never fails to hit that funky groove right away. Although many folks that came to support Early Bird and Michelle Renee chose to leave after Michelle finished, everyone that has heard Root SHOCK knew better. Those that stayed were in store for a few hours of danceable, sing-a-long, soulful good music. And Root SHOCK delivered. Root SHOCK also knew that an audience relishes fun covers, so they made sure to include some greats, such as a reggae/ska version of Mike Snow’s “Animal,” the funky classic “Use Me” by Bill Withers, and for us local Reggae nerds, “Rough Cuddle” by Syracuse/NYC’s own Morning Sun and the Essentials.

    Besides playing some lovely music, Michelle Renee’s album debut party demonstrated the grace, drive, maturity and confidence characteristic of a veteran performer and musician. Besides orchestrating and organizing the whole thing herself, Michelle comfortably and humbly acknowledged the crowd and members of her band throughout the show, thanking them for their undying support and love. It was a heartwarming experience to witness her project and vision truly coming to fruition in all regards. Where there is a vision, there’s a way. Congrats Michelle!

  • Lake Street Dive Welcomed Warmly to the Westcott Theater

    Lake Street Dive is a band on the upswing, and their Westcott Theater performance shows it. After more than ten years of playing music together, this little Boston four-piece has made a big splash and are progressively building a solid fan base. After a YouTube performance of the Jackson 5’s, “I Want You Back” that went viral (two million views) and their appearances on the Colbert Report, The Late Show with David Letterman, the Ellen DeGeneres Show and The Town Hall (NYC), they are definitely carving a niche for themselves.

    Bands like theirs generally get a good turnout in hip and trend-savvy metropolitan areas like Brooklyn or Cambridge, but generally not as much in smaller cities like Syracuse. But, thanks to a soulful subculture of Syracuse show-goers, and a breathtaking performance at last year’s Blue Heron Music Festival in Sherman, NY, Lake Street Dive was about 70 tickets away from selling out the Westcott Theater – a 700 person capacity venue. This is quite a feat, and came as a lovely surprise to the band, “You are very nice,” lead singer Rachael Price said to the audience with a very appreciative and genuine tone, “we like you very much.” The show-stopping soul-queen also stated that they would definitely be back again, much to the chagrin of fans.

    The scene was hot, sweaty, sultry and sweet that Thursday, June 26. The Westcott Theater was packed wall-to-wall with fans and newcomers of all ages, eager to be near the now big-stage dive bar band. Rachael Price wasted no time in filling the air with impressive vocal pushes on “You Go Down Smooth” and soulful sing-along lines on the title track of Lake Street Dive’s 2014 album release, Bad Self Portraits. The evening felt a bit like it was taken from a page of Rachael’s diary; as her songs reflected on her bitter-sweet, sometimes tragic, sometimes triumphant love life. She proceeded to dive into the complexities of love, musing on the dichotomy of sad break-ups and the happy resignation of reuniting with the one you truly love in the fun and soulful rock/pop tune “Stop Your Crying”.  She went on to flex her vocal muscles and impress the crowd further as she held insane sustain on the sultry and sexy “Just Ask”. Lake Street Dive demonstrated that it is much more than a front-woman band on songs like the funky soul tune “Rabid Animal”, wherein bassist Bridget Kearney and drummer Mike Calabrese sang immaculate and perfectly balanced harmonies and inspired the crowd to clap along. Lake Street Dive maintained audience attention and interest throughout a full set, and encore finished by a cover the classic rock/soul hit by Hall and Oates, “Rich Girl”. This nostalgic, feel-good hit was a perfect choice. Everyone loves “Rich Girl” and everyone left loving Rachael Price and Lake Street Dive.

  • Dirty Birds at The Bowl

    Last Friday, one of the most iconic music venues in Brooklyn played host to a musical homecoming of sorts. Hometown heroes Sister Sparrow and The Dirty Birds put their unique blend of soul, funk and rock on full display to a sold out Brooklyn Bowl. As an added bonus for their loyal and local fans, the group announced they would cover one of ten legendary rock albums in its entirety for this special show and would allow the final selection to be voted on by the public. With Led Zeppelin IV emerging as the winner after all votes were tabulated, this was guaranteed to be a noteworthy affair.

    Another local product of the thriving Brooklyn music scene started things off shortly after 8 p.m. Zongo Junction, an up and coming eight-piece Afrobeat band, delivered several smooth flowing instrumental songs highlighted by some impressive percussion work and a mustachioed bassist who resembled a young and spry Frank Zappa. The opening act later brought on a female vocalist to add another element to their steady groove based music.

    Then it was time for the main course in the form of Arleigh Kincheloe (Sister Sparrow) and her seven Dirty Birds which includes her brother Jackson on harmonica who complemented the group’s blaring brass section all night with a string of rousing harmonica solos. Amidst the sounds of nearby 7-10 splits and a hungry Brooklyn Bowl crowd, the group first went through a number of originals that served as a showcase for Kincheloe’s powerful singing voice that rested on top of a bed of aggressive and cohesive funk rock.

    Once the originals were out of the way, a certain distinctive “Hey, Hey Momma” followed and The Birds were off and running with their ‘dirty’ take on Led Zeppelin IV. The rest of ‘Black Dog’ was played to perfection and ‘Rock and Roll’, which followed, gave the three piece horn section another chance to shine in this uptempo rocker. One of the true highlights of the show was the justice that the band did to perhaps the most well known song on the album, ‘Stairway to Heaven’. The group moved deftly though the slow, emotional beginning sections and seamlessly progressed to the frenetic finish that’s the signature of this classic number. In doing so, the group managed to mold the song into something different by spinning it with their version of soulful and heartfelt rock.

    Sister Sparrow and her Dirty Birds continued to go through each track on the album and give the increasingly rabid Brooklyn Bowl crowd a new taste on some old classics. The group continued to show off their musical chops with a fun take on the ending of Paul Simon’s ‘Diamonds on the Soles of Her Shoes’ that was placed right in the middle of a memorable ‘Misty Mountain Hop’. With a legendary full album cover now in the books, the Zeppelin tribute carried on with ‘D’yer Mak’er’ serving as an encore of sorts before the group left the stage to a hearty standing room only ovation.

    With a total set time of just over 80 minutes, there were hopes that another set of music would follow but it was not to be this night. An informal dance party of sorts soon began on the dance floor and once Sister Sparrow herself joined in, it was clear that the rock and roll portion of this evening was now done. Sister Sparrow and The Dirty Birds had accomplished their goal of delivering a memorable night of music that served as both a showcase of the group’s infectious big band sound and a tribute to one of the most collectively revered rock albums of all time.

  • Sister Sparrow and The Dirty Birds Flock to Brooklyn Bowl this Friday

    One of the true up and coming bands in America is taking its act back to where it all began for them. Brooklyn’s own Sister Sparrow and The Dirty Birds play Friday night at the venerable Brooklyn Bowl and they have a special treat in store for those in attendance in the form of a musical cover. The powerful eight-piece, brass infused musical outfit will present their take on one of the more iconic rock albums of all time: Led Zeppelin IV. In a “thank you” of sorts, the band gave their fans the opportunity to pick their choice of the musical cover with an online poll that offered 10 different album selections.

    This performance is bound to be memorable not only because of the musical content, but also due to the deep ties Sister Sparrow and The Dirty Birds has with Brooklyn. The group, which is the brainchild of Arleigh Kincheloe (Sister Sparrow) and her brother Jackson, honed its craft with gigs at small bars and musical residencies throughout Brooklyn. Their unique hybrid of soulful rock and infectious funk is now being met with critical acclaim nationwide. Throw in cover songs of one of the most revered groups in rock history and Friday’s performance has the potential for greatness.

    Zongo Junction will be opening and doors will be open at 6 p.m. with a start time slated for 8 p.m. Tickets are $12.

  • Hearing Aide: Blue Falcon “First Flight”

    John Viviani’s latest incarnation is Blue Falcon, the Rochester guitarist/singer/songwriter teams with drummer/vocalist Devon Trammel and bassist/vocalist Ben Stephanus. First Flight, their debut EP was released last August and continues to garner critical acclaim across the Northeast, and here’s some more!

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    After reviewing Filthy Funk for this publication I knew I’d keep track of what John was up to musically, I couldn’t have asked for a better direction for him to take as he spun it right into my wheelhouse. A product of the irrepressible Rochester scene, John’s place as a guitarist is already well documented, Devon and Ben are held to the same high expectations and they don’t disappoint for a moment here. Add producer and engineer to John’s credits along with the able hands and ears of Nick Murray on the mix, mastering by Brian Moore at Redbooth Recording.

    “Slow Drag” is a great choice as opener with each instrumentalist having space to put an initial signature on the EP, from John’s crunchy rhythm line and outro solo, to Devon and Ben holding tight to, then whipping the reigns, layer on the vocals and “Slow Drag” comes out of the gate fast. They ease in some funk on “Tellin’ Lies” while holding to the theme of pop/rock until they break out into almost a surf-rock break under John’s solo. The recurring vocal layering is thick and biting, quite the contrast from the sweetness most executions like this get. They take a collective swipe at the bane of American life, entitlement, in “Growing Up American”. Machine gun lyrical bites taken from daily existence, forced along by an STP-like aural assault and the hypnotic line, “Growin’ up American, Thinkin’ you are better than, Growin’ up American”. “Internet Celebrity” thematically follows, reaching deep into the pop-rock groove, right down to the low-fi mix, sugary vocals and killer chorus, almost sounds Bram Tchaikovsky-ish. I really think they should have credited Elvis a little on the jacket, but the adulation is obvious and really well-done. The closer, “See Ya Self” wraps it up cleanly and leaves this listener waiting for the next cut.

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    I hear a little familiar harmonization from The Zombies latest release, specifically “If There Was Any Other Way”, I’m sure there’s a name for it, but I’m a listener, not a musician. Extremely high praise to Blue Falcon for that, there’s always something comforting about familiarity, it makes the music accessible on another level. Hopefully the band’s name isn’t derived from some of the definitions available, but if it did, it was for the better! Check them out at the link below and see them live when you can, rock isn’t dead quite yet.

    You can find Blue Falcon on Bandcamp and Facebook.

    Key Tracks: Growing Up American, Internet Celebrity