Tag: Main Street Armory

  • A Night of Great Interest: Primus in Rochester

    On a crisp November 2 night, Primus adorned Rochester, NY – a city not unfamiliar to Primus. With the original band back together and the recent release of a new studio album, the crowd was really anticipating the night’s show. At 8PM sharp hundreds of people filled into the Main Street Armory.

    Primus in Rochester
    Official poster by Drew Millward

    The night began and proceeded in a psychedelic punk rock fashion. Highlights of the show being “Jilly is on Smack” and “American Life”. These men are professionals in the art of suspense. What made “Jilly is on Smack” so special was how the band stepped pensively into the song. The crowd was left cliff hanging on the long gut wrenching bow strokes of Les Claypool on the upright bass. With a steady progression they drove deeper. Until finally a drop in by Larry LaLonde, whose guitar riffs sounded electric elastic, reminiscent of rubber bands.

    When executed with as much freedom of control as it was last night, the tune ‘American Life,’ is a testament to experiencing music. As a classic and more pissed off Primus song, the reminiscence of the youth of the band showed through. The pitter-patter of a cold bass line is the cold grey fog cloaking the crowd. Through the muttered mumbles of lyrics, Claypool’s line, “It’s a cold day on Ellis Isle,” can be heard clearly lurking through the fog. When the lyrics ended, the rest of the song was delivered hard. Everyone was rocking out. A compelling victory to end set one.

    To be read in the voice of Gene Wilder: “There is no earthly way of knowing which direction we are going… There’s no knowing where they’re rowing.” If you just shuttered a little, you probably had nostalgia of the Willy Wonka boat ride scene that was so creepy it scared everyone out of his or her little seven-year-old pants. As the curtains opened up to a second set, the stage had been transformed into a whole new place. The usual blowup astronauts were replaced by blowup mushrooms.

    A screening of Willy Wonka and the Chocolate Factory was played as a backdrop. Les Claypool become none other than Willy Wonka. Primus played their version of the musical in its entirety. The audience was one cluster of genuinely happy folk. The acoustic sounds from the upright bass and cello in combination with electric guitar created a rare layering of haunting sounds perfect for a tribute to Willy Wonka and the Chocolate Factory.

    So much of the chilling whimsical experience can be attributed to outrageous sounds coming off of Tim Alexander, better known as Herb, who was completely caged in by a circus of different types of percussion instruments. It truly was a weird psychedelic trip down that same chocolate river on an electric wonder boat that was forcibly propelled through a current of percussion by cello and upright bass. No doubt about it, the Primus in Rochester and the Chocolate Factory experience is a lot of creepy and double the amount weird, but we can handle it, we are big kids now.

  • Primus set to Bring a Twisted good time to Rochester Main Street Armory

    Today, Primus will turn Rochester Main Street Armory into a twisted-nostalgia-psychedelic-fun-house in support of their new record, Primus and the Chocolate Factory with the Fungi Ensemble. The band released the album October 21 and Rochester marks the ninth stop on their countrywide tour, which has been well received. Essentially, the album is exactly what you would expect from Primus

    : heavy, psych-funk with a playful dark side—except this time they are covering songs from Willy Wonka, which adds an extra dose of strangeness. Bassist Les Claypool is the mastermind behind the freak show, and he, along with band members Larry LaLonde (Ler) and Tim Alexander (Herb) will be dressed up as characters from the film to go along with the elaborate stage design. The music alone is a trip, but paired with lighting and theatrics, this evening is sure to be a spectacle. As an added treat, fans can win Primus tickets for life by finding one of six golden vinyl records (as opposed to the regular chocolate-brown color).

    Rochester Main Street ArmoryDoors are at 6:30PM but show time is slated for 8PM; this is Sunday show, and it is the Armory, so expect an early evening. Tickets are $39.95-$45.00, and available at the box office, Ticketfly.com, House of Guitars and Aaron’s Alley.

  • Bassnectar Turns Rochester To Rubble: A Reflection

    What are the kids listening to? Apparently dub step — lots and lots of dub step. Or, on a broader level, “EDM”, a term hijacked by festival sponsors and marketing execs who barely explain what the three letters stand for. But I digress. The point is: electronic music is big and getting bigger—a truth made apparent at Friday’s show in Rochester at Main Street Armory, featuring Kill Paris and Son of Kick before headliner Bassnectar. This all ages show began around 7:30PM and was over by 11, at which point partygoers spilled out onto the streets and back to reality. I looked forward to reviewing this show for a number of reasons but was left feeling underwhelmed—at no fault of the music. As a matter of fact the music was on-point throughout the show, but the night itself was a weird one. Here is my experience.

    Having seen Bassnectar about seven years ago at BB King’s Underground in NYC (a small club in Times Square), I was excited to see him on a much larger scale. In addition to growing his fan base through numerous festivals and shows, the passage of time also included the release of four successful albums—two of which made Billboard charts. All of this is evidence that Bassnectar is doing something right, and being a veteran of the genre, deserves all the respect and success he has garnered. In fact, this is one of the main reasons I love Lorin Ashton, AKA Bassnectar: he is a self-proclaimed bass head, a huge music nerd and an extremely articulate individual. The blending of influences that make up Bassnectar are so far-reaching – from hip hop to break beat and two-step – that there is no question of Ashton’s musical awareness or ability. His latest album, Noise VS Beauty (for which his current tour is supporting), is a perfect example of this, with perhaps some of Ashton’s most complex orchestrations yet. There is no shortage of thick, wet bass – laid on heavy and in your face – but this is subtly balanced with moments of almost serene beauty. This equilibrium is masterful; an abrasive rock-and-roll “fuck you” as it moves into tranquil ambiance. This is not the case with every track, of course, but the point is, Ashton is not a one trick pony. There is a lot going on if you take the time to listen to the music. But after Friday’s show, I wondered how many people were there for this reason as opposed to the spectacle and party.

    Because a spectacle and party it was. The light show was absolutely jaw dropping, the bass drops were enough to rumble your stomach out of your mouth, and the energy was bouncing into the red. As far as an experience goes, this was one for the books. There was little doubt left in my mind as to how (or why) the show sold out – and I was genuinely happy to see the way Bassnectar had grown as an artist and was now translating his music to a much larger audience. Back at BB Kings he performed to maybe 200 people at 3AM, and my friends and I walked in for free (sorry, Lorin) while the bouncer chatted up a girl. Now, he was performing to 5,000+ fans (hardly his largest crowd) for a 40-dollar ticket. What joy he must have, I thought, to be able to provide such an audio and visual marvel to thousands of adoring fans. What joy to be at the forefront of a musical revolution and grow into a wild success. What a success story for such a smart, talented and hard-working entertainer.

    Then I began to look around at the cost, and that’s when things got weird. I hardly consider myself a prude to the parties, people and drugs that can be found along with a live music experience. I have been in my fair share of shows, and parking lots and have seen… stuff. But this was different. Perhaps the biggest difference was the level of decadence, or maybe the lack of substance to the scene, or maybe the blatant shadiness. Or maybe I’m just getting old. Regardless the reason, I was hit head-on with a new generation of concertgoers and the result was concerning. For blocks surrounding the venue, kids stumbled with dinner-plate pupils, grinding their jaws, or sitting moaning with their heads between their knees. A stretcher hauled a kid out to the ambulance out front. One of the more sober ones, smoking a cigarette, said to me “that must be the sixth one I’ve seen tonight.” On each corner within a five-block radius, portable streetlights shone down onto cop cars below. Neon-adorned fans crowded the streets and moved in herds with eerie uniformity. It was hard to think about the music at all.

    My point here is not to discredit any electronic musician, any electronic music fan (I am one myself) or even the safe use of recreational drugs. My point is to draw attention to a scene that may have gotten ahead of itself and be spiraling towards a dangerous place. As “EDM” and music festivals continue to grow, there is a great amount of responsibility necessarily burdened to performers and promoters, but more importantly to the fans themselves. To avoid complete self-destruction, and consequently the loss of so many great new musical outlets, and more importantly the loss of human lives, we must return to two very simple adages. One, a message an old Deadhead and 100+ show Phish fan once told me: “You’re never doing it wrong if you’re listening to the music.” The music is, after all, why we are all here and what brings us together at shows. Let’s remember that and support the artists we love in a way that allows them to keep creating, while keeping the show experience pleasant for fellow concertgoers. And two, which is perhaps the most important in all aspects of life: take care of each other. You have to be alive to enjoy music, and it’s better to enjoy it with friends who are alive, too. By promoting the good things about the music, scenes and people we love (and protecting from the bad) we can necessarily guarantee longevity and growth that will continue to provide the music and moments we so desire. And that’s what it’s really all about, isn’t it?

  • ROCtober Kicks Off With The Kings of Metal: Judas Priest

    Retired? Definitely not. Fans in Rochester lined up around the block on a beautiful, early autumn evening in Rochester to catch the eponymous demigods and kings of metal Judas Priest kick off their world tour. The band had previously announced their retirement in 2011, but thankfully decided that the metal must live on. Despite multiple lineup changes over the years, most of the band’s core remained intact with head screamer Rob Halford, guitarist Glenn Tipton, founding member Ian Hill, and long-time drummer Scott Travis. Joining them to replace the departed K.K. Downing would be Richie Faulkner formerly of the Lauren Harris band.

    Jim Gilbert-Steel Panther-06

    Kicking things off, reportedly (repeatedly on stage by Steel Panther themselves) for a $50 paycheck, was Los Angeles, California’s Steel Panther. Well known for reviving the once stagnant metal scene on the historical Sunset Strip, Panther’s show falls somewhere between Motley Crue and your mom’s worst freaking nightmares. Featuring songs like  “Asian Hooker” “Gold Diggin’ Ho” and “17 Girls in a Row,” the band had the audience simultaneously head-banging and laughing their asses off for their hour set. Don’t worry guys, we were laughing WITH you, not at you.

    As set break ensued, the black-clad masses rushed to grab a smoke or a cold Labatt’s while the time of the legends entrance drew near. A mishmash of an audience with as many gray maned old timers and grizzled bikers as excited youngsters. A giant Priest banner shrouded the stage as fans surged – and in many cases stumbled – towards the front. The house music suddenly blared the Black Sabbath metal anthem “War Pigs” as palpable excitement ignited throughout the throngs of attendees. The curtain dropped and the true kings of metal broke directly into the last and first songs respectively from their brand new 2014 release Redeemer of Souls – “Battle Cry” and “Dragonaut”. With such a rich history of 40+ years of albums, it’s refreshing and a sign of huge cojones to see Priest engaging the crowd with brand new material right off the bat and throughout the night.

    Jim Gilbert-Judas Priest-08

    After some brief and apropos banter from Mr. Halford, the band continued with two tracks from the bands impressive catalog – 1982’s “Devil’s Child” and 1976’s “Victim of Changes” – before continuing to showcase their new material with “Halls of Valhalla”. One more new song would make an appearance – title track “Redeemer of Souls” – before the band finished out the set with a grand m/etal finale of hits. ’84s “Jawbreaker” had the crowd in a signing, headbanging frenzy and everyone’s favorite “Breaking the Law” only amped the energy up to new levels. Naturally, no Priest show is complete without a Harley revving across the stage and this one would be no exception with Rob revving his bike fittingly to the tune of “Hell Bent for Leather”.

    As the clock approached midnight, the band came out for a quick encore and bid the well satiated crowd adieu. Forty (plus) years of metal and this band shows no signs of decay. We can only pray (to the devil) for 40 more. Sad you missed the fun? Our ROCtober article has all the big shows coming to town, so get off your couch and go see some live music!

    Jim Gilbert-Judas Priest-05

    Steel Panther Setlist

    Pussy Whipped, Party Like Tomorrow is the End of the World, Asian Hooker, Tiger Woods, Gold Diggin’ Ho, Girl From Oklahoma, Community Property, Eyes of a Panther, 17 Girls in a Row, Gloryhole, Death to all but Metal, Party all Day

    Judas Priest Setlist

    Battle Cry * > Dragonaut, Metal Gods, Devil’s Child, Victim of Changes, Halls of Valhalla, Love Bites, march of the Damned, Turbo Lover, Redeemer of Souls, Beyond the Realms, Jawbreaker, Breaking the Law, Hell Bent for Leather

    Encore: You’ve Got Another Thing Coming, Living after Midnight

    * Intro only

    [FinalTilesGallery id=’3′]

  • Nas Kicking off Illmatic Tour With Back to Back New York Shows

    Nas has been at the top of the rap world since he debuted 20 years ago and will be celebrating the anniversary with the Illmatic tour for his landmark first LP Illmatic. The Illmatic tour has a little extra punch to it due to the fact that not only will Nas be playing the album front to back, but he will also be showing his brand new documentary “Nas: Time is Illmatic.” The film follows the trajectory of the album from when it was being recorded all the way up to today. The influence that the album had on the rap genre is undeniable, and to be able to see it right before hearing the man play the legendary album is a once-in-a-lifetime event.

    http://www.youtube.com/watch?v=ESkmaXnw8ow

    Nas, including Illmatic, has released eight platinum and multi-platinum albums throughout his career and has played all over the world. Born in Brooklyn, NY, Nas eventually moved to Queens with his family at a young age and soon became interested in hip hop and the growing community surrounding it. Illmatic was a fan favorite from the moment it was released, earning high praise from the hip hop community. Not only did he rap about problems in everyday life, but he also rapped about the hope for a better one. These two shows are the only ones anywhere in New York.

    This film, which premiers at the Tribeca Film Festival on Oct. 1, means a lot to him. Nas has said, “I want to thank Robert De Niro, Jane Rosenthal, and the Tribeca Film family for all of the love & support they’ve given Time Is Illmatic. It is an honor to be in partnership with them, and I feel there is a cultural kinship bonded by the city of New York.” The film unfortunately won’t be shown on the tour’s opening night at Main Street Armory in Rochester on Oct. 2, but it will be shown the following evening, Oct. 3, at Albany’s Palace Theatre. Tickets are still available for both nights, $40 for Rochester and up to $70 for Albany, so don’t sleep on your chance to see these special shows from easily one of the best rappers out there today.

  • Twenty One Pilots Flying Straight with no Faulty Parts

    If Twenty One Pilots is not flying onto your bucket list of a “must see” in concert, add it.  Wednesday, Sept. 10, 2014 the Quiet is Violent Tour came to Main Street Armory in Rochester, N.Y. and showed all who came what a concert is all about.   Vinyl Theatre and Misterwives  opened, making all the buzz from everyone saying “That was one of the best concerts I have been to.”

    Twenty One Pilots
    Twenty One Pilots, Photo by Cathy Bechle

    Two words for Twenty One Pilots – respect and inspiring – they are the result of hard work and determination showing that you can make it into this industry without being discovered. Mike Gibson, tour manager for Twenty One Pilots, shared with NYS Music prior to doors opening, why they have such a strong cult like following and operate differently from most. Growing up with the dynamic musical duo, he understands these two musicians like no other possibly could.  A professional clean-cut guy, he has his head on straight with an easy going vibe about him.  In fact,  Josh Dun and Tyler Joseph have surrounded themselves with people who have very specific traits that are important to their success from what I can tell, intelligence, focus, determination, they need to be goal oriented and must have values or they need not apply. All of this so they can successfully perform their music, have a blast while doing it and give fans an amazing show.

    Mike explained more about the incredibly driven people to help make it all happen.  Starting with asking how many bands out there today consider that achieving “success” or “fame” is when that money from the first few shows come in and then goes directly into a band’s pocket.  Perhaps it goes to support a glamorous lifestyle or even comfort from a van to a tour bus.  Well, this band should be a model example on how to handle finances.  As he continued, he thought that the strong values they were taught as they were growing up, close family ties, an awesome Manager (Chris Woltman) and of course the band’s financial adviser (Mike’s Dad)  make doing what these guys love continue to happen.  The rule they follow to always make the next show better than the last and to always invest back into the show.

    Twenty One Pilots
    Fans enjoying the performances. Photo by Cathy Bechle

    As Mike was reminiscing about the best times on the road it was not on the big tour bus that was parked in front of us, although truth be told he did say it was much more comfortable.  It was on the road in the van in the very beginning a couple of years ago.  They did not cash in early on well-paying gigs for personal comfort, instead they opted to reinvest in themselves and stay in the van.  They outlook, give a better performance, more lightning, better equipment and experience for the people who come to show and to make sure they are still having fun while performing what they love.

    Clearly remembering about good times these guys have had by the look in his eyes as spoke about the cold winter nights were invigorating going from one city to the next and saying how those were some of the best times together.  Their alarm clock was parking lot security wherever they parked; being woke up as they were kicked out the next morning “Time to move on guys”.   With a slight chuckle as we continued to talk I was brought into feeling that those were the times where it was an a whole new exciting adventure.  Young guys, in a band, on the road, in different cities, I am a smart women and know there are stories there, but listen, some things are just meant for a band to keep under “band code rules” and a writer to know better than to ask and to just to respect.

    Now that they have grown they have a Manager that is best described as looking like Jesus (insert laughter from Mike and saying “he really does”) who is great at making calculated and driven decisions with their goals in mind.  His name, Chris Woltman.  Mike elaborated about the path they have paved for themselves and feels that their faith early on as Christians while growing up helped them avoid some potholes along the way.  One pothole avoided, almost missing the opportunity to work with Chris.  During the time where they were talking with potential managers Chris’s scheduled flight in to see a live performance did not take off.  The show was of epic and historic proportion for them and their hometown of Columbus at the Newport Music Hall.   A sold out show, three in history that have ever been able to accomplish this before at this venue, so when they stood outside and looked up at the marquee it was a moment to take in.  The band and the whole town pitched in selling tickets to this show, again grassroots efforts on how they became to be.  The guys didn’t know what to think about Chris not being able to make this important show, but quickly focused on what they just did and the people who helped make it happen.  It turned out that Chris, was the one.  They met with a few others but similar to finding a spouse no else came close to the feeling that got from Chris.  They just knew he was the right fit.

    So how does all of this lead to a concert review you ask?  The determination for performing, making sure it is doing what they love and showing the audience a performance that they have invested continuously back in, was mind-blowing evident that night.  Lightening was amazing from the color changes, directions, types, size, timing it was consistently changing to keep the mood of the performance.  Josh and Tyler giving all trust into the literally hands of their fans by having them holding them up as they perform on a platforms was crazy.  Fans watched in pure amazement as the energy as they act out their music and interact with them directly.  The music was not just heard, by watching reactions Twenty Pilots are also investing emotionally and physically directly into people in unique ways.  A concert is entertainment to listen, feel and watch.  It is astounding that how only two people on a huge stage  kept everyone’s attention the entire performance.  The wonder of what was going to happen next look and surprised faces and expressions as confetti was being shot from the stage kept people wanting more and for the night not to end.

    Twenty One Pilots With ever concert there are opening bands and performances.  The first group to kick it off and get everyone moving and smiling was Vinyl Theatre.  They had won battle of the bands in 2013 to open for Twenty One Pilots, newbies to the music scene forming in 2012.  Gaining new fans with their sound of indie electronic rock that night they will surely keep them because of the passion.  Each member exudes it when they are on stage.  A trait of the performance that makes music worth watching.  This was starting to transform the night into what has long been lost in definition as a concert by transforming the music experience into a new level.  Their record label, Fueled by Ramen, seem to have targeted their artists having deep passion as they perform;  making the record label one to watch as the sign artists.

    twenty one pilotsMisterwives added to the build up to the night amping up the crowd.  This group’s carefree and fun spirits is contagious in the crowd.  Group participation as Mandy Lee, lead singer, led the audience to snap along with them during songs was a communication all of its own between the artists on stage and the people taking it all in.  The whole band is amazing.   Front women Mandy is a vocal powerhouse.  She is the full package when it comes to lead singers.  Has the energy to rock the whole performance with their pop style, has a personality that keeps it entertaining to watch and spot on vocals.  The ability to reach the back of the room with her voice from such a petite body but then would have people leaning in at the right times for the dynamics and drama.  Watching each of her Misterwives look as she performed smiling they all feed off one another with a pure look.   The talent they had paid off by the response from everyone.

    At the end of the performance, I caught up with Mandy to share how incredible her powerhouse of a voice is.  Giving me a huge hug she was bubbly with an amped up energy level.  She replied humbly with a huge smile hearing that their performance was so well received by their potential new fan base in Rochester, NY.  She was gracious to agree to with Andy DeLuca Photo making sure we caught it all live and putting this together for us to share:

    Definition of a concert to me is a mass of people who could sing along to every fast paced lyric, got on the shoulders of their friends when the singer asked, displayed emotion as the music touched them at a personal level and musicians constantly looking directly into the sea of people and in return picking up the bands satisfaction as they performed is a concert that exceeds expectations.  This night was packed with pure satisfaction for the music and the people who were there to experience it. Commonalities of each group going up for their set and performance night after night is to share their passion of music as artists.

    The last-minute of the show with only my phone video to record captures a glimmer of the definition of the word “concert”.  Their hard work to this point in their career has captured more than a definition of a word.  It has captured an emotion, feeling and provides and experience to all that get to be entertained by their talent and skills. Thank you Twenty One Pilots, your support systems and management.  The Bands that you have on tour with you that share the same passion and drive yet have unique differences your fans to new musical creations.

  • Queens of the Stone Age Paid a Visit to Rochester, NY

    It’s 6:30 PM on a warm Friday night in downtown Rochester, NY. A lengthy line stretches down a sidewalk running parallel to the historic Main Street Armory; the venue that is about to house the alternative hard rock sound of California’s own Queens of the Stone Age. As this show was their only stop in Upstate, NY, there was certainly no shortage of eager fans packing the floor and balcony of the large performance room.

    Taking the stage first was the freshly signed (Sony Music Entertainment) New York City trio, Unlocking the Truth. Considering  their roots come from setting up shop in Times Square, along with the fact this was only their third stage show ever, one would assume that a hint of nervousness would be obvious, especially when not one member of the band has hit their fourteenth birthday yet. Instead what the crowd got was a surprisingly heavy sound from the incredibly talented and comfortable teens on stage. The band was able to get the night started on the right foot, drawing cheers and immense applause from awe-stricken faces in the crowd. They continue their route to fame in the fall as they tour with rock veterans, Living Colour.

    Next on stage was Aussie rocker and wife of Josh Homme, Queens of the Stone Age frontman, Brody Dalle. From start to finish in their ten-song set, the band delivered an edgy, up-tempo punk rock sound to the ever-growing audience. Along with a majority of newly written songs, Brody Dalle also threw in the single, “Coral Fang” from her prior musical project The Distillers. The fast paced sound that Brody Dalle delivered kept the anxious crowd energized and moving as they awaited the main act of the night. The band continued touring the United States through the end of July before they traveled across the pond to tour Europe during the month of August.

    At 10:00 PM, the light panels at the back of the stage displayed a sixty-second countdown to which the ever-ready crowd counted along as the moment they had all been waiting for, finally became a reality. The large venue was sporting a packed balcony and limited free space on either side of the floor. As the band dove right into the popular hit “No One Knows” there were few heads not banging along to the music as well as fists stuck straight up into the air demonstrating a love for the ones on stage. As the show continued, it was hard not to appreciate the amount of work that went into stage and lighting setup. With elaborate overhead and backing lights, the mood of each song could be captured by different colors and light speeds. After powering through six or seven fast-paced, in-your-face fan favorites, Josh Homme took the piano to slow it down for their song, “Like Clockwork”. The crowd stayed rowdy and slowly more lighters than camera phones began to prevail from the sea of people. They did not keep the mood mellow for long as they revamped the tempo with more crowd favorites like “Sick, Sick, Sick” and “3’s and 7’s”.

    The Queens of the Stone Age were admired as kings of rock n roll for the night, from beginning to end, keeping the audience jumping and cheering with no signs of stopping. The sweat-soaked band members finished their set, leaving the audience begging for more. As they walked off the stage, the overwhelming cheers begging for an encore began growing louder and louder. Gone for no more than two minutes, the band took the stage, beers in hand, welcomed back by the adoring fans whose cheers now reached a new peak. The three-song encore satisfied the crowd above and beyond what they could have hoped for, and shortly after the band left the stage for good, the lights came on and the venue was clear of the majority of people. Queens of the Stone Age put on not only a terrific musical show, but created an experience for their fans that left ears ringing and heads pounding for the ride home. The band continues its tour throughout August as they head to Norway to appease even more insatiable fans

  • Nas Kicking off Illmatic’s 20th Anniversary in New York

    nas 2014 tour

    This year marked the 20th anniversary of Illmatic by Nas and he has dedicated the entire year to this landmark album. This fall he will be touring in support of not only the album, but also the documentary film Nas: Time is Illmatic. This film follows the making of the album to how it is seen and heard today. The film will open theatrically via the Tribeca Film Festival on October 1st followed by a nationwide expansion to follow. At these shows not only will Nas play the album from front to back, but at most stops the documentary will be shown as well.

    “I want to thank Robert De Niro, Jane Rosenthal, and the Tribeca Film family for all of the love and support they’ve given Time Is Illmatic,” said Nas. “It is an honor to be in partnership with them, and I feel there is a cultural kinship bonded by the city of New York.”

    “When we started this project, Erik Parker and I couldn’t imagine that audiences would one day be able to experience the film with a live performance of Illmatic, the album that started it all. It will make each night a truly special moment for the culture. We are sure people of all generations will be inspired by the story of Nas, the Jones family, and electrified by a live performance,” said One9.

    The tour kicks off at Rochester’s Main Street Armory on October 2 and stops at Albany’s Palace Theatre on October 3. Unfortunately Rochester will not have a screening of the documentary, but Albany will. These shows are sure to be special and tickets go on sale this Friday August 15th.

  • Judas Priest and Steel Panther Announce Tour, Will Play Main Street Armory in Rochester and Barclays Center in Brooklyn

    The metal gods Judas Priest, who embarked on what was thought to be their final tour the previous two years have decided that there is no rest for the wicked and announced a U.S. run with glam metal jokers Steel Panther this fall, with the very first stop at the Main Street Armory in Rochester on Wednesday, October 1 as well as a stop in Brooklyn.  The tour is set as follows:

    Oct. 01 – Rochester, NY – Main Street Armory

    Oct. 03 – Hammond, IN – The Venue at Horseshoe Casino

    Oct. 04 – Louisville, KY – Louder Than Life Fest at Champions

    Oct. 09 – Brooklyn, NY – Barclays

    Oct. 10 – Atlantic City, NJ – Harrah’s

    Oct. 11 – Mashantucket, CT – MGM Grand Theater at Foxwood’s

    Oct. 14 – Lowell, MA – Tsongas Center at UMass

    Oct. 15 – Allentown, PA – PPL Center

    Oct. 17 – East Rutherford, NJ – Izod Center

    Oct. 19 – Detroit, MI – Fox Theatre

    Oct. 24 – Baltimore, MD – Pier Six Pavilion

    Oct. 28 – Duluth, GA – The Arena at Gwinnett Center

    Oct. 30 – Hollywood, FL – Hard Rock Live Arena

    Nov. 06 – Allen, TX – Allen Event Center

    Nov. 07 – Austin, TX – FunFunFun Fest

    Nov. 10 – Los Angeles, CA – Club Nokia

    Nov. 12 – Phoenix, AZ – Jobing Arena

    Nov. 13 – Highland, CA – San Manuel Casino

    Nov. 14 – Las Vegas, NV – The Pearl

    Nov. 16 – San Jose, CA – City National Civic

    Nov. 18 – Salt Lake City, UT – Maverik Center
    Judas Priest are set to release their 17th album Redeemer of Souls on July 8 via Epic Records.  Frontman Rob Halford recently trademarked the term “metal  god” because he wants no one else to ever be known as a “metal god” other than him.  Steel Panther will be supporting last year’s studio effort All You Can Eat.

    Tickets  for the Rochester show will go on sale on July 11 and can be purchased here.

    judaspriestband2014bigger_638523408_10151140293276768_1853367692_n