Tag: Local Limelight

  • Local Limelight: Getting to Know Wagner’s Agenda

    It is nearly impossible to talk about the music community in Watertown without discussing the fun-loving guys of Wagner’s Agenda. The band started in 2010 and has struggled with various line ups over the years. In 2014, playing more than 160 shows a year, Andrew Willis, Mark Getman Jr, Gino Cappuccetti, and Bobby Perkins, have formed the perfect combination of talent. This foursome is not only incredibly talented but has proved to be a great asset to the community. From performing several benefits every year, including the annual Keith Brabant Music Scholarship Festival, to sparking a change in the music scene by hosting local jam nights and sharing the stage at their own gigs; Wagner’s Agenda are the kind of guys’ fans love to root for. While performing in a wide range of genres the band shows the versatility in their talent. It truly seems there is nothing these guys can not do. They have won the hearts of followers with their talent and showmanship. One is almost guaranteed a good time with Wagner’s Agenda. In the words of keyboard player Gino Cappuccetti, “Having fun is the name of the music game.” As I sat down to talk with them, I learned the fun doesn’t stop on stage.

    Katrina Johnson: How did you guys get started?

    bobby1
    Guitarist, Bobby Perkins.

    Gino Cappuccetti: We started after we lost a buddy, Keith Barabant. I had been playing in a cover band with him. When we lost him my son was almost a year old, we were doing things that didn’t make us money, still playing a lot but it was like we need this cover band. Bobby and I were playing Queen August at the time with two other gentlemen and we decided none of us can sing, so we hired Ian Wagner. After he left I called Mark and Anthony Ubriaco and I said any interest? That was in 2011 and that lineup stayed for a while. So about a year ago when Anthony left we hired Andrew

    Mark Getman:  But that’s it,this is final.

    KJ: So you guys have found the right line up?

    Gino Cappuccetti: Bands are a funny thing. Before I always felt like if I did something wrong I’m going to lose this. I never felt like anything was solidified, with these guys I do. We are all friends, there is communication. I can’t find this anywhere else in Northern NY. I have played with a lot of people and this just feels right. It’s not even about the playing, I can sit and talk to them, but when we play its extra special.

    BobbyPerkins: We are at that point now where we can listen to any song, any style and say I think we can do that somehow. We are just that band that goes for what other bands think is impossible

    Gino Cappuccetti: At this point it isn’t just about the music. We are a live band going out, we have to entertain our age group as well as older generations. The talking, the jokes, the antics, that’s a huge draw for us. You work  all week, you want to get away from it, you come see us. We bring that element.

    KJ: Were you guys friends before or did you meet through the music community?

    Andrew Willis: Gino and Mark knew each other growing up. They jammed together. Gino and I jammed once when we were kids. Like 15 or 16. We didn’t really hit it off. We weren’t necessarily the best of friends.

    Gino Cappuccetti: He was talented; it had nothing to do with that. I was just young.

    Andrew Willis: I met Mark through my fiance. She knew they had this band so I went to see them. It was just this energy that I wasn’t finding in any other band. A year later with some pushing and nudging I was in the band.getbobby5

    Gino Cappuccetti: Bobby and Mark really made the best move. I was apprehensive at first. He was busy. I was like how is this guy going to join the busiest band up here. But it has worked. Bobby started Wagner’s with me with the lineup from Queen August.

    BobbyPerkins: We actually met at a music store. My brother and I were talking about music theory and Gino chimes in, talking our ears off. So he invites us out to see him play, it was the first time I had ever seen him play keyboard, and I thought he was really good. I moved away to Florida and when I came back 2 years later I ran into him. He had me come out and jam again. We started talking and he told me about Queen August.

    KJ: I have noticed you guys play in a lot of different genres. Do you have a favorite?

    Gino Cappuccetti: I don’t think we all agree on one. I like progressive and rock and fusion. But that’s my roots. Bobby’s is metal. I like everything.

    Mark Getman: I appreciate progressive stuff,I’m not as crazy about that. I’m just hard rock. Rock and roll.

    Andrew Willis: Maybe it’s just because I’m a bass player,but I like songs that I have to be present for, I have to pay attention for them. The thing I really like is the nights when we are firing on all cylinders. Even if it’s cheesy music, when we are on one of those streaks where man we just can’t go wrong.

    Gino Cappuccetti: As long as we are getting that energy back from them, it really doesn’t matter what we are doing. You can bring an old song,do it a little differently and people are like aha! Mark Getman: Not much is off limits for us

    gino2.2

    KJ: Do you guys want to take this further or are you happy with where you are now?

    Mark Getman: We do. We are trying to figure out what that is and how it is going to work. For me personally, I’m really curious. I want to get out there and test the waters and see how we stack up to all the other bands in the scene.

    Gino Cappuccetti: We can do this anywhere. It’s not just us going ‘oh yea good job Bobby’. People tell us, you guys have it. I don’t think we are going to Hollywood but I know we can take this farther. This is the pivotal point because I can book everything for next year in the next month.

    Bobby Perkins: Otherwise you get too used to what you are doing.

    Andrew Willis: Even for the sake of keeping things fresh. Playing in a band that played the same set list in the same order night after night that started to get crappy. We had the songs down but we basically turned into a jukebox. So even if we aren’t growing we are always going to be changing and adding things.

    Gino Cappuccetti: Next year we are definitely going to take steps to branching out. There is talent everywhere. I just think it’s this combination. There are better bass players, singers, keyboard players, hell they are up here. But you can get four of the best together and they can’t work together. We have something unique. But those are the risks you take in the music business, all that talent, it’s still a lottery ticket. You have to make sacrifices.

    andrew5.2
    Bass player, Andrew Willis, on drums.

    KJ: One of my favorite things about you guys is almost every show I have been to Mark and Andrew switch places at some point. Was that always the plan?

    mark5.2
    Drummer, Mark Getman.

    Mark Getman: That started when Anthony and Josh were in the band. I like to doodle on the bass. I’m just a frustrated musician, can’t really focus on one thing. I just thought it would be an interesting gimmick.

    Andrew Willis: It makes sense with us at least because we are both rhythm section.

    Mark Getman: There are just some songs the rhythm section is just so simple. It gives me something to look forward to in the night. It gives me a chance to get up interact with the crowd. Its more of a challenge because it’s not my primary instrument. I think people like that novelty

    KJ: Where did you each learn to play?

    Bobby Perkins: A lot of us started in middle school. I picked up the trombone, and then the guitar about 3 years later, so music has always been part of my education.

    Gino Cappuccetti: Mark and I had a really great band teacher in school. She encouraged me to play keyboard. She allowed us to stay after school with no supervision at 16, locked us in the band room and let us practice until 8 or 9 at night. Dawn Burnette was integral in our lives.

    Andrew Willis: My uncle was a bass player, he taught me a couple of things. I was in 6th grade, I saw a kid playing bass in the jazz band and I told my mom I’m going to be in that band. So in 7th grade I joined. It got me in contact with a couple other guitar players. They wanted me to join their cover band. I thought it was cool because they were in high school and I was 11. I told my mom and she was like no. Eventually it worked out, she would come to all the bars so I could play, she had to I was 11. That was almost 20 years ago. When we were kids my mom had this learn piano Suzuki where you would listen to tapes, you have the music in front of you but you don’t know what you are looking at you just know how it sounds, I think that helped with being able to pick things up. We can all do that, I think that’s part of the magic. If someone comes up and pitches a song, ‘hey play this Dave song’, and we are like’ sure we’ve heard it once or twice’. It may not be perfect but it will be close.People who have gone to school and been trained properly I’m sure just look at us like a band of hooligans. But it’s the intangible things. Even if you have a problem with our technique, we can still put on a show and entertain you.

    KJ: Who are your idols?

    Bobby Perkins: As far as guitar is concerned, my Uncle Don. He heard I had an interest in the guitar and had me come down to the studio when he was playing. I just absolutely loved it. So I got a guitar, started learning the basics from him. I have too many influences to name, the list is so long.. Mark is into Rush so he exposed me to more of that kind of music and I started to gravitate towards that. Gino has opened a million doors for me coming from his background.

    Gino Cappuccetti: I always liked music, I played video games as a kid, I always like the tunes in them. Id record them on a cassette tape so I could listen to that. I knew songs on the radio but it didn’t touch me. When you are a kid that’s what gets you. After that it was the band Genesis. I didn’t know a keyboard could make all these other sounds. I thought every weird sound on there was an instrument, it’s the keyboard. So I told my mom, I want a keyboard. From there it took off. Rick Wade and Keith Emerson are keyboard guys that influenced me. Steve Vibe was huge in my life, he was a guitar player. When I saw him, I was like I want to be able to command an audience like that. He’s just got something, that gimmick, that show, that presence, you need that. I don’t care if you are playing classical, if that’s the way you get rid of that energy there’s no rules.mark3.4

    Mark Getman: My mother always had rock music on so I grew up singing along to anything that would be considered classic rock now. The thing that made me want to play drums was Nirvana. They left their mark. The thing that I was drawn to was watching the “Smells like Teen Spirit’ video, there is a bunch of slow motion shots of Dave Grohl playing the drums, symbols going everywhere, hair is flying, and I was like man I want to play the drums. As I got older I moved on from Nirvana, and then I followed Dave Grohl into Foo Fighters, where he became front man. Dave Grohl is definitely a part of how I approach performing in front of people. He just gives his all, gets people pumped up, whether he’s playing on the drums or being front man. Once I got into college I got into this Rush obsession. I discovered a DVD of theirs and I was just blown away by their musicianship. They are awesome rock musicians. Geddy Lee is a big influence on how I like to sing, I have a higher voice I kind of emulate that in a lot of ways. I’m influenced by a lot of people. I like to think most anybody has something to offer.

    Andrew Willis: My mom and dad played together. My dad wanted to be Jon Lennon, he had the white suit. My mom was awesome on the piano. So the only thing left in the house to form a trio was this bass. So I’m sitting their playing notes that don’t make ne sense, and my mom tells my dad just show him something. So he did. He started getting me into Jethro Tull and Frank Zappa. Tull in some of their early recordings the bass line pushed a lot of those songs. That’s where I started digging into bands that had bass players. Thin Lizzy, Red hot Chili peppers;Flea is a nutcase, if I could just tap into half of his energy. I started idolizing Jaco Pastrius for a while, a lot of these jazz greats who aren’t necessarily playing bass as much as they are playing another lead instrument. I cant play bass like a guitar.andrew1

    Gino Cappuccetti: You could, I’ve seen you do solos. Most of the bass players up here are scared of him but he won’t tell u that, he doesn’t even think that. He is very accomplished. The guy is singing and playing like it’s no big deal, its hard to do.

    Andrew Willis: I’ve never been comfortable playing in front of people. I feel like I’m doing something very personal.  Its kind of selfish thing, I’m playing for me all the time, I’m like oh I like what I just did.

    Mark Getman: I think Andrew being the way he is a nice counterpart to Gino and I.

    Gino Cappuccetti: Andrew and I are probably the most different. Mark and I are alike when it comes to the business aspect. But when it comes to being an authoritarian, its Andrew.

    KJ: So he is kind of like the dad of the group?

    Gino Cappuccetti: More like the grandpa. We can get a little crazy, sometimes Andrew is like…a little too much. And he keeps things organized; he likes things to be in place. Mark doesn’t care. Bobby is right in the middle of it all. There are different personalities but the sense of humor is universal. We make each other laugh. But when Andrew first came along he didn’t assert himself. And it upset me. He kept saying it’s your band. It’s not. I just talk more than everybody else and make more phone calls. I can’t do this by myself.

    Mark Getman: Andrew is such a kind, giving soul, so when he came in he was worried about stepping on peoples toes. But I’d like to think of us as a team. Everyone has their rolls, some more than others.

    KJ: What do you want people to know about Wagner’s Agenda?

    Gino Cappuccetti: One thing that has been said about us is that we have more guests than anybody in this area. Every night we have at least 5 people come in from other bands playing with us. We are very good at sharing the stage. We like to give back. We try to help our community because they pay our bills. We are very much into our music scene, it’s not like a competition.

    Andrew Willis: We are trying to build things up instead of tearing them down. band1

    Check out Wagner’s Agenda on Facebook!

  • Local Limelight, Geek Week Edition: Buffalo’s Armcannon

    Armcannon, a most unique band from Buffalo, makes music for nerds. Not just any nerds, but those who loved video game music, metal and progressive rock. As part of Geek Week, spoke to Chris Dlugosz (keyboard) and Dan Theman (guitar) about the band, their music, and appearances at unique music festivals you might not have heard of. Mike Willard (guitar), Larry Steele (drums) and Ian Machniak (bass) round out the Western New York group making waves as electronic music and metal merge genres.

    photo credit: David Weaver http://www.burstmethod.com
    photo credit: David Weaver http://www.burstmethod.com

    Jeremiah Shea: Finish this sentence: Armcannon is for fans of…

    Chris Dlugosz: The nostalgia of the classic themes of NES and SNES, as well as non videogame people who appreciate musical proficiency.

    Dan Theman: Armcannon is for fans of progressive metal, retro gaming nerds, and people who like serious music that doesn’t take itself too seriously.

    Jeremiah Shea: Where would Armcannon like to see themselves in 5 years?

    Chris Dlugosz: With another complete album or three available to the public. Our constant improvement in quality is not slowing.

    Dan Theman: Oh god. I don’t think we’re a band that has delusions of grandeur, that we’ll be playing Brazilian soccer stadiums in 5 years. We take our compositions and arrangements incredibly seriously, and labor over every chord, every accent, and every note. But we’re not a band who focuses that sort of energy towards the music business and “making it”. That said, Dan (Danimal Cannon) is currently composing music for new video games and he would love to be a well known video game composer in 5 years. Chris would be right at home scoring movies, and Mike would be known as a world class guitar player and jazz/metal guitarist. It’s kind of funny how our ultimate goals are not necessarily focused on the band itself, but Armcannon has given us the privilege, the pleasure, and the the practice to really hone our skills as musicians, meet amazing people, and play some incredible shows. That said, in 5 years, hopefully we’ll have an album of original music out, because as much as we love arranging old nostalgic themes, we also desire to spread our wings as musicians as far as they’ll go.

    Jeremiah Shea: What’s on the horizon this year for Armcannon?

    Chris Dlugosz: We are secretly writing a secret new kind of album that nobody has done before.

    Dan Theman: We’ll be in Orlando this upcoming weekend headlining an event called Ongaku Overdrive. We’re currently writing some original music, we’ll see where that takes us.

    Jeremiah Shea: Explain how you got involved with the upcoming festival in Orlando. Is this your first Fest?

    Chris Dlugosz: They approached us through this beautiful process we like to call “The Internet does all the work for us” and simply invited us to play. This is utterly and absolutely NOT our first fest, as fests are 99% of the type of shows we have always played. The biggest of them all is MAGfest which stands for Music And Gaming fest. It’s basically a mecca where all the good videogame bands converge for a whole weekend.

    Dan Theman: We usually play a few festivals around the US every year. There’s actually a growing and thriving scene of bands and artists making music that’s inspired from games in all kinds of genres. Sometimes that includes acts that are considered “nerdy” as well. Most of the regular shows we play we’re incredibly different than any of the acts on the bill, we stick out like a beautiful sore thumb. These festivals allow us to play shows with like-minded artists from all across the world, for fanbases that you wouldn’t believe. This sort of scene is completely off the radar of the traditional music business, but the dedication of the fans who pack these events allow these events to successfully exist as a microcosm of the rock world, on another planet entirely. What if I told you one of the most intense and raucous shows we’ve ever played was in a hotel ballroom? It’s really something else.

    photo credit: Emi Spicer http://uglymachine.net/
    photo credit: Emi Spicer http://uglymachine.net/

    Jeremiah Shea: Cite some major accomplishments for the band – I know you guys have played with the Buffalo Philharmonic Orchestra, correct?

    Chris Dlugosz: Through some interesting circumstances, we were allowed a brief cameo on two different occasions with the BPO. it was an event called VideoGames Live where a touring conductor goes from city to city and hijacks the philharmonic orchestras and makes them play video game music.

    Dan Theman: We’ve performed with the Buffalo Philharmonic twice actually! We played small sets in the middle of the touring Video Games Live orchestral show, I love the idea that you might find us in a sweaty basement, or on a gilded stage filled with world class musicians. We take immense pride in our 3 album releases, and hearing another musician talk about how our arrangements and playing have influenced them in some way never seems to get old. This year we were contacted by Capcom to produce some official remixes for a Megaman 25th Anniversary album which was really fun to do.

    Jeremiah Shea: What’s the coolest thing you’ve ever been a part of?

    Chris Dlugosz: The coolest thing we have been a part of is MAGfest. We have been headliners there every year since 2006, and since then we have made literally hundreds of good friends and network connections for this ever-expanding nostalgia-infused sub-culture. We have watched the staff there grow from excited youths to full fledged business filling entire convention centers rivaling the size of PAX.

    Dan ThemanThe coolest thing for us is performing at a festival called MAGfest which stands for Music and Gaming Festival. The crowds at that particular festival are special in the way that they truly “get” what we’re trying to do, they catch all of the obscure subtleties that we layer into our music. Their intensity during the show is essentially unrivaled, and that sort of passion feeds back into us, pushing us to new heights. We feel very much at home there, in a world where we constantly feel a little like outcasts that exist as a novelty or curiosity for most people.

    Armcannon – Website Bandcamp Facebook Twitter

    Dan Theman also makes original music with Nintendo Gameboys. It’s called Chiptune  and you can see his TED talk about it earlier this year.

  • Local Limelight: North Country Stalwarts Lucid

    Lucid is the top band in New York’s smallest market yet perform quite well in the larger markets throughout Upstate and beyond, making them true underdogs in the Upstate New York scene. This passion to prove their mettle has netted the band of 10 years a recent hit album, Home is Where We Wanna Grow, their own music festival, Backwoods Pondfest, a following of passionate fans, and of course, their iconic bus ‘Lucy’.

    lucidChampions of the inaugural March Madness tournament, Lucid embodies the North Country spirit and is one of the most successful acts to come out of the region. Playing a mix of rock, jam and funk and self-described ‘wood rock’ in their powerhouse performances, Lucid mixes the sound of six members to create a sound that can be imitated but not duplicated. Featuring Kevin Sabourin (guitar), Lowell Wurster (percussion/harp), Jamie Armstrong  (saxophone), Chris Shacklett (Bass), Andy Deller (Keys) and new addition Chris English (drums), the future is bright and the potential for a burst out of the Upstate area seems imminent for the septet from the northern 518.

    Pete Mason: How did Lucid first start out?

    Lowell Wurster:  Kevin (Sabourin), Jamie (Anderson) and Nick (Sauvie, our first bass player) played with a few different people, just jamming mostly, who found our first drummer, Ryan “Rippy” Trumbull. I knew Jamie and Kevin from growing up in Plattsburgh. One day I saw Jamie walking and we got to talking; he said he was playing with some guys and to come check them out. I went and really dug what they were doing. They were having so much fun and I asked them if I could come to a practice and jam a bit. After practice they asked if I wanted to be in the band! A few months later we were playing a show in Plattsburgh at this horrible place called Maggie’s and had a friend sitting in on keys. There was this dude (Andy Deller) yelling to our buddy what the key changes were. At break we asked our friend Steve who that dude was and he told us his name was Andy and a great key player at that. He played with us the whole second set and the rest was history. Five years later our bass player Nick wanted to pursue higher education instead of being in a band. We had a few fill in bass players until St. Patrick’s Day five years ago we had Chris Shacklett play a show with us, and it was like magic; he fit right in. That night on the bus ride home we asked him if he wanted to join and he said yes. After our first big tour down to Florida, our original drummer, Rippy decided he didn’t want to travel anymore. As sad as it was he decided to leave. we tried out a few different drummers and we asked Kyle Murray to join the fun. He rocked with us for about a year and a half. Kyle decided life on the road wasn’t for him and wanted to phase out as our drummer, then just like magic, Chris English popped up at the perfect moment. By the grace of God, Chris decided Lucid was exactly what he needed in his life and we knew he was exactly what we needed in ours. Chris moved up to Plattsburgh about two months ago and shit is beautiful now.

    Jamie Armstrong: Sabo, Nick (our original bassist) and I were spending time together playing music and hanging out. Stumbled into it really. Andy, Lowell and Rippy (our original drummer) came along shortly there after. We all had mutual musical interests and loved hanging out together, so naturally the band grew more and more over time as we bonded and our music developed. As some members decided to leave (as things started getting more committal) along the way, we’ve seemed to have perfect luck picking up new members to fill the role and evolve the band in a positive way. Great examples of that are Chris Shacklett, who joined on bass in 2009 and Chris English who recently joined on drums.

    Chris Shacklett: I joined the band about four years after the initial formation. The band formed for me when I graduated from Plattsburgh state in 2009 without having any idea how I was going to be an “adult”. Everything felt right from the very beginning and every place in time the band has taken me has been exactly where I needed to be. For my whole life I knew music was the main element of my being, but I never seriously considered playing music to be a career until I joined Lucid.

    PM: What are Lucid’s main influences on their music and style?

    Jamie Anderson : The band itself is very eclectic. We draw on many styles as we all have differing musical backgrounds. If I could some up a style for Lucid it would be ‘homegrown blues Americana.’

    Andy Deller: I think our home is the main influence. That and a stubborn refusal to pigeonhole ourselves in any kind of way. It’s hard to point to other artists that are influences. That is to say, each member brings his own particular influences. Our tastes do intersect; I don’t think there is a one of us who would say they did not like Zeppelin or The Beatles or Hendrix. But I am the only avid Rush fan I know of in the band, and the other fellas have their particular favorites. So we each bring our own thing to the total sound.

    Chris English: My main musical influence and style is all over the map. I’m into a lot more local artists than anything. Some of the music I started listening to at a early age include Donny Hathaway, The Clark Sisters, Buddy Guy, Paul Simon, Grateful Dead, The Funk Brothers, Stevie Wonder, and many more.

    PM: What separates the North Country from rest of Upstate? What makes it distinct?

    Kevin Sabourin: Wilderness, a deep appreciation of nature and life that comes with being a fairly self-reliant people who are hard working. Crafts people, music loving, tough, rugged and beautiful, like the surroundings in which we live.

    Andy DellerWhat separates us from the rest of Upstate is the Adirondack State Park, to be geographically obvious. We’re maybe a little more backwoods and redneck than the rest of Upstate – not that there’s a value judgment on that. It’s neither better nor worse, just different. To be more serious, I think the people in our area really make the difference; I’ve never seen audiences more gracious, more open to something new and different, or more ready to dance.

    Chris Shacklett: I don’t think there is any separation. Separation is not conducive to the band’s purpose. I may be saying this because I believe my scope of the North Country or Upstate is not broad enough to draw any borders.

    Jamie Armstrong: We live way up here in the Northern Adirondacks. Next to Lake Champlain. Fresh air! Being sandwiched between a beautiful mountain range and a huge blue lake is all I need. And the geographical diversity reflects in the people who live up here. The music community is encouraging.

    PM: For those who don’t live there or venture north, what is the music scene like across the North Country?

    Chris Shacklett: Don’t tell me this town ain’t got no heart. You just gotta poke around.

    Lowell Wurster: Well we are spread out up here, but there are amazing pockets of music lovers spread out around the ADK’s. Beautiful little communities that love original music. Folks up here look at music as a necessity, not a luxury. I’ve never met bigger music lovers then in the North Country. Plattsburgh is undergoing some amazing changes and I’m really happy and excited to be on several different community action boards that are helping spread art and music around the area. Saranac Lake is amazing and filled with real folks who thrive for music; their Winter Carnival is something to behold, hearty folks up there. I love it up there, right in the mountains and cold as hell. Backwoods Pondfest has brought tons of amazing acts to the North Country over the last eight years and with its continued success shows the thirst these mountain folks have for original music. They can’t seem to get enough.

    Andy Deller: Well, because of the audiences I described above, the scene is VERY diverse, creative, and supportive. On any given night you can stroll through Plattsburgh or Burlington and find any number of different styles – rock, blues, funk, reggae, metal, jazz quartets, and brass bands. What I truly love is the cross-pollination: people from highly diverse bands getting out and jamming with one another in impromptu acts. It happens all the time here.

    Jamie Armstrong: It’s very rich, with a wide array of styles and ideas floating around, but all held together by a supportive arts community. There’s a lot of support up here. Kids are movin’ and shakin’ and motivated. That goes for our community in general. A lot of great people are trying to make positive change all the time!

    PM: What other musicians do you think also encompass the spirit of the North Country?

    Kevin Sabourin: The Blind Owl Band, who have the same North Country work ethic and attitude that we do of going until the job is done and playing long hours and working hard.  The crowd has been busting there ass all day working, building farming, so we have to work as hard as they do for them.

    Lowell Wurster:  The one that immediately comes to mind is The South Catherine St. Jug band from years and years ago, Sven Curth (who plays solo mostly) but is in the band JIM who plays a few times a year and is made up of some of the North Country’s best.

    Andy Deller: The local artists that don’t receive much press, and maybe even avoid it: Trinity Park Radio, Will Scheifley, and his on again off again Shameless Strangers, Mike Pederson, Giovanina Bucci, Catie Wurster and her band Doomf**k – the list can go on and on. We have a huge, hugely diverse, and highly active music scene up here where people can take the time to have some real professional fun, and it’s all thanks to the audience – the people of the North Country.

    Jamie ArmstrongI guess to sum it up, there’s a lot of musical diversity in a very tight knit community up here in the mountains. People are trying to make things happen in a positive way up here. We love it.

    Chris English: I can say George Wurster is the spirit of the North Country. I love that guy.

    Catch Lucid on tour this summer throughout New York and select New England dates, wrapping up with the Lucid-hosted Backwoods Pondfest Music Festival.

    May 7 Firehouse, Rochester, NY
    May 8 Spring Revival, Macedon, NY
    May 9 Nietzche’s, Buffalo, NY
    May 10 Keegan Ales, Kingston, NY
    May 16 Shake the Mountain Festival, Solid Rock Ranch, NY
    May 22 Blarney Stone Pub, Norwich, NY
    May 23 Olive’s, Nyack, NY
    May 29 Nanola, Malta, NY
    May 31 Main Pub, Manchester, CT
    June 10 Church, Boston, MA
    June 12 Theos BBQ, Springfield, MA
    June 20 Shepard’s Cove, Lake George, NY
    July 25-26 BRYAC, Bridgeport, CT
    August 8-9 Backwoods Pondfest Music Festival, Peru, NY

    Lucid Website Facebook Twitter YouTube

  • Local Limelight: The Garcia Project – Creating The Jerry Garcia Band Experience

    The Garcia Project, based in Saratoga Springs, is a faithful conduit for the music of Jerry Garcia Band, conveying emotional resonance through the music that Jerry Garcia fans have known for decades. The Garcia Project includes Mik Bondy on guitar and vocals, and Kat Walkerson on vocals. A cavalcade of musicians join them in various lineups,including Greg Marshall, Jordan Giangreco (The Breakfast, Viral Sound) and Scott Guberman rotating in on keys, Dan Crea, David Alderman and Fred Wilkes on bass and Bob McKeon, Aaron Martin and Brian Sayers on drums on any given night. While the lineup can change from show to show, it’s always The Garcia Project!

    the garcia project

    Additionally, Mik and Kat perform the songs of the Grateful Dead and Jerry Garcia Band tunes in their our own arrangements, as Acoustically Speaking.

    Kat Walkerson has a truly soulful voice, displaying great energy with her passion pouring out from her vocals. A kind soul that brings a warmth to any room she performs in, her voice is a perfect compliment to Mik’s, who is The Garcia Project’s “Jerry”, a part he plays with humility and focus on the music to channel the spirit of the Fat Man. In paying tribute to Jerry, Mik has made two guitars and replica speakers and equipment to bring about the true Garcia sound. Previously, Mik was in the band Tapestry for over 20 years. Recently, Mik and Kat have performed with Melvin Seals and the guys from JGB Band.

    Pete Mason: How does The Garcia Project channel the sound and spirit of Jerry Garcia Band?

    Mik Bondy: Everyone in The Garcia Project loves the music that the Jerry Garcia Band created. We are all huge fans of Jerry. And much like us, the folks that come out to share in the experience are huge Jerry fans too. This makes the synergy between the musicians and the audience very strong, right from the start. Couple that synergy with professional, seasoned musicians that really want to provide and recreate a Jerry Garcia Band experience and really care about the music and the performance of it – and you have the recipe. We also study the music and the various eras, we build instruments and rigs that mimic the sound and styles. We always do a group huddle before we perform a show and thank Jerry for the music and ask his blessing on what we are about to create with the people. We fell very blessed and are thrilled that folks keep coming out and enjoy it as much as we do. Its really all about the love of the music.

    PM: What sets The Garcia Project apart from the other well know Jerry Garcia Band act, Melvin Seals and JGB?

    MB: Melvin Seals and JGB are great friends of ours. Kat performed with Melvin and JGB a few times back in 2010-2011. Both Kat and I recently performed with Melvin and members of JGB up in Saranac Lake, NY and Melvin Seals performed as keyboard player for The Garcia Project last year (and will again this year) at Jerry Jam, the best Jerry festival in the Northeast. We really love and respect Melvin and the JGB band.

    Melvin Seals has his own new arrangements of songs and writes his own custom set lists. The Garcia Project has been recreating classic Jerry Garcia Band shows and sets and attempts to perform in the same style and tempo as each show and era. Each era has it’s own flavor.  We recently did a 77 show at Mexicali Live that there was no recording of the original JGB show, so we pieced together the show from other recordings from the year for reference and then performed it in that style. Both bands have very unique sound and we love what we both add to the scene.

    Listen to the whole Mexicali Blues show where we recreated JGB Nov 16, 1977

    PM: Why the music of Jerry Garcia Band? Why not Grateful Dead songs?

    Kat Walkerson:  Our love for the Grateful Dead is equal to our love of Jerry Garcia Band. If not for attending Grateful Dead shows, we wouldn’t have known about Jerry Band. Even back when Jerry was around, JGB was much lesser known and attended. It was something special that you were lucky to stumble upon. We feel that the Jerry Garcia Band catalog is an extraordinary collection of wonderful songs. Many of them are songs not original to the Jerry Garcia Band. They were songs that Jerry picked out because they were special. Adding to that, he mixed them all up, rearranging them and making them the style of music that is Jerry Band. We all agreed and loved them too. And we loved what happened to us as a community when we gathered for this music. This music creates a special space, a fertile ground where positive things grow. Love, friendship, community, healing, forgiveness, progress in general.  Jerry Band is a love and connection fest of the purest nature. We always say “The Grateful Dead is like Saturday night, and Jerry Garcia Band is like Sunday morning”. What is created and experienced when we all gather and enjoy this music together is something that  should continue.  So, as we love the grateful dead, and play some whenever we can fit it in, we focus on the Jerry Band catalog. Like the Grateful Dead, there is also decades worth of this music, so many great musicians rolled through the band in (30?+) years. There is so much to hear and enjoy. We want to do our part to make sure this music gets and stays out there.

    PM:Is there a certain year or era of Jerry Garcia Band that you particularity enjoy the most? Why?

    MB: I really love all of the eras, really. But the 1977-78 Jerry Garcia Band shows have been firing me up recently. I love the tempos and the arrangements.

    KW: All equally

    Bob McKeon: Late 1970s and late 1980s.

    Dan Crea: 1978 with Donna and Maria.1977 counts too but there was no Maria, and I’m a big fan of hers.  I like the open space that Keith left between his notes and how his sound kept the mix nice and open.  Great “Lonesome’s” in this era!

    PM:  Where do you think you’ll be in five years?

    MB: We would love to travel and take the music of Jerry Garcia to many more people around the world. With the right team, I could see us touring and playing venues all around the world.

    The Garcia Project Tour Dates:
    February 15 – Garcia’s at The Capitol Theatre, Port Chester, NY
    February 22 – WSG String Band and Blessed and Gifted, Spaceland Ballroom, Hamden CT
    March 22 – The Cannery Music Hall, Southbridge, MA
    April 5 – Arch Street Tavern, Hartford, CT
    April 19 – 420 Celebration at The Oneonta Theatre, Oneonta, NY
    July 25 – Jerry Jam Music Festival, Bath, NH, with Melvin Seals on Keys. The festival runs July 25-27.

    Acoustically Speaking Tour Dates:
    February 1 and 22 – Opening for The Garcia Project
    February 21 – Franklin’s Tower, Albany, NY
    February 28 – West Mountain Ski Resort, Queensbury, NY
    March 28 – Franklin’s Tower, Albany, NY

    Keep up on everything The Garcia Project on their Website, Facebook, Twitter and YouTube pages.

  • Local Limelight: Buffalo’s Aqueous

    Buffalo’s Aqueous is:

    Mike Gantzer: Guitar, VocalsDSC_2965
    Dave Loss: Guitar, Keys, Vocals
    Evan McPhaden: Bass
    Nick Sonricker: Drums, Vocals

    Mike, Dave, Evan, and Nick make up Aqueous, the four piece prog machine out of Buffalo, NY that is rapidly becoming known up and down the East coast. The band played over 125 shows in 2013 resulting in a tighter bond evident throughout their playing. It’s difficult to sum up their sound concisely though as they can quickly shift from one genre to the next effortlessly. To give you an idea, the guys have covered everyone from Elton John to Notorious B.I.G. and The Beatles to Metallica. Even still, there’s something very distinct about their sound mixing rock, prog phrasing, and a heavy focus on groove. Their attention to both structure and free-form improv leaves their shows wrapped in intrigue. If you really want to know what they’re all about, as cliché as it may be, you have to catch their live show.

    The band recently released Live Nugs Volume 4 at the beginning of the year. Consisting of five live cuts of original songs from their fall tour, the album puts their current chops on display and is a perfect marker for growth through the Live Nug series. gave a glowing review of the album, claiming the tracks to be the “headiest to date.” Additionally, the band is set to do their first ever residency at Buffalo’s Nietzsche’s in February. On each of the four Wednesday’s of the month, Aqueous will be joined by a special guest and feature a different theme. The four bands playing in support are Pigeons Playing Ping Pong, The Mantras, Broccoli Samurai, and Big Something. Aqueous is even offering a pass for the whole month allowing you entry into each of the four shows for only $20.  If you’re unable to make one of their hometown shows, don’t fret.  Their spring 2014 schedule was just announced, and it looks as though it’ll be relatively easy to catch these guys if you’re anywhere in the Northeast.

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    What type of fan is Aqueous for?

    Dave Loss: Honestly, Aqueous is for fans of music. Yes we do a lot of improv when we play live and are influenced by many of the major jam bands like Umphrey’s and Phish, but beyond that we all like many different types and styles of music and are always determined to keep things interesting and avoid being too repetitive. Oh and we always focus on keeping the groove. We are big on groove!

    Mike Gantzer: I agree with Dave here. We try to put into one of our shows the things that move us most when we see shows; energy, interaction, occasional theatrics, and general fun. We certainly have a sound, but we believe that music should push and pull, and contrast is a beautiful thing. Mixing rock with reggae, funk with hip hop, metal with bluegrass etc. It’s wonderful as musicians to delve into different sounds and styles, and even better to see people react to that contrast.

    Where do you think you’ll be in five years?

    Dave Loss: Popular enough to where I don’t need a Facebook anymore and can strictly use Twitter……but seriously I would love to be at a point where I could play venues like the Town Ballroom here in Buffalo all over the country. Maybe even on a European tour! But really if I could make a living off playing and recording music, that would be a dream come true.

    Mike Gantzer: Personally, my goal for the band is to play in Japan and do a European tour within the next five years, and make it to the West coast. We’re all grateful for the level of support we’ve been shown, and I think our priority is to keep building on that momentum and write and tour as much as possible.

    Evan McPhaden:  In the next five years I’d like to be able to tour more extensively, reaching the West coast would be amazing.  Playing some of my favorite venues where I’ve seen bands that I love like the Town Ballroom.  Ideally, if I could survive from playing music that would be all I need.  Lastly, in the next five years I’d like to find a golden ticket and meet Willy Wonka.

    Keep up on everything Aqueous via their WebsiteFacebookTwitter, and SoundCloud pages.