Dopapod – Brooklyn’s hottest genre-melding groove rock experience – released their late February/early March plans today with the Road to Aura Tour, leading up to a two night run at Florida’s Aura Music & Arts Festival. Dopapod is touring off the release of their latest release Never Odd or Even (Check our review here).
The Dopapod tour kicks off Feb 25 in State College PA before heading into Buffalo New York for a Feb 26 show at the beautiful Tralf Music Hall. The ‘pod then heads south with dates in Tennessee, Kentucky, and both Carolina’s before hitting Aura on March 5-6.
After consuming Dopapod’s fourth studio effort Never Odd or Even a few times I started to feel a kinship with that moth lead guitarist/vocalist Rob Compa sings about in “Present Ghost” – the albums lead track. Unlike most releases of late, it ruled my brains mental music player for days without rest. End to end the 9 (+1 hidden) track piece has no dead air, no filler, no bathroom songs and more peaks and valleys then the beautiful Upstate NY terrain. This is music that goes beyond simple listening and invites your other senses to an emotion filled rager (w/ free tequila!). It’s happy, sad, spooky, mysterious, and ecstatic all in one prettily packaged jewel case.
“Remembering is everything! Everything! Everything!”
The ‘pod’s music, like many of their peers, is impossible to pigeon-hole into any sort of simple description . This is genre-non-biased music by definition – a conglomeration of every influential mentor on four musician’s lives. Like Mr. Compa says – remembering is everything – to transcend ones predecessors one must appreciate their crafts in their own original way. Influences are rife throughout N.O.O.E – the “Empty Spaces” (Pink Floyd) like breakdown in lead track “Present Ghost” – the Zappa like guitar and organ harmony in “Like a Ball” – the Cream sludge rock bookends on quite probably the world’s only honky-tonk jazz instrumental: “Hey Zeus (Que Pasa)”. Even Hollywood gets a nod here with the Poindexter infused peaks of the aptly titled “Nerds” which – beyond an amusing spoken part – only contains the repeated lyric “No words”.
“They just don’t like sing that much, there’s like no words”
It would be remiss of me to exit this review without mentioning the absolute high point of an album full of them. Track 4 – the mysteriously titled all instrumental “FABA” – takes back the sadly overused word “epic” to its original meaning. Despite containing elements of jazz, funk, rock, and electronica this nine minute piece is closest to a classical composition – as if Mozart and Anastasio smoked a giant blunt and made a hippie opus for the ages. Put simply – it fucking rocks. All of it rocks, get on this album, it’s the best 10$ you’ll spend this year.
Dopapod axe-man Rob Compa motions towards the left side of Rochester’s Water Street Music Hall’s floor -“Right there! As a kid, I stood right there and watched Umphrey’s McGee play.”
Rob’s hometown enthusiasm (Rob is from East Rochester) would carry through a blistering two set/multiple encore night that even Light/Sound man extraordinaire Luke Stratton proclaimed on Twitter as “Best show of the tour so far!” – and that dude sees every show. 2014 has been a rocket ship year for Dopapod – filled with top festival spots and packed shows – and their performance on a warm Fall night in ROC-city showed abundant proof why.
Before the aforementioned Dopa-storm occurred, two other excellent performances would foreplay the crowd nicely. Stereo Nest – a one man looping experience project by multi-instrumentalist Collin Jones (also of Ocupanther and Haewa) – played an energetic set of organic jamtronica fusion as the floor filled up and got the people moving. Think Keller Williams gone EDM. Only a few shows deep into existence, Stereo Nest is proving to be a force to track.
After a fast 15 minute changeover NYC’s Consider the Source came out and immediately laid into an extended middle eastern infused spooky-as-hell jam that perfectly complemented October’s arrival. Everyone stared, transfixed by the bands mind numbing instrumentation. Silence made an odd and welcome entrance throughout the crowd if only for a few fleeting minutes: People – in the rarest of occasions at a modern musical show – actually shut up and listened to the band. CTS is mental music at its absolute peak which can bring the listeners to the frayed edges of sanity. Much like an unexpected hostel tryst with a sexy debonair stranger – they might not always be exactly sure what’s going on, but they know they like it and they want it to keep going. Highlights of the set included a mash-up of “Miserlou” (popularly known as “that Pulp Fiction Song”) and the Beach boys “God Only Knows” along with a blazing outro jam replete with Star Wars teases. An apropos ending for three gentleman who have obviously attained Jedi powers.
Set-break ensued while people happily refilled their beers and rested their limbs for the last time that night. Water Street had gone a long time without the fizzy stuff due to an ownership change and it was great to throw back some brews yet again at one of Rochester’s most historic of venues. Dopapod came out with the 2009 song “Roid Rage” – a song that starts off jazzy and unassuming before barreling into the fusion/prog/rock hodgepodge typical of ‘Pods genre-wildcard style. Dopapod is one of those crossover bands that should give those fans that are music lovers but have a natural disdain for bands labeled as “jam” a reason to consider. This band is no Phish, no Dead – this band is a culmination of influences across the spectrum. Imagine if all your favorite bands played at once and you get a sense of what ‘pod is all about. As the set continued the band visited several tracks off their upcoming release Never Odd or Even – “Psycho Nature” “Hey Zeus” and perhaps one of the most epic songs ever – “FABA”. “FABA” – an instrumental which no one seems to want to reveal what the acronym stands for – typically exceeds the ten minute mark and is a dictionary level study in the science of musical contrast. Filled with more goose bump inducing air guitar raging peaks then the Alps, this song grabs the mind heart and soul and does not let go. As if that wasn’t enough, the set ended with an exclamation mark – an absolutely mm/ rendition of Black Sabbath’s “War Pigs” with all three members of Consider the Source joining the fun on stage.
At this point – being 12:30 AM on a weekday – sadly this reporter had to head to bed. The band continued with a full second set filled with some of the most revered songs according to the bands fan club – Dopafam – with enthusiastic reports on excellent versions of “Nuggy Jawson” “Onionhead” and “French Bowling” as well as a rare “Carolina” second encore that ended after 2 AM. When the ‘pod hits the area again, that next day is getting taken off.
Dopapod Set List
Set 1:Roid Rage, Trapper Keeper, Psycho Nature, Hey Zeus!, FABA, Grow, Vol. 3 #86, War Pigs* Set 2: Nuggy Jawson, Priorities->Off the Cuff->Priorities, Onionhead, French Bowling Encore: Nerds, Carolina
* Black Sabbath, w/With Gabe, John, and Jeff from CTS[FinalTilesGallery id=’26’]
On this unseasonably warm Saturday night Sept. 27, people flooded into Putnam Den to see and hear some of the best live music around with Consider The Source and Dopapod. The vibe was chill, most people waiting for the bands to come on were talking about the music. This was a good sign of what was in store. There was a wide array of ages 18 and up (in some cases way up) but regardless of what age, everyone was there to get down and have fun.
Consider the Source, a power trio out of New York City opened to a packed room, which became more and more engulfed as the seconds went on. Starting with a slow melodic piece that was reminiscent of Pink Floyd; a treat to many in attendance and a good sign of what the evening had in store. The lead Guitarist, Gabrielle Marin, played a double neck guitar possessing many different effects; one emulating a horn which was out of this world. Fans were looking around to see where the horn layer was, which there wasn’t, it was just on the guitar, this was brilliant as well as impressive. The drums played by John Olsen, laid down a sweet groove to jam over, which usually the drum and bass do together. Which they did do to a point but the bass player, John Ferrara, had many solos of his own. Showing that this band was, well, a band. There is no real way to describe the sound of Consider The Source but ‘Thrash Jam’ could fit. They did just that, holding the audience’s attention while getting them ready for Dopapod.
Dopapod opened with “Indian Girls”, a very danceable groove layered by heavy beats provided by two percussionists and the bass. This one kept the energy that CTS left going, and even raising the bar. It was on and the party was just about to get into full swing. Dopapod took their groove to another level with “Brooklyn Bridge”, and by adding in vocals, this made their jams actual songs to sing along too, and many people did. Smiles were abounding as people sang along and a small sense of family was felt throughout the crowd. This showed they were not a one trick pony who could come out and lay down heavy beats and just move on to the next heavy track, which so many bands tend to.
The compositions of Dopapod were very complex. All four members of the band, including Adrian Tramontano from Kung Fu as a guest percussionist, were very intricate parts of these songs and everyone stayed tightly together, not losing a beat for a second. It may have seemed as if they were all over the place, but with a careful ear you could tell they were 100% on the same page. This was sheer brilliance. This led into a dark trance like groove keeping their overall sound, their feel, which isn’t very easy to do when shifting so drastically. With Dopapod’s heavy build ups, there was only one place for them to go: the peak. When they reached this peak it was second to very few. The lights went up, the crowd roared, and the payoff was well worth the wait. Eli Winderman’s keys and Rob Compa’s guitar took fans to another world, the world which is known as Dopapod.
Brooklyn’s Dopapod have announced that their 4th studio effort, Never Odd Or Even will be independently released on November 11th. Culminating from a combination of studio efforts and a gargantuan touring schedule bringing ‘Pod all over the country, fans and band members alike are psyched. East Rochester native and shred-master/vocalist Rob Compa shares his excitement – “The Never Odd or Even sessions cultivated a serious growth in the band’s creativity, each person stepped to the plate and put out great creativity and passionate playing, while inspiring everybody else involved in the project to do the same. We really feel that the material this time around represented a big leap forward, not just in the way we’ve been interacting as a band, but in the way our focus has become sharper in paying attention to things like melody, theme, lyrical imagery, and structure – all the elements that make a great song.”
Organist/keyboardist Eli Winderman added his own thoughts about the recording process with friend and producer Jason “Jocko” Randall – “We lived at his studio for about a month for these sessions and it just clicked right away, with Jocko’s attitude and approach to the recording process, we were able to really dial in the sounds we wanted, get those perfect takes we were aiming for, and have a blast the whole way through.” Fans interested in the new album can visit the bands website to sign up for a mailing list which will get them a FREE digital download on release day as well as a chance to stream the first video released, “Picture in Picture”.
Upstate fans will have several opportunities to catch Dopapod this fall starting with a homecoming show for Mr. Compa this Thursday, October 2nd at Water Street Music Hall in Rochester with instrumental wizard trio Consider the Source. Local up and coming uber-talented guitarist Collin Jone’s one man band Stereo Nest will start the show up in style. Ticket’s are available online and at several local ticket vendors ($12.50 pre/18$ door).
Check out our list below for more area Dopapod show opportunities.
10/23 Niagara Falls, NY – Rapids Theatre w/ Umphrey’s McGee $27.50-$30
10/29 Binghamton, NY – Forum Theatre w/ Umphrey’s McGee $25-$30
11/1 Oneonta, NY – Oneonta Theatre w/ Space Carnival
11/21 New York, NY – The Gramercy Theatre w/ Alan Evans’ Playonbrother & Teddy Midnight $16-$21
Not quite ready to admit 2014’s music festival season is over yet? It does not have to be. The first annual Resonance Music & Arts Festival takes place from October 2-4 at the Frontier Ranch in Pataskala, Ohio. Located 20 miles east of Columbus, the festival features two nights of Ohio natives Papadosio as well as Greensky Bluesgrass and Nahko and Medicine for the People as headlining bands.
The music starts Thursday afternoon at 4 p.m., and plays continuously for more than 12 hours per day on Friday and Saturday. Resonance boasts an eclectic lineup—from the multi-layered electronic beats of ESKMO to Twiddle‘s uplifting jams and The Mantras‘ heavy shredding to deep funk from The Main Squeeze, most branches of rock are covered.
The Empire state will be well-represented each day. Tauk and Aqueous play Thursday, Aqueous jams again Friday afternoon, and Consider the Source closes the music early Sunday morning after a long set from Dopapod Saturday night. Tauk has been touring furiously in support of their 2014 album, Collisions, while Consider the Source plans to release the first part of their new album, World War Trio, on Halloween. Dopapod has a new album, Never Odd Or Even, scheduled to come out on 11/11/14.
If the music is not enough, there will be visual arts, fire dancing, yoga, and The Amazing Giants will be hard to miss, donning colorful outfits and performing acrobatics on stilts. Each ticket also includes car camping, so you will never be too far from extra blankets or a quick heat source at this early autumn festival.
View the complete schedule and purchase tickets here.
Naysayers about the Rochester music scene will need to clam it up this October. End to end, the month is loaded with more shows than some cities are lucky to see in a full calendar year. ROCtober starts out “Hell Bent For Leather” October 1st with metal icons Judas Priest opening their tour in town at the Main Street Armory. Tour openers continue with hip hop legend NAS also starting his tour in ROC-city the very next night (Also at the Armory). Seemingly unafraid of any genre The Armory will also bring in Reggae (Elephant Man Oct. 10), classic rock (Kansas Oct. 16), country (Charlie Daniels Band Oct. 22) and alternative rock (Bastille Oct. 24).
Montage Music Hall adds to the fun with their own load of diverse genre shows. The New Mastersounds – an unbelievable funky English export – will team up with local top-tier talents Mojo Collective and Ocupanther for their inaugural visit to Rochester Oct 7. The 9th features the new/bluegrass of regional heavy hitters Cabinet. The 17th will find the absolute kings of the metal breakdown Unearth with special guest The Darkest Hour. Buffalo’s Aqueous will heat up the 24th with North Carolina’s The Mantra’s. The 30th will kick off Halloween weekend in style with two of Upstate’s favorite bands: Jimkata and Turkuaz.
Water Street Music Hall was missed for a good portion of 2013-14 due to some ownership changes but they are back and as usual are wasting no time bringing top-tier talent to the area. Dopapod and Consider the Source will jam up Oct 2nd. New Orleans’ Mingo Fishtrap returns to ROC Oct. 5 after an unbelievably packed set at the Xerox International Jazz Fest. The funk will continue with Lettuce making their premier trip to ROC Oct. 23. And to cap it off, one for the ladies – Water Street’s annual Men of General Hospital show Oct 24.
And all that barely touches the surface, check out our list for the rest of the notable haps in ROCtober below.
10/01 Judas Priest w/ Steel Panther (Armory)
10/02 NAS (Armory)
10/02 Dopapod w/ Consider the Source (Water Street)
10/03 BASSNECTAR w/ Kill Paris and Son of Kick (Armory)
10/04 Strange Birds (Montage)
10/04 Giant Panda w/ Mosaic Foundation (Zeppa Auditorium)
10/05 Mingo Fishtrap (Water Street)
10/07 New Mastersounds w/ Moho Collective and Ocupanther (Montage)
10/09 Cabinet w/ TBD (Montage)
10/10 Elephant Man w/ Gyptian and Spice (Armory)
10/10 Theory of a Deadman w/ Fozzy and 3 Pill Morning (Water Street)
10/11 Deicide w/ Septic Flesh (Montage)
10/12 Ryan Montbleau Band w/ Tall Heights
10/16 Heavy Trash w/ Bloodshot Bill (Water Street)
10/17 Unearth w/ Darkest Hour (Montage)
10/22 Charlie Daniels Band (Armory)
10/23 Lettuce (Water Street)
10/24 Aqueous w/ Mantras (Montage)
10/24 MEN OF GENERAL HOSPITAL (Water Street)
10/24 Bastille (Armory)
10/25 Badfish (Water Street)
10/28 Goat Whore (Bug Jar)
10/29 AJR (Montage)
10/30 Jimkata w/ Turkuaz (Montage)
10/31 Love and Theft w/ Joel Crouse and DJ DU (Water Street)
10/31 Roots Collider w/ Thousands of One, Subsoil, Mrs Skannato and Personal Blend (Flour City)
No family tree has as many strange branches as the ChillFam, and, from Sept. 5-7, approximately 5,000 fanatics gathered at the world’s foremost musical family reunion–the fifth annual Catskill Chill. Old friendships were rekindled and new ones born at Camp Minglewood in Hancock, NY. Among many other acts, Lettuce, Turkuaz, and Karl Denson’s Tiny Universe pumped out the funk, Kung Fu, Particle, and Papadosio rocked hard, and Dopapod, Electron, and Yonder Mountain String Band played their unique styles. From staff and vendors to artists and admirers, everyone at The Chill was camped on cloud nine. With round-the-clock live music on five official stages, pristine early September weather, and characters aplenty, The Catskill Chill was once again the perfect way to wind down festival season.
Friday
Anticipation and excitement blew in the pleasant Friday afternoon breeze as tents sprang up from the tennis courts down to the lake. My friend Chris and I headed to our “island”—a grassy triangle between sidewalk paths, large enough for our tents and chairs. Last year, we were known as the parking lot pirates; donning old-school Pittsburgh Pirates caps in homage to Ryan Stasik, our volunteering duty was to direct festival goers where to park. This year, we graduated to press pirates, hooked up by PR director Destiny Beck at the eleventh hour to promote the music we feverishly crave.
After setting up camp on the island, MUN’s early evening set in Club Chill was the first batch of music for me. While Nahko and Medicine for the People played the Main Stage, MUN jammed in the only fully enclosed stage. Led by guitarists Alfred Rylands and Wiley Griffin, they put on a heavy set of improg. The Brooklyn-based quartet will tour the Northeast this fall, providing the desirable kind of MUNdays with their “astrofunktronica.”
After The Eric Krasno Band lit up the B Stage with Alecia Chakour, Karl Denson’s Tiny Universe played the first primetime Main Stage set. With a solid mix of covers and originals, the funk-masters ignited a massive dance party in the hangar-like pavilion. Denson showed off his versatility with back-to-back covers of The Marshall Tucker Band’s “Can’t You See”, and The White Stripes’ “Seven Nation Army”, on the flute before switching back to the sax for The Beastie Boys’ “Suco De Tangerina”. Dressed to the nines, Karl Denson’s Tiny Universe wrapped up with “Shake It Out” and the mass before them obliged excitedly.
Uplifting piano notes from Marco Benevento began floating down from the B Stage as Karl Denson and company were still raging. Benevento’s was one of my most anticipated sets of the weekend, and he delivered. Banging his head and keys emphatically, melodic runs rained from Benevento’s piano in the steamy three-walled shed. Once in a while, he would take a break from jamming to clap along, beaming. “DJ” Drew Dreiwitz, also of Ween, cranked out a huge bass solo while Benevento sat back, sipped from his Solo cup, and soaked it in. The trio, rounded out by Andy Borger on the drums, covered “Benny & The Jets” and had the whole venue singing in raptures. Benevento will be touring this fall in support of his new album Swift, which releases on September 16th, and his show is not one to miss; he is as energetic and talented onstage as he is gregarious offstage.
From 11:15 p.m. to 1:15 a.m., Lettuce blew everyone away back at the Main Stage. Guitarist Eric Krasno, feeling at home at The Chill, shredded like a madman. The fired-up Kras sparked the rest of the band: Neal Evans crushed on the keys while the funk was rooted in the horns section. The venue was packed with fans swaying in hammocks, chilling in the bleachers, or grooving on the dance floor, which spilled out onto the hill in the rear. Lettuce played hits off each of their studio albums, including “The Dump”, “Sam Huff’s Flying Raging Machine”, and “Madison Square”. Adam Deitch was a rock on the drums and turned it up from “Outta Here” into a slamming solo. Jesus Coomes rattled bones with the bass and Alecia Chakour’s vocals were exalting. By the time they ended with “Blast Off”, the ChillFam was already in a state of bliss.
With Lettuce still keeping it fresh on the Main Stage, Pigeons Playing Ping Pong began flocking in Club Chill. The quartet features two guitarists with very different demeanors. Greg Ormont’s Sideshow Bob-like hair, infectious smile, energetic personality, and emphatic upbeat vocals make him hard to miss. While Ormont danced around grinning and singing, Jeremy Schon stood relatively in place, shaking his blonde mane, fingers deftly sliding around his six-string. Schon ripped through PPPP’s lively funkalogue, showing off big-league guitar skills. Barefoot bassist Ben Carrey scooted around the stage playing tight bass lines and drummer Dan Schwartz made his presence well-known. Twiddle’s Mihali Savoulidis joined for “Poseidon”, a number off Pigeons’ new album, Psychology, and the Baltimoreans hatched new dirty birds by concluding with a red-hot cover of “Suck My Kiss”.
The music would go on past 5 a.m. with Alan Evans’ Playonbrother jamming in Club Chill, but DJ Shpongle’s 2:30 a.m. set was my last bit of music on Friday. Shpongle, aka Simon Posford, had no trouble adding to his loyal following. He has mastered the art of playing to the mood. Those not melted into the hillside danced vigorously to the ambient DJ set. His beats are all-inclusive and joy ballooned in the pavilion as DJ Shpongle closed the Main Stage in style.
Saturday
Vermont quartet Twiddle was the first to play the Main Stage at 1:45 p.m. on Saturday. They opened with a rendition of “When It Rains It Poors” featuring beautiful vocals and warm harmonies. With each member dressed as a different Teenage Mutant Ninja Turtle, Twiddle segued into “Somewhere Over The Rainbow”. The master of turning knobs, Dopapod’s Eli Winderman, joined a few songs later and they almost got “Stooooped” off the stage when Kung Fu’s Todd Stoops sat in on the keys. Twiddle is finding their stride with well-composed songs, a positive message, and rapidly growing following.
Last year, as Chris and I directed cars in the hot, dirty parking lot, new-found enemies mocked us from their all-access/VIP pedestals: the teachers. When I heard a “Hey, pirate!” call while grabbing lunch between Twiddle and Cabinet, I knew instantly who it must be and my hand reached instinctively for a non-existent sword. As anticipated, it was one of the teachers.
Instead of spending our energies plotting each others’ demise, however, we formed the teacher-pirate alliance against wooks at this year’s Catskill Chill. On good terms, we wandered around pretending to duel and enjoying each other’s company at killer sets of music. From 4:30-6:25, ChillFam favorite Dopapod jumbled up an enthusiastic Main Stage crowd with jams like “Black and White”, “Freight Train”, and “Vol. 3 #86″. While they oozed out mostly originals, Adrian Tramontano joined on the hand drums for a Herbie Hancock cover before we headed to see a band people were talking about all weekend.
Long Islanders TAUK poured out chunky progressive rock in Club Chill after having slammed Lockn’ Festival the afternoon before. The quartet, whose members have been friends for longer than many Chillfam members have been alive, proved that they are not up-and-coming: they are here. They looked at ease on stage delivering heavy instrumental jams. They played “Mokuba”, “Friction”, and, personal favorite, “Collateral”, off new album Collisions. Bassist Charlie Dolan anchors the group while Matt Jalbert’s tight guitar riffs and well-placed solos add a healthy dose of inflection. Alric “A.C” Carter manipulates his keyboard dexterously while the “new guy” Isaac Teel does not miss a beat on drums. As Dolan pointed out, the group has the flexibility of continuing down the instrumental route or adding vocals one day, and their firepower gives them plenty of time to decide.
Despite the warmth of Club Chill and the delicious eeriness of TAUK, I moved over to the Acoustic Junction to catch the most talented trio in show business, Consider the Source. A loyal following wiggled in the rain as the Sourcerors rewarded with a cover of The Beatles “Blackbird”. They followed up with “Wayfaring Stranger” during which drummer Jeff Mann stepped up to the mandolin; he was so smooth that I barely noticed he was playing an atypical instrument. As the rain fell and the sun went down,the music was just getting turned up.
Yonder Mountain String Band played the headlining set on Saturday evening as the rain let up. Allie Kral sat in on the fiddle and, having caught her final set with former band Cornmeal at Summer Camp in 2013, I was eager to see her add to the Colorado bluegrass quartet. Their version of “Only A Northern Song” was awe-inspiring and they plucked out a unique rendition of The Talking Heads’ “Girlfriend Is Better”. Having also headlined in 2012, Yonder Mountain String Band may be an outlier to the funk-rock heavy lineup, but they bring a great following to the party and put on a captivating show. The strings-only group closed out their set by playing “40 Miles From Denver” and “Southern Flavor” to a delirious crowd.
After the first half of Cabinet’s Dead set in Club Chill, I learned that, after disbanding in 2011 (following 12 years of bumping), Canadian-based techno trio The New Deal is back. Consisting of keys player Jamie Shields, bassist Dan Kurtz, and drummer Joel Stouffer, they played a late night technotronica set to a packed Main Stage. Reunited, the band is scheduled to play a handful of shows across the country this fall as well as Dominican Holidaze.
I hopped over to the B Stage for The Nth Power after some more wook-watching. I need to be tested, but I may have been impregnated by their music. The quintet with one outlier (Nikki, Nigel, Nick, Nate, and… Weedie) played baby-making music to a dazzled crowd. Most of the songs they played will be featured on their 2015 debut full-length album, Abundance, but they threw in a euphoric cover of Marvin Gaye’s “I Want You”. Featuring powerful vocals and deep bass lines, the Nth Power creates a rich flavor of funk and produces a mesmerizing show.
Papadosio’s late night Main Stage set on Saturday proved that a music festival is like a box of chocolates. Anticipating an ambient, trancey end to the night, Papadosio put on a slamming set of rock. Festival goers like myself, who expected to be gently lulled toward sleep, were rocked back to life starting with a 20-minute “Find Your Cloud”. Eli Winderman joined for a tasty “Unparalyzer” as the Brouse brothers, who handle the band’s keys and synths, gave Dopapod’s keyboardist the reins. Anthony Thogmartin’s songwriting ability was evident as always and ‘Dosio is rounded out by bassist Rob McConnell and drummer Mike Healy. The Ohio natives jammed deftly until 4 a.m. while Pink Floyd/Talking Heads/Phish fusion Pink Talking Fish wound down the night in Club Chill.
Sunday
Every day at a music festival should start with a set from Turkuaz. After helping one of my best friends (whom I met at last year’s Catskill Chill) move out, Dopapod showed their innovation is not limited to the stage by serving up pancakes with a side of jam. Then, Turkuaz supplied the fuel needed for the rest of the weekend at the Main Stage. One cannot not dance while watching the Brooklyn-based funkernaut. Michelangelo Carubba looked and sounded fly as usual while leading the 9-pack on drums. Celebrating her birthday by gracing loyal fans with rich vocals, Sammi Garrett was on point all day and guitarist Dave Brandwein laid down the hammer on his axe. Bubbles and sunshine filled the early afternoon air while Turkuaz put the “fun” into funk with the title track off their recent album Future 86. As the horns rang out, knowing looks spread through the crowd: “These guys are getting it!”The band is on fire right now and their merch sports my new go-to alibi: “Turkuaz made me do it!”
After packing my gear up and reluctantly moving off the island, the rest of the day was dedicated to music. Particle carried on the bash that Turkuaz started as drummer Darren Pujalet led a one-way race to funkville. Turuaz’s horns section came out to brighten the set for a jam, then The Hornitz and original bassist Eric Gould joined and shook up the house. Guitarist Ben Combe is a force on stage, and Particle’s progressive synthy style is catalyzed by Steve Molitz on the keys, who also spit a rendition of Slick Rick’s “Children’s Story”. Particle played plenty of new songs and left many people slack-jawed with one of the harder sets all weekend.
I followed Particle’s bassist Clay Parnell up to the B Stage, where he also played with American Babies. They played a more traditional rock set highlighting Tom Hamilton’s songwriting and singing abilities. Electron’s Aron Magner sat in for a cover of The Dead’s “New Speedway Boogie” and the crowd loved Dylan’s “Tangled Up In Blue”.
Back at the Main Stage, Kung Fu impressed with hard funk. Tim Palmieri challenged Eric Krasno for “master shredder” title of the weekend and Todd Stoops played some glorious piano solos. Robert Somerville got real saxy and Chris DeAngelis was crisp on the bass. These ninjas’ chemistry glows like a beacon on the stage. Drummer Adrian Tramontano’s kit, like Tramontano himself, is compact, but the Zack Galifianakis look-alike is an inspiration for us vertically challenged denizens everywhere. As onlookers gawked, he crushed one of the best drum solos of the weekend, moving with remarkable speed. The horns and ladies of Turkuaz reappeared to form Kungkuaz and play Stevie Wonder’s “Haven’t Done Nothing”, a highlight of the entire weekend. The Connecticut quintet, who will tour the East Coast in October and November, never fail to deliver.
Before I could see Consider the Source‘s plugged-in set, I heard them and thought, “That can’t be them; that’s at least 6 or 7 people.” It was, however, CTS. There is videographic proof that I am not being hyperbolic describing the Sourcerors as a crew filmed the set. Drummer Jeff Mann must have eaten his Wheaties; he played with a maniacal reckless abandon. Guitarist Gabriel Marin, whose fingers glide like butter on glass across his fretless guitar, played an upbeat trumpet solo on his custom double-necked instrument. “Tihai For The Straight Guy” was a classic example of Beach Boys meet Middle Eastern pop-rock and, during “Keep Your Pimp Hand Strong”, bassist John Ferrara ripped the dirtiest bass solo of the weekend. With the first part of their new album World War Trio releasing this Halloween, expect heavy ripples from Consider the Source this fall.
The final evening at Camp Minglewood was chilly, but Electron cranked the heat at the Main Stage. Comprised of The Disco Biscuits’ Marc Brownstein and Aron Magner on bass and keys respectively, Lotus’s Mike Greenfield on the drums, and American Babies’ guitarist Tommy Hamilton, they broke through with the most expansive jams of the weekend. Not only was their music out of this world, their light show was spectacular. Despite being Sunday night, the dance floor was as packed and busy as any point during the weekend. Electron played richly textured space jams with intricately laid layers and explored the psychedelic. Magner pounded emotionally on the piano and gave equal attention to the synths, and Greenfield put the pedal to the metal a bit more than he would with Lotus. With glow sticks flying, rage sticks raging, and bodies bumping, Electron put an exclamation point on a great weekend of music.
My ship had sailed at Catskill Chill by the time the plug was pulled on Electron. Having bonded with old friends, acquired a host of new friends, danced to hours of incredible music, and explored every corner of Camp Minglewood, I was ready to put another successful Chill in the books. The marathon was over and the memories were made; now, I attempt to wait patiently as anticipation is already bubbling for Catskill Chill 6.
Check out a video of Yonder Mountain String Band from the festival:
Anyone who lives in the Upstate region knows that summer is not something to be wished away. The short season of nice weather is always packed full of barbecues, weddings, family get-togethers, and weekends enjoying the outdoors. That being said, if there was one reason to look past the shorts and tank tops this year to hoodies and jeans, it would be Night Lights Music Festival. The festival is held in Sherman, NY (directions here) and has continued to get better with each proceeding year. The team who puts it together always does a great job, but this year they have set the bar quite high for western New York festivals with an incredible lineup that had most ready to smell the pumpkin spice back in the spring when the bands were announced.
DrummerMichelangelo Carubba of Turkuaz is actually a Buffalo native who grew up in the area and still has family who lives there. I was able to catch up with the man who keeps each member of the funk army marching to the same beat. Below, we talk about his hometown roots in Buffalo, his band, and Dave Brandwein’s trip to SkyNet, among other things.
You’ve lived on both ends of New York State now and have experienced many cities on tour. What are your top three favorite places and why?
This country is so vast and varied. I’ve toured 49 of 50 states (still waiting on that call to go to Alaska). New Orleans has always been one of my favorites. There’s something in the DNA of that town. It vibes harder than most cities. The food, the music, the people, everything. It’s great. Denver has been really good to us. The fact that you can buy herb with a credit card is pretty mind-blowing. But my favorite place is New York City. There’s nothing like it on earth. There’s everything for everyone and it’s always ready to go. It can be peaceful if you want, or it can rage harder than anywhere else. You can live at an ever-changing pace and it’s always right there with you. And I’m a native New York, East Coaster, and you just can’t get better Italian food than in New York.
How did you end up in NYC with Turkuaz after growing up in Buffalo?
I moved to Boston in 2006 when I was 21, after touring for 3 years in various bands. I moved there to attend Berklee College of Music. There, I met a lot of the people I still make music with today. When everyone was graduating, almost my entire crew was making the move to NY, en masse, so it was the logical next step. If you’re going to make a run for it with a band, New York is the place to do it.
Who are some of your biggest influences and why?
Muhammad Ali. He was the first hip hop poet. He could knock a man out like no one’s business. And he knew it. Queens of the Stone Age, musically, have been fueling me for the last ten months. I saw them at Barclay’s Center in Brooklyn, and I’ve never been rocked so hard. Great songwriting, and an aesthetic that’s dripping with sex and pain. I love them. Snarky Puppy has been inspiring me as well. I won’t try to articulate why. Go and listen.
Tell your fans something they might not know about you or the band.
We’re insane.How did Jaguar start and what’s the current state of that band? Will you guys eventually record an album and tour?
Alan Evans’ PlayonBrother and Turkuaz were on the road together for six weeks. I had known Danny Mayer and Beau Sasser for a long time. Beau had always been a mentor when we lived together in Boston. I think the band was actually born out of a few rounds of whiskey shots. Musicians are always looking for outlets, or ways to say what you want to say. We all thought it would be great to play together. Jaguar hits are all improvised at this point. We all have pretty open ears, and we’re all close friends, and that translates into the music. Everyone is very busy at the moment with main projects, but Jaguar is looking to hit again in the fall in the Northeast. I’m sure an album and touring will happen at some point.
How did Turkuaz grow to include so many musicians? Was that by design?
Unintentionally, yes. The bands sound was created by Dave Brandwein and Taylor Shell, our guitarist and bassist. They were making demos together in the Berklee days, and someone passed a demo off to Berklee’s record label, Heavy Rotation Records. The label asked Dave and Taylor to perform at the record release show at the Berklee Performance Center for 1,000 people. The demos were so musically dense, that to recreate the sound live, they needed to call eight or nine people. And it always stayed like that. It works.
The band has springboarded pretty quickly in terms of popularity. What do you think that is attributed to?
A relentless touring schedule over the last two and a half years has had a lot to do with our growth. We’re very lucky. People are coming out to shows and having a blast. We are too. When you’re in front of that many people, day in and day out, all over the US, you hope that something sticks in people’s minds. Our music and vibe seem to be sticking. We also just have fun. I think people read that. I think they realize that we’re up there giving our all every night because we want others to be happy.
How is Dave Brandwein’s hand? Has he made a full recovery from the injury?
We sent Dave off to SkyNet and he now has a fully bionic set up from the elbow down. It’s indestructible and it’s always set to rock.
What influences do you bring to the table outside of funk?
This is a hard question to answer. It would be a waste to say, “well I like rock and jazz and blues, etc.” The influences I bring, to make the music that I’m playing come alive, are things like my love for boxing, stand-up comedy, faith, sex, cinema, and animals. The playing is gonna be there, I can play these tunes with a blindfold on and one arm tied up. What makes it happen, what really gets me and the band and the crowd off, is when we bring real life into the music. How ever I’m feeling, I’m putting that into the music. Life is my influence.
What are some of your favorite things about the city of Buffalo?
The people. They’re kind, empathetic, and real. The food. I mean, come on. I just love what Buffalo means to me. I have such a connection to the city. I was born and raised there. My father owns Carubba Collision, and anyone that’s a Bills, Sabres, Bandits, or Bisons fan recognizes that name. “The Carubba Collision of the Game” has been a great part of Buffalo sports for the last 35 years. When I think of Buffalo, I think of the times spent at the Aud, at First Niagara Center, or at the baseball field, (whatever it’s called now). Buffalo will always hold a very special place in my heart.
Alan Evans is another big drummer from Buffalo and it seems, on social media, that he has become a friend. What experiences has he shared with you as an up and coming drummer?
Al has become a close friend. Al is a great musician. Not just a drummer, but a guitarist, bassist, singer, and producer. We share a similar sense of humor, and a similar understanding of things. Al is a true Buffalonian, and I think I am too. I feel like we subconsciously relate to each other along that plane. He’s taught me about humility, hard work, and ambition. Al’s kind, generous, loyal, and most of all, real. There’s a lot of people on his level that are fake. Al is not fake. Al is the shit.
Who are some of the bands you still haven’t played with, but would like to?
Well, Snarky Puppy for sure. I’m going to kick that off the bucket list on September 13th, at Night Lights Music Festival. That’s going to be incredible. I get to play a show, walk off stage, and watch one of my favorite bands in the world play right after. You can’t ask for much more than that.
What is up next for Turkuaz?
Finishing up festival season now, with the exception of a few late in the year (Bear Creek Festival in November in FL). For September, we’re locking ourselves away for the month and recording our next album. We have a few shows during the month that we’re thrilled about. On the 19th we’re direct support for Bootsy Collins in Baltimore. That is a dream come true. He wrote the book on a lot of what we’re trying to do, so to get to share it with him and a huge audience, is amazing. Aside from that, we’re touring. We’re always touring. It never ends. And we love it.
Are you a Bills and Sabres fan? What do you think about the state of both teams?
I love all Buffalo sports, like I said earlier, but the Sabres are the closest to my heart. Growing up, a lot of the old Buffalo Sabres were around my house and at family parties. John Tucker and Paul Cyr (throwback) used to come and cut their Christmas trees down on my families land. John Tucker gave me my first Labatt Blue when I was five years old. Rob Ray taught me how to swear when I was seven. I remember watching Dominic Hasek play horrible golf, yell in his native tongue, and throw golf clubs. The Sabres organization will always be very close to me. As for the state of the team, I think the entire city, and everything and everyone involved, is on the rise. Companies are investing in Buffalo. Neighborhoods are being revitalized. Restaurants, shops, homes. Everything is coming back. I think the Sabres and the Bills are headed in the same direction. I think by 2020, Buffalo is going to have a new identity. It’s not going to be “that places where it snows”. Its going to be a Championship city where people go for music, food, and living life. I love Buffalo.
If the lineup somehow doesn’t convince you, there’s also this little side element that not a lot of people realize, even with it being in the festival name: THE LIGHTS! Night Lights Music Festival is one part music festival and one part light display. This isn’t just stage lighting though as the Night Lights HQ sets up an enormous and truly stunning display throughout the woods. I can leave this description brief as words simply don’t do it justice. Check out the pictures from Arthur Kogutowski below and we hope to see you dancing under the lights next weekend.
If you’re now looking for tickets to Night Lights Music Festival, you can grab them here. They’re $75 presale and include camping and parking.
A slut nixes sex in Tulsa, but BOOBs were on full display in Port Chester on Tuesday, Aug. 19. The BOOB & Friends boobday/birthday bash for Dopapod’s bassist/palindrome enthusiast Chuck Jones raged well into Wednesday morning at Garcia’s, fueled by good vibes and heavy improvisation.Dopapod stealthily took the stage before a rapidly filling crowd and began jamming shortly after 9:30 p.m. With eagles and seductive photos of Chuck alternately soaring across a screen in the background, Jones took the lead, pumping out quaking bass lines. Boobday boob-shaped balloons bounced around and “Weird Charlie” invaded the room as Chuck was clearly Jones’ing for a dance party. Many of NY’s finest musicians came out to celebrate, thanking Chuck for the uniquely creepy thuds and plucks his well-trained fingers strike in unusual time signatures.
Dopapod’s original drummer, Mikey Carubba, had the first sit-in as Scotty Zwang cooled off from a hot start. Having just ridden through Garcia’s with his own funk army Turkuaz last week, Carubba smashed the kit with the force of an oncoming train—“Freight Train.”
With Eli Winderman still grinning and grooving on the keys, Chuck waded off the stage into a sea of love from family, friends, colleagues, and fans. Guitarist Rob Compa welcomed Consider the Source to the stage, but not before their bassist John Ferrara made eye contact and already began grooving with Eli. Once guitarist Gabriel Marin and drummer Jeff Mann were set up, they opted to play “_/” (yes, the song is a symbol), going from 0 to 100% instantly with screaming guitar riffs, thumping bass, and crashing drums.
“We learned your favorite song for your birthday, Chuck. It’s a questionable music video, but that’s why we think you like it,” Gabriel said with a twinkle in his eyes before the Sourcerors flamboyantly covered Queen’s “I Want To Break Free”. Generous as they are, CTS had one more gift in store for Mr. Jones. They fried onlookers’ brains while reminding Chuck to “Keep Your Pimp Hand Strong,” and then Gabriel timidly—almost apologetically—wished “happy birthday!” one more time.
After a raucous singing of “Happy Birthday” and a BOOB cake delivery, everyone took a much needed breather. Outside, festival-families met up and marveled at the music and atmosphere of the night. I reunited with my favorite UMPHreaks (it had been a whole two or three days since I had raged with them at Snarky Puppy or The Ron Holloway Band!) and we were in universal agreement: this was Dopa-fucking-pod.
The festivities continued as members of Mun, ShwizZ, Mister F, and others crammed the bar’s stage. There was a Rage Against the Machine cover and Phish teases. Mun’s Wiley Griffin and Dopapod’s Rob Compa sparred on guitars and Todd Stoops wailed on the keys. As 2 a.m. neared, Eli reappeared on stage followed by Zwang and, with heavy, deliberate notes oozing from his bass, Chuck rejoined the stage for Dopapod to close the night.
After a three-way tie choosing a final song (“FABA,” “Donkey Kong,” or “Bats In The Cave”), the band mashed all three into a funky, creepy shakedown—“Donkey In The FABA Cave.” Nearly five hours after the celebration began, Eli was not quite ready to put this BOOBday fest to rest.
“It’s about the love: for you guys and for Chuck. It’s about the love.” One last time, everyone showed the love for Chuck during an emphatic Alanis Morissette cover. As the party wound down, grins filled the room and Rob’s voice echoed, “You oughta know!”
Dopapod – Brooklyn’s hottest genre-melding groove rock experience – released their late February/early March plans today with the Road to Aura Tour, leading up to a two night run at Florida’s Aura Music & Arts Festival. Dopapod is touring off the release of their latest release Never Odd or Even (Check our review here).
Some of whom you will see include such acts as 
Dopapod stealthily took the stage before a rapidly filling crowd and began jamming shortly after 9:30 p.m. With eagles and seductive photos of Chuck alternately soaring across a screen in the background, Jones took the lead, pumping out quaking bass lines. Boobday boob-shaped balloons bounced around and “Weird Charlie” invaded the room as Chuck was clearly Jones’ing for a dance party. Many of NY’s finest musicians came out to celebrate, thanking Chuck for the uniquely creepy thuds and plucks his well-trained fingers strike in unusual time signatures.
Dopapod’s original drummer, Mikey Carubba, had the first sit-in as Scotty Zwang cooled off from a hot start. Having just ridden through Garcia’s with his own funk army 
With Eli Winderman still grinning and grooving on the keys, Chuck waded off the stage into a sea of love from family, friends, colleagues, and fans. Guitarist Rob Compa welcomed 
“We learned your favorite song for your birthday, Chuck. It’s a questionable music video, but that’s why we think you like it,” Gabriel said with a twinkle in his eyes before the Sourcerors flamboyantly covered Queen’s “
After a raucous singing of “Happy Birthday” and a BOOB cake delivery, everyone took a much needed breather. Outside, festival-families met up and marveled at the music and atmosphere of the night. I reunited with my favorite UMPHreaks (it had been a whole two or three days since I had raged with them at 
The festivities continued as members of 
“It’s about the love: for you guys and for Chuck. It’s about the love.” One last time, everyone showed the love for Chuck during an emphatic Alanis Morissette cover. As the party wound down, grins filled the room and Rob’s voice echoed, “You oughta know!”