Tag: brooklyn

  • The End Men get the tour send off they need from The Low Beat in Albany

    For a thursday night in Albany, New York, there sure was a good amount of rock and roll to be had. On Central Avenue in particular, where four small bands from New York state converged to bring a huge night of music. The End Men, from Brooklyn, kicked off their tour at their second home in Albany, before hitting the road for two solid weeks up and down the east coast.

    The Low Beat has been bringing quality shows since it opened in February of this year. In the wake of Valentines closing, a staple venue in the Albany music scene, The Low Beat has filled that void, with the same ‘No Pepper’ adorning the stage and great beers and grub from the bar. (Check out our article on the iconic club closing it’s doors.)

     Jim Gilbert-Henry's Rifle-03

    Henry’s Rifle kicked off the night, with his one man talent barrage. John Pipino normally goes at it alone, with his trusty banjo and tambourine/stompbox suitcase combo bringing down and dirty roots rock to the stage. He was in good form, telling the crowd he was digging into some songs he normally doesn’t like to play, but was enjoying them anyway. A master at creating a singular atmosphere when he plays, it’s no wonder his new album (which will be released on Halloween of this year) is called “Barroom Weather”. With his huge, crooning voice sailing over the crowd, and his fast paced banjo strumming and later guitar picking, the show was given a proper send up from an act that needs to be experienced to be believed. Look for news on his CD release soon.

     Jim Gilbert-Charmboy-02

    Next up was Charmboy, also from Albany. Both Henry’s Rifle and Charmboy are part of the ever growing Built4BBQ musician collective in Albany, which also includes The End Men as well. The traditional three piece of guitar, bass and drums is anything but, delivering high energy old school rock and roll in large helpings. They started their set with a massive psychedelic build up, which was kind of surprising considering the immediate rock set that followed. Easy parallels can be made to Elvis Costello and Television, but these guys bring some new vigor to that tried and true sound. Great sound from the board helped the crowd pick out the nuances like precision shuffle beat drums over screaming guitars, and a three part vocal attack. No nonsense rock and roll, as showcased by their originals and a great cover of “Heaven and Hell” by The Who.

    Jim Gilbert-The End Men-05

     The End Men played the third spot on the bill, and the bar was almost packed full at this point. When these guys come to town, the crowds continually get bigger and bigger, and soon we might not be seeing this band in the smaller clubs in the area. The awesome power of the sound this band produces is even more incredible when you realize they are, inherently, a two piece band. Matt Hendershot holds down a gritty blues rock guitar with searing, gravel dream vocals, while Livia Ranalli plays the meanest drums and percussion you have ever seen. Filling out the lineup for this tour is Matt Elia on tenor saxaphone, which brings an added warmth to the gritty rock and roll coming from the stage. At first listen, visions of Tom Waits, Jack White or Mark Lanegan might fill your mind, but The End Men deliver all that and more with their incredible vaudevillian, psycho circus rock and roll. Matt is engaging as frontman to this rag tag outfit, and definitely seems at home in front of a microphone. The vocal melodies between Matt and Liv resonate to your very depths, and draw you closer to the stage to sop up every last bit of musical juice they provide. This is what bands on the cusp of breaking into the big time look and feel like, so next time they come to this area, or an area near you, do not miss the chance to witness their raucous good time. They ended their set with a song called “The Wolves”, having epic trade offs between guitar and sax with the percussion keeping everything nailed to the floor.

     Jim Gilbert-Sun Voyager-01

    Last of the night was Sun Voyager from NYC, and they put the perfect capstone on an already incredible rock show. Psychedelic with a hint of crazy riff rock, it was a little like watching the british invasion all over again. If you happened to walk into The Low Beat not knowing what you were in for, Sun Voyager would have convinced you that you were witnessing something prolific. Hints of The Black Angels and The 13th Floor Elevators permeate their sound, and their big sound washes over you with reckless abandon, showing the versatile sound that this club can handle. Another three piece band that blows you away with their talent and musicianship.

    A final note: Touring is a tough business, and that statement hit harder than most for The End Men that night. Their tour vehicle lost it’s transmission two blocks from The Low Beat, right before the show. But because of Albany’s incredible music scene that boasts a true sense of comradery, this little band from Brooklyn was in good hands. The bartender got a mechanic on the phone immediately, friends and bandmates helped push their vehicle to the club. Our own Jim Gilbert offered up his van so that they could continue on their tour. Music isn’t just about the sounds that you create, it’s about the friendships and connections you make as well. No better place to experience that first hand then supporting your local music scene, and becoming part of that awesome collective yourself.

  • Brooklyn and Albany combine as The End Men kick off their tour at The Low Beat

    Thursday, September 11th, the rock will invade Albany at The Low Beat. From the ashes of Valentines, this new venue over on Central Avenue has risen, and has already brought some great live acts to the area. This night aims to be no different, as some locals and some out of town bands will help send off The End Men on their two week tour of america.

    Photo provided by The End Men
    Photo by The End Men

    Henry’s Rifle, straight out of Albany, will bring his one man, dirty rocking banjo music to the stage. Fresh of of the Muddy Roots festival in Tennessee, and poised to drop his brand new album, “Barroom Weather” very soon, his rackus, infectious sounds will surely brighten your day and get you ready for the night.

    Sun Voyager, out of Orange County New York, will be slinging psychedelic garage rock licks at the audience in full helpings. Usually hitting the Brooklyn scene, it will be a treat to see them in Albany, alongside such luminaries of local rock and roll. They are part of King Pizza Records, and definitely check out their Bandcamp if you haven’t already.

    Charmboy, another Albany based band,  are a product of the no nonsense rock and roll of the 70’s and they are proud to produce guitar laden rock without gimmick or pretense. Tight riffs and tasty jams will feed the hole in your soul where rock and roll lives. They will be sure to do what they do best; melt faces and hearts alike with their pure inspiring music.

    The End Men Fall Tour
    The End Men Fall Tour

    The End Men, from Brooklyn New York, definitely call Albany their home away from home at this point. Joining up with the fine collective of  musical folks at Built4BBQ, they have made the pilgrimage upstate a number of times to great crowd response. The two piece, though rumoured to be rounded out by a mysterious saxaphone player for this tour, bring an incredibly huge sound with them wherever they set up shop. They have been tearing up stages in America as well as Europe for over four years now, and they show no signs of taking a break. Each time they come to this area they try out new material, engage the crowd on and off the stage, and make for an immersive experience full of their own brand of psycho dirty blues laden rock and roll.

    Show starts at 8PM at The Low Beat, for only 5 dollars. Check out the Facebook event.

  • Photo Gallery: Young and In the Way Crush Brooklyn

    North Carolina’s own, controversial, Young and In the Way delivered an crushing  and beyond intense set last Thursday at The Acheron in Brooklyn, N.Y. After the controversy created by these, young, darkened crust musicians – they caused the shut down on of a  venue in their hometown after spraying animal blood everywhere, we had to check this show out.

    Young and In the Way Facebook  Youtube

  • Queerpunk Band BOYS leads Anarchy in the BK

    10490237_10152116984681922_1374907791_nThe number of expensive hats and paper clip necklaces in the room—not to mention the Ty Segall lookalikes—would make you think you’re at Glasslands rather than a punk queercore show at some Park Slope venue best known for being “the bar next to that really good pizza place”. It’s Gay Pride Day in Brooklyn and the all girl band, “BOYS” (ha, ha) is ready to give the amassed dearly-beloved-we-have-gathered-here-today crowd all that they’ve got. Charged with duck taped ¥ signs on their jackets (can you say DIY), BOYS start the show with their fit fueled artillery. “My secret for getting by is acting like you care when you’re sleeping with random girls” sings Frances Rex on “Musical Beds”.

    Their set is full of Venus in Furs references and an Elliot Smith sense of self-doubt and betrayal. On “Self Control”, they sing, “All this dread fills my head/ Of your happiness in someone else’s bed”. On “Circles”, a song that beckons for the kind of emotional disengagement explored by Belle & Sebastian, you can hear a kind of spacey dark sound that takes cues from 90s alt rock.

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    As sad as the lyrics are, the crowd dances fervidly to the angry bass lines and it’s as if everybody finds themselves by singing about being lost together. The punk band, however, isn’t quite punk in the three chords sense of the word. Each member is a talented multi-instrumentalist in their own right—in fact, drummer Allie Falco happens to be in two other bands, Saint Rocco and Royal Garde. With their melodic hooks, vocal harmonies, and fast and loud energetic performance, the NYC born and raised band brings the crowd together by expressing its discontent with society’s disapproval of the gay, transexual, lesbian and transgender communities.

    For someone whose queer exposure is limited to Monika Treut screenings and late night conversations with the self proclaimed pansexual “Mexi Lexi” on Christopher Street, I felt more at ease in the chaos of a room full of proud queercore fans than I ever did in the homophobic city of Jakarta, where I grew up. And if you still seek reassurance—yes, couples were getting it on in the back row (ah, the true marker of a successful show). If you can’t make it to the Punk Island festival on June 21st, make sure to catch the band live at Fontana’s on the 26th!

  • Post-Phish December 30th, Turkuaz Turns Heads at Drom

    When a Phish show during a New Years Run ends, you’re pumped up, full of excitement and need a release. Post-shows seem to have been created just for Phish, giving fans more than a dozen options over the four nights of Phish, not to mention the random bars, loft parties and miscellaneous debauchery that goes on after the lights come up. So, on December 30th, some opted for Marco Benevento, others Dead Sessions, but headed down to DROM on the Lower East Side to see Turkuaz perform the Talking Heads Stop Making Sense in its entirety.

    turkuaz dromStarting out with two mellower numbers – an acoustic “Psycho Killer” and the serene “Heaven”, Drom, a promising nightclub with ample room, found a crowd still shuffling in from the trip on the F Train (never again…. I’ll take a cab next time). By the time the venue was filled for this sold out affair, “Burning Down the House”, “Life During Wartime” and “Making Flippy Floppy” kicked things into high gear – ain’t no rest for the wicked after 1 a.m.! The funk from “Swamp”, the joy of “This Must Be the Place (Naive Melody),” and high energy from Joshua Schwartz singing “Once in a Lifetime” sustained the vibe without a missed beat, while the crowd sought extra space to rock out in the club’s foyer near the bar – a great vantage point for sight and sound. Capping the set off with “Crosseyed and Painless”, Turkuaz gave the crowd something Phish didn’t during the four nights – a Talking Heads cover. Not that Phish didn’t do it right at MSG with no covers in four nights, but to hear “Crosseyed and Painless” from a proper funk band, well, there were no complaints to be heard, just cheers for more.

    And more they got. Turkuaz kept much of the crowd following the Stop Making Sense set, and those who stayed were in for a treat. Fun and funky, these guys and girls know how to jam. The crowd never stopped moving, a feat for pushing 3 a.m. following Phish. The horn section worked in sync, one collective with three heads and instruments, and while the stage was packed with 10 musicians, the individual players didn’t overwhelm each other musically or crowd each other out. “Coast to Coast” is quite a frenetic number, high energy and the perfect tune for a late night show – anything that hovers near a slow tempo would have lost the the crowd. The encore of “Monkey Fingers” should be a staple of any funk you listen to in the future and polished off an ideal late night for Phish.

    Stop Making Sense setlist: Psycho Killer, Heaven, Thank You for Sending Me an Angel, Found a Job, Slippery People, Burning Down the House, Life During Wartime, Making Flippy Floppy, Swamp, What a Day That Was, This Must Be the Place (Naive Melody), Once in a Lifetime, Genius of Love, Girlfriend is Better, Take Me to the River, Crosseyed and Painless

    Original setlist: Lookin’ Tough, Feelin’ Good, 20 Dollar Bill, Coast to Coast

    Encore: Monkey Fingers

    Turkuaz returns to Upstate New York on March 20th at Java Barn at St. Lawrence University in Canton, March 27th at Putnam Den with Alan Evans Trio, and Brooklyn Bowl on April 5th, also with AE3

    Update 3/5/14 – Download this show!