Category: Rochester

  • Thousand Foot Krutch to Light Up The Sky in Clifton Park

    Capital Region, consider this your “Courtesy Call.” Get ready to throw up your “Rawkfist” Upstate N.Y.  Thousand Foot Krutch is bringing their fall “Born This Way” tour to the Capital Region. The tour was named after the lead single off their brand new eighth studio album OXYGEN : INHALE. Supporting acts for the 19-date tour will be We As Human, Righteous Vendetta, and in select cities, Like A Storm.

    TFK was formed in Canada in 1995. The band started seeing success in 2002 with the current lineup of Trevor McNaven, Joel Bruyere and Steve Augustine. Country megastar Carrie Underwood is a huge fan and performed the song “Let the Sparks Fly” live on stage with the boys at Winter Jam in Tulsa, Oklahoma. TFK has toured with many big names in rock music such as Breaking Benjamin, Skillet, Red and Chevelle.

    The band’s sound is a fusion of Christian Rock meets Rap Metal, mixing melodic and high energy songs with slick verses and very catchy choruses and hooks.

    TFK with Carrie Underwood
    TFK with Carrie Underwood

    Ready to “Strike Back” and help support the tour is Memphis, Tennessee’s We As Human. The band has been touring relentlessly all year and it looks like they are not ready to stop yet. The band has recently toured with Black Stone Cherry and were part of Rock On The Range, K-Rockathon, Rocklahoma and were also on last years Carnival Of Madness.

    Righteous Vendetta will bring “The Fire Inside” every venue on the tour. After Vendetta’s song “This Pain” was played on Sirius/XM Octane, the Wyoming natives have hit a lot of rock music fans radars and have also appeared on numerous tours. They’re an awesome up and coming rock band.

    Clifton Park you better “Move” and get your tickets before everything “Falls Apart“. TFK will make their rare appearance in the area on Wednesday Oct. 22 at Upstate Concert Hall. Doors open at 7pm and show starts at 8pm. Advanced tickets are $17 and $20 day of show. You can purchase tickets at all Ticketmaster locations, the club box office 371-0012 and Northern Lights Smoke Shop.

    Rochester will also see the tour on Tuesday Oct. 21 at The California Brew Haus. Tickets for this show can be purchased through ticketfly for $20. The event is 18 and older.

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  • Dopapod Soars to new Heights at Water Street Music Hall

    Kelli_Marsh_Dopapod-1017Dopapod axe-man Rob Compa motions towards the left side of Rochester’s Water Street Music Hall’s floor -“Right there! As a kid, I stood right there and watched Umphrey’s McGee play.”

    Rob’s hometown enthusiasm (Rob is from East Rochester) would carry through a blistering two set/multiple encore night that even Light/Sound man extraordinaire Luke Stratton proclaimed on Twitter as “Best show of the tour so far!” – and that dude sees every show. 2014 has been a rocket ship year for Dopapod – filled with top festival spots and packed shows – and their performance on a warm Fall night in ROC-city showed abundant proof why.

    Before the aforementioned Dopa-storm occurred, two other excellent performances would foreplay the crowd nicely. Stereo Nest – a one man looping experience project by multi-instrumentalist Collin Jones (also of Ocupanther and Haewa) – played an energetic set of organic jamtronica fusion as the floor filled up and got the people moving. Think Keller Williams gone EDM. Only a few shows deep into existence, Stereo Nest is proving to be a force to track.

    After a fast 15 minute changeover NYC’s Consider the Source came out and immediately laid into an extended middle eastern infused spooky-as-hell jam that perfectly complemented October’s arrival. Everyone stared,  transfixed by the bands mind numbing instrumentation. Silence made an odd and welcome entrance throughout the crowd if only for a few fleeting minutes: People – in the rarest of occasions at a modern musical show – actually shut up and listened to the band. CTS is mental music at its absolute peak which can bring the listeners to the frayed edges of sanity. Much like an unexpected hostel tryst with a sexy debonair stranger – they might not always be exactly sure what’s going on, but they know they like it and they want it to keep going. Highlights of the set included a mash-up of “Miserlou” (popularly known as “that Pulp Fiction Song”) and the Beach boys “God Only Knows” along with a blazing outro jam replete with Star Wars teases. An apropos ending for three gentleman who have obviously attained Jedi powers.

    Kelli_Marsh_Dopapod-1009Set-break ensued while people happily refilled their beers and rested their limbs for the last time that night. Water Street had gone a long time without the fizzy stuff due to an ownership change and it was great to throw back some brews yet again at one of Rochester’s most historic of venues. Dopapod came out with the 2009 song “Roid Rage” – a song that starts off jazzy and unassuming before barreling into the fusion/prog/rock hodgepodge typical of ‘Pods genre-wildcard style. Dopapod is one of those crossover bands that should give those fans that are music lovers but have a natural disdain for bands labeled as “jam” a reason to consider. This band is no Phish, no Dead – this band is a culmination of influences across the spectrum. Imagine if all your favorite bands played at once and you get a sense of what ‘pod is all about. As the set continued the band visited several tracks off their upcoming release Never Odd or Even –  “Psycho Nature” “Hey Zeus” and perhaps one of the most epic songs ever – “FABA”. “FABA” – an instrumental which no one seems to want to reveal what the acronym stands for – typically exceeds the ten minute mark and is a dictionary level study in the science of musical contrast.  Filled with more goose bump inducing air guitar raging peaks then the Alps, this song grabs the mind heart and soul and does not let go. As if that wasn’t enough, the set ended with an exclamation mark – an absolutely mm/ rendition of Black Sabbath’s “War Pigs” with all three members of Consider the Source joining the fun on stage.

    At this point – being 12:30 AM on a weekday – sadly this reporter had to head to bed. The band continued with a full second set filled with some of the most revered songs according to the bands fan club – Dopafam – with enthusiastic reports on excellent versions of “Nuggy Jawson” “Onionhead” and “French Bowling” as well as a rare “Carolina” second encore that ended after 2 AM. When the ‘pod hits the area again, that next day is getting taken off.

    Dopapod Set List

    Set 1: Roid Rage, Trapper Keeper, Psycho Nature, Hey Zeus!, FABA, Grow, Vol. 3 #86, War Pigs*
    Set 2: Nuggy Jawson, Priorities->Off the Cuff->Priorities, Onionhead, French Bowling
    Encore: Nerds, Carolina

    * Black Sabbath, w/With Gabe, John, and Jeff from CTS[FinalTilesGallery id=’26’]

  • ROCtober Kicks Off With The Kings of Metal: Judas Priest

    Retired? Definitely not. Fans in Rochester lined up around the block on a beautiful, early autumn evening in Rochester to catch the eponymous demigods and kings of metal Judas Priest kick off their world tour. The band had previously announced their retirement in 2011, but thankfully decided that the metal must live on. Despite multiple lineup changes over the years, most of the band’s core remained intact with head screamer Rob Halford, guitarist Glenn Tipton, founding member Ian Hill, and long-time drummer Scott Travis. Joining them to replace the departed K.K. Downing would be Richie Faulkner formerly of the Lauren Harris band.

    Jim Gilbert-Steel Panther-06

    Kicking things off, reportedly (repeatedly on stage by Steel Panther themselves) for a $50 paycheck, was Los Angeles, California’s Steel Panther. Well known for reviving the once stagnant metal scene on the historical Sunset Strip, Panther’s show falls somewhere between Motley Crue and your mom’s worst freaking nightmares. Featuring songs like  “Asian Hooker” “Gold Diggin’ Ho” and “17 Girls in a Row,” the band had the audience simultaneously head-banging and laughing their asses off for their hour set. Don’t worry guys, we were laughing WITH you, not at you.

    As set break ensued, the black-clad masses rushed to grab a smoke or a cold Labatt’s while the time of the legends entrance drew near. A mishmash of an audience with as many gray maned old timers and grizzled bikers as excited youngsters. A giant Priest banner shrouded the stage as fans surged – and in many cases stumbled – towards the front. The house music suddenly blared the Black Sabbath metal anthem “War Pigs” as palpable excitement ignited throughout the throngs of attendees. The curtain dropped and the true kings of metal broke directly into the last and first songs respectively from their brand new 2014 release Redeemer of Souls – “Battle Cry” and “Dragonaut”. With such a rich history of 40+ years of albums, it’s refreshing and a sign of huge cojones to see Priest engaging the crowd with brand new material right off the bat and throughout the night.

    Jim Gilbert-Judas Priest-08

    After some brief and apropos banter from Mr. Halford, the band continued with two tracks from the bands impressive catalog – 1982’s “Devil’s Child” and 1976’s “Victim of Changes” – before continuing to showcase their new material with “Halls of Valhalla”. One more new song would make an appearance – title track “Redeemer of Souls” – before the band finished out the set with a grand m/etal finale of hits. ’84s “Jawbreaker” had the crowd in a signing, headbanging frenzy and everyone’s favorite “Breaking the Law” only amped the energy up to new levels. Naturally, no Priest show is complete without a Harley revving across the stage and this one would be no exception with Rob revving his bike fittingly to the tune of “Hell Bent for Leather”.

    As the clock approached midnight, the band came out for a quick encore and bid the well satiated crowd adieu. Forty (plus) years of metal and this band shows no signs of decay. We can only pray (to the devil) for 40 more. Sad you missed the fun? Our ROCtober article has all the big shows coming to town, so get off your couch and go see some live music!

    Jim Gilbert-Judas Priest-05

    Steel Panther Setlist

    Pussy Whipped, Party Like Tomorrow is the End of the World, Asian Hooker, Tiger Woods, Gold Diggin’ Ho, Girl From Oklahoma, Community Property, Eyes of a Panther, 17 Girls in a Row, Gloryhole, Death to all but Metal, Party all Day

    Judas Priest Setlist

    Battle Cry * > Dragonaut, Metal Gods, Devil’s Child, Victim of Changes, Halls of Valhalla, Love Bites, march of the Damned, Turbo Lover, Redeemer of Souls, Beyond the Realms, Jawbreaker, Breaking the Law, Hell Bent for Leather

    Encore: You’ve Got Another Thing Coming, Living after Midnight

    * Intro only

    [FinalTilesGallery id=’3′]

  • Bassnectar Returns To Rochester with Son of Kick and Kill Paris for ‘Noise VS Beauty Tour’

    Attention Upstate Bassheads: this is the show. Legendary DJ Lorin Ashton AKA Bassnectar will again take over Rochester this Friday, October 3, as part of his “NVSB 2014 Tour” performing alongside notable acts Son of Kick, hailing from London and Kill Paris of Los Angeles. Known for his ultra dense sound, aggressive drops and super-technical beats, Bassnectar puts on a show like no other, with tastefully psychedelic projection visuals and a host of lights. Bassnectar’s most recent album, Noise VS Beauty, was released late June and features some of Ashton’s most intelligent compositions yet, staying  true to its name by carefully marrying filth with elegance.

    https://www.youtube.com/watch?v=7sd1sa5NWLg

    Supporting act, Son of Kick, has achieved respect in the dubstep world in his own right, mainly in Europe so far, with a balanced, somewhat hip-hop influenced sound. Kill Paris will also throw down a funk-driven set, sure to feature big bass and atmospheric textures. All three acts bring different styles to the table with two distinct binding factors: dancing, and BASS.

    Doors are at 6PM and Son of Kick should open the show around 7PM. Due to Main Street Armory’s curfew, the evening will likely be wrapped up by midnight. And remember: this will be a hot one with lots of energy, moving bodies and flashing lights; be sure to eat a solid meal and hydrate properly throughout the show.

    Tickets are available HERE.

    Main Street Armory
    900 East Main Street
    Rochester, New York 14605

  • Tedeschi Trucks Band Bound for Glory in Rochester

    Thursday Sept. 25 brought the Grammy Award winning Tedeschi Trucks Band to Upstate NY during a break in the middle of their New York City Beacon Theatre run. The group performed at the Auditorium Theatre, radiating their unique blend of roots, blues and soul-stirring musical heat. Their extended set touched on all aspects of their stage show and featured well-known studio cuts from the band’s catalog as well as a few surprising covers for their hardcore Rochester contingent. Eliciting memories of past rock legends and influences, the multifaceted Tedeschi Trucks Band mirrors roots revival masters Delaney and Bonnie and subscribes to their aesthetic which includes disseminating a unique brand of traditional, Americana and funky blues music.

    Tedeschi Trucks Rochester

    After a booming and raucous set by opening band, Playonbrother, the Tedeschi Trucks band followed with an inspired set despite militant security and a seated crowd. Eventually, as the show continued the energy could no longer be contained as the band stirred the assembled throng into musical hysteria through their funky and virtuosic performance. While the focus is often and rightfully so on Derek Trucks spiritual channeling of melody through his trusty Gibson SG, every musician in the eleven member coalition is given equal time to bask in the alluring glow of the spot light. Whether it is the double barrel drum duo firing off rim shots in a percussion battle, Kofi Burbridge blowing a breezy flute line, Mike Mattison singing a sweet soul lyric, the horn section punctuating a great jam, or Susan Tedeschi stinging with a series of clean tone blues licks, it’s all hands on deck with this group.

    The concert opened with the simmering groove of Traffic’s’ “Who Knows What Tomorrow May Bring” each member adding color to the fat bounce laid down like shag carpeting by bassist Tim Lefebvre. Similar to every song that is added to their increasingly large repertoire the Tedeschi Trucks band grabbed the song in a firm embrace made it their own.

    The concert continued flashing by like a series of Super 8 images, each moment building on and in most cases surpassing the last, instantly logged in the recesses of the attendees spun heads. “Made Up Mind” the title track from the bands 2013 LP whipped the crowd into a hand raising gospel review, with Trucks innate ability to reconfigure melodic ideas into dazzling guitar dissemination’s fully on display. Then, the following breakout of blues standard “Loan Me a Dime” instantly caused an assembled gasp from the audience, especially those familiar with what Duane Allman did with the song via Boz Skaggs. First Tedeschi and then her husband tastefully poured liquid string bends and sustains all over the shifty track, bringing the seated to their feet and concluding the song with a standing ovation.

    Tedeschi Trucks Rochester

    “Idle Wind” concluded the first segment of music fittingly in a rolling maelstrom of sound. After disposing of the groovy verse segment that features Susan vocalizing like granulated sugar, sweet with a yummy grit, the song slipped into a beautiful place. The horns and guitars started to intertwine and it is this illustrated relationship that soon developed into a teeth clenching jam that squeezed the handlebars for dear life tightly. Soon the excursion fell softly into an avalanche of drums neatly tying itself up with a “set closing” reprise.

    Breaking into different segments the band returns for an acoustic set of music. A seated Trucks five-fingered some woody acoustic slide on the traditional “Keep Your Lamps Trimmed and Burning” as well as name dropping the Allman’s with a stripped down “Done Somebody Wrong”. Susan Tedeschi’s reading of Bob Dylan’s “Don’t Think Twice It’s Alright” was special and featured Tedeschi wringing every drip of emotion from Dylan’s timeless melody. This brief respite from the electric proceedings is a testament to the diversity and multiple talents of the group.

    The second half of the performance began with crowd favorite, “Midnight in Harlem” ushered in on a Allman-esque space drift that coalesced into the songs blue rotating groove. The husband and wife duo sang together in glorious voice, each represented by their respective instruments. There is no looking back when the group seizes the moment and blazes their way first through Derek and the Domino’s classic “Keep On Growing” then the hard-hitting Bobby Bland blues, “I Pity the Fool” before closing with an extended and definitive “Bound For Glory”.

    The band’s own “Bound for Glory” contained jamming that bordered on the edge of fusion magic. A plethora of horn exclamations, sexy slide and honky keyboards lifted the song to dizzying and illicit heights. The central section of the song lost its structure, going so far out you wonder how they are going to land. The band so deftly balances the tight rope between accessible songs and twisted improvisational passages that their appeal is one of celebration and cross genre pollination. The group not only represents a sepia toned lonesome train whistle of the blues past, but a Technicolor supersonic rocket ship into the musical future. “Bound for Glory” encapsulates all of these elements and fittingly closes the show.

    A gentle and original version of James Taylor’s, “Fire and Rain” closed the evening and sent a hungry crowd home stuffed, unable to imbibe another musical bite. The greatest thing about this evening’s performance is the realization that the band will be back and they will continue to improve and grow their catalog of music. Tedeschi Trucks band delivers the goods on a nightly basis, it’s a shame there can not be more nights like this one.

  • Hearing Aide: Ocupanther’s Third Album, ‘Data Stretching’

    ocupanther-data-stretchingTo mark the first day of autumn, Ocupanther released their third album, Data Stretching, showing a conscious evolution from last year’s release, Progressor, while continuing to hammer down a focused sound. Overall the record might fit into generalized categories like “dance”, “progressive” or “fusion”. But really, the excellence of Data Stretching comes in the details – the careful blending of seemingly unrelated influences, and a perfect balance of organic vs electronic – resulting in a danceable, intelligent record from start to finish.

    Data Stretching‘s opening track, “Obtuse Snoot”, is perhaps the perfect calling for the album; patently danceable, featuring disco-staccato guitars drifting to washed out wah-funk, hold steady bass and tight-pocket drumming. The changes are inconspicuous but occur frequently, offering good variation without stopping the groove. This notion carries into albums second track, “III E III”, which is more subdued but equally as locomotive. The bass is swampy and warm, with guitar parts piercing through the darkness. For an album with such a big, full sound (arguably the fullest Ocupanther sound to date), Data Stretching does an exceptional job varying between minimalist components. This sentiment is exemplified on “III E III” as well as later on the album with “Yerkrewrun”, a meditative, calming song balanced equally with blues guitars licks. “Treat Me Like A Telescope” is another great example of such a balance, with strong electronic undertones and masterful weaving guitar lines that scream classic rock-n-roll.

    All descriptors and classifications aside, what really defines an albums success is listenability and feel – two categories where Data Stretching scores an “A”. This record would be just as good alone in your car as it would at a house party. The variations in mood throughout the record are enough to keep the listener engaged without forcing feel-good vibes or lingering too long in the dark. This balance, along with the balance of genres and styles, appears to be the recipe for success. Fans of the New Deal to LCD Soundsystem to Maserati and everything in between will surely lock into this album, as will anyone who has traveled long highways for music. Ocupanther cut their teeth on the road, after all, and much of the album serves a perfect soundtrack for a roadtrip to and from a show with a carful of friends.

    Ocupanther will be supporting Data Stretching in the Upstate area over the next two months, playing alongside notable acts such as Giant Panda Guerilla Dub Squad, The New Mastersounds, and super-group Electron. A complete list of tour dates and additional information can be found at: Ocupanther.com or on Facebook.

    Key Tracks: III E III, Treat Me Like A Telescope, The Great Oxygenation

  • Dopapod Announce New Studio Release “Never Odd or Even”

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    Brooklyn’s Dopapod have announced that their 4th studio effort, Never Odd Or Even will be independently released on November 11th. Culminating from a combination of studio efforts and a gargantuan touring schedule bringing ‘Pod all over the country, fans and band members alike are psyched. East Rochester native and shred-master/vocalist Rob Compa shares his excitement – The Never Odd or Even sessions cultivated a serious growth in the band’s creativity, each person stepped to the plate and put out great creativity and passionate playing, while inspiring everybody else involved in the project to do the same. We really feel that the material this time around represented a big leap forward, not just in the way we’ve been interacting as a band, but in the way our focus has become sharper in paying attention to things like melody, theme, lyrical imagery, and structure – all the elements that make a great song.”

    Organist/keyboardist Eli Winderman added his own thoughts about the recording process with friend and producer Jason “Jocko” Randall – “We lived at his studio for about a month for these sessions and it just clicked right away, with Jocko’s attitude and approach to the recording process, we were able to really dial in the sounds we wanted, get those perfect takes we were aiming for, and have a blast the whole way through.” Fans interested in the new album can visit the bands website to sign up for a mailing list which will get them a FREE digital download on release day as well as a chance to stream the first video released, “Picture in Picture”.

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    Upstate fans will have several opportunities to catch Dopapod this fall starting with a homecoming show for Mr. Compa this Thursday, October 2nd at Water Street Music Hall  in Rochester with instrumental wizard trio Consider the Source. Local up and coming uber-talented guitarist Collin Jone’s one man band Stereo Nest will start the show up in style. Ticket’s are available online  and at several local ticket vendors ($12.50 pre/18$ door).

    Check out our list below for more area Dopapod show opportunities.

    10/23 Niagara Falls, NY – Rapids Theatre w/ Umphrey’s McGee $27.50-$30

    10/29 Binghamton, NY – Forum Theatre w/ Umphrey’s McGee $25-$30

    11/1 Oneonta, NY – Oneonta Theatre w/ Space Carnival

    11/21 New York, NY – The Gramercy Theatre w/ Alan Evans’ Playonbrother & Teddy Midnight $16-$21

  • Twenty One Pilots Flying Straight with no Faulty Parts

    If Twenty One Pilots is not flying onto your bucket list of a “must see” in concert, add it.  Wednesday, Sept. 10, 2014 the Quiet is Violent Tour came to Main Street Armory in Rochester, N.Y. and showed all who came what a concert is all about.   Vinyl Theatre and Misterwives  opened, making all the buzz from everyone saying “That was one of the best concerts I have been to.”

    Twenty One Pilots
    Twenty One Pilots, Photo by Cathy Bechle

    Two words for Twenty One Pilots – respect and inspiring – they are the result of hard work and determination showing that you can make it into this industry without being discovered. Mike Gibson, tour manager for Twenty One Pilots, shared with NYS Music prior to doors opening, why they have such a strong cult like following and operate differently from most. Growing up with the dynamic musical duo, he understands these two musicians like no other possibly could.  A professional clean-cut guy, he has his head on straight with an easy going vibe about him.  In fact,  Josh Dun and Tyler Joseph have surrounded themselves with people who have very specific traits that are important to their success from what I can tell, intelligence, focus, determination, they need to be goal oriented and must have values or they need not apply. All of this so they can successfully perform their music, have a blast while doing it and give fans an amazing show.

    Mike explained more about the incredibly driven people to help make it all happen.  Starting with asking how many bands out there today consider that achieving “success” or “fame” is when that money from the first few shows come in and then goes directly into a band’s pocket.  Perhaps it goes to support a glamorous lifestyle or even comfort from a van to a tour bus.  Well, this band should be a model example on how to handle finances.  As he continued, he thought that the strong values they were taught as they were growing up, close family ties, an awesome Manager (Chris Woltman) and of course the band’s financial adviser (Mike’s Dad)  make doing what these guys love continue to happen.  The rule they follow to always make the next show better than the last and to always invest back into the show.

    Twenty One Pilots
    Fans enjoying the performances. Photo by Cathy Bechle

    As Mike was reminiscing about the best times on the road it was not on the big tour bus that was parked in front of us, although truth be told he did say it was much more comfortable.  It was on the road in the van in the very beginning a couple of years ago.  They did not cash in early on well-paying gigs for personal comfort, instead they opted to reinvest in themselves and stay in the van.  They outlook, give a better performance, more lightning, better equipment and experience for the people who come to show and to make sure they are still having fun while performing what they love.

    Clearly remembering about good times these guys have had by the look in his eyes as spoke about the cold winter nights were invigorating going from one city to the next and saying how those were some of the best times together.  Their alarm clock was parking lot security wherever they parked; being woke up as they were kicked out the next morning “Time to move on guys”.   With a slight chuckle as we continued to talk I was brought into feeling that those were the times where it was an a whole new exciting adventure.  Young guys, in a band, on the road, in different cities, I am a smart women and know there are stories there, but listen, some things are just meant for a band to keep under “band code rules” and a writer to know better than to ask and to just to respect.

    Now that they have grown they have a Manager that is best described as looking like Jesus (insert laughter from Mike and saying “he really does”) who is great at making calculated and driven decisions with their goals in mind.  His name, Chris Woltman.  Mike elaborated about the path they have paved for themselves and feels that their faith early on as Christians while growing up helped them avoid some potholes along the way.  One pothole avoided, almost missing the opportunity to work with Chris.  During the time where they were talking with potential managers Chris’s scheduled flight in to see a live performance did not take off.  The show was of epic and historic proportion for them and their hometown of Columbus at the Newport Music Hall.   A sold out show, three in history that have ever been able to accomplish this before at this venue, so when they stood outside and looked up at the marquee it was a moment to take in.  The band and the whole town pitched in selling tickets to this show, again grassroots efforts on how they became to be.  The guys didn’t know what to think about Chris not being able to make this important show, but quickly focused on what they just did and the people who helped make it happen.  It turned out that Chris, was the one.  They met with a few others but similar to finding a spouse no else came close to the feeling that got from Chris.  They just knew he was the right fit.

    So how does all of this lead to a concert review you ask?  The determination for performing, making sure it is doing what they love and showing the audience a performance that they have invested continuously back in, was mind-blowing evident that night.  Lightening was amazing from the color changes, directions, types, size, timing it was consistently changing to keep the mood of the performance.  Josh and Tyler giving all trust into the literally hands of their fans by having them holding them up as they perform on a platforms was crazy.  Fans watched in pure amazement as the energy as they act out their music and interact with them directly.  The music was not just heard, by watching reactions Twenty Pilots are also investing emotionally and physically directly into people in unique ways.  A concert is entertainment to listen, feel and watch.  It is astounding that how only two people on a huge stage  kept everyone’s attention the entire performance.  The wonder of what was going to happen next look and surprised faces and expressions as confetti was being shot from the stage kept people wanting more and for the night not to end.

    Twenty One Pilots With ever concert there are opening bands and performances.  The first group to kick it off and get everyone moving and smiling was Vinyl Theatre.  They had won battle of the bands in 2013 to open for Twenty One Pilots, newbies to the music scene forming in 2012.  Gaining new fans with their sound of indie electronic rock that night they will surely keep them because of the passion.  Each member exudes it when they are on stage.  A trait of the performance that makes music worth watching.  This was starting to transform the night into what has long been lost in definition as a concert by transforming the music experience into a new level.  Their record label, Fueled by Ramen, seem to have targeted their artists having deep passion as they perform;  making the record label one to watch as the sign artists.

    twenty one pilotsMisterwives added to the build up to the night amping up the crowd.  This group’s carefree and fun spirits is contagious in the crowd.  Group participation as Mandy Lee, lead singer, led the audience to snap along with them during songs was a communication all of its own between the artists on stage and the people taking it all in.  The whole band is amazing.   Front women Mandy is a vocal powerhouse.  She is the full package when it comes to lead singers.  Has the energy to rock the whole performance with their pop style, has a personality that keeps it entertaining to watch and spot on vocals.  The ability to reach the back of the room with her voice from such a petite body but then would have people leaning in at the right times for the dynamics and drama.  Watching each of her Misterwives look as she performed smiling they all feed off one another with a pure look.   The talent they had paid off by the response from everyone.

    At the end of the performance, I caught up with Mandy to share how incredible her powerhouse of a voice is.  Giving me a huge hug she was bubbly with an amped up energy level.  She replied humbly with a huge smile hearing that their performance was so well received by their potential new fan base in Rochester, NY.  She was gracious to agree to with Andy DeLuca Photo making sure we caught it all live and putting this together for us to share:

    Definition of a concert to me is a mass of people who could sing along to every fast paced lyric, got on the shoulders of their friends when the singer asked, displayed emotion as the music touched them at a personal level and musicians constantly looking directly into the sea of people and in return picking up the bands satisfaction as they performed is a concert that exceeds expectations.  This night was packed with pure satisfaction for the music and the people who were there to experience it. Commonalities of each group going up for their set and performance night after night is to share their passion of music as artists.

    The last-minute of the show with only my phone video to record captures a glimmer of the definition of the word “concert”.  Their hard work to this point in their career has captured more than a definition of a word.  It has captured an emotion, feeling and provides and experience to all that get to be entertained by their talent and skills. Thank you Twenty One Pilots, your support systems and management.  The Bands that you have on tour with you that share the same passion and drive yet have unique differences your fans to new musical creations.

  • The Black Keys Rock The Blue Cross Arena in Rochester

    The Black Keys came to Rochester and the Blue Cross Arena ready to rock their fans. The Turn Blue tour has been bringing some bluesy funk from their Akron, Ohio roots to cities across the U.S. Starting with “Dead and Gone” the Grammy winning duo, Dan Auerbach and Patrick Carney fired through a dynamic set. The set was dominated by tunes from older albums, though three songs promoting their chart topping new album, Turn Blue, made appearances.

    Backed by keyboardist John Clement Wood and bassist Richard Swift, singer-guitarist Auerbach and drummer Carney were the main attraction on stage. Carney wailed on the drums while Auerbach seemed content to get lost in the songs. Without saying much in between tunes, they let the music speak for them. “Howlin For You” and “Lonely Boy” were crowd favorites that had the audience singing along word by word. If there was any question, the encore sealed it. Auerbach and Carney are still a unique combination that rock the crowd on their own terms.

    Opener, Cage The Elephant didn’t miss the opportunity to make their mark. Lead singer Matthew Shultz thrashed around the stage while ripping through a nearly 45-minute set. Their high voltage performance included hits, “Shake Me Down” and “Come a Little Closer”.

    Setlist:  Dead and Gone, Next Girl, Run Right Back, Same Old Thing, Nova Baby, Gold on the Ceiling, Leavin’ Trunk, Too Afraid to Love You, A Girl Like You (Edwyn Collins cover), Howlin’ For You, Gotta Get Away, Fever, Tighten Up, Your Touch, Lonely Boy

    Encore:  Turn Blue, Little Black Submarines, I Got Mine

  • Rochester Prepares for ROCtober Show Onslaught

    Naysayers about the Rochester music scene will need to clam it up this October. End to end, the month is loaded with more shows than some cities are lucky to see in a full calendar year.  ROCtober starts out “Hell Bent For Leather” October 1st with metal icons Judas Priest opening their tour in town at the Main Street Armory. Tour openers continue with hip hop legend NAS also starting his tour in ROC-city the very next night (Also at the Armory). Seemingly unafraid of any genre The Armory will also bring in Reggae (Elephant Man Oct. 10), classic rock (Kansas Oct. 16), country (Charlie Daniels Band Oct. 22) and alternative rock (Bastille Oct. 24).

    Montage Music Hall adds to the fun with their own load of diverse genre shows. The New Mastersounds – an unbelievable funky English export – will team up with local top-tier talents Mojo Collective and Ocupanther for their inaugural visit to Rochester Oct 7. The 9th features the new/bluegrass of regional heavy hitters Cabinet. The 17th will find the absolute kings of the metal breakdown Unearth with special guest The Darkest Hour. Buffalo’s Aqueous will heat up the 24th with North Carolina’s The Mantra’s. The 30th will kick off Halloween weekend in style with two of Upstate’s favorite bands: Jimkata and Turkuaz.

    Water Street Music Hall was missed for a good portion of 2013-14 due to some ownership changes but they are back and as usual are wasting no time bringing top-tier talent to the area. Dopapod and Consider the Source will jam up Oct 2nd. New Orleans’ Mingo Fishtrap returns to ROC Oct. 5 after an unbelievably packed set at the Xerox International Jazz Fest. The funk will continue with Lettuce making their premier trip to ROC Oct. 23. And to cap it off, one for the ladies – Water Street’s annual Men of General Hospital show Oct 24.

    And all that barely touches the surface, check out our list for the rest of the notable haps in ROCtober below.

    10/01 Judas Priest w/ Steel Panther (Armory)
    10/02 NAS (Armory)
    10/02 Dopapod w/ Consider the Source (Water Street)
    10/03 BASSNECTAR w/ Kill Paris and Son of Kick (Armory)
    10/04 Strange Birds (Montage)
    10/04 Giant Panda  w/ Mosaic Foundation (Zeppa Auditorium)
    10/05 Mingo Fishtrap (Water Street)
    10/07 New Mastersounds w/ Moho Collective and Ocupanther (Montage)
    10/09 Cabinet w/ TBD (Montage)
    10/10 Elephant Man w/ Gyptian and Spice (Armory)
    10/10 Theory of a Deadman w/ Fozzy and 3 Pill Morning (Water Street)
    10/11 Deicide w/ Septic Flesh (Montage)
    10/12 Ryan Montbleau Band w/ Tall Heights
    10/16 Heavy Trash w/ Bloodshot Bill (Water Street)
    10/17 Unearth w/ Darkest Hour (Montage)
    10/22 Charlie Daniels Band (Armory)
    10/23 Lettuce (Water Street)
    10/24 Aqueous w/ Mantras (Montage)
    10/24 MEN OF GENERAL HOSPITAL (Water Street)
    10/24 Bastille (Armory)
    10/25 Badfish (Water Street)
    10/28 Goat Whore (Bug Jar)
    10/29 AJR (Montage)
    10/30 Jimkata w/ Turkuaz (Montage)
    10/31 Love and Theft w/ Joel Crouse and DJ DU (Water Street)
    10/31 Roots Collider w/ Thousands of One, Subsoil, Mrs Skannato and Personal Blend (Flour City)