Category: Buffalo

  • Aqueous Drummer Says Goodbye

    Aqueous, the four-piece groove band out of Buffalo, parts ways with its drummer.

    Nick Sonricker, both singer and drummer, released a statement today on the band’s Facebook page that he says goodbye, with a smile on his face.

    aqueous drummerTo my Aqueous friends and family –

    “This band has provided me with some of the best years of my life. Growing on a personal level from a being supporter of the band in high school, to playing percussion in the band, to playing drums in the band, and growing on a group level from getting kicked out of bars for being under-age as we’re setting up our gear, to playing our first out of town show, to touring a good portion of the country, it has all been an adventure-filled experience that I wouldn’t trade for anything.

    Being on the road with my 3 best friends (since before the band) is something I feel I am very fortunate to be able to say I’ve done. This decision I’ve made to leave this behind I cannot contribute to anything negative about the band or really anything negative at all. We are exactly how you’ve viewed us. We’re on stage smiling and laughing about whatever we were joking about earlier in the day, we hop off stage, the jokes continue, and we’re laughing about something new the next night in a different city. The positive environment that was created by being on the road with this band is something that I am proud to say I was a part of. My decision to leave was influenced by a change in me, and change in ideas, a change in direction. Knowing this band and all of its components so well, I know that Aqueous needs all parts of the machine to be in full force in order to move forward. I was no longer able to provide that. While I still would give full passion while on stage performing our songs, I just no longer had the drive off the stage.

    I have no doubts as I leave my throne to Ryan Nogle that he is the guy that is up for the task. Nogle has been here with us along this whole journey. In fact his first show working as “some sound guy we hired” in 2008 was the very same first show that I played percussion with the band. So if it would feel appropriate to pass the torch on to anyone else, it would be him. An incredible drummer, a good guy, and with the knack to fix just about anything anywhere, he will be quite an asset on the road.

    Possibly the most important thing I want to touch on would be the relationships I’ve formed with people that I otherwise wouldn’t have crossed paths with if it weren’t for this band. I hope you all know who you are. Thank you. These people have never ceased to amaze me along the way with continuous support, understanding, and devotion to the band and the music it makes. It would always amaze me how Aqueous could ignite a room full of strangers. By the end of any show no one’s a stranger and everyone leaves feeling like they’ve made a new connection with someone that night. I’ve always been impressed with our fans. In the past year or two as the crowds started getting bigger, and even though I had not known as large of a percentage of the faces in the audience, I could see that these new faces were just continuing the positive trend that Aqueous emits. This is probably the best feature of the band and I hope that it never changes as the band continues forward.

    These last few shows I played with Aqueous are the best shows I’ve ever played personally, and I would consider the best shows the band has ever played as a whole. With the awareness of the situation between my band mates and myself, I felt that we communicated on stage better than we ever have. An unknown sense between the four of us that felt as if no words, cues, or signals had to be given for fluent improvisational music to be performed which is the exact reason Aqueous exists and doesn’t get tired of itself. I’m happy to know that this generation of Aqueous went out with a bang and performed a hell of a good run of shows before I hung it up.

    This isn’t the last you’ll see of me. My life wouldn’t feel right if music were not a part of it. If nothing else, those of you who are familiar with Boss Tweed and the Carpet Baggers – be expecting a showing of three weird dudes wearing lucha libre masks to be performing a show together at some point in the future.

    Thank you to all of you who have played a role in my irreplaceable life experience with this band.”

    We’d like to thank Nick for his years of amazing playing and friendship, and we promise to rock harder than ever as we move forward. Onward!

  • Papadosio Announces Fall Tour 2014

    North Carolina’s jazzy jamtronica favorite, Papadosio has announced an extensive 35-date US tour for fall 2014.

    Billed as the “Imaginal Cells” tour, ‘dosio will be visiting old and new cities and will be joined by Twiddle, Jimkata, Asian Teacher Factory, Ghost Owl, and Tauk on select dates.

    Upstate will get four visits – September 5 at the Catskill Chill festival, October 14 at The Haunt in Ithaca, October 15 at The Westcott in Syracuse, and October 22 at the Town Ballroom in Buffalo. Regarding the tour’s name, the band released the following statement:

    “Intertwined with evolution lies design.  Nature casts blueprints for transition that resemble reinvention. Embryo, larva, pupa and imago mark the lifespan of the caterpillar, and nestled in the depths of metamorphosis lie dormant cells with an ancient memory of the future embedded within.”

    We’re not sure what that means either, but you can bet will be there to find out!

    Papadosio Fall Tour 2014.

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  • moe. Auction For a Good Cause

    Earlier this month Buffalo jam band, moe., is auctioned off Vinnie Amico’s Pooch Drumhead, to donate the proceeds to the family of one of the children featured in one of their recent videos.

    Haley, a 12-year-old girl who was in the “Blond Hair, Blue Eye’s” music video, suffered a spinal stroke in May. The band reported that she was struggling but continuing to strive. She is partially paralyzed on her right side. She loves music and is an athlete and needs everyone’s help.

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    The drumhead is used and will be signed by the entire band during their July 2014 tour. You can read more about Haley’s story by visiting haleyshealing.org.

    moe. recently announced additions to their fall tour, including stops in Montreal and Toronto September 14 and 16.

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    Pre-sale ticketing goes on sale 7/9 10am ET through moe.ticketing

    FALL DATES

    9-12- Orono, Maine- Collins Center for the Arts
    9-13- Fredericton, New Brunswick, Canada- Harvest Jazz and Blues Festival
    9-14- Montreal, Quebec, Canada- Virgin Mobil Corona Theatre
    9-16- Toronto, Quebec, Canada- The Mod Club
    9-18- Peoria, Illinois- CEFCU Center Stage
    9-19- Royal Oak, Michigan- Royal Oak Music Theatre
    9-20- Cincinnati, Ohio- Moonlite Gardens

    Support the moe auction!

  • Halestorm to Perform at Town Ballroom

    Grammy award winners, Halestorm recently announced they would be playing at Buffalo’s Town Ballroom on November 24th.

    Halestorm has toured with rock and metal’s biggest bands, Shinedown, Stone Sour, Disturbed, Megadeth, Papa Roach and Godsmack. This year, they have stretched out their sphere of influence, having played a few selected dates with country singer, Eric Church052713-halestorm-400x270

    The band scored two Top 10 singles from their debut, self-titled album, “I Get Off” and “It’s Not You”.

    Tickets go on sale this Friday, July 18 at noon at TicketFly and Town Ballroom box office.

    Check out Halestorm on their 2014 North American Tour:

    7/18 — Oshkosh, Wis. — Rock USA
    8/1 — Clearfield, Pa. — Clearfield County Fair
    8/2 — Syracuse, N.Y. — KRockathon
    8/3 — Mescalero, N.M. — Inn of the Mountain Gods Resort & Casino
    8/15 — Des Moines, Iowa — Iowa State Fair Grandstand
    8/16 — Sedalia, Mo. — Missouri State Fair
    8/28 — Comstock Park, Mich. — Fifth Third Ballpark (w/ Theory of a Deadman)
    9/27 — Baltimore, Md. — Shindig Festival
    9/29 — New York, N.Y. — Terminal 5
    9/30 — Watertown, N.Y. — McVean Gymnasium @ Jefferson
    11/11 — Chattanooga, Tenn. — Track 29
    11/12 — Knoxville, Tenn. — The International
    11/14 — St. Petersburg, Fla. — Mahaffey Theater
    11/15 — Ft. Lauderdale, Fla. — Revolution
    11/16 — Lake Buena Vista, Fla. — House of Blues Orlando
    11/18 — Louisville, Ky. — Mercury Ballroom
    11/20 — Green Bay, Wis. — Resch Center**
    11/21 — Peoria, Ill. — Civic Center**
    11/22 — Evansville, Ind. — Ford Center**
    11/24 — Buffalo, N.Y. — Town Ballroom
    11/25 — Westbury, N.Y. — The Space at Westbury
    11/28 — Sayreville, N.J. — Starland Ballroom
    11/29 — Worcester, Mass. — The Palladium
    12/1 — Cincinnati, Ohio — Bogart’s
    12/4 — Wichita, Kan. — INTRUST Bank Arena**
    12/5 — Kansas City, Mo. — Sprint Center**
    12/6 — Sioux Falls, S.D. — Denny Sanford Premier Center**
    12/8 — Memphis, Tenn. — Minglewood Hall
    12/9 — Baton Rouge, La. — Varsity Theatre
    12/11 — Duluth, Ga. — Arena at Gwinnett Center**
    12/12 — Greenville, S.C. — Bon Secours Wellness Arena**
    12/13 — Birmingham, Ala. –BJCC Arena**

    ** supporting Eric Church

  • Justin Timberlake was Worth the Wait in Buffalo, NY

    Justin Timberlake apologized from the start saying, “We owe the city of Buffalo, so tonight we’re gonna give it to ya.” Fans had been eagerly anticipating his performance since the postponement of the original concert date five months ago in February 2014.  With cool confidence and smooth moves Timberlake poured himself into a stellar three-hour performance at the sold out First Niagara Center.

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    The ambitious world tour dubbed, “The 20/20 Experience”, boasted pure energy from start to finish.  Along with his band, the Tennessee kids, JT dazzled the insatiable fans with nearly 30 songs including favorites, “My Love”, “Cry Me A River” & “SexyBack”.

    Looking dashing as always, Timberlake owned the crowd with slide and swagger that only built as the night went on. During the second set, the crowd went wild when the front of the stage detached and transported JT, along with four back up singers, over the floor seats to the back of the arena.

    Timberlake paid homage to influential legends when he covered Elvis Presley’s “Heart Break Hotel”, Michael Jackson’s “Human Nature” – and took a moment to toast deceased Buffalo Bills founder Ralph Wilson saying, “Here’s to better late than never. Y’all know I’m a big sports fan. So, we’re going to do this one for Ralph Wilson.”  If there was anyone left in Buffalo that didn’t love JT already, his toast to Wilson surely won them over.

    Clearly a born entertainer, Timberlake seduced the crowd with ease.  With boyish charm and undeniable talent, he proved to Buffalo that he was well worth the wait.

    Set 1:  Pusher Love Girl, Gimme What I don’t Know (I Want), Rock Your Body, Future Sex/Love Sound, Like I Love You, My Love, TKO, Summer Love, LoveStoned, Until the End of Time, Holy Grail (Jay Z cover), Cry Me a River

    Set 2: Only When I Walk Away, Drink You Away, Tunnel Vision, Senorita, Let the Groove Get In, Heartbreak Hotel (Elvis Presley cover), Not a Bad Thing, Human Nature (Michael Jackson cover), What Goes Around…Comes Around, Take Back the Night, Jungle Boogie (Kool & the Gang cover), Murder, Poison (Bell Biv DeVoe cover), Suit & Tie, SexyBack, Mirrors

  • Deltron 3030 Takes Buffalo Back to the Future

    photo 3Seeing a band or artist for the first time can be a unique high that is only escalated by how long you’ve waited to finally catch them. It’s quite rare though for that personal experience to be shared by an entire room. As the futuristic rap group Deltron 3030 ascended upon Buffalo this past Friday, it’s likely that the majority of the crowd was collectively sharing a moment of seeing a longtime favorite for the first time, at the same time. Walking into the Waiting Room in Buffalo, you could feel that energy of built-up anticipation. The hype for Deltron was everywhere with small groups arguing over his best track and why he ever went on hiatus. Regardless of the reason, Del was in Buffalo and, judging on how packed the venue was, every die-hard in the city was clearly not missing this one.

    Kid Koala, Del’s trusted turntablist, played a DJ set before the full group joined him onstage. For most DJ’s that open up for a group or band, they are typically there to warm up the crowd who is usually less than interested. This was not the case tonight as hip hop appreciators from around the city came out in droves and weren’t just going to grab another drink while waiting for the main act. The sea of heads nodded to every scratch as the Kid took to three separate decks. As if for only a taste of what was to come, beats were served up raw, giving samples of samples while juggling all that was coming out of the speakers. Kid Koala’s prowess was immediately noticed as he sliced and spliced his way through his set. As it ended, the crowd bellowed in enthusiasm and appreciation for how he started things off.

    With Del up next, nobody seemed to move during set-break. For anyone who thought they’d be able to sneak up to the front, like me, they were sadly mistaken as everyone was holding their ground for the best seat possible. The crowd continued to bob their heads through the intermission as whoever was in control of the house music knew exactly what to play. Classic hip hop from A Tribe Called Quest was sent blasting through the speakers with songs from their ’93 album Midnight Marauders like “Sucka N***a”, “Midnight”, and “Electric Relaxation” all playing back to back. True hip hop is alive and well in America, you just have to know where to find it. We can only hope that with this many appreciators in Buffalo alone, that groups like Deltron 3030 eventually make it back to the top.

    As each song finished, every head would turn towards the stage before another would begin to play over the PA. You could feel the tension across the room as everyone wanted to make sure they were ready to catch the first glimpse of Del when he finally walked out. Kid Koala and Dan the Automator were the first ones onstage along with, oddly enough, a full band. There were instruments setup from the time everyone walked in, yet it still took everyone by surprise when band members began picking up their instruments. As Del prepared to make his grand entrance, Kid Koala started spinning “State of the Nation”. Del the Funky Homosapien came out on fire as he launched into “3030” and “Positive Contact”, immediately feeding off of the crowd’s bursting energy. His older rhymes might be dated, technically, but they’re still just as relevant today as they were fourteen years ago. Everyone in the room was expecting Del, Automator, and Koala on their own, but with the band, the music from the past decade plus came alive through full instrumentation.

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    With so much love and appreciation filling the room throughout the entire night, the group made their way through a mix of songs from their two-album catalog. Kid Koala continued to showcase his skills, switching records mid-song and doing some serious scratching. The ying to Koala’s yang is Dan the Automator. While Kid Koala is a traditional DJ, employing three turntable decks, Dan the Automator embodies the next evolution, utilizing multiple gadgets and adding to the futuristic vision that’s realized through Del’s words. The group wasn’t leaving anything on the table for their first show in Buffalo.

    About midway through the set, the group asked for some crowd participation during the new track “Nobody Can”. Dan the Automator asked the crowd to sing along with “Deltron is our hero/If he can’t do it, nobody can”. Del ripped into the intro, swiftly spitting and reinforcing the crowd’s anthem. The room was hotter than it had ever been, but that didn’t stop anyone from moving or getting down. As Deltron 3030 touched on old favorites like “Mastermind”, it was clear the crowd still preferred the old tracks with cell phones being taken out regularly to capture the moment. Throughout then night, the entire group brought so much energy to the stage. Hearing Del’s words live after listening so many times was electrifying, and you could tell the crowd was just absorbing that and giving it right back.

    Taking a break, the band and Del left the stage to regroup. Dan the Automator stayed on with Kid Koala as Dan wanted to bring some much-deserved attention to the Kid. He specifically called out that the DJ only spins vinyl, poking a little fun at himself in the process. He went on, describing the inherent risk in Koala’s job as the needle can skip due to crowd noise. The paradox is that it’s the greatest shame for him to have his needle skip as he takes great precaution to stop that, yet it’s the biggest honor when the crowd is going crazy enough to make it do that. Kid Koala then dove into a solo segment like nothing I’ve ever seen live. His ability alone left a lot of jaws open, and upon finishing, had the crowd in a downright uproar.

    After coming back out and playing a few more, Deltron 3030 finished up their set with a huge favorite in “Memory Loss”. For everyone who had the album version engrained in their brain over the years, being able to see it live was a real treat. You could see how much Del was enjoying the show as well with frequent grins and clearly giving it his all on the closer. As the song finished up, there was no way the crowd was going to let the group just go home. With some of the loudest cheering I’ve ever heard at a smaller venue, Deltron 3030 happily came back out for a two-song encore of new song “Do You Remember?” and the Gorillaz track “Clint Eastwood” to close out an incredible night of historic futurism.

    As Kid Koala spun his turntables into a swirling build, it sounded as though the futuristic spacecraft known as Deltron 3030 was taking off again, leaving the crowd left to wonder when they would see the group again. I can’t say I’ve ever been to a show like this one where eagerness, anticipation, history, and appreciation ran so deep. Knowing it was the first time many in the room got to see Deltron 3030, it’s tough to say if I’ll ever run into those same circumstances; maybe in the future though we can all do it again.

    Set #1: State of the Nation, 3030, Positive Contact, Stardate, Pay the Price, Nobody Can, Mastermind, Melding of the Minds, The Agony

    <DJ Kid Koala Solo>

    Set #2: Virus, Madness, City Rising from the Ashes, Memory Loss

    Encore: Do You Remember?, Clint Eastwood

  • Deltron 3030’s Futuristic Spacecraft Touches Down in Buffalo Next Week

    10358755_686212514747445_8156211774306475651_n“It’s the year 3030, and here at the Corporate Institutional Bank of Time we find ourselves reflecting, finding out that, in fact, we came back. We were always coming back…”

    These are the lyrics to “State of the Nation”, the first track off of Deltron 3030‘s self-titled debut album which was released back in May 2000. Nobody knew it back then, but the rapping Nostradamus was making the first prediction of his off-the-grid career through these words. It took fourteen years, but his second album, Event 2, was finally released this past year in September. We should’ve trusted his prediction and known he was coming back. The fourteen year gap didn’t help Deltron 3030’s popularity, but for those who are in the know, Deltron is one of the most interesting rappers out there. In today’s watered-down rap offering, Deltron is a throwback to a time when groups had to have chops to even be noticed. Deltron 3030 is composed of rapper Del the Funky Homosapien, Kid Koala, and producer Dan “The Automator” and the group brings a futuristic and, almost, avant-garde approach to the table. The first album was a concept album about the world in the year 3030, rife with vivid imagery and interesting ideas like “upgrading your grey matter”.

    Fast-forward to the new album, which takes place in 3040, and Del is back, announcing such with a second track titled “The Return”. And while a fourteen-year span would normally see various lineup and sound changes to a band, Deltron 3030 returns with the same members and only a slight progression in sound, which is a compliment, not a knock. Everything that made Deltron 3030 interesting, mysterious, and transcending is in place and has only been upgraded since the original release. Who knows? Maybe Del never upgraded past the dial-up modem and it just took that long to upload his latest. Regardless of the reason, Deltron not only has a new album, but he’s touring and coming to Buffalo next week. On Thursday, July 10, Deltron 3030 will be bringing his futuristic spacecraft to The Waiting Room. Since the rapper takes a music industry lightyear to release another album, it’s highly recommended to catch him live while he’s here on this planet. You can grab your tickets here and plan for a peak into the next millennia as Del will surely take everyone on a trip through the wormhole.

    If Buffalo is too far of a trip, fear not, as Deltron 3030 is also making appearances at The Westcott Theater in Syracuse on July 13 and in Brooklyn with a full orchestra on July 19.

  • Review: Ringo Starr and his All Starr Band at Artpark

    Thousands of people with umbrellas and ponchos crowded the fields of Lewiston’s Artpark for Ringo Starr and his All Starr Band. The sky was filled with heavy overcast with a few rays of sun but that did not stop the generation of The British Invasion and a few younger generations from waiting on the famous drummer.

    Ringo Starr Artpark

    The opening band for Ringo Starr and his All Starr Band was New York City’s very own, Andy Suzuki & The Method. The band filled their set with alternative songs with a mixture of blues and folk. Suzuki’s voice won the audience over with the loud applause and whistles after each song. Suzuki dedicated the song “Born Out of Mischief” to his mom and to all the other moms and dads in the crowd. The band kept the crowd entertained by making them a part of the show – clapping along to the chorus of “Lucy (The Devil)”. Suzuki even took a moment to point out his mom in the crowd while she waved back. The band ended with a bang, getting the crowd excited for Ringo Starr.

    The stage immediately started to prepare for the one-time Beatle to make his appearance. The crowd cheered as the crew revealed the famous drummer’s drum kit with a huge red star on the bass drum. As the stage changed, so did the weather. The clouds came in thick and dark and in just a few minutes it started down pouring and rolls of thunder echoed throughout the hills. Fans continued to stand in the rain and chanted “Ringo! Ringo! Ringo!” until lightning was seen. The venue announced moments later that the show was postponed until the storm passed. People took cover in their cars, under the merchandise and beer tents or stood in the rain. Fans waited with crossed fingers for the rain to stop. In less than half-hour, the rain stopped and the sky cleared up. People were instructed to go back to the venue as the stage was swept dry for Ringo.

    Ringo Starr ArtparkThe All Starr Band made their first appearance on stage shortly after the stage was cleared of water. The crowd grew louder before everyone got the first look at Ringo Starr, who came out on stage, raising his hands with peace signs and thanked the crowd for holding up in the rain and said – “We would have played in the rain but they would not let us.”

    Ringo’s All Starr Band consisted of many well-known names in the music industry, Todd Rundgren (guitarist), Greg Rolie (keyboardist), Steve Lukather (guitarist), Richard Page (bassist), Gregg Bisonette (drummer) and Warren Ham (saxophonist/ percussionist). The whole band had the amazing ability of singing and performing with each talented artist, it was as thought the audience witnessed five different bands performing on one stage.

    The band opened up with Carl Perkins’ “Matchbox”. Throughout the night the setlist was a mixture of early Beatles songs, “Don’t Pass Me By” and “I Wanna Be Your Man”. Ringo had a sing along with the crowd for “Yellow Submarine”. He joked with the crowd saying if they did not know the song, they were at the wrong show. But also a mixture of 80’s songs were lead by the All Starr Band and some of the favorites of the night were, “Africa” was sung by Steve Lukather (Toto), “Black Magic Woman” sung by Gregg Rolie (Santana) and “Broken Wings” which was sung by Richard Page (Mr. Mister). Page’s incredible voice took the crowd by awe and a few lighters were seen swaying in the air during the song.

    Towards the end of the night, Ringo performed the international single “Photograph” also co-written by George Harrrison. But the crowd sang loudly to “With A Little Help From My Friends”, Ringo could barely be heard while the crowd sang  and fans wrapped their arms around one another’s shoulders. After the song was finished, Ringo thanked the crowd and said that was it and briefly left the stage. But the All Starrs quickly started getting the crowd to clap their hands up high and the band started singing “Give Peace a Chance”. Ringo came back to join in with the last song and performed the song in remembrance of John Lennon.

    Tears could be seen on some of the faces in the crowd as the band bowed together on stage. Wishlists and bucketlists were crossed off for most people there as they witnessed the most famous drummer of all time. Ringo Starr and his All Starr Band made an impact of every rock n roll fan in that crowd. It was not just a rock concert, to some; it was a memory that will last them a lifetime.

  • The Revivalists Coming to The Waiting Room in Buffalo August 12

    The Revivalists  will be coming to the Upstate New York area with a show on August 12 at The Waiting Room in downtown Buffalo. The Revivalists have been touring non-stop since 2007 and the New Orleans based band has no plans to let up. The group has such an amazing energy level, with their rocking sound and unique blend of music that gets everyone up and wanting more.

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    Opening for the Buffalo show will be home-grown funkadelic jamband Funktional Flow, who have been really taking their music to the next level. The band most recently enjoyed a successful Buffalove Festival, where they were one of the headliners of the event.

    Thomas Wynn and The Believers are set to open the show. The band  comes from Orlando, Florida and has been coined by SOUNDBOARD as – “Southern Rock Muscle/Soulful Rock n’ Blues.”

    The Waiting Room will be the place to be come Tuesday, August 12. You should anticipate a full crowd right from the beginning so get your tickets today. Tickets for The Revivalists can be purchased through the Waiting Room in Buffalo for $15, doors open at 8pm

  • Rain Cuts Widespread Panic at ArtPark to One Solid Set

    Well, at least we got one set of Widespread Panic, as rain and winds cancelled the second set of the famed Georgia’ jam band’s  show at ArtPark in Lewiston on Tuesday, June 17, but for what we got in the first set, it was worth the ticket price, as well as my five-hour drive from Albany.

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    Opening with the instrumental illness of “A of D”, the seated crowd of a few thousand watched with curiosity and interest as the Athens-born worked through compositions, leaving room for improvisation in the right spots. The driven rock of “Surprise Valley” wowed the crowd via Jimmy Herring’s guitar work, while “Hatfield”, a song about the weather, was played to a backdrop of a divided sky which had formed on the horizon behind the stage, a storm drawing not far from the venue, but skirting by. These back to back extended songs, most notably “Hatfield” with John Bell’s trademark rambling lyrics, led to a short “Dyin’ Man”.

    “Henry Parson’s Died”, a cover that I am not typically partial to was surprisingly strong, with Herring particularly shred-happy and consistent throughout; tonight the crowd got a real treat in southern-bred guitar playing. “Little Kin > Radio Child” featured a tight segue between the two songs about the kids. “Casa del Grillo”, a Los Lobos-style Chicano rocker was a rare treat, only played once or twice a year over the past 5 years. “Casa’s” lyrics were mixed between Spanish, English and John Bell-ese, and featured the organ accents from JoJo Hermann that perfectly framed the body of the number.

    “Greta” and “Cream Puff War” were a pairing full of dirty funk and a seamless segue into “Cream Puff War’. The early Grateful Dead song filtered out of a higher intensity “Greta” jam, with Dave Schools’ bass taking charge to push Todd Nance to drive the rhythm into the faster-faced “Cream Puff War”. Listen to the two tracks below.

    Then the winds came, followed by a downpour. We were asked to leave the park, and the helpful staff directed us to shelters and the parking lot. The heavy stuff did not come down for quite some time, taking pause and leading us to think we had a good shot at a second set, since this rainstorm started moments after Widespread Panic took setbreak. But the calm of the storm brought an onslaught of rain and high winds, forcing cancellation of the rest of the show. Not the optimal ending for the rare Widespread Panic show in Upstate New York, but we got one helluva set!

    Download Lenny Stubbe’s recording of the show here

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