Category: Regions

  • Aqueous to Celebrate NYE in the Buff!

    AQ-NYE-2014Aqueous have announced plans for a NYE party at Buffalo’s Iron Works with regional funk superstars Funktional Flow. This will be the band’s second show at one of the Nickel City’s newest venues following a near sell-out at their CD release show October 25th. The Iron Works is located in the harbor district across the street from the home of the Buffalo Sabres – The First Niagara Center – and features an “always open” kitchen, killer draft lineup, and top notch sound lights and stage. Sabres fans should take note, as attendees to the NYE home game versus the Tampa Bay Lightning can get $5 off at the door with their ticket stub.

    Non-hockey fans can net a pre-sale ticket for $10 or take their chances at the door for $12. Don’t delay on those tickets –  it is extremely likely this event will sell-out –  Flow has a huge local crowd and Aqueous has not been in town for NYE since 2012. Given both bands last few NYE sets there should be lots of surprises in store. Check out last year’s Aqueous setlist below. Welcome back to the Buff AQ! (Shirts and shoes required)

    2013/12/31 Aqueous at The Crooked I, Erie PA

    SET I: The Median, Skyway > Eon Don, Complex Pt. II *, Coyote Run **, Africa ***

    SET II: Auld Lang Syne > Master of Puppets ^ > Origami, Dave’s Song > Kitty Chaser (Explosions), King For a Day > Willy is 40, All In, Mean Mr. Mustard ^^ > Polythene Pam ^^ > She Came in Through the Bathroom Window ^^ > Golden Slumbers ^^ > Carry that Weight ^^ > The End ^^

    ENCORE: Her Majesty ^^ > Warren in the Window

    NOTES:
    * First time played original
    ** with Eric Brewer on guitar
    *** First time played, Toto cover
    ^ First time played, Metallica cover
    ^^ First time played, The Beatles cover

  • World’s Loudest Month Announces Dates

    Metal heads and hard rockers have been waiting patiently for the dates of the World’s Loudest Month, while they know it’s May, it’s not quite definite what order they are in.  This year AEG Live, Danny Wimmer, and RockHouse are including a new stop  called Northern Invasion festival in the Twin Cities (Minnesota).

    The World’s Loudest Month brings together the biggest names in rock music.

    The 2015 World’s Loudest Month festival dates and locations are as follows:

    Monster Energy Fort Rock: April 25 in Fort Myers, FL
    Monster Energy Welcome To Rockville: April 25 & 26 in Jacksonville, FL
    Monster Energy Carolina Rebellion: May 2 & 3 in Concord, NC
    Northern Invasion: May 9 in Somerset, WI
    Rock On The Range: May 15, 16 & 17 in Columbus, OH
    Rocklahoma: May 22, 23 & 24 in Pryor, OK
    River City Rockfest: May 24 in San Antonio, TX
    RockFest: May 30 in Kansas City, MO

    “With each passing year we continue to work hard to bring something special to the rock fans around the country and to make it easy and convenient for them to attend our events,” comments Joe Litvag, co-executive producer of the WLM series for AEG Live.  “That was the reason behind starting Northern Invasion in the upper Midwest.  There is such a tremendous community of rock fans in places like Minnesota, Wisconsin, Iowa, North and South Dakota, and nothing was all that convenient for them.  So, we thought, ‘Why not bring them a rock festival that they can call their own?’”

    “After selling over 360,000 tickets last year for World’s Loudest Month we are constantly looking for great cities and strong markets to add to the family of festivals associated with WLM.  Minneapolis has an incredible rock radio station and it’s only fitting that we bring Northern Invasion to the region as our newest destination to the World’s Loudest Month,” says  Danny Wimmer, co-executive producer of the WLM series for DWP.

    Not sure which one to go to? Here are some links to more info on the various stops of the WLM tour.

    Monster Energy Welcome To Rockville (April 25 & 26, Jacksonville, FL)

    www.WelcomeToRockvilleFestival.com

    After selling out in 2014, Monster Energy Welcome To Rockville kicks off the World’s Loudest Month and celebrates its 5th year anniversary, returning to Jacksonville, Florida April 25 and 26th. Florida’s biggest rock festival lineup will be revealed Monday, December 8, with tickets going on sale Friday, December 12.

    Monster Energy Fort Rock (April 25, Fort Myers, FL)

    www.FortRockFestival.com

    The World’s Loudest weekend includes South Florida’s Biggest Rock Festival, Monster Energy Fort Rock, Saturday, April 25 at JetBlue Park in Fort Myers, Florida–the spring training home of the Boston Red Sox–for its 3rd consecutive year after selling out last year. The full festival lineup will be released Monday, December 8, with tickets going on sale Friday, December 12.

    Monster Energy Carolina Rebellion (May 2 & 3, Concord, NC)

    www.CarolinaRebellion.com

    Rock City Campgrounds at Charlotte Motor Speedway will host the fifth annual Monster Energy CarolinaRebellion. In 2014, the mid-Atlantic’s biggest rock festival sold out of camping and VIP packages, and over 60,000 fans were treated to two and a half days of picture perfect weather. For the 2015 festival, layaway packages will be offered for the first time beginning Cyber Monday (December 1, 2014). Further details regarding layaway (ticket prices, camping and hotel packages) will be announced in the coming weeks, with the concert lineup to follow in early 2015.

    Northern Invasion (May 9, Somerset, WI)

    www.NorthernInvasion.com

    Look for details soon about this new rock and camping festival that will take place during the World’s Loudest Month.  Lineup, ticket information, and camping information will be announced in December.

    Rock On The Range (May 15-17, Columbus, OH)

    www.RockOnTheRange.com

    ROTR sold out in advance for the second year in a row in 2014, with 120,000 concert-goers on-hand at Columbus Crew Stadium to experience blistering performances from 60 of the world’s hardest rocking bands on three stages over three days. In 2015, ROTR will welcome live music’s top cable channel, AXS TV, to film the weekend as part of their live festival coverage.  Weekend Field GA and Stadium GA layaway tickets are on sale now at www.rockontherange.com. Also new to Rock On The Range in 2015 will be the Jack Daniel’s Old No 7 VIP Lounge which features amenities such as dedicated Wi-Fi, charging stations, private restrooms, premium food options and more. This upgrade will be available on all ticket purchases.  Returning packages like the ROTR VIP Packages, Hotel and Ticket Bundles and Camping packages will go on sale Monday, November 10 at 10:00 AM ET. Detailsand prices for VIP, Hotel, and Camping Packages are available at www.rockontherange.com.  Regular tickets will go on sale once the band lineup has been announced in early December.

    Rocklahoma (May 22-24, Pryor, OK)

    www.Rocklahoma.com

    In May 2014, a record crowd of over 60,000 fans turned out for the eighth year of America’s Biggest Memorial Day Weekend Party featuring the best current active rock artists and classic bands at “Catch the Fever” Festival Grounds. Rocklahoma’s seat renewal process will begin on Monday, November 17, 2014 and runs through Wednesday, January 7, 2015. The renewal option is available to those who purchased a Weekend Reserved or VIP Package ticket in 2014. To renew seats for 2015, please call 866-310-2288 or email info@rocklahoma.com and a team member will contact you as soon as possible.  Rocklahoma’s 2015 lineup will be announced in January.

    River City RockFest (May 24, San Antonio, TX)

    www.rivercityrockfest.com

    River City RockFest returns to the AT&T Center in San Antonio for its third year. Look for concert lineup details to be announced soon. In 2014, nearly 20,000 were in attendance at San Antonio’s premier rock festival, with 25 top rock bands performing on four stages.

    Rockfest (May 30, Kansas City, MO)

    www.RockfestKC.com

    Rockfest returns to Penn Valley Park in downtown Kansas City for its 23rd year. In 2014, Rockfestclosed out the World’s Loudest Month festival series with over 50,000 in attendance for the seventh consecutive year of America’s largest one-day music festival.

    The World’s Loudest Month mobile app is available to download via iTunes and Android.

    Website: www.WorldsLoudestMonth.com
    Facebook: www.facebook.com/WorldsLoudestMonth

  • Umphrey’s McGee at The Broome County Forum

    The jam band Umphrey’s McGee took the stage at the Broome County Forum on Wednesday, October 29. The GA show left the lower orchestra packed and an intimate environment for the dedicated fans that traveled and locals that indulged in the convenience. These fans know they’re always in for a new treat, with Umph constantly changing with the tide and adapting to the crowd.

    Amidst it’s fall touring of the Midwest and East Coast promoting the new album Similar Skin, the rarely hosting Forum had it in their cards to land a class act. Guitarist/vocalist Brendan Bayliss, guitarist/vocalist Jake Cinninger, keyboardist/pianist/vocalist Joel Cummins, drummer/vocalist Kris Myers, bassist Ryan Stasik, and percussionist Andy Farag, together form a Voltron-like beast as formidable as any other jam creation. They made sure to suit up for the Forum, providing plenty of their classics, spreading they’re new album exposure across the tour.

    Starting with “Jekyll & Hyde > Robot World”, Umph played a transforming “Walletsworth”, “Rocker Pt. 2”, “Anchor Drops”, a “Get in the Van” that explored thrashing to a paradise breeze and everywhere in-between, followed by a stanky legged “Smell the Mitten”, and clear fan favorite, a sixteen minute “Plunger” to wrap up the first set.

    The second set opened with “Search For”, followed by a “Much Obliged” that featured a “50 Ways to Leave Your Lover” (Paul Simon) jam. “Yoga Pants” then fooled me into thinking we we’re getting an “In the Kitchen”, instead it sounds like a song among the stars, where I’m sure we can agree “Yoga Pants” came from anyway. A nearly seventeen minute beastly “Hurt Bird Bath” would be a journey as the jam buildt and transitioned from one moment to the next. The next part of the journey was the win; it was Mario taking out Bowser back on NES, a “2×2 > Final Word > 2×2” that single-handedly stormed the castle, rescued the princess, earned her eternal love, and Hulk Hogan’ed off her chastity belt. In celebration, a Steely Dan cover of “Reelin in the Years” brought everyone on the same page of joy and nostalgia. An 11 minute “Conduit” would close out the second set.

    Umphreys (11)

    “WE WANT THE UMPH, GOTTA HAVE THAT UMPH!” – the familiar chant wasn’t heard on this evening, but the interactive band would never let its loyals down. They came out with a soul food serving of Waylon Jennings “Good Ol’ Boys”, and a send off a moving “Wife Soup” for dessert.

    Umphrey’s not only fails to disappoint, they’re still getting better. With a huge following across the country selling out theaters and headlining festivals, if you haven’t walked out of a venue with an “Umph Love” sticker lately, get off life support and get out there.

    Umphrey's McGee

    Umphrey’s McGee at The Broome County Forum Setlist via All Things Umphrey’s:
    Set 1: Jekyll & Hyde > Robot World > Walletsworth, Rocker Part 2, Anchor Drops > Get In The Van, Comma Later > Smell the Mitten, Plunger
    Set 2: Search 4, Much Obliged[1] > Yoga Pants > Hurt Bird Bath[2], 2×2 > Final Word > 2×2, Reelin’ in the Years, Conduit
    Encore: Good Ol’ Boys, Wife Soup
    [1] with 50 Ways to Leave Your Lover (Paul Simon) jam
    [2] with Domino Theory teases

  • Interview: Eric Paslay – Wise and Talented Beyond His Years

    As a journalist you do your best to maintain a level of objectivity when dealing with anyone you cover for a story.  You want to bring a story that is not only factual, but without a spin in one direction so that the reader can come to their own conclusions.  However sometimes you just can’t help yourself when you meet them in person.  This is what happened with me after speaking with Eric Paslay, and seeing him perform at Toby Keith’s I Love This Bar & Grill in Syracuse, September 20, 2014.  I was totally impressed by this young man.

    This would be the second time covering the musician for an event (Taste of Country Music Festival) and I was looking forward to both the performance and our scheduled phone interview.  Many times these interviews happen to be right before a show, or in between sound checks.  With such a busy schedule, when I received the call around 10am, it was a nice surprise.

    Eric Paslay - Toby Keith's Syracuse
    Eric Paslay – Toby Keith’s Syracuse

    Kathy Stockbridge:  Hi, is this Eric? How are you?  Thank you so much for agreeing to do this interview with NYS Music.com.

    Eric Paslay:  Good Morning.

    KS: Well Good Morning to you as well!  You’re up early!!  I didn’t expect you to be up so early.

    EP: Oh yeah, we get up early.  I would rather be awake for life.

    KS:  Welcome to NYS Music and again thank you for agreeing to do this interview for our readers. You’ve been on quite a whirlwind of a tour this year…talk to me a little about the highlights of the tour and some of your favorite moments.

    EP:  I think this has been the busiest touring year of my life, and it’s been cool. We go from town to town and see the same hearts and souls in each town but with a little bit of different backdrop which is kinda cool. I like getting off the bus and trying to wander around town if there is one. A lot the fairs and festivals that we play though there is not a lot around it other than the fair.  Still, I try to walk around there if I can. I think the coolest thing though is this year is the first year I’ve had a hit as an artist, which I’ve been working towards my whole career, and I’m glad people are singing along to songs that I have written and now to songs that I’ve recorded myself.

    KS:  That’s awesome…I often wondered if you have the opportunity to get off the bus and get out there to meet the people and take advantage of  places you are visiting. It’s nice to know you are able to take advantage of  that and getting to know the areas you are touring as well.  I actually covered your show at The Taste of Country Festival which was a scream…it was my first country festival I’ve been too…was totally off the wall, with more than 40,000 people.

    EP:  Yeah..that was a cool show!

    KS:  ..and was a lot of fun. Was that the first time you had been up this way to Central NY?

    EP:  No I’ve been up there before…That was my first time at The Taste of Country, but I have been touring around the country for about four years now, but I’m getting to play the big shows now.

    KS:  Well you did a great job..I really enjoyed your set.

    EP:  Thanks.

    KS:  And I’m looking forward to seeing you this Saturday at Toby Keith’s, and I do believe I’ll get to see you again in November when you visit my local area at the Utica Aud with Dierks Bentley and his Riser Tour.

    EP:  That will be a good tour!

    KS:  You have a huge country music fan base here in this area….do you see similarities with people in the different communities you come to, or differences as you travel around?

    EP:  You know, what I’ve learned is around the US people are taught to listen to you differently.  Some people are there for the party, and they still love you being there…it doesn’t matter if your George Straight on the stage.. they’re not really watching you or listening to much..they are, but they aren’t.  Then there’s other parts of the country where they’re just as quiet as can be with their arms crossed staring at you.  You not quite sure what they are thinking, but they are soaking it up and loving it.  I think that’s the coolest thing..sometimes a lot of new artists on the road think “wow, that crowd hated us”, then they go to the meet and greet line and see what they really thought.  As the fans tell you that was the best show ever, they don’t even know how to react.  It’s also really cool to go out there and start understanding your listeners.  Not everyone listens the same way…that’s what makes us as unique which is a pretty cool thing. And it’s not a bummer when people go all nuts also!

    KS:  Do you feed off the audience when that happens?

    EP:  Oh absolutely, I don’t think a football player isn’t going to run as fast as he can and hit as hard as he can with an empty stadium.

    KS: Absolutely!

    EP:  It’s nice when the crowd is cheering for you.

    KS:  I personally love your writing style. You mentioned once in another interview that you try to leave some hope in all songs even the sad ones.  Is writing cathartic to you? Do you write to tell a message, or get feelings out, or what is your writing process?

    EP:  You know, a lot of times I try to have messages like you will get through this, and it’s okay to feel this way, and also let’s just rock it tonight.  I tend not to write selfishly.   Music is a very influential thing, and I hope I get to stick around and influence people for good for a while.

    KS: I predict you will.  You have written a lot of songs that have been recorded by others.  Talk to me a little about your inspirations, and do they play a part in your writing style and your performance?

    EP:  I tended to just listen to music that I dug, and if it sounded good,I turned it up.  Somehow God blessed me with the ability to write songs.  To be able to walk in a room with nothing and not even an idea, as I write so much, you walk in and start playing a melody and you know within a few hours a songs written.  The cool thing about a song is you never know where it’s going to end up. I’ve learned through a lot of my other songs being recorded, that some times it’s not up to us how a song gets heard, and especially how a song gets famous.  It can be frustrating if you try to make sense of it all.  Other than you swing the bat and sometimes people see the home run go over the fence, and sometimes you’re in the stadium alone.  And that’s alright.  You just keep swinging the bat, and maybe people will be around when you hit the home run.

    KS:   Well you are originally from Texas, the Austin area, which is hugely known as a musical mecca. Have you had an opportunity to perform in and around Austin?

    EP:  Yeah, its wild.  I wrote a song for the Eli Young Band called “Even If It Breaks Your Heart”, and the second verse is “downtown is where I used wander, old enough to get there, but too young to get inside”. That was kinda me and Austin, Texas.  I was 20 years old walking up and down 6th Street trying to get gigs for me and my band.  But, I couldn’t even get in to see the club owner because I wasn’t old enough to get in.  But we did play some shows around there.  I moved up to Nashville when I was 20 years old though, so I wasn’t a big part of the scene at all.  I was still trying to figure out who I was musically at that time as well.

    KS:  Now you had the opportunity to play at the Opry..talk to me a little about that, what was that like?

    EP:  It’s amazing!  I kinda lucked out the very first time I got to play the Opry was actually when it was at the Ryman Auditorium.  There’s actually two or three months where they have the Grand Ole Opry back at the Ryman Auditorium every year-round the holidays.  I got to play then, and maybe 5 or 6 times now since then. I’m actually playing again Tuesday night.  They are having a St. Jude show for raising money and awareness.  A my distant cousin, Brad Paisley, is going to be there.  I’ll actually get to talk to him on Tuesday.

    KS:  That is so awesome!

    EP:  I remember I was standing next to Ricky Skaggs the first time I played the Opry, and I was about to walk on and he said, “Are you nervous?”  I was like “Yeah man! I’m about to walk onto the Opry stage,and you’re Ricky Skaggs”.  It was a cool thing.  Darryl Worley was also playing that night, and I told him “Ricky kept asking if I was nervous, yeah I’m nervous”.  The cool thing is, I still get nervous…but in a good way, kinda.  When you’re out on the stage a lot, that kinda wears away and that’s a good thing.  So you’re having fun and not too shaky in front of people.  I  think when you play so many stages and then you come back to the Opry, you think about everyone I’ve ever looked up to has played here including rock artists and pop artists.  On the Ryman stage, especially where the Grand Ole Opry started.  Darryl said, “Man, if you’re not nervous on the Opry stage, your heart’s not in the right place.” So I try to make sure I’m a little nervous when I walk out on the Opry stage.

    KS:  I’m going to switch gears here for a second.  I learned a long time ago as I was doing some research for my first article on you that you are a graduate from Middle Tennessee State University (MTSU).  I actually grew up until 5th grade in Murfreesboro, TN where MTSU is. One day I’ll get back down there.  I remember it being a very community oriented school.

    EP:  Its built up a lot.

    KS:  Has it really?  I’m sure it has!!  Talk to me a little about your choice of schooling and MTSU and what brought you to choose MTSU, being from Texas.

    EP:  I wanted to be up near Nashville and they had a Recording Music Program and Record Industry Program.  I ended up doing a Music Business degree just so I could know what the business is about.  I wasn’t sure if I was going to be able to work on the creative side of it.  I was hoping that would work out, and I’m glad it has.  So I chose MTSU because they had the Business Music Degree…

    KS:  Do you think getting your degree in music has helped to pave your path to where you are today, giving you more of an understanding of the ins and outs of the music business?

    EP:  When you know the basis of a business, and show up and talk to a professional you’ll actually learn something.  As opposed to just going  “You’re a music publisher?  How many books do you all sell?”   No..they don’t sell songs, they license songs and they don’t deal with books at all. Which happens a lot.  You have an intern come in or someone wanting an internship to get to hang around it,and they are asking how many songs you sell.  That’s the first thing you don’t say to a publisher.  They don’t sell songs…they always own them.  And it’s just learning little inside things like that about the business on the label side or the management side or any side of it.  When someone’s wanting to go into (the business)when you show up you know the very simple parts of their business.  That way you can talk about deeper things,and they might open up to teach you things that not everybody knows to help you in your career and just the understanding of how crazy the business can be.

    KS:  I give you a lot of credit learning the business from the bottom up, worked hard, and as I talk to you I know you will have a long career.  Any future goals or projects we can look forward to? And future collaborations?

    EP:  I’ve had some pretty cool collaborations this past year from Dionne Warwick, Kenny Rogers, Amy Grant,  and Sheryl Crow. I don’t know where I’ll go from there, but I’m always willing to collaborate and write and even sing with someone.  We’re not done with this album, but we are looking towards the making of the next sophomore album.  I am just kinda going through and rediscovering songs I wrote a long time ago.  So, I’m doing that, and writing a lot still.  Just looking forward to making the next album, and having at least a couple more singles come off this album.

    KS:  We’re looking forward to that too!  I do something I call a social speed round to let my readers know a little bit about the performers outside of the regular questions.  Are you willing to play along? It’s painless..I promise!!

    EP:  Sure.

    KS:  Okay..you’re on the road..you see this and make your tour bus pull off every time.

    EP:  Antique store. Well, not every time…there’s a lot of them.

    KS:  Fill in the blank…On the tour, my band mates think I’m a _________.

    EP:  Um…I don’t know what they think of me….haha…Good Guy!!  They think I’m a good guy!

    KS:  Sport of choice?

    EP:  Baseball

    KS:  Team?

    EP:  Texas Rangers.

    KS:  What’s on your iPod right now?

    EP:  Actually I have the new U2 album.  I’ve just been kinda playing that seeing it’s about.

    KS:  You’re on your time off, you can’t wait to do this.

    EP:  Projects. I like handy man projects.

    KS:  You just got home…you can’t wait to see or do this.

    EP:  See my girlfriend.

    KS:  Thank you so much Eric, I can’t wait to see you this Saturday and again in November when you come here to the Utica area.

    EP:  Thank you for doing what you do.

    As I hung up the phone from the interview I couldn’t believe what a down to earth, intelligent, normal guy he was.  This young man was wise beyond his years.  It’s one thing to have talent, a dream, and ambition.  But Eric had something else that is critical in the success of any and every career.  He had the understanding that you must know your business and market to succeed.  By going to school to learn this business, by being willing to listen, and by being willing to work hard, he’s made a name in the business in a positive way that will give him opportunities beyond many others.

    [FinalTilesGallery id=’37’]

    After speaking to Eric, and learning so much more about him, I was super pumped to see him perform live.  Arriving early to the show, I was given a meet and greet pass to meet Eric in person, and now the anticipation began to boil over.  That was such a treat as I was not expecting that.

    First to the stage was local band, Hoot’n Anges, who rocked the crowd and warmed them up with a list of original music and covers of some of todays biggest hits.  The three-piece band certainly had the sound of a full band with vocals being covered by husband and wife team of Angela and Lucas Marino and fiddle player Gregory Mach.

    [FinalTilesGallery id=’38’]

    They were really good, and I was enjoying shooting photos of the opening act.  A little too much though.  I unfortunately was so wrapped up in taking photos, that by the time I realized it, I had missed the meet and greet. Seriously!!  Who does that?  I must be the only person in the world to get so caught up in taking photos, that I miss a meet and greet with an a one of today’s country music stars!  Sorry Eric, wasn’t intentional.  For my readers that don’t know me, yes, I am a blonde and I’m easily distracted.  Hopefully I’ll have another opportunity one day, and I promise to not miss that one.

    Eric took the stage immediately after the opening act completed, and what a performance he gave the packed house.  Singing songs he’s written over the years, and covering covers as though they were his own, he owned the crowd the minute he took the stage.  His current hit and ballad “She Don’t Love You”, co written with Jennifer Wayne, granddaughter to John Wayne, has to be one of the most beautiful songs I’ve heard in a long time.  Originally meant for George Straight, I am glad he kept it as his own as I feel that it was meant for him to sing.  He delivers it with such emotion that you don’t hear the song, you feel the song. The crowd concurred.  As he sang his song’s “Song About A Girl”, “Barefoot Blue Jean Night”, “Angel Eyes”,  and “Even If It Breaks Your Heart”, the crowd joined in and sang along word for word.  I absolutely loved his covers too. His choices of “Ain’t No Sunshine” by   Bill Withers, and “Free Fallin” by Tom Petty were spot on and showcased his musical skills.  If there’s one thing I can categorize about Eric’s singing, he sings with his soul.  He’s not just on stage delivering words, he’s delivering an emotion alongside the words.  This ultimately translates to a connection with the audience that not every artist can achieve.  There’s nothing fake about this young man.  He truly loves what he does, and he truly loves sharing it with us, his fans.

    As I left the show and reflected back on my conversation with him and watching him perform for the audience, I felt that he’s a so much more than just a performer.  He’s got the know how to work within this industry his entire life, he has the talent to achieve whatever he sets his mind to, and he’s got the heart to appreciate those nerves each time he goes out on the Opry stage.  My favorite thing about Eric though, besides the fact that he graduated from MTSU in Murfreesboro, TN where I grew up, or the analogies to sports throughout his interview, was that he “wanted to be awake for life”!!!
    [youtube http://www.youtube.com/watch?v=5QJW4JB5IeI]
    Setlist: Like A Song> Here Comes Love > Never Really Wanted > Barefoot Blue Jean Night> All or Nothing> She Don’t Love You> Angel Eyes> Fish Don’t Bite> Ain’t No Sunshine> Good With Wine> Free Fallin> Even If It Breaks Your Heart> Less Than Whole> Keep On Fallin’> Friday Night

    [FinalTilesGallery id=’36’]

  • Michelle Renee’s Reflections Album Debut


    Syracuse local folk/rock/soul singer-songwriter Michelle Renee is excited to announce the live, full-band debut of her forthcoming album, Reflections, on Friday, November 7 at The Lost Horizon. This event will be the only opportunity to experience Reflections with all of the musicians who appear on the album, serving as a special sneak-peak in Michelle Renee’s farewell performance before moving to the West Coast.  The event will also feature a host of local folk, rock, soul, and reggae acts, all led by female vocalists.  Heartstrings beware: you may be tugged at.

    Early Bird will kick things off at 8PM with their magical two-and-three-part harmonies, followed by a one-time only, full-band debut of Reflections. Joining Michelle for her performance will be Aaron Walters on guitar and piano, Sam Roux on bass, Gavin George on drums, Brendan Gosson on violin, and Riley Mahan on back-up vocals. Riley will also be taking center stage to show off her incredible pipes before Root SHOCK’s soulful vocals, good vibes, and Reggae beats have us all dancing the night away.

    Best known for her tremendously unique voice, Michelle Renee’s expressive lyrics are intensified by her distinct vibrato, colored by a low, rich timbre and transcendent soprano overtones. With the production support of Aaron Walters; dynamic piano, bass, electric guitar, violin and drum arrangements now augment Michelle’s originally acoustic renditions, purposefully echoing a mixture of genres to tie into the overarching theme of the album, ‘We Reverberate.’

    Totem
    Michelle Renee

    According to Michelle, “I am most interested in music that juxtaposes a danceable beat with thought-provoking lyrics to draw attention to larger societal questions of morality and personal power. Behind every song is a story. Rather than adhere to a specific genre, musical accompaniments were composed to enhance each story and bring listeners into that world.”

    In addition to Michelle’s refreshingly authentic vocals, listeners will be greeted with abstract drum grooves, heart-wrenching piano ballads, and driving rhythms; threaded together to create a mosaic of sound unified in its call for a higher consciousness.

    Born and raised in Baldwinsville/Syracuse, Michelle’s love for music has brought her to venues including Sterling Stage Music Festival, and to various bars and restaurants around CNY, where she often performs solo on acoustic guitar.

    EarlyBird
    Early Bird

    Early Bird is a progressive/folk/indiepop trio that finds inspiration from a wide variety of musical styles such as jazz, rock, funk, American traditional, Irish traditional and classical music.  The band features robust, emotionally powerful lyrics written by lead vocalist Katherine O’Leary and vocalist/pianist Sheralyn Wellman, along with a strong harmonic and rhythmic backbone from guitarist/vocalist/percussionist Aaron Walters. The incorporation of intricate musical elements within an accessible sound is ever-present in Early Bird’s music.

    Early Bird’s magic lies within the strength of the carefully constructed two and three-part harmonies each member creates, while still maintaining their own unique vocal presence.  Its member’s commitment to sharing their sound has brought Early Bird to Ithaca, Syracuse and Binghamton, among other locations throughout New York.

    RootShockBand
    Root SHOCK

    Central New York’s finest roots rock-reggae/soul party starters, Root SHOCK, formed in winter of 2012 with veteran musicians whose love of reggae music flows deep. This group seamlessly blends roots Reggae, dancehall, heavy drum and bass, and soulful vocals into positive dance music that makes you want to move.  Root SHOCK’s groovy sound has become a staple of the Syracuse downtown bar and coffee-house scene (Al’s Wine and Whiskey Lounge, Funk ‘n Waffles) and cultural events throughout the city (Westcott Theater, Westcott Cultural Fair).  Lister be advised: powerhouse frontwoman Jessica Brown is a wolf (or fox?) in sheep’s clothing her sweet and humble stage presence is contrasted sharply by her raw, riveting, fiery sound that is sure to get you out of your seat.

    With so many talented female vocalists under one roof, this will surely be a night to remember!

    Michelle Renee’s Reflections Debut Party,
    with Special Guests Riley Mahan, Early Bird, and Root Shock
    Friday, November 7th, 2014
    Doors: 7:00PM / Show 8:00PM
    The Lost Horizon
    Syracuse, NY
    Tickets: $10
    This event is all ages.

    Event links:
    Facebook

  • Heads Up for HeadCount on Election Day

    If you attended a concert or music festival this summer, chances are you most likely saw the HeadCount tent set up with volunteerrs eager to happily hand out information on the importance of voting. Turns out they were doing more than just giving you a chance to win an autographed poster or VIP tickets. HeadCount is a non-partisan organization that uses the power of music to register voters and promote participation in democracy. Today over 300 musicians, comics and actors have all partnered with HeadCount to urge fans to get-out-the-vote (GOTV) on Election Day.

    The hundreds of entertainers who will flood social media with tweets and posts encouraging fans to make their voice heard include such stars as Stephen Colbert, Dave Matthews, Linkin Park, Sarah Silverman, Fergie, George Lopez, Jason Mraz, T.I., Lewis Black, Chaka Chan, Weird Al Yankovic, Ms. Lauryn Hill, all the living members of The Grateful Dead, Andy Richkter and Conan O’Brian. The diverse group of people continues with each averaging over one million social media followers, totaling more than 350 million followers altogether making it the largest Election Day social media push ever.

    Each entertainer’s tweet, photo and post will include a link to headcount.org/govote where votes can easily find general election information such as polling place finder, ID requirement and what’s on each ballot. Through the timeless effort and setting up voter registration drives at 705 live music events, HeadCount registered over 25,000 voters for this election. “The incumbent Congress is the least popular in history, so we can’t leave it to the candidates alone to inspire people,” said Marc Brownstein, HeadCount’s co-founder and bass player for The Disco Biscuits. “We’re trying to get the message across that being dissatisfied is a bad reason not to vote – it’s the exact reason why participation is so important.”

    We are taught the struggles of those who fought for our right to vote, how fortunate we are for the opportunity to have our voices heard and that every vote matters. It’s easy to feel discouraged in the world of politics but music has always proved to be a comforting and powerful tool. Our favorite musicians are looking to us to come together and rage the poll booth.Today’s the day to prove how strong we are and that we want change for a better tomorrow. Go get your vote on! Check out HeadCount on Facebook, Twitter #GoVote and Instagram.

  • Primus set to Bring a Twisted good time to Rochester Main Street Armory

    Today, Primus will turn Rochester Main Street Armory into a twisted-nostalgia-psychedelic-fun-house in support of their new record, Primus and the Chocolate Factory with the Fungi Ensemble. The band released the album October 21 and Rochester marks the ninth stop on their countrywide tour, which has been well received. Essentially, the album is exactly what you would expect from Primus

    : heavy, psych-funk with a playful dark side—except this time they are covering songs from Willy Wonka, which adds an extra dose of strangeness. Bassist Les Claypool is the mastermind behind the freak show, and he, along with band members Larry LaLonde (Ler) and Tim Alexander (Herb) will be dressed up as characters from the film to go along with the elaborate stage design. The music alone is a trip, but paired with lighting and theatrics, this evening is sure to be a spectacle. As an added treat, fans can win Primus tickets for life by finding one of six golden vinyl records (as opposed to the regular chocolate-brown color).

    Rochester Main Street ArmoryDoors are at 6:30PM but show time is slated for 8PM; this is Sunday show, and it is the Armory, so expect an early evening. Tickets are $39.95-$45.00, and available at the box office, Ticketfly.com, House of Guitars and Aaron’s Alley.

  • Consider the Source Drops EP Stream Before Stops in Albany and Buffalo

    WWtrioSplashTake2This past Wednesday, the instrumental wizards in Consider the Source dropped a bomb as they released a stream of the first installation off their new EP World War Trio, titled “Put Another Rock in That Bag”. The release is a six-part, 25-minute impeccable composition that showcases that band’s talent in new and interesting ways. The overall vision and thought-out structure shines in the smooth transitions and its careful ebb and flow of energy. At the risk of sounding cliché, this is a prog-opera with hints of jam, metal, Middle Eastern, and a fusion of other genres into an emotional and dramatic epic. If this band wasn’t unique enough, this album puts them in a category all their own and pushes some serious musical boundaries.

    These three gentlemen have stepped outside of the songwriting box and are delving into composer-level status with their vision. The juxtaposition of beauty and fierce aggression propels at the same time it slows down for the view. This tease, and I use that loosely as it is still 25 minutes in length, will lead to a huge anticipation for parts two and three of this album series.

    The ONLY way to listen to this album is from start to finish as it tells a tonal story through vivid language, rife with patient punctuation. If you liked this band before, you’re going to love this direction as they’ve found their calling and have created something truly beautiful. If you’re going to cheat your ears out of this masterpiece though, at least take the time to listen to “Put Another Rock in That Bag IV,” which is simply powerful and moving. No band in the jam scene has ever had the balls to step outside the circle like this album does and this song is the climax.

    IMG_6046

    As the album comes to a close, the band circles back to the opening theme. How else would you close something of this magnitude? By tying it all back to the origin and closing the circle, the band leaves you wanting to start the journey again. Absolutely beautiful.

    The album can be streamed in its entirety right here and I would strongly recommend taking a listen. Additionally, I got the chance to sit down with the group at Night Lights Music Festival back in September and we talked about the upcoming release, their influences, and a few other things. Check out the video below from our friends at Buffalo.fm.

    The band is set to play the new album in its entirety tonight  in Albany at their album release party. Tomorrow night they’ll be making their way across the state to play a show in Buffalo at Waiting Room. If you still need tickets, you can grab some for Albany here and Buffalo here.

  • Interview: Thompson Square – Bringing Country to Syracuse

    Toby Keith’s I love this Bar and Grill, Syracuse hosted one hell of a party Saturday, October 25. Long before music was to begin, the place was jam-packed with country fans of all ages waiting for Nashville’s very own married duo country sensation, Thompson Square to take the stage.

    Local favorites TJ Sacco and the Urban Cowboys took the stage to get the party started. Performing songs from artists such as Brantley Gilbert, Eric Church and Gary Allan, they captivated the fans and rocked their set. Just back from a visit to Nashville, Briana Jessie joined Sacco and the guys on stage and owned it. Belting out songs by Miranda Lambert, Pistol Annies, and Carrie Underwood, their high energy show had the crowd roaring and begging for more.

    Thompson Square - KRicher 10-25-14
    The room went dark and you could feel the anticipation in the air. It was time for Thompson Square to take the stage. With the crowd chanting their name and the cheers for the music to continue, the band members of Thompson Square took their spots and played their instruments to the light show and the crowds’ cheers. The energy and anticipation grew until Shawna and Keifer joined their band on the stage. Floor shaking and music thumping, the crowd greeted Thompson Square with a warm Syracuse welcome!

    This award-winning duo shares their life with the world and gives the fans a peek into their personal lives with the music they write and perform. While other artists try to keep as much private as possible, this humble duo invites us to experience their life right along side them. Performing their hit songs “I Got You,” “Glass” and “I Can’t Outrun You” they displayed their passion for music and each other through the undeniable chemistry we all witnessed.

    Prior to the show, I had the opportunity to meet this amazing duo on their tour bus and do an interview for NYS Music. Nervous and excited all at the same time, I couldn’t believe I was going to meet one of my favorite country performers. Oh and did I mention this was my very 1st interview ever! Talk about nerves, but of course, Shawna and Keifer were so welcoming and down to earth.

    Kim Richer – NYS Music: Thank you so much for agreeing to speak with NYS Music. We appreciate you taking time out of your busy schedule to meet with me. This is my very first interview and I’m a huge fan so please excuse my jitters.

    Shawna – Thompson Square: How exciting for you. So nice to meet you, but you shouldn’t have told Keifer this was your first interview, he’ll make ya pay. Hahahaha

    Keifer – Thompson Square: Yup, you probably shouldn’t have shared that with me.

    KR: Do you find that as a married couple performing as a duo you have hit different obstacles than you would have as a solo artist?

    Keifer: I don’t think we’ve faced many obstacles, but we are finding that maybe people think that our shows won’t be as much fun or exciting since we are a married couple that we don’t like to party, but we do. I think that’s really the only misconception.

    Shawna: The only other weird thing is that when we are off the road and home just the two of us it’s strange. We are constantly out here with our crew and our band, it’s almost like we are living two separate lives. It’s just a little strange.

    KR: So, is it true that you met eachother at a singing competition?

    Keifer: Yes, we met at a competition in Nashville back in 1996. We met the first day of the competition and we’ve been together ever since.

    KR: Did you know right away that you were each the one?

    Shawna: Yes, I know it sounds really cheesey but that’s the way it was. It was crazy.

    KR: How did all of this start for each of you? Did you have an influence growing up?

    Shawna: I’ve known since I was like 5 that this is what I wanted to do. At 5 I went to an Alabama concert and the way they entertained and they were so massive. I knew that’s what I wanted to do. I knew I wanted to be on stage. My dad also played music and sang so I was around it growing up and it just felt so natural.

    Keifer: I always wanted to do this. I was really shy as a young kid. It took me a while to come out of my shell. I was always playing a guitar and dancing around as a kid but when I was 14 I started writing music and at 15 I snuck into a place and performed. It’s such an intimate thing to perform songs you have written. Once I had that first show, you couldn’t shut me up after that.

    KR: So you are dropping a new album next year.

    Keifer: Yes, Spring time maybe.

    Shawna: Or at least a single. We just started recording.

    KR: If you could perform with anyone on stage, dead or alive, who would it be?

    Keifer: Bruce Springsteen for sure.

    Shawna: Etta James or Elvis would be awesome too.

    KR: If you could give someone wanting to follow in your footsteps to become a star what advice would you tell them?

    Keifer: I would say make damn sure you want to do this because you have to give everything but your soul to get there. You literally choose to be poor, choose to be frustrated, choose to be heartbroken. The payoff from a satisfaction standpoint is so worth it.

    Shawna: All the heartbreak and hard times we have had to endure is worth it. But it’s true, it is very hard work.

    Keifer: I don’t feel like we’ve made it yet. I feel like we are still paying our dues and I’m fine with that. We have a long way to go, I hope.

    Shawna: What’s really weird too is you speak to some of these huge artists like Jason Aldean and he’ll still say to this day, it can all be gone like that and go away tomorrow, so everyday is a battle to stay on top.

    KR: Well you guys are doing a kick ass job so keep it up!

    Shawna and Keifer: Thank you so much.

    ThompsonSquare-KRicher 10-25-14

    While watching Shawna and Keifer perform it resonated with me that they are just as raw and honest on stage as they are sitting across from you at a table.

  • The Architecture of Sound, Part 1

    The venues we see music are more than just a place to congregate to experience concerts and performances. The work that goes into architecture – the designing, creating and building these venues is a lengthy process that spans years, well before patrons take their seats or find dance space to enjoy the sound. Architects, engineers and consultants contribute to the development of the overall sound, acoustics and open space that factor into the finished product – a music venue with, in more and more instances, incredible acoustics and sound.

    To shed some light on the architecture side of designing music venues, spoke with Matthew Geiss, AIA, NCARB, Principal and an Adjunct Professor at The Catholic University of America’s School of Architecture and Planning. A graduate of the School of Architecture at Syracuse University, Geiss spoke with Pete Mason to discuss the ‘how’ of music venues and acoustics as the latter grows in importance throughout the design and construction process.

    Pete Mason: When the design process for a music venue begins, what factors are brought into play initially for the rest of the design to build around?

    Matthew Geiss: It depends on the type of venue and primarily whether or not it will be new construction or a renovation of an existing space. Many large music venues need to be multifaceted (can be used for multiple types of events). Typically, the larger the number of functions a building is designed to accommodate, the less it can actually perform for each individual function. In other words, if a building is designed to accommodate live bands, theatre, orchestral performances, etc…- due to the different requirements for each function – choices need to be made to maximize the benefit of each without creating a negative impact to any of the other functions.

    If it is new construction, the primary factors are the site – how large will the building be, how will people enter and exit, what other buildings surround the building site, etc… – and the function – how will the building be used, how often will it be used, how many people are to be accommodated, etc…

    Kennedy Center, Washington D.C.

    PM: How are acoustics and the flow of music built into the design in a way that does not affect the overall structure of the building? How can acoustics be worked into a building without making the overall structure unappealing, or worse, unsafe?

    MG: With most performance spaces, acoustical design is something which is inserted into the building to capitalize on the performance. In most cases (such as the Alice Tully Hall renovation at Lincoln Center by Diller Scofidio and Renfro) the acoustical elements of the interior are slid into the shell or structure of the space like a sleeve. Structural requirements will generally interfere with acoustical requirements of the space so the two are generally separated. Typically the building will have a structure, with a skin on the outside (enclosure) and a skin on the inside (the acoustical, aesthetic or finished space). Of course, these are generalizations. Many Gothic and Romanesque churches, domed spaces (such as the baptistery in Pisa) have incredible acoustical properties where the structure, enclosure and finished space are one and the same.

    architecture of sound
    The Baptistry at Pisa, Italy

    PM: How long does the process for designing, drafting and building a music venue take, in years?

    MG: This is a difficult one to generalize as it will have a huge range depending on the building type, finishes, site conditions, etc… A small interior retrofit or renovation may happen within the span of a year or two (from initial design to completion of construction), where a large performance space will likely take in excess of 5 years from initial design to the completion of the structure.

    architecture of sound
    Alice Tully Hall by FXFOWLE Architects United States

    PM: When it comes to the process of designing a music venue, what would surprise music fans the most?

    MG: I would say that the most surprising element might be the large number of people involved in the design and the collaborative process which is required. When I was working at STUDIOS Architecture here in Washington, DC, we designed the performance studio at XM Radio Headquarters here in town. We had a team of over 20 people (acoustical consultants, electrical engineers, mechanical engineers, structural engineers, and architects) working on the design of only two rooms.

    architecture sound
    Alice Tully at Lincoln Center. Photo by Iwan Baan

    PM: Considering the great many music venues in America – what are some of the best venues for sound and acoustics, that you have come across in your experience?

    MG: The Kennedy Center in Washington, DC; Alice Tully Hall in Lincoln Center, NY; 9:30 Club, Washington, DC.