Category: Regions

  • Review: Ringo Starr and his All Starr Band at Artpark

    Thousands of people with umbrellas and ponchos crowded the fields of Lewiston’s Artpark for Ringo Starr and his All Starr Band. The sky was filled with heavy overcast with a few rays of sun but that did not stop the generation of The British Invasion and a few younger generations from waiting on the famous drummer.

    Ringo Starr Artpark

    The opening band for Ringo Starr and his All Starr Band was New York City’s very own, Andy Suzuki & The Method. The band filled their set with alternative songs with a mixture of blues and folk. Suzuki’s voice won the audience over with the loud applause and whistles after each song. Suzuki dedicated the song “Born Out of Mischief” to his mom and to all the other moms and dads in the crowd. The band kept the crowd entertained by making them a part of the show – clapping along to the chorus of “Lucy (The Devil)”. Suzuki even took a moment to point out his mom in the crowd while she waved back. The band ended with a bang, getting the crowd excited for Ringo Starr.

    The stage immediately started to prepare for the one-time Beatle to make his appearance. The crowd cheered as the crew revealed the famous drummer’s drum kit with a huge red star on the bass drum. As the stage changed, so did the weather. The clouds came in thick and dark and in just a few minutes it started down pouring and rolls of thunder echoed throughout the hills. Fans continued to stand in the rain and chanted “Ringo! Ringo! Ringo!” until lightning was seen. The venue announced moments later that the show was postponed until the storm passed. People took cover in their cars, under the merchandise and beer tents or stood in the rain. Fans waited with crossed fingers for the rain to stop. In less than half-hour, the rain stopped and the sky cleared up. People were instructed to go back to the venue as the stage was swept dry for Ringo.

    Ringo Starr ArtparkThe All Starr Band made their first appearance on stage shortly after the stage was cleared of water. The crowd grew louder before everyone got the first look at Ringo Starr, who came out on stage, raising his hands with peace signs and thanked the crowd for holding up in the rain and said – “We would have played in the rain but they would not let us.”

    Ringo’s All Starr Band consisted of many well-known names in the music industry, Todd Rundgren (guitarist), Greg Rolie (keyboardist), Steve Lukather (guitarist), Richard Page (bassist), Gregg Bisonette (drummer) and Warren Ham (saxophonist/ percussionist). The whole band had the amazing ability of singing and performing with each talented artist, it was as thought the audience witnessed five different bands performing on one stage.

    The band opened up with Carl Perkins’ “Matchbox”. Throughout the night the setlist was a mixture of early Beatles songs, “Don’t Pass Me By” and “I Wanna Be Your Man”. Ringo had a sing along with the crowd for “Yellow Submarine”. He joked with the crowd saying if they did not know the song, they were at the wrong show. But also a mixture of 80’s songs were lead by the All Starr Band and some of the favorites of the night were, “Africa” was sung by Steve Lukather (Toto), “Black Magic Woman” sung by Gregg Rolie (Santana) and “Broken Wings” which was sung by Richard Page (Mr. Mister). Page’s incredible voice took the crowd by awe and a few lighters were seen swaying in the air during the song.

    Towards the end of the night, Ringo performed the international single “Photograph” also co-written by George Harrrison. But the crowd sang loudly to “With A Little Help From My Friends”, Ringo could barely be heard while the crowd sang  and fans wrapped their arms around one another’s shoulders. After the song was finished, Ringo thanked the crowd and said that was it and briefly left the stage. But the All Starrs quickly started getting the crowd to clap their hands up high and the band started singing “Give Peace a Chance”. Ringo came back to join in with the last song and performed the song in remembrance of John Lennon.

    Tears could be seen on some of the faces in the crowd as the band bowed together on stage. Wishlists and bucketlists were crossed off for most people there as they witnessed the most famous drummer of all time. Ringo Starr and his All Starr Band made an impact of every rock n roll fan in that crowd. It was not just a rock concert, to some; it was a memory that will last them a lifetime.

  • Black Veil Brides Will Kickoff 2014 Fall Tour in Niagara Falls

    Hollywood, California glam-metal rockers, the Black Veil Brides, will bring their 2014 U.S fall tour to New York State with support for the tour still needing to be determined. Black Veil Brides will be releasing their follow-up album to Wretched And Divine: The Story Of The Wild Ones in late October, so look for some new tunes from the boys on this tour.

    Niagara Falls is the first date on the upcoming fall tour at the Rapids Theatre on Tuesday, October 21. The doors open at 6PM and this is an all ages show. Pick up your tickets in advance online for $25 through Ticket Fly.

    The band then continues on to Best Buy Theater in New York City, November 23. The doors will open at 6PM, this show is ages 16+, ticket prices range $27-$30 and can be purchased online in advance or at the venue box office.

    The band’s last stop in New York will be, Friday November 28 at Upstate Concert Hall in Clifton Park, N.Y. Ticket information and show time can be found on the venue website.

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  • Interview: Boxed Wine talk about Shows, Syncs and Cheap Fun

    Friday, June 20th. My friend buys us tickets to see Dresses play The Studio at Webster Hall. I like the duo but feel as if my street cred is in question walking into a venue after a gaggle of fourteen year olds making some kind of remark about wearing dresses to a Dresses show. I try putting off going in for the openers, but between the scalper trying to sell me tickets to a show I already have tickets for, and the homeless guy on 11th street making me bear predictable Charlie Sheen jokes against my will, I realize it’d be easier to follow my friend inside.

    Surprisingly enough, we walk into a beach-party kind of vibe. A band called Boxed Wine is on and I initially can’t tell if there are four or five members in the band—a guy in a ponytail and blue Boxed Wine shirt (apparently this guy never got the memo that this is bad luck) keeps bouncing on and off stage to sing gang vocals. Within minutes, the band has the crowd dancing. There’s a palpable sense of familiarity in the air—not in the sense that you recognize them from one of the OC mixes but in a way you know you’ve heard the songs before. When “Summer Wine” comes on, I find that I’m no longer thinking about rent, or my shitty coffee shop hours the next day. Instead, I ricochet into that two week long Halloween freshman year (Syracuse will stretch out any holiday where it’s socially acceptable to wear seasonally challenged outfits and spend the night adjacent to the toilet) when my friends drove up to my dorm, corrugated fiberboard boxes in hand, and we stayed in and got wrecked off of cheap red wine together. That’s the exact sentiment Boxed Wine captures in their music.

    boxedwine

    With the lead singer of Silver Conor on their side, a song in an Adam Sandler movie, and tragicomic DIY music videos, this New Jersey band is out to show you that sometimes cheap really is more fun. In this interview, lead singer Chris Nova talks more about the band that we’ve all seen from the corner of our eyes.

    Gauraa Shekhar: According to your website, you guys love Johnny Walker Red,  Magic Hat and Craft Beer. How did you end up with the name Boxed Wine?

    Chris Nova: Well it happened after we wrote the first EP drinking Franzia Sangria every night (re: the cause of Summer Wine’s poor vocal takes, haha). We settled on ‘wine’ as part of the name, but argued between naming the band Fine Fine Wine or Winetown. Someone said why not just name it Boxed Wine, but we all assumed it was taken. When we looked it up and saw it was open, we were shocked and made the Facebook page that night!

    GS: What brought you guys together?

    CN: Ralph and I lived together for most of college at Rutgers, and met Mike halfway through mutual friends. Ralph played in a band called Jackie Treehorn with Mike (who’s also the best singer in Boxed Wine) and the precursor band to Boxed Wine, Le Le Low, but they both imploded and we all did nothing for a bit. Then Ralph and I started writing different songs when we were both depressed about how awful the ‘real world’ was. The songs were just an escape that grew gradually over time into a full band with other members. Eventually we settled on the current lineup, adding Mike and his friend Steve. Now we’re practicing with our new member Andrea who’s gonna be playing keyboard since that our sound is changing up a bit.

    GS: Your songs are always in commercials, playing before Banks shows at Irving Plaza, etc. Do you guys have a say in the syncs at all or do you just randomly turn on the TV and go, “man, our song’s in a washing machine ad”?

    CN: We played before Banks’ show?! That’s so cool! (Laughs) We must have a fan in NYC! We have say on some songs and not on others. The sync market is crazy competitive so they often need a yes immediately. We trust our friends in the licensing world to look out for us, but they did soundtrack an Adam Sandler movie commercial with “Waste Your Time” so we might need to reevaluate those friendships…

    We never see the commercials first, our fans and friends usually text us and ruin the surprise. We don’t have cable though so it’s actually pretty helpful.

    boxed wine

    GS: On that note, what’s the weirdest place you’ve ever heard your music play?

    CN: We got a small random check for being in a Norwegian airlines in-company video, so though we’ll never see it we hope it made us a fan or two! Go Norway!

    GS: These days artists have started giving music videos an importance again. Bands like Cable and Babes have quite the narrative play going on in their videos but you guys are definitely onto something new. What was the thought process behind the music video for “Spies”?

    CN: Well Spies isn’t a music video we made, but we’re glad you enjoyed the guinea pigs! We don’t have enough money to make videos for all our songs, so we ended up stealing a bunch of footage from YouTube to give something entertaining to watch during the non-single tracks!

    You should check out Arnold in the “Tearing It Up” video, or Nickelback in the “Into the Nite” one…

    We love music videos though, but have kinda screwed up every one so far, especially Cannibal. That turned out to be oddly misogynistic instead of as ridiculous as originally planned. We might remake it with naked dudes and dogs, but the original idea was pretty much done in an MGMT video we hadn’t seen. They probably do more drugs than us, which is why their music video was better. Unfortunately it had a different and much worse effect on their last album…

    GS: NJ has a very tightly kit music community. I just learned that Bruce Springsteen helped Nicole Atkins set up her new record label after they met at an Ashbury Park show once. Have you met anyone from NJ who has served as your rock and roll guardian angel?

    CN: Our bassist’s dad is Joe Cerisano of the 80s rockers Silver Condor. He also sang the ‘Be All You Can Be’ Army theme, which is awesome. He’s been super helpful with general career advice, which is great. Unfortunately half the people he knows in the music business are dead from an overdose of Rock and/or Roll.

    Fun fact: he also sang the best version of “When a Man Loves a Woman” with Clarence Clemons on sexy sax duties. It is jaw dropping.

    GS: How do you guys deal with situations where fans in Boxed Wine T-shirts insist on coming up on stage three times per show to sing gang vocals?

    CN: We have an officially licensed Homer Simpson ‘Reachin’ Stick’ that we use to push them off stage.

    Haha just kidding! We love our fans and honestly wish our shows were crazier, kinda like a Black Lips show. I have never been drunker or happier jumping off the stage while they played through ‘Bad Kids’ and that’s a memory to cherish. We want our crowd to have those memories too.

    GS: Which show has been your favorite thus far? Why?

    CN: We’ve played some seriously great basement shows in New Brunswick, but the best in our memory was April 20, 2013. It was insane and we had a whole basement soaked and exhausted at the end. That was a memory indeed.

    GS: What would you say is the difference between performing in NY and NJ?

    CN: There’s no venues in New Jersey, so there’s the answer. Haha kidding again. There are a few, but our best shows have been in basements, hands down. The Court Tavern finally noticed us recently and we had a good show there so we’ve set up another for August 30th.

    Unfortunately there are more scammy venues in NJ than NY. There’s a difference between a draw requirement and “here’s 50 $20 tickets to sell or you don’t play an have to pay us back.” NJ has more of the latter and it’s absolutely awful. We’ve always said no to that garbage, and they’ve only tricked us once, causing us to purposefully invite no one and cancel the day before, ha.

    GS: People in NY are slightly…well, insane. They tend to say a lot of ridiculous things (paging guy down the street from me who sings dirty versions of nursery rhymes and claims to be a pirate)–what’s the most bizarre thing someone’s said to you at a show?

    CN: The exchange went as such:
    Homeless man: “you look like a Beatle, can I have a dollar?”
    Chris: “what?”
    HM: “you look like John Lennon, give me a dollar!!!”
    Chris: “thanks but sorry I don’t have any cash”
    HM: “FUCK YOU JOHN LENNON GIMME A DOLLAR!!!!”

    He then chased us. Very slowly…

    GS: I know you guys look up to bands like Bear Hands. In an ideal world, which artists/bands would you like to tour with?

    CN: All we want to do is tour and hang out with Tokyo Police Club, that’d be like a dream come true. I’d say Spoon would be a close second. I met Britt and he was so appreciative of his fans; just an all around nice dude. My dream, though, would be to play with the Strokes, but I imagine the second coming of Bowie would happen first.

    GS: What are you all listening to right now?

    CN: Ralph is listening to a bunch of synth pop bands like Magic Man and Betty Who, so now he never shuts up about Charli XCX. He keeps playing the new Blondfire record on repeat as well.

    I’m currently obsessed with Mounties (because Steve Bays is a musical god) and have listened to their debut album like 40 times this month. I’m also crazy about JJAMZ because Alex from Phantom Planet is in it. Unfortunately JJAMZ has been quiet since 2010.

    Mike never stops listening to Gaslight Anthem, and it’s clearly influencing the awesome solo songs he’s been writing. Frank Turner and the Fratellis are other passions of his, as well as the Naked and Famous.

    Steve listens to way heavier stuff and loves Crosses and the Deftones when he’s not listening to Rush. That’s why he’s the greatest drummer in indie pop, haha.

    GS: What’s your favorite Boxed Wine song?

    CN: My favorite is currently our next single “Innocent.” but I also really like “Young Lovers”.  Ralph’s is probably our new single ‘Quiver.’ Mike is a rockist and likes “Bones” and Steve likes another b-side that’s our heaviest track. It’s untitled currently but will be out pretty soon, we hope.

    GS: What led you to make your new album available for free download on Bandcamp?

    CN: We’re just realists. Everyone steals music, including us, so we felt this was a way to give back. People have the option to give us a few bucks and they often do, which shows us the true good in humanity. We line our pockets with humanity! Really though, we’d rather people buy a tangible T-shirt and come see us instead of spend the money on the digital songs themselves. We just try not to be jerks, and expect the same from any fans.

    Unfortunately we’re forced to charge on the bigger sites, but if you’re not smart enough to figure out how to get it free then unfortunately you must pay handsomely, ha.

    GS: Why should our readers pick up “Cheap, Fun?”

    CN: It’s FREE, why wouldn’t you take it?! In all seriousness, it will hopefully make your day brighter, guide you in times of trouble, and bring you closer to His Holiness (sic.) David Bowie. All we want to do is help people forget that the world is a cold, dark, cruel place with no rhyme or reason to anything other than the fact that we should all be dancing way more often. And eating pizza. And taking naps. That’s it.
    ___

    Download Boxed Wine’s latest album Cheap, Fun here.

  • Interview: Discussing The Beatles with Dr. Gordon Thompson

    There is little question as to how quickly news travels today.  With the advent of smart phones, computers and 24-hour news services – the impact of the event is as immediate as its occurrence.  But, the collective experience is no longer as vivid, only because of the diversity by which we all receive the news; where one person may watch a transmission over television, another is viewing it from his iPhone.  The shared memory isn’t quite shared at all.

    In 1964, television was the leading means of entertainment, and NBC’s Ed Sullivan was the man to provide you that entertainment. Radio could no longer compete.  And, the home computer would not be conceptualized for another 20 years.  Sullivan practically invented “prime time” television with his 8 p.m. telecasts.   But, on February 9th, he not only entertained viewers, he created news.  And, in doing so, had a hand in creating a memory.

    Dr. Gordon Thompson is the music department chair for Skidmore College in Saratoga Springs, NY. He remembers that broadcast of The Beatles, as, it seems, everyone from his generation.  It’s a shared memory as vivid as that February night 50 years ago.

    “In 1963-64, a generation of baby boomers sought to distinguish themselves, not only from their parents, but also from their older siblings,” said Dr. Thompson. “As usual, they did this en masse, just as they always do, whether hippies, punks, gangstas, etc. They buy the same clothes and adopt the same jargon, all as a way to separate themselves from the others.”

    Dr. Thompson is a ethnomusicologist, or one who studies the relationship between music and culture. He is also respected as this area’s leading expert on all things Beatles.

    And, come July 5th, he’ll have a seat at Albany’s Times Union Center to attend a Paul McCartney concert.  Ironically, on account of the ticket prices (which, as of today, are going for as high as $766.50 on studhub.com), he initially thought of not going.

    “Well, this morning I changed course and went for the tickets, so I’m going. I’ll be in section 103.”

    When arena officials announced the event in April, news crackled across all mediums. The excitement seemed to overshadow the news of Ringo Starr performing at the smaller, more intimate, Palace Theatre. Nonetheless, “Macca”, the man behind many of the band’s lyrics, has never been here.  And, though popular music has transformed since “The Fab Four” left the stage, their music is as timeless, and popular, as Bach.

    “I’m not sure exactly that we could call Bach ‘popular,’ but his music was important,” said Dr. Thompson. “McCartney has said that they compared themselves to Bach because, just like him, they were chugging out music on a regular basis for a particular audience. His was the Lutheran church. Theirs was the baby-boom generation.”

    NBC newscaster Edwin Newman reported the details on “Beatle Mania” the following November. Newman, a respected journalist known for his candid interviews of foreign head’s of state, was also a music aficionado. From 1965 to 1971, Newman was a Broadway drama critic.  Later in life, he hosted summer Boston Symphony concerts from Tanglewood, in Massachusetts.

    But, in 1964, it remained questionable whether or not he appreciated The Beatles.

    “It’s anybody’s guess why The Beatles emerged from its cellar night clubs to national prominence, but emerged, they did,” reported Newman, who is held in reverence for his journalistic talents.  However, he was also known for his sense of humor, as evident in his playful quips in the same report. “The sound they make is called the Mersey Sound, because Liverpool is on the Mersey River. [Pause.] The quality of Mersey is somewhat strained.

    One reason for The Beatles’ popularity may be because it’s almost impossible to hear them [over the screaming of fans].”

    Newman’s career as a journalist would span over four decades.

    No one accused him of being a music critic.

    “Trying to second-guess history is a tricky business,” said Dr. Thompson. “Everything looks so inevitable to us, but was much less definite to contemporary players. If not for Felix Mendelssohn, we might not be paying attention to Bach. I’m not saying that Bach’s music doesn’t have much to commend it; but aesthetics are a social construct and social constructs by definition are constantly changing.

    One of the reasons the Beatles remain so important is because of the cultural role they played at a critical point in history. In the wake of the Second World War, the rise of the baby boomers, the exponential growth of globalism – aided by both the beginnings of satellite telecommunications and the initiation of commercial transatlantic jet travel – and the emergence of acoustic-magnetic recording and a convergence of audio playback technologies, the Beatles were the most successful performers out of the gate. Their recordings, indeed their career, helped to define the popular-music industry in such a way that they shaped the very artistic vehicles used by artists today.

    Yes, Lady Gaga is building on Lady Madonna in a way.”

    So explains the appeal McCartney has upon today’s youth. The fingerprints left behind by The Beatles of yesterday are still visable, if not through music than by avant garde choices in fashion. Though it can be safely assumed that part of McCartney’s popularity is fueled behind older generations that age along with him, but the simplicity of and the diversity within the group’s catalogue of music has an appeal for everyone.

    Today, “Beatlemania” is no longer an event, but a shared phenomenon enhanced by the many means in which fans use to listen to music.  The same tools used to disseminate details of current events, draws generations together in a shared memory.

    “They were modernists in an era when parents wanted things to return to an imagined happier pre-Cold War era, “said Dr. Thompson. “In an era of presidential assassinations, brutally repressed civil-rights marches, and an increasingly angry and dangerous world that seemed right on our doorstep, the Beatles irreverently espoused innocence. Rather than duck and cover in fear of an atomic bomb, the Beatles told us to live and be funny doing so.”

    Tickets are still available for Paul McCartney by visiting the Times Union Center box office, or through Ticketmaster.

  • Xerox International Jazz Festival – Photo Gallery: Steve Martin & the Steep Canyon Rangers Featuring Edie Brickell

    STEVE MARTIN & The Steep Canyon Rangers Featuring EDIE BRICKELL

    Xerox Rochester International Jazz Festival 2014, photographer Kelli Marsh

  • O.A.R. and Phillip Phillips Visit Artpark on Wednesday, July 2

    OARPhillips_hpOf A Revolution or O.A.R. as most know them, bring their reggae infused rock sound to Artpark in Lewiston, NY on Wednesday, July 2. The band is known for their electric live performances, this show will be a great start to the Fourth of July weekend with Phillip Phillips

    O.A.R was formed in Rockville, Maryland in 1996 and then relocated to Columbus, Ohio where they attended Ohio State University. The band is led by Marc Roberge (vocals, guitar), Chris Culos (drums), Richard On (guitar), Benj Gershman (bass), and Jerry DePizzo (saxaphone).

    American Idol winning artist Philip Phillips will be opening for O.A.R. for this event. Philips has had the best success post American Idol with his hit song “Home” as well as releasing two additional albums since his win on the show. Philip Philips has said his music has been influenced by artists like, Damien Rice, Dave Matthews and John Butler. Phillips’ music can be described as – “jazz and rock alternative sound. Be sure to get to Artpark early.Tickets can be purchased online here for $11, the show starts at 5:30PM

    O.A.R. – Crazy Game Of Poker

    Philip Philips- Home

  • Catch Phish on the Net From SPAC

    Not going to be around this holiday weekend to catch Phish at Saratoga Performing Arts Center (SPAC)?

    There’s still hope for you.

    Livephish.com will be streaming the three-day event over the Internet.

    Phish is coming to Saratoga Performing Arts Center on July 3-5. One of the crown jewels of venues at which the ever-popular jamband will stop to perform during this year’s summer tour.

    It’s a developing trend for venues and artists to telecast their performances over the Internet. It certainly is a perk for those who are unable to obtain tickets, or simply can’t travel the distance to attend the show.  But, for those who can attend, should.

    For one, live events have an appeal that can not be replicated on a computer. And, another reason was reported by us back in June, when it was announced that the Putnam Den would host late-night shows at two locations: Putnam Den and The Parting Glass in downtown Saratoga Springs.

    The post-shows in Saratoga have become a destination after seeing Phish at SPAC, with up and coming bands, as well as local bands ready to burst onto the scene and keep fans dancing into the wee hours of the night. The lineup for this year’s post-shows is yet another installment of great music that shows the vibrant scene of Upstate New York.

    It’s to be expected that the group will be playing  some tracks from their most recent album, Fuego, which they debuted earlier this month.  Please be sure to read Myke Menio’s review of it here.

  • Jazz Fest Saturday: Laughs and Music with Steve Martin & Steep Canyon Rangers

    Steve Martin is a wild and crazy guy. He is also a comedian, actor, screenwriter, author and a fantastic banjo player. All of these talents melded into one superb experience at a pair of sold out shows at the beautiful Kodak Theater at the Eastman School of Music during the second day of Xerox’s Rochester International Jazz Fest this past Saturday.

    Along with the multi-talented backing band Steep Canyon Rangers – from Brevard, North Carolina – and fellow Grammy winner Edie Brickell, Martin kept the capacity crowd riveted. Featuring fantastic original music peppered with comedic and interactive banter, the 90 minute show left no one feeling slighted.

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    The show bounced between original songs with a healthy dose of joking in between. The Rangers seemed especially apropos for this part as they engaged in as many belly laughing experiences as the comedic legend did. About halfway through, Brickell took the stage and commanded the crowd’s attention with beautiful vocals that have not skipped a beat from her younger years. She stayed for a few songs including Steve and Edie’s 2014 Grammy award-winning track “Love Has Come For You” and “When You Get To Asheville”.

    A celebration was to be in order this night as well, as it was the bands 5th year anniversary of their first performance. Steve jokingly offered his band members a “free copy” of the 1991 movie, Father of the Bride, as an anniversary present.  Martin even managed to keep the humor local, joking that he was “glad to be where the Botox is fresh.”

  • Vijay Iyer at Xerox Rochester International Jazz Festival

    Grammy-nominated composer-pianist Vijay Iyer (pronounced “VID-jay EYE-yer”) was described by Pitchfork as “one of the most interesting and vital young pianists in jazz today,” – March 2014 marks the release of Mutations, Iyer’s eighteenth album and his debut for the prestigious ECM label: a recording for piano, string quartet and electronics, the first album to document his works for chamber ensembles.

    Vijay Iyer’s previous release, Holding It Down: The Veterans’ Dreams Project (2013), is his third collaboration with poet Mike Ladd, based on the dreams of veterans of color from America’s wars in Iraq and Afghanistan. It was hailed as #1 Jazz Album of the Year by the Los Angeles Times and described in JazzTimes as “impassioned, haunting, [and] affecting.” –

    Photos by: Xerox Rochester International Jazz Festival, photographer Kelli Marsh

  • Xerox Rochester International Jazz Festival: Photo Gallery Fourplay

    For two decades, the contemporary jazz quartet known as Fourplay has enjoyed consistent artistic and commercial success by grafting elements of R&B, pop and a variety of other sounds to their unwavering jazz foundations. In the course of a dozen recordings – six of which have climbed to the top of Billboard’s Contemporary Jazz Album charts – the supergroup has continued to explore the limitless dimensions and permutations of jazz while at the same time appealing to a broad mainstream audience. – See more at: http://www.rochesterjazz.com/artist_lineup/?artist_id=962#sthash.jYLwVv74.dpuf

    Photos by: Xerox Rochester International Jazz Festival, photographer Kelli Marsh