Category: Regions

  • Seth Yacovone Brings his Southern Style from the North to Putnam Den

    The Putnam Den has been a staple in the Upstate music community for quite some time and is known for bringing acts spanning many genres. This has not changed, in fact, it’s about the only thing that has stayed familiar. The walls have all been painted a dark red, sending a warming vibe throughout the club. The bras that once hung from above the bar are gone. Tables are placed methodically around the soundboard, leaving plenty of room for people to shake their stuff in front of the stage, which is now graced with a red velvet curtain. These changes, along with many made to the outdoor patio (such as ping-pong and baggo), have made The Putnam Den an even more desirable place to have a great time and see live music. Saturday night exemplified this tremendously. With a packed patio and even more patrons inside to see The Seth Yacovone Band, all of the ingredients for a fantastic night were in order.

    The Seth Yacovone Band, who hails from Burlington, Vermont with a sound coming from below the Mason-Dixon line, had the crowd hooked right away. “Tonight the Night”, a Neil Young song, was pure blue-blooded American rocking magic, with wailing guitar solos that set the mood for the entire night. Stellar musicianship was shown by the whole band. Steve Hadeka was on the kit while adding some vocals and Alex Budney slapped the bass, making a sound that was untouchable by many three-piece acts. “Botulism” was a high point of the set. Musically it held its own with the rest, but listening to the lyrics, which addressed nasty mayonnaise and other things that spurred the title, was very funny. If you didn’t listen close enough, the song was just another groovy danceable number. Closing the set out with Bob Dylan’s “Isis” was a treat. The band took the slow Dylan tune and sped it up a bit, yet didn’t stray too far from the feel of the original, a talent many bands do not possess.

    The second half of music opened with the bass-heavy, fast-paced “Storage Space”, a fantastic way to start the set, attracting people walking the streets of Saratoga to The Putnam Den. This vibe continued as the club became more and more packed of people who were digging the sound coming from the Vermont trio. “Gnashing Golgotha Footstomp Shindig Blues” was intense. Channeling the late Frank Zappa on this tune was completely unexpected as the rest of the night offered nothing similar. The slow start with a funky bass groove and drum beat kept the cool vibe going while Seth sang over it in a different tone than the crowd had grown accustomed to. As the solo emerged, the crowd was in awe. Shredding does not even begin to describe how hard and fast Seth was playing. It was as if he was on another sphere.  Slowly bringing it down enough to not lose the groove was just pure brilliance and, without a doubt, the high point of the show. Closing with “What Have I Done Wrong”, a song where the title pretty much sums it up, is about a man wondering what he did wrong and asking his lady with little or no response. Showing the more bluesy side of the band as well as some pure emotion was a great way to end the show. Not a single person was not screaming for an encore; the band gracefully obliged by playing “Little Richard Will Rise Again”, a song that sounds exactly how you’d picture it with a title like that. The band picked a fantastic way to end the show and was tops from the first note to the last.

  • Peekskill’s 8th Annual Music Festival to Feature The Nighthawks and Local Talent July 25-26

    Downtown Peekskill will be the grounds for some great live (and free) music this weekend along with other goodies to go along as the city hosts its 8th annual Music Festival featuring The Nighthawks.

    Kicking off the weekend will be a “Best of the Valley” Battle of the Bands at restaurants and venues throughout the downtown area starting at 7pm Friday evening. The winner (chosen by vote) will be putting on a set on each of the two stages the following day. Over twelve local acts will be vying for the winning set during Saturday’s show.

    Saturday’s events run from 12pm-10pm, with music starting at 2. Aside from the music, there will be craft brews, artisan food trucks, street performers, and a car show by the local Road Knights Auto Club. The afternoon and evening of music will be split between two stages – the outdoor Central Avenue Main Stage and the indoor stage at the Paramount Hudson Valley. A unique feature of the day is that each band will do two sets, one on each stage, making it easy to catch all of the performers.

    Here’s a highlight of a few of the acts (full schedule follows):

    The Nighthawks – now in their 42nd year, this legendary blues and roots band has recently rocked Peekskill with an opening set for NRBQ at the Paramount.

    Livin’ the Blues Band – Southern NY/Northern NJ driving blues rock with Nik Rael on vocals, who opened up for Robert Cray at the Paramount Hudson Valley this past April.

    Jessica Lynn – A young talented country/pop singer-songwriter from neighboring Yorktown Heights, NY. Recommended if you like Shania Twain, Taylor Swift, or Rascall Flatts.

    Dana Edelman – Yet another local talent, Dana will be adding bluesy singer-songwriter tunes to the afternoon mix.

    Central Avenue Main Stage
    Rock of Ages Band – 8:30 -10:00
    The Nighthawks – 6:45 – 8:00
    Livin’ the Blues Band – 5:15 – 6:20
    Jessica Lynn – 4:00 – 5:00
    Dana Edelman – 3:00 – 3:45
    Best of the Valley Winner – 2:00 – 2:45

    Paramount Hudson Valley Stage
    Best of the Valley Winner 8:00 – 9:00
    Dana Edelman 6:30 – 7:35
    The Nighthawks 5:00 – 6:05
    Livin’ the Blues Band 3:30 – 4:30
    Jessica Lynn 2:00 – 3:05

  • Gypsy Punk Icons Gogol Bordello Played Host to a Melting Pot of Fans

    A small congregation of people waited outside of Upstate Concert Hall on Tuesday, July 22nd.  Much smaller than one might suspect, on a night helmed by gypsy punk band Gogol Bordello.  But, more people did show for the performance as the night went on, possibly in part for the ‘Upstate Common Sense’ on tap behind the bar, instilling in the 500 plus crowd a feeling of liquid camaraderie.  Gogol Bordello has a reputation for bringing a combo platter of life together for an all-inclusive party atmosphere, and by the end of the night, this was exactly the case.  The gypsy punk band, with members from all over the world, brought quite the spectacle to Clifton Park once again.

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    The show opened with the raucous energy of Man Man from Philadelphia.  Experimental rockers at their core, they descended onto the stage with a wall of sound and main singer/keyboardist Honus Honus presiding over the crowd in a sparkling hooded cape and his trademark mustache.  With a hurried explosion of notes, Man Man started their set with what sounded like the middle of it. Cheering along at full intensity immediately, the crowd fell right in step.  The four-piece switched instruments constantly, and between horns, strings and percussion, they welcomed the masses into their chaos.  Pow Pow the drummer acted as de-facto conductor for the band and the audience, keeping the White Stripes meets Frank Zappa vibe at peak energy the entire set.   By the end, the crowd was hungry for more.

    The crowd exemplified the feeling of the night — the idea that no matter who you are, you would belong, here, at this show.  People shirtless with multicolored LED gloves, or fedoras over dreadlocks, or metal shirts and ripped jeans, all were welcomed and more.  The lights dimmed and the crowd coalesced into one singular being, eager and willing as Eugene Hutz, the leader of Gogol Bordello, took the stage.  He vocalized the feeling of the night and asked the audience, “Where did we leave off last time?  Let’s pick it up right there.”  He started the show alone, with a single spotlight for the aptly titled “Illumination”, with the entire band joining him by the end.  They played their dirty, infectious gypsy grooves in expert fashion, from a band honed by constant touring.

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    The sound was great, allowing the crowd to pick out all the intricacies of the band, from the extra percussion, to the accordion and violin solos, to the subtle, but powerful, five-part vocal harmonies.  The presence of Pedro Erazo and Elizabeth Sun, the band’s MCs, extra percussionists, and hype man and woman, add to the deliberate crowd control that Gogol emits.  At one point, Hutz anointed the congregation with a bottle of wine as he sang “Immigraniada” and brought the audience to a fever pitch.  They left the stage, and not a soul moved, waiting for instruction to proceed.  The show had stripped the audience down to it’s innocence, and the band came back to emulate this, starting their three song encore with  “Lost Innocent World”.

    One thing can always be certain of a Gogol Bordello performance:  it will be an experience to remember.  One of the hardest working bands in the business, and it shows, they continue to enthrall audiences and provide tasty morsels of world-class rock, punk and folk to keep the audience eating right out of their hands.

    Photo by Jim 'JT' Gilbert
    Photo by Jim ‘JT’ Gilbert
    Set List: Illumination, Ultimate, Rise Again, Wonderlust King, Dig Deep Enough, Other Side of the Rainbow, Companjera, TC Hustle, Immigraniada, Mishto, Rise the Knowledge, Malandrino, Purple, Pala Tute, Sun Is On My Side, Not a Crime.
    Encore: Lost Innocent World, Alcohol, Think Locally.
  • Road to Backwoods: The Blind Owl Band

    With less than two weeks to go, is gearing up for one of the best kept secrets of the North Country known as Backwoods Pondfest. The intimate festival offers a weekend of live music, camping, art and much more on August 8 and 9 at Peru, N.Y. Going strong in their 8th year, Backwoods Pondfest never disappoints with this year’s all-star lineup including Chali 2na and House of Vibe, Twiddle, Spiritual Rez, Turkuaz, Cabinet plus many more.

    This “Road to Backwoods” series will shine a light on the Blind Owl Band, the all string quartet from Saranac Lake.

    Backwoods The Blind Owl Band

    The Blind Owl Band will be a part of Troy’s Rocking on the River series on July 30th. Every Wednesday the downtown Troy area comes to life with free, outdoor concerts for guests to experience a wide range in musical genres. The music starts at 5pm and ends at 8:30pm, set up by the Green Island Bridge parking lot. Armed with a banjo, standup bass, mandolin and guitar, Arthur Buezo, Christian Cardiello, Eric Munley and James Ford create harmonious vocals and melodies that stretch as high as the Adirondack Mountains and their sound is an authentic, rebellious freight train. Despite the vintage and bluegrass vibe, Blind Owl Band pulls inspiration from modern day music to create a sound that is uniquely fresh. The long haired, mountain men will also makes stops at Nectar’s in Burlington, VT on July 31st and the Sterling Stage String Fling at Sterling, NY on August 1st.

    blindowlband
    Tickets are still available for Backwoods Pondfest and can be purchased on their website here or at any show featuring Lucid, The Garcia Project, Capital Zen and North Funktree. Tickets are only $70 including over 20 bands on 2 stages with 2 nights of car camping. Bring a non-perishible good and receive $5 off ticket price if you buy tickets Day of Show. Be sure to follow on Facebook and Twitter for more to come from out “Road to Backwoods” series.

  • Conspirator Lit Up the Sky at Willow Creek Winery on July 11

    Conspirator Lit Up the Sky at Willow Creek Winery on July 11. Funktional Flow set the night off in the opening slot, and as the sun went down, the Buffalo foursome threw down a perfect introduction to a night full of music. The guys continue to perform at a very high level, with funk and jam filled solo’s evolving into songs that could match up with the powerhouses in the music scene. Highlighted by songs “Edge of Time” and “Mulligans”, the band is becoming a nice regular at this spectacular venue. They have a show coming up on July 26 with Giant Panda Guerilla Dub Squad at the Winery, so clear your schedule and prepare to get funktified.

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    As good as Funktional Flow played, sometimes all you need is one guy and a vision to light up the night. Ryan Sinatra, aka Notixx, is an electronic artist who takes tunes, bass thumps the heck out of them, and creates an overall good time. He takes the party to the next level and keeps it there. Notixx was perfectly slotted between the two acts, giving the fans no choice but to stay and continue to get down.

    There haven’t been many times that our area has seen The Disco Biscuits, but when the opportunity arose to catch two key members from the band, Buffalo jumped at it. Conspirator, a side project of Aron Magner (keys) and Marc Brownstein (bass) from The Disco Biscuits, brought their improvisational, tech-laced funk to the Willow Creek Winery. The super group also includes RAQ’s Chris Michetti and drummer TORCH, which completed the foursome that raged through the night. Along with the music, the band brings a superb lighting show that made you want them to return to our side of the state sooner than later.

  • Willow Creek Winery Hosts an 18-Hour Dance Machine with The Electric Odyssey

    You want to have a day of fun? Take a fabulous venue, combine great friends and dance filled music and you’ve got yourself one heck of a good time. The Electric Odyssey took place on July 12 at Willow Creek Winery in Silver Creek, NY. The event started earlier Saturday and continued till Sunday’s sunrise, it was a great day of people coming together and creating something special. A lot of the crowd had enjoyed a great night the night before with Conspirator and decided to stay for the weekend, which is a great option at this venue, creating a go-to concert destination.

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    Mister F continues to bring their game to western NY and it’s no wonder Blue Stream Productions just picked them up to join Aqueous and Ocupanther, they are truly stepping out as a premier band in New York. The Manhattan Project started the evening out with a stellar set, with the two-man band creating great vibes and a thunderous bass thump that got people moving.

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    While two of Disco Biscuits players played the previous night, drummer Allen Aucoin manned the stage solo with his side project, DrFameus. You see something special, when watching Allen on stage, Armed with a drum kit, and a few toys, Aucoin played for an hour and a half nonstop. You have to be in some great shape to pull what he did, in that amount of time, and there is a reason he has the success he does. He brought everyone out of the woods and primed for the evening’s music.

    Notixx donned the stage for a second night, he was good the night before but he seemed to have kicked it up a notch. He had the crowd thumping to his beats. The energy was great and at one point had a couple of fans up on stage dancing to the music. Notixx was perfect for the night and kept everyone out late from scurrying to the woods, keeping everyone raging.

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    Mister F played another set in the side stage and is starting to become a nice late night band. They just love to play any chance they get whether its 3PM  in the blaring sun or 3AM, they’re up to the challenge of getting people going.

    The Electric Odyssey was an incredible event and with its success look for it to be an annual event in Western New York. It seems that it will be around for years to come.

  • Photo Gallery: James Taylor returns to SPAC after 11 Years

    The SPAC lawn is almost famous on its own.  How many musicians have shouted out from the stage to “the lawn people” to see how they out there are doing?  Shout outs and reassurance that “they” are important, too.  Sometimes over $40 a ticket, the lawn seats are no longer considered the cheap seats.  For James Taylor, it seemed like everyone in Saratoga had their lawn chair out on the ultimate lawn enjoying the original ‘JT’ sing classics like “You’ve Got a Friend” or “Fair and Rain”.  The lawn chairs were lined up on the hill and clear across the back lawn.  Thousands and thousands of SPAC lawn chairs filled with four generations of James Taylor fans.

    It was the second solo performance of the week at SPAC that seemed to attract a lot of couples.  The night was the perfect July evening in Saratoga, the temperature was just right and not a drop of rain.  The sound surrounding the crowd was spot on – perhaps the best sound mix of the season, thus far.  Taylor and his All Star band played for nearly 3 hours covering his almost 50 year career.  Even some new songs, such as “Today, Today, Today” were added to the night’s set list.  The North Carolina native now lives just across the Massachusetts board from New York in Berkshire County, after an 11-year hiatus from playing Saratoga I think it is safe to welcome him back and hope for many encores in years to come.

    Set 1:
    Something in the Way She Moves, “Today, Today, Today”, Lo and Behold, Copperline, Everyday (Buddy Holly cover), Country Road, Millworker, Carolina in My Mind, One More Go Round, Sweet Baby James, You’ve Got a Friend (Carole King cover)

    Set 2:
    Stretch of the Highway, You and I, Handy Man (Sparks of Rhythm cover), Hour That the Morning Comes, Steamroller Blues, Only One, Fire and Rain, Up on the Roof (The Drifters cover), Mexico, Your Smiling Face

    Encore:
    How Sweet It Is (To Be Loved by You) (Marvin Gaye cover), Shower the People

  • Hudson Project held great potential, but turned into a muddy mess

    The potential for the Hudson Project was endless. With MCP presents backing major festivals like Camp Bisco and Counterpoint, and with a lineup blending such a wide variety of fantastic acts everyone had very high expectations for the inaugural year of this fest.

    The first qualm that many of the patrons had, had been the fact that there would be no car camping and an added expense for leaving your car in a parking lot for the weekend, to be shuttled to the festival venue. Many festival goers were left dragging all of their camping gear miles across the grounds to camp sites scattered every which way. A wooden bridge connecting two muddy stretches of trail with steep, rickety stairs were the main access to the festival grounds leaving many people struggling to carry all of their gear up and down. By the last day of the festival the small swamp under these stairs had flooded to the point that everyone attempting to evacuate the premises had to wade through the mud with all of their belongings.

    Aside from the lengthy journey to actually set up camp sites, there were many check points fully staffed with local police and police dogs. While the need for increased security to cease drug trafficking throughout festivals is certainly necessary, the last thing someone wants after walking miles with all of their belongings is for local police to tear through your bags and coolers, making you feel like a criminal. Within each checkpoint the festival staff looked through purses, wallets, pockets, hats and threw out open cigarette packs, which not only was unnecessary but also created excessively long waits to enter the actual music venue. Although the need for safety at a festival should always be top priority, the festival promoters took this to new levels.

    Throughout the festival, police patrolled the camp grounds shining their flashlights into attendees tents. Security guards patrolled the main roads on horses, and each checkpoint was a gauntlet for individuals before getting into the venue to see music. On top of all of this it seemed like basic amenities like cell phone charging stations, showers and shuttles, all cost an excessive amount of money. If the patrons are not allowed back into their cars throughout the weekend then cellphone charging stations should be free. The water fill up stations, however, were extremely convenient (and free, surprisingly), but during the heat of the day the lines were so long it would leave many people feeling overwhelmingly dehydrated and exhausted. One of the rules on the festival’s website was that Camel Back water packs would not be allowed to be filled until inside of the venue, also leading to very long lines throughout the weekend.

    However many qualms one may have with the Hudson Project, one thing is for certain; the music was golden. Sound Tribe Sector 9 played a phenomenal hour and a half set with their new bassist Alana, showing that even with out their former front man David Murphy, they were still more than capable of throwing down an energy packed set. The Flaming Lips played the main stage directly after Sound Tribe with a crowd that seemed to go on for miles. Their stage set up was perhaps the most intricate out of any act of the weekend, with giant psychedelic mushrooms and rainbows that made the stage into a spectacle, paired with the amazing Flaming Lips set. At one point the band had to stop playing due to an individual in the crowd having a seizure which the band attributed to their wild stage presence and décor (very possible).

    Friday night was by far the best lineup for music at Hudson Project with many of the major head liners one directly after the other. This, unfortunately, made it difficult to catch all of the bigger acts. It would have been far more ideal to spread out the headliners day-to-day instead of having large acts back to back Friday and Sunday. Saturday was a full day of fantastic music including ZZ Ward who played an outrageously soulful and energy-packed set that was perfect for a beautiful sunny day in the c. Twiddle also performed a fantastic daytime set in the circus tent but with that many people in a closed tent it was abrasively hot and difficult to enjoy the entire set. Bonobo played a beautiful and ambient set while the sun went down and the evening settled on the Hudson Project. After Bonobo, Big Gigantic took the main stage with full force. This was interrupted by a torrential downpour that sent many campers running to take shelter, and other attendees dancing in the pouring rain. Almost all of the late night sets were extremely sub par. Moby’s set was filled with heavy drops and face melting bass with seemed to keep the crowd happy from start to finish. Four Tet played the exact opposite set on the other side of the grounds with zero bass drops and more of an experimental sound which gave patrons options between their late night experience.

    The social media backlash began after the Sunday acts were cancelled due to extreme weather conditions were outrageous. Patrons from near and far shared their horror stories from each day at the festival leading up to one of the worst closing days since Woodstock ’99. Patrons began demanding a refund for a third of their ticket for missing an entire day of music and major acts such as BassNectar, Paper Diamond and Tipper. Those who were not lucky enough to get off the festival grounds before the storm hit were left scrambling to collect their things and seek shelter. By the time the patrons of the festival got to their vehicles the ground had begun to dissipate leaving hundreds of people stranded without food or water. The major social media backlash led to the festival putting out a statement that all attendees would be refunded for the last day of the festival. This was still a fuzzy area for many patrons who had purchased their tickets off friends or internet trading groups.

    The weather certainly was the muddy tip of the iceberg for a long weekend at the first year festival. While the music still made it well worth your while, many of the circumstances throughout the weekend made it a less than desirable festival to consider attending again. This could be attributed to many different reasons, many of which are far beyond the festival promoter’s control, nonetheless it left many people very unimpressed by this festival.  Nonetheless, with the broad spectrum of musical guests the Hudson Project brought to Upstate, NY, this festival has a potential to make a comeback in 2015.

    Editor’s note: requests for comment from MCP Presents were not returned

  • The Queens of the Stone Age Held Court at the Palace

    Albany rocked on Sunday, July 13 when Queens of the Stone Age rolled into The Palace Theatre. Nearly 2,000 fans of diverse ages were remarkably well behaved while entertained by this band that has performed together since 1996.

    The average rock show typically captivates with BIG personalities who look or behave in striking or outlandish ways. They generate audience excitement by talking to fans between songs or with an elaborate stage. Not QOTSA. (Or their opener, Brody Dalle, for that matter.) The Queens’ frontman, Josh Homme came across as somewhat unassuming. He definitely does not look like the average modern rock star, he appears clean cut with his short hair, simple clothes and lack of obnoxious tattoos. (Apparently he has 17 of them, but they aren’t the focus of his on-stage appearance). He had very little to say to fans during the show — most of what came out of his mouth were lyrics.

    The visual focus of the show was definitely NOT on Homme or any other member of the band — it was on the light show. These guys have invested in great lights and a brilliant lighting tech. All this to take the focus off the band? I don’t know, but it worked. The lights were impressive. And, of course, the music was good. While their grunge roots run deep, this group’s talent lies in their ability to successfully incorporate a variety of styles. Lots of strong, cool bass backed by deep drums, screaming guitars and strong vocals. In their music you can hear The Ramones and Alice in Chains. Unfortunately, Homme’s great voice seemed somewhat hollow or muffled, and while that could have been an equipment issue, you couldn’t help to wish for more clarity so the lyrics could be clearly heard.

    QOTSA’s opener shared a somewhat reserved stage presence. Brody Dalle, who is also Homme’s wife, led the group that warmed up Albany’s fans. Dalle’s fast, hard sound and “bad girl” appearance are reminiscent of Joan Jett, but like QOTSA, there’s not a lot of ego-mania going on. Dalle seemed almost uncomfortable on stage — rarely looking in the direction of the fans and taking a head-down type of approach. That didn’t bother the Albany crowd though, they were enthusiastic and maybe a bit surprised at how hard the lady played. She succeeded in getting fans psyched; they were on their feet from QOTSA’s first song to the last.

    Set List: Keep Your Eyes Peeled, You Think I Ain’t Worth a Dollar, but I Feel Like a Millionaire, No One Knows, Avon, My God Is the Sun, Smooth Sailing, In the Fade, Hangin’ Tree, The Lost Art of Keeping a Secret, If I Had a Tail, Like Clockwork, I’m Designer, Make It Wit Chu, Fairweather Friends, Little Sister, I Sat By the Ocean, Sick Sick Sick, Go With the Flow
    Encore: The Vampyre of Time and Memory, Monsters in the Parasol, A Song for the Dead

  • Yet Another Big Weekend Coming at Willow Creek Winery July 25-26

    Willow Creek Winery will be jumping again this weekend with two days of music. It all starts Friday night July 25, with Badfish-A Tribute to Sublime headlining with special guests Tropidelic and Whiskey Reverb. Saturday will be headlined by Giant Panda Guerilla Dub Squad with special guests Preach Freedom, Mosaic Foundation, The B-Side Dubs and Funktional Flow.

    Badfish-A Tribute To Sublime is a tribute band that was formed in 2001. They have been selling out shows and touring for quite some time and have been giving Sublime fans something to fill their souls since Brad Nowell’s untimely death back in 1996, dissolving Sublime.

    Tropidelic who comes from Kent, Ohio, and most recently played at Willow Creek Winery for the 2014 Buffalove Music Festival, won a lot of fans over with their music. Coming back to the same venue should get some fans real pumped up. Combining hip hop, funk, reggae and some cool masks on stage, Tropidelic is surely a must see.

    Whisky Reverb will also be the special guest on Friday night, this band was also on this past Buffalove Music Festivals bill. The band hails from Buffalo and has been touring the past few years to about 125 shows a year. They keep evolving and they are becoming a must see band. Check them out and you won’t be disappointed.

    If one night isn’t enough music for you, you can camp optionally for 10 dollars and check out the following day full of music with Rochester’s Giant Panda Guerilla Dub Squad, Preach Freedom, Mosaic Foundation, The B-Side Dubs and Buffalo’s Funktional Flow.  GPSDS produces a psychedelic roots reggae sound that will send jolts through your body of euphoria. The group has been touring extensively the past few years as well as some of the country’s premier festivals. The quintet plays so well with each other adding their own layers together producing an improvisational jam  that you will want to be part of.

    Preach Freedom brings his soulful happy music to the winery and will get everyone in the right mindset the whole day. Mosaic Foundation comes from the Finger Lakes region, they bring their Roots Reggae to the Winery. The Group is Unique and diverse and will surely get everyone ready for the evening. The B-Side Dubs, whose members all have different musical backgrounds bring it all together producing a groovy reggae tone with a psychedelic vibe.

    Willow Creek Winery is no stranger to Funktional Flow, and the band has played their in more than a few occasions. They blew the doors off at Buffalove Music Festival this year, played a great set opening for Conspirator and I would expect no different this coming weekend. You will want to make sure you are front and center when Flow hits the stage. You can grab your tickets through Ticketfly or at the gate.

    Band Lineup

    Friday: Badfish- A Tribute to Sublime w/ Tropidelic and Whiskey Reverb. Tickets are $18 advance or $24.50 day of the event, the show starts at  6pm.

    Saturday: Giant Panda Guerilla Dub Squad w/ Preach Freedom, Funktional Flow, Mosaic Foundation, The B-Side Dubs – $20 advance or $25 day of event, show starts at 2 pm.