This Sunday, Sept. 28 Vintage Trouble will be coming to The Hollow Bar in Albany, N.Y. This four piece rock n’ roll blues band hailing from California have been touring the country for a few years now, at times being asked to support major acts such as, The Who, Bon Jovi, and the Dave Matthews Band.
In a phone interview earlier this week with NYS Music’s Jim Gilbert, all four members were excited to play Albany and share their music with the Capital Region. “We’ve been touring non-stop for three and a half years now, just getting off the ‘Summer of Trouble’ tour and extending it to the ‘Swinghouse Acoustic’ tour that we are on now.” Vintage Trouble has toured the world and plays around “200 shows a year, but up to 260 if you include radio stations” and other similar media outlets. The even played the Jay Leno Show four times in one year.
When asked how he is able to continuing to sing every night with the brutal tour schedule, lead vocalist, Ty Taylor explained, “By not thinking about it. Stress is horrible and if you think too much [you could cause the issues]. Drink plenty of water and [practice] mental control.” He went on to say that he, “relies on the microphone to do its job” and trusting the mic allows him not to strain too much.
While the band is getting well-known for its initial release, The Bomb Shelter Sessions, drummer Richard Danielson reassured us that the band has been, “writing on the road and we have a lot more than those 10 songs. We have three-quarters of the new album done and other songs to fill two hours.” Stops on this tour can hear potentially up to 20 or more songs in a night, that will surely leave them craving for more.
People began to hear about them from these support gigs and began to arrive early to hear the band blaze through their short opening sets. With front man Ty Taylor moving about the stage like a mix between James Brown and Roger Daltrey, Nalle Colt soloing all over the songs, and Rich Barrio Dill and Richard Danielson holding down the rhythm section, the band is a sight to see and a pleasure to your ears.
It was this energy that attracted acts such as Bon Jovi, Lenny Kravitz and even The Who, to include them on European legs of their tour. Bassist Rock Barrio Dill said they were “only going to be in the UK for three weeks, but ended up staying for seven months because these opportunities kept coming up”. All the touring and travel, “cultivated a lot of new material.”
Taylor proudly went on to say that Vintage Trouble is “an independent band. It cost us less than $1000 to make the record. We couldn’t do a world release, [so it was slow to hit some countries.] It was released only a year ago in Japan and debuted at #4. It took three years to get around the world, but like my mother always said ‘patience is a virtue.”
While Vintage Trouble just went into a recording partnership with Blue Note Records, the label is giving them a lot of freedom. There is a mutual feeling of pride in releasing their own work, but it is nice to have a big brother helping them out. However, recording is only a part of the equation. Rick emphasized that “we consider ourselves a live band first. Wherever we take it, we will be a live band.”
Starting out at Harvelle’s Blues Club in Long Beach playing a weekly residency in a place with “true old blues energy” the locals dubbed it Trouble Tuesday. In fact, a friend of the band called the ever-growing weekly audience, “TroubleMakers”. That name stuck and fans from around the world have joined the TroubleMakers. With nearly 12,000 in their Facebook group, Nalle added, “the band stays in touch daily with the group.”. It is also THE place to go to find out about the pre-show parties and after show events, as well as interact with like-minded fans.
Tickets are currently on sale now. The show starts at 7PM with The Soul Selector Tom PaPa Ray. Make sure to come out for this show and end the week with some rock n’ roll medicine.
Naysayers about the Rochester music scene will need to clam it up this October. End to end, the month is loaded with more shows than some cities are lucky to see in a full calendar year. ROCtober starts out “Hell Bent For Leather” October 1st with metal icons Judas Priest opening their tour in town at the Main Street Armory. Tour openers continue with hip hop legend NAS also starting his tour in ROC-city the very next night (Also at the Armory). Seemingly unafraid of any genre The Armory will also bring in Reggae (Elephant Man Oct. 10), classic rock (Kansas Oct. 16), country (Charlie Daniels Band Oct. 22) and alternative rock (Bastille Oct. 24).
Montage Music Hall adds to the fun with their own load of diverse genre shows. The New Mastersounds – an unbelievable funky English export – will team up with local top-tier talents Mojo Collective and Ocupanther for their inaugural visit to Rochester Oct 7. The 9th features the new/bluegrass of regional heavy hitters Cabinet. The 17th will find the absolute kings of the metal breakdown Unearth with special guest The Darkest Hour. Buffalo’s Aqueous will heat up the 24th with North Carolina’s The Mantra’s. The 30th will kick off Halloween weekend in style with two of Upstate’s favorite bands: Jimkata and Turkuaz.
Water Street Music Hall was missed for a good portion of 2013-14 due to some ownership changes but they are back and as usual are wasting no time bringing top-tier talent to the area. Dopapod and Consider the Source will jam up Oct 2nd. New Orleans’ Mingo Fishtrap returns to ROC Oct. 5 after an unbelievably packed set at the Xerox International Jazz Fest. The funk will continue with Lettuce making their premier trip to ROC Oct. 23. And to cap it off, one for the ladies – Water Street’s annual Men of General Hospital show Oct 24.
And all that barely touches the surface, check out our list for the rest of the notable haps in ROCtober below.
10/01 Judas Priest w/ Steel Panther (Armory)
10/02 NAS (Armory)
10/02 Dopapod w/ Consider the Source (Water Street)
10/03 BASSNECTAR w/ Kill Paris and Son of Kick (Armory)
10/04 Strange Birds (Montage)
10/04 Giant Panda w/ Mosaic Foundation (Zeppa Auditorium)
10/05 Mingo Fishtrap (Water Street)
10/07 New Mastersounds w/ Moho Collective and Ocupanther (Montage)
10/09 Cabinet w/ TBD (Montage)
10/10 Elephant Man w/ Gyptian and Spice (Armory)
10/10 Theory of a Deadman w/ Fozzy and 3 Pill Morning (Water Street)
10/11 Deicide w/ Septic Flesh (Montage)
10/12 Ryan Montbleau Band w/ Tall Heights
10/16 Heavy Trash w/ Bloodshot Bill (Water Street)
10/17 Unearth w/ Darkest Hour (Montage)
10/22 Charlie Daniels Band (Armory)
10/23 Lettuce (Water Street)
10/24 Aqueous w/ Mantras (Montage)
10/24 MEN OF GENERAL HOSPITAL (Water Street)
10/24 Bastille (Armory)
10/25 Badfish (Water Street)
10/28 Goat Whore (Bug Jar)
10/29 AJR (Montage)
10/30 Jimkata w/ Turkuaz (Montage)
10/31 Love and Theft w/ Joel Crouse and DJ DU (Water Street)
10/31 Roots Collider w/ Thousands of One, Subsoil, Mrs Skannato and Personal Blend (Flour City)
The Oswego County Event Center in Pennellville, N.Y. hosted 95x’s Birthday Bash with local bands Loose Cannon, Crows Cage, Bound For The Floor, Granny 4 Barrel and National Act Jackyl. The day started a little behind, but once Loose Cannon hit the stage it didn’t matter. These guys had the crowd singing and moving to ’80s hard rock of Motley Crue, Van Halen and Ozzy. They started the day right and it just continued on from there.
Next up to the stage was Crows Cage and as always they didn’t disappoint. Their high energy show was just what the doctor ordered. Performing their own songs such as “Hate and Grindstone” just to name a few, got the crowd all warmed up and ready to continue the party, but before they left the stage, guitar player Aaron Bellows’ niece Shayla took the stage to sing “Fly” with the guys. That young lady definitely has a lot of talent. Be sure to look for her in the future.
Crows Cage
Bound For The Floor did their thing with a mix of yesterday’s grunge and today’s modern rock. Full of energy and funk, they rocked out and got the crowd involved.
Bound For The Floor
Granny 4 Barrel took the stage and immediately commanded everyone’s attention. All I could do was chuckle at the outfits and the stage setup. These guys were fantastic. They seriously put on one hell of a show! The crowd also loved them. They brought so many different emotions to the concert goers. Whether you were laughing so hard you were crying or singing along to the music, I’m sure everyone will agree that these guys put on a memorable performance.
Granny 4 Barrel
By the time Jackyl came out the crowd was all warmed up and ready for a kick ass rockin show, which is exactly what Jackyl gave them. The level of intensity and energy was second to none. Their Southern Rock n Roll had the fans singing along for their entire set. This band is so down to earth and made each fan feel engaged. After ending their performance with a shot from Jesse’s shotgun mic stand, the band invited every one of the fans over to their tent to personally say hello.
The Black Keys came to Rochester and the Blue Cross Arena ready to rock their fans. The Turn Blue tour has been bringing some bluesy funk from their Akron, Ohio roots to cities across the U.S. Starting with “Dead and Gone” the Grammy winning duo, Dan Auerbach and Patrick Carney fired through a dynamic set. The set was dominated by tunes from older albums, though three songs promoting their chart topping new album, Turn Blue, made appearances.
Backed by keyboardist John Clement Wood and bassist Richard Swift, singer-guitarist Auerbach and drummer Carney were the main attraction on stage. Carney wailed on the drums while Auerbach seemed content to get lost in the songs. Without saying much in between tunes, they let the music speak for them. “Howlin For You” and “Lonely Boy” were crowd favorites that had the audience singing along word by word. If there was any question, the encore sealed it. Auerbach and Carney are still a unique combination that rock the crowd on their own terms.
Opener, Cage The Elephant didn’t miss the opportunity to make their mark. Lead singer Matthew Shultz thrashed around the stage while ripping through a nearly 45-minute set. Their high voltage performance included hits, “Shake Me Down” and “Come a Little Closer”.
Setlist: Dead and Gone, Next Girl, Run Right Back, Same Old Thing, Nova Baby, Gold on the Ceiling, Leavin’ Trunk, Too Afraid to Love You, A Girl Like You (Edwyn Collins cover), Howlin’ For You, Gotta Get Away, Fever, Tighten Up, Your Touch, Lonely Boy
Encore: Turn Blue, Little Black Submarines, I Got Mine
As day ten of The Great New York State Fair rolled in, it was destined to be a huge day. Skies were blue, temperatures perfect, and the day had a line up that made country music fans salivate…in fact it was the only day the grandstands had sold out with more than 17,000 fans anticipating a night they won’t forget. It was time for the “Burn It Down” tour to take center stage and you could already feel the heat.
Jason Aldean – Great NY State Fair Grandstands
Day 10-
Uncle Kracker –Setting out a bit early to enjoy the day with my son and his friends, it was a godsend that we did as we got stuck in the hour-long traffic on 690 coming in to the Fair. My regular exit, Exit 7, had already been closed and parking was being diverted to the Exit 6 Orange Parking Lot. Getting nervous that I would miss the opportunity to photograph Uncle Kracker (as media is only allowed the first three songs generally), I stayed calm and snaked my way around the hundreds of cars to the far back parking areas. Seeing that the window of time was diminishing, I began to panic. All I can say at this point was THANK YOU PARKING ATTENDANT that allowed me to make my own parking space that day so that I could catch the bus to the front gate. I literally made it with less than two minutes to spare. I didn’t even care that my son his friends never noted where we parked so that later in the evening when we left it would take us a half hour to find the car. All was good. I made it on time.
As I approached Chevy Court and as Uncle Kracker (real name Matt Shafer) took the stage, I noted a standing room only crowd. It was one of the largest afternoon crowds I had seen to date. Didn’t surprise me though as Uncle Kracker brings such an eclectic mix of music to his fans. His distinctive sound; raspy & sexy, lends itself perfrectly to a mix of country, rap, rock, and hip hop. Now with five albums under his belt and collaborations with such stars as Kid Rock and Kenney Chesney, it’s hard to believe that he began all those years ago as a DJ with his brother. He is an accomplished songwriter, performer, and his rapport with the crowd was entertaining as he bantered back and forth. Notable (and favorite) moments of the show had to include his mash-up of Steve Miller’s “Joker” into Jim Croce’s song “Bad, Bad, Leroy Brown”, and his remake of “Drift Away” originally by Dobie Gray. His spin brought the crowd to their feet and a smile to their faces. In fact all of his songs tend to be upbeat and positive. Closing with his songs “Smile” and “All Summer Long” (co-written and recorded by friend, Kid Rock), you couldn’t help leaving Chevy Court in a good mood ready to tackle the crowds of the day.
Set List: Heaven > Saturday Night > Good To Be Me > Little While > Better Days > Blue Skies > Follow Me > Stranger >Got That Thing/Leroy Brown > Sun Goes Down > Happy > Disasters > Drift > Smile > All Summer Long
On this beautiful day as one meandered around the Fair you couldn’t help feeling like a small fish in a big sea. The crowds were massive. On Day 10, 120,617 individuals made their way through the gates breaking all previous records held for 25 years. In fact, on this day, the statistics show that the Great NY State Fair was the place to be.
Paid Parking Number – 23,010 which is the most the parking supervisor can recall in his more than a quarter century at the fair
Attendance for sold out Jason Aldean/Florida Georgia Line/Tyler Farr show : 17,050
$1 baked potatoes sold: 4,753
25 cent milk tickets sold 34,510
Gallons of chocolate milk sold at Rainbow Bar 1,508 (sold out by 8:30pm)
Number of Twinx (Twix bar in a Twinkie wrapped in bacon and deep-fried with a sprinkling of powdered sugar) sold at the Fried Specialties two booths: 1,140 about double any other day, says owner Jim Hasbrouck
Number of cups of beer and soda sold at the grandstand Saturday night approximately 18,500
Number of rides taken on the Wade Shows Midway 122,781
As I made my way through the sea of people towards the Grandstands it seemed that the wave of people would never end as they entered in the pre-requisite dress code of cowboy boots, cowboy hats, and either red white and blue or camouflage attire. It was proof that the Mason Dixon Line no longer exists and all things country are embraced right here in Central NY.
Tyler Farr– First up was Tyler Farr, one of country music’s newest and most promising acts of 2014. Being the second time I covered one of his shows, I couldn’t wait to see him and his awesome band perform once again. Just love taking photos of Gary, his guitar player who sports one of the greatest Mohawks out there. The one thing that stands out about Tyler Farr is his love of his audience. NYS Music unfortunately couldn’t coordinate our anticipated interview with Tyler for this show/article due to his busy schedule, but had we been able to I was planning to award him my official “Audience Appreciation” award. The first of its kind, and one that is not given out to just anyone. The first time I covered a Tyler Farr show was at the Taste of Country Festival down at Hunter Mountain in the Catskills. For the entire weekend, one young man in the audience wore a turkey decoy on his head. You couldn’t help but notice, you couldn’t help but admire his audacity, and you couldn’t help but wonder about him. I can’t tell you how many artists came out to perform on Friday and Saturday that had to have seen him. Then on Sunday when Tyler came out, he immediately called out the dude and told him “he was his new best friend”. Those things resonate with me as a journalist. I look to capture the interaction between the performer and audience and feed off of that energy for photos and my reviews. It was duly noted.
Fast forward now to this show, and once again Tyler Farr proved to me he’s all about his audience as he came right out into the crowd to perform amongst them, bringing the reason he’s where he is, down to earth again, with his fans. Not only did he bring it down to this fans, he gave a shout out to the sound and stage crew that work tirelessly during shows to make it all happen seamlessly. This young man does not put himself up on pedestals, so for this very reason I will place you up on one as a star. Humility is a wonderful character trait, and remembering what it’s all about in the fast paced music business is difficult to do. He is one individual you will hear more about as time goes on. His musical abilities, songwriting capabilities, and stage presence will be making this new artist one of country music’s future stars. I know he’s one of mine.
Florida Georgia Line– To say I was excited about the next two acts was an understatement. This would be the first time I had the opportunity to cover a Florida Georgia Line show. Well, they certainly lived up to my expectations. These two young men are two of the most energetic performers out there. They came out with a bang, singing, dancing, sending the crowd into a frenzy. If you were in the pit this evening, there is no doubt that you got to shake hands with one if not both as they did everything they could to reach out to everyone. I was totally impressed by them. True class act. Working the stage every minute of every song, they belted out favorites “Round Here”, “Shine On”, “This Is How We Roll”, Dirt”, and “Cruise” to name only a few on their set list. But it wasn’t until they began “Party People” that they took the crowd over the top as the crowd joined Tyler & Brian singing, cheering, and screaming alongside them and the band. High energy doesn’t begin to describe the electricity you felt from the performance. Power surge was more like it.
Jason Aldean – Jason Aldean’s Burn It Down Tour of 2014 has been sold out from coast to coast. With fire spewing all around him, Jason enters the stage, slowly rising on a platform from down below. As the form of the shadow appears with his cowboy hat tucked down over his eyes amidst the explosions and flames, it was apparent why this show has been deemed as one of the best tours of the year. This superstar sure knows how to make an entrance. For Jason Aldean, it’s not just all show, he can back this pomp and circumstance up with the music and the talents needed to classify him as one of today’s country superstars. With twelve number one hits, record selling albums, numerous nominations and awards from American Music Awards, Billboard, Country Music Association, Country Music Television Awards, Academy of Country Music, Teen Choice Awards, People’s Choice Awards, and The Grammy’s, Jason Aldean has made his mark on Nashville, and in the record books as a country legend.
With his new album Old Boots, New Dirt right on the verge of release, it’s already hitting the charts with it’s first released number one single “Burnin It Down”. With a few more sneak peeks being released such as “Two Night Town,” “Sweet Little Something” and “Gonna Know We Were Here”, it’s only a matter of time that the number one hits and awards blazing their way through the charts for this album as well.
For a thursday night in Albany, New York, there sure was a good amount of rock and roll to be had. On Central Avenue in particular, where four small bands from New York state converged to bring a huge night of music. The End Men, from Brooklyn, kicked off their tour at their second home in Albany, before hitting the road for two solid weeks up and down the east coast.
The Low Beat has been bringing quality shows since it opened in February of this year. In the wake of Valentines closing, a staple venue in the Albany music scene, The Low Beat has filled that void, with the same ‘No Pepper’ adorning the stage and great beers and grub from the bar. (Check out our article on the iconic club closing it’s doors.)
Henry’s Rifle kicked off the night, with his one man talent barrage. John Pipino normally goes at it alone, with his trusty banjo and tambourine/stompbox suitcase combo bringing down and dirty roots rock to the stage. He was in good form, telling the crowd he was digging into some songs he normally doesn’t like to play, but was enjoying them anyway. A master at creating a singular atmosphere when he plays, it’s no wonder his new album (which will be released on Halloween of this year) is called “Barroom Weather”. With his huge, crooning voice sailing over the crowd, and his fast paced banjo strumming and later guitar picking, the show was given a proper send up from an act that needs to be experienced to be believed. Look for news on his CD release soon.
Next up was Charmboy, also from Albany. Both Henry’s Rifle and Charmboy are part of the ever growing Built4BBQ musician collective in Albany, which also includes The End Men as well. The traditional three piece of guitar, bass and drums is anything but, delivering high energy old school rock and roll in large helpings. They started their set with a massive psychedelic build up, which was kind of surprising considering the immediate rock set that followed. Easy parallels can be made to Elvis Costello and Television, but these guys bring some new vigor to that tried and true sound. Great sound from the board helped the crowd pick out the nuances like precision shuffle beat drums over screaming guitars, and a three part vocal attack. No nonsense rock and roll, as showcased by their originals and a great cover of “Heaven and Hell” by The Who.
The End Men played the third spot on the bill, and the bar was almost packed full at this point. When these guys come to town, the crowds continually get bigger and bigger, and soon we might not be seeing this band in the smaller clubs in the area. The awesome power of the sound this band produces is even more incredible when you realize they are, inherently, a two piece band. Matt Hendershot holds down a gritty blues rock guitar with searing, gravel dream vocals, while Livia Ranalli plays the meanest drums and percussion you have ever seen. Filling out the lineup for this tour is Matt Elia on tenor saxaphone, which brings an added warmth to the gritty rock and roll coming from the stage. At first listen, visions of Tom Waits, Jack White or Mark Lanegan might fill your mind, but The End Men deliver all that and more with their incredible vaudevillian, psycho circus rock and roll. Matt is engaging as frontman to this rag tag outfit, and definitely seems at home in front of a microphone. The vocal melodies between Matt and Liv resonate to your very depths, and draw you closer to the stage to sop up every last bit of musical juice they provide. This is what bands on the cusp of breaking into the big time look and feel like, so next time they come to this area, or an area near you, do not miss the chance to witness their raucous good time. They ended their set with a song called “The Wolves”, having epic trade offs between guitar and sax with the percussion keeping everything nailed to the floor.
Last of the night was Sun Voyager from NYC, and they put the perfect capstone on an already incredible rock show. Psychedelic with a hint of crazy riff rock, it was a little like watching the british invasion all over again. If you happened to walk into The Low Beat not knowing what you were in for, Sun Voyager would have convinced you that you were witnessing something prolific. Hints of The Black Angels and The 13th Floor Elevators permeate their sound, and their big sound washes over you with reckless abandon, showing the versatile sound that this club can handle. Another three piece band that blows you away with their talent and musicianship.
A final note: Touring is a tough business, and that statement hit harder than most for The End Men that night. Their tour vehicle lost it’s transmission two blocks from The Low Beat, right before the show. But because of Albany’s incredible music scene that boasts a true sense of comradery, this little band from Brooklyn was in good hands. The bartender got a mechanic on the phone immediately, friends and bandmates helped push their vehicle to the club. Our own Jim Gilbert offered up his van so that they could continue on their tour. Music isn’t just about the sounds that you create, it’s about the friendships and connections you make as well. No better place to experience that first hand then supporting your local music scene, and becoming part of that awesome collective yourself.
The Utica Music & Arts Festival is becoming what is considered a tradition to those in and around the Utica, NY area. Those that attend just know to mark their calendars for that second weekend in September, in anticipation of one of the most eclectic mixes of music at some of the best Central NY music venues. Musicians vie each year for the few select spots, and each year we are introduced to new acts with huge talents. Eleven venues participated this year featuring music on both Friday night, all day Saturday, and into Saturday night. The artists space was set up at the Utica Auditorium, featuring face painting, a magician, vendors, and an indie garage sale, all while local artists create their spectacular murals.
Lukin’s Pizza, new to the Utica Music & Arts Festival this year, proved to be one of the most crowded venues as the UMAF kicked off the festival Friday night. Catching locals Pocket Change, a band whose sound is a melting pot of all their favorite genres rolled into one melodic beat, rocked the stage first with a warm mix of vocals and melodies as an appetizer of sorts for what was to come.
Returning this year were fan favorites Nick Piccininni and Jason Barady from Floodwood who turned up the heat and beat with the crowd this opening night. Their unique and energetic music is always a promise to get the toes tapping and hands clapping. This feel good music is one reason why they are crowd favorites no matter where they play. Whether as solo artists or all together, Jason & Nick always bring the party.
Following Nick and Jason were Driftwood, an Americana/Folk Music band from the Binghamton, NY area. These four musicians have evolved over the course of the years into one amazing group, keeping up the beat and the energy previously established this Friday night. Festival favorites and new to this attendee, they definitely have been added to the must see list of musicians when they come to town.
When giving out awards for most unique sound and most fun, Shinobi Ninja, a mash up of Hip-Hop, Punk, Metal, and Pop, wins hands down. These rockers from Brooklyn were mesmerizing. Their head banging, rapping, hip hop style of music and vocals drew you in and hooked you. As they flipped their dreads, shredded like a heavy metal band, and rapped tunes such as the Beastie Boys, they totally rocked their crowd. Total fun is how to describe these performers.
As Saturday rolled around, the fun continued down on Varick Street with UMAF favorites HafaSass, Mark Kroos, Miss Marlow, and Ryan Montbleau. The Nail Creek Pub was the venue to be at Saturday night as HafaSass set the stage for the night with their spunky sound. Next up, Mark Kroos returned to a full house and shared his magic. If I had to describe Mark’s talent, it would have to be as a prodigy. This young man is one of the best guitar players I have ever seen. Shredding out the catchiest of tunes on a regular acoustic guitar and a double neck electric guitar, his sound is pure magic. His one man band is all it takes to thoroughly entertain and ramp up a crowd. His ability to produce sounds on a guitar that mimic a train whistle, while playing a melody and singing a tune at the same time just leaves the crowd flabbergasted each and every time they see it. As his YouTube video of “Dueling Banjos” went viral, he jokes of how can he possibly follow that up. As he shares his new compositions, showcasing his amazing abilities to play a double neck guitar, I guarantee he will one day surpass that expectation of “Dueling Banjos” with an arrangement solely all his own.
Miss Marlow, another crowd favorite, is one of the most unique bands to frequent UMAF. Traveling all the way across the pond from the Netherlands to O’Donnels Pub on Varick Street, Miss Marlow is a four piece rock band whose signature sound can only be described as a mix of Led Zepplin, Stevie Nicks, and Heart all rolled into one rocking band. We are fortunate to have them each year and hope they continue to return.
Closing out the festival this year was Ryan Montbleau. First time seeing him, I was intrigued about him as I could get nowhere near the stage to shoot any photos. This standing room only crowd, packed in like sardines, were ready for Ryan to wow them, as was I. As he took the stage, he did exactly that. His style was one I could listen too forever. His sound to me was unique. His voice, melodic and sexy. His humor, candid and witty. Joined on stage by UMAF favorite, Jason Barady on mandolin, all I can say is what a perfect pairing. Peanut butter and jelly had nothing on these two. Jamming together on song after song, Ryan and Jason played for hours to an entranced crowd. Ryan’s seamless ability to just pull songs out of a set list in his head was evidence that this music was a part of him, a natural ability to perform, and a sound he just shares as a natural gift. If I had to describe his style, it would be Modern Folk mixed with Indie Rock. Their performance together was a gift and the perfect way to close out another successful festival.
Fall Night In, sponsored by 99.5 The River, at Albany’s Palace Theatre brought Pop to Upstate on Sept. 9. The Fray, a Christian-turned-Pop-Rock band from Colorado, headlined the show, bringing a fairly young but devoted audience to the Palace. With a simple yet creative stage set enhanced by a brilliantly designed light show, The Fray put on a good show. They are best known for their 2006 hit singles, “How to Save a Life” made widely popular by Grey’s Anatomy and “Over My Head (Cable Car)”. While fans were thrilled to hear those hits, both the crowd and the band seemed to gain more energy and excitement during the performance of songs from their recently released album, Helios. In particular, the song “Give It Away” was very well received, despite the suggestive ’70s Disco sound, which has been largely avoided in most popular music over the past forty years.
In fact, The Fray incorporated a lot of unexpected, but distinct styles into their songs, including Gospel in “Hold My Hand” and a funky groove in “Love Don’t Die”. Most interesting about this performance though was the way the band collectively emphasized certain instruments. Band members were given time for solos, but the musicians almost seemed to prefer putting the attention on the instruments. During one number, three of the five musicians on stage were banging on drums; for another, four of them were using a keyboard/piano. And, as was expected, The Fray’s harmonies, particularly during the ballads that made them famous were spot on.
The opening acts for Fall Night In included the two-person Pop band, A Great Big World, who are most famous for their single “This is the New Year” (2012) thanks to Glee and Andy Grammer, best known for “Keep Your Head Up (2011).
A Great Big World was the evening’s great big surprise. Ian Axel and Chad Vaccarino, who formed the band while enrolled at NYU, do not look like typical Pop stars. They might be more aptly described as hipsters, with a strong “nerd” factor. At first awkward on stage, once they started playing, power and passion popped out, and the band’s quirkiness became very appealing. Just like the white clothes they wore against the black stage, their nerdy appearance contrasted with a charming performance. Axel’s Sesame-Street-type voice against his fierce keyboarding also seemed like a contradiction, but it worked — really well (bringing to mind a young Elton John). “Land of Opportunity” was especially captivating. Ignoring the lyrics, the song sounds very happy, positive and upbeat (making me want to communicate with smiley-face emoticons). But once you pay attention to the words and Axel’s passionately angry keyboarding, you realize that the song’s meaning is far from happy; it’s actually about a devastating break-up.
“Say Something” the song that attracted the attention of Christina Aguilera in 2013 and launched the young band into fame, was played solo by Axel. The enchanting artistry of his performance left the entire auditorium absolutely silent. But not for long; as soon as Axel finished, the crowd exploded with admiration and as his band members rejoined the stage, they too seemed impressed.
Both, A Great Big World and Andy Grammer, who opened the night, were very interested in dialogue with the audience, telling stories and sharing song meanings. This goes a long way in a live performance, allowing fans to connect with the musicians in a personal way. Grammer is a natural entertainer; not only is his music catchy, but he is also really funny. His song, “Forever” about the amount of time it takes for women to get ready to go out, was a surprising treat. He delighted his young fans with his 2011 hit, “Keep Your Head Up” and managed to engage the older audience members as well with good stories, many related to the Upstate community, where he spent some of his younger years.
All three bands are continuing to tour, but not together. Both The Fray and A Great Big World will be heading to Europe soon, and Andy Grammer is ambitiously traveling throughout the US and overseas. Grammer will perform at The Palace again on Nov. 26 for the O.A.R. show.
Days 7 and 8 brought a smorgasbord of musical sounds to The Great NY State Fair this year. Although country music dominated the lineup these two days, rock and roll greats threw the one two punch needed to turn up the volume at the Grandstands.
Day 7
Michael Ray – As the day of the show approached, Carrie Underwood ticket holders were still uncertain of the upcoming opening act for the evening. As they arrived, they soon learned they would be greeted by newcomer Michael Ray, winner of the reality program “The Next”. The program, which aired on the CW network was a different type of reality program. This program was designed to help contestants, who are already established musical acts and bring to the table a built-in fan base, move on to the next level in their careers. Each contestant was mentored by four professionals in the business; Gloria Estefan, Joe Jonas, John Rich, or Nelly. They then would compete to take their talents to the next level eliminating those until a victor was crowned. Mentored by John Rich of Big & Rich, it is apparent as he takes the stage why Michael Ray walked away victorious. He certainly nailed it with a few of his own songs and covers such as Friends in Low Places (Garth Brooks) and Mary Jane’s Last Dance (Tom Petty). It is always refreshing to see artists with vocal diversity be able to nail covers as different as these artists are. To me it shows their true vocal talents. He was right at home up there and quickly won over the crowd like a pro. Unbeknownst to the audience at the time, the stage has been home to him since he was a toddler joining his musical family up there with his Kermit the Frog guitar. This cutie won over the audience this night, implanted his name in their minds, and setting the stage (as if he needed to) for the superstar, Carrie Underwood. Although he may have been an unknown name upon arrival, he certainly wasn’t by the time he departed.
Carrie Underwood –
Sometimes performers are just born to be superstars. Walking away with the 2005 title of American Idol, it didn’t take Carrie long to hit the road with her first hit album Some Hearts that included number one singles such as “Jesus Take The Wheel” and “Before He Cheats”. Now a seasoned veteran with five studio albums under her belt, this petite superstar’s voice just blows you away with its strength and power. As she took the stage at the Grandstands, she certainly didn’t disappoint fans as she belted out hit after hit, from a catalog a mile long of music she’s recorded over the last nine years. In addition to her long list of hits, she also is extremely decorated with awards including six Grammy Awards, sixteen Billboard Music Awards, eleven Academy of Country Music Awards and seven American Music Awards, along with being nominated for a Golden Globe Award for Best Original Song. We recently learned that one of these tunes “Two Black Cadillacs” will even be made into a television show. She has been the face of numerous product endorsements, and very active in working together with several non-profit agencies to bring awareness to their causes. All of this at the young age of 31. Amazing! Recently in the news just days after her NY State Fair performance, she shared with her fans her exciting announcement that she and husband, Mike Fisher (Nashville Predators hockey star), are expecting their first child. This amazing young woman will be an amazing mother and we couldn’t be happier for Carrie and Mike and send them all the best as they begin their family.
Set List: Good Girl > Undo It > Wasted > See You Again > Two Black Cadillacs > Temporary Home > Last Name > Jesus Take The Wheel >We’re Young and Beautiful > Cowboy Casanova > So Small > One Way Ticket > Some Hearts > I Told You So > Flat on the Floor > All – American Girl > Leave Love Alone > Cupid’s Got a Shotgun > Blown Away > Encore – Paradise City > Before He Cheats
Day 8
Angie Johnson –
Angie Johnson was the perfect choice to begin the salute to Veterans on Veterans Day at the Fair. Angie, herself a veteran serving in the US Air Force and currently a Missouri National Guard member, understands the trials and tribulations our military experience and how to bolster their spirits and give some peace and joy to them through her music. Donning the greatest red pumps (I so want a pair of those), they were the appropriate choice as she and her band heated up the crowd with each song they sang. One memorable tune was called “A Girl That No One Knew” which was co-written by Buffalo’s own Johnny Rzneik from the Goo Goo Dolls, showcased her talent and told her story. As most country musicians do, she writes about her life, her experiences, and her thoughts. This song was about her struggles to being discovered and given a chance as she paid her dues night after night in smokey bars. Almost giving up her dream on several occasions, the music business keeps pulling her back each time she thinks it’s over. Her talent is apparent despite her difficult struggles. Her song, Swagger, co-written with Phoenix Mendoza, is verification that this girl has talent, stage presence, and just plain rocks. And my admiration has nothing to do with her being a fellow St. Louis Cardinals fan, I swear.
I wonder if Mike Eli and James Young ever foresaw their huge successful career as they sat in their dorm room at the University of North Texas playing guitar and singing. These two later joined by Chris Thompson and Jon Jones are now known as the Eli Young Band. With five studio albums under their belt, several number one songs, and a truckload full of nominations and awards (2011 ACM Song of the Year/Music Row Awards Breakthrough Artist), these four young men really can rock a crowd and set the stage on fire. One of my favorites on my play list they are extremely talented musicians who can write and play like no other. I found it interesting how they continued to refer to themselves as a “garage band”. You know what I think? I think it’s the roots of this “garage band” that gives them their charm. They haven’t lost sight of entertaining their crowds, which I must say was packed to the gills at Chevy Court, and their love of the roots in country rock was apparent in their music and especially their encore of Lynyrd Skynyrd’s “Gimme Three Steps”. Anyone that can rock out to their music and embrace their roots in southern country rock has my adoration forever.
Set List: Revelations > 10,000 Towns > Skeletons > Love Songs > Dust > Prayer For The Road > Drunk Last Night > Even If It Breaks Your Heart > When It Rains > Oklahoma Girl > Guinevere > Small Town Kid > Crazy Girl > Encore – Gimme Three Steps
Cheap Trick exploded onto the scene back in the late 1970’s carving out a niche with their hits and their electric live performances. However their beginning here in the states experienced a slow start. By 1978, Cheap Trick had released three albums here in the US to a luke warm reception. Surprising to know as the songs were some of today’s greatest rock and roll songs of the era, i.e.”I Want You to Want Me” and “Clock Strikes Ten”. It wasn’t until the songs hit the big time in Japan and Cheap Trick recorded their live album in Budokan, that the US label took notice and re-released here. They were finally recognized at that point and their American audiences couldn’t get enough of them. Hailing from the Rockford, IL area, they even designated April 1st as “Cheap Trick Day” in the state; no joke. Still as entertaining today as they were back in the 70’s and 80’s with their flamboyant costumes, and amazing stage presence, it certainly understandable how this group has been recognized as one of VH1’s 100 Greatest Artsist of Hard Rock.
When someone asks me to list my favorite bands, Journey never fails to make my top ten list. Growing up in the 1980’s Journey was a part of everyone’s album, cassette, and dare I say without aging myself, 8-track collection. Their tunes were a staple then and still today, as you hear covers of some of their most popular songs played by national and local bands alike. Their popularity has not waned over the years. In fact, it’s refreshing to see younger generations appreciate their style of rock and roll. They were my first live show back in 1981 at the Syracuse Carrier Dome with their Open Arms tour, and I can recall it as though it was just yesterday. There was something about rock and roll performances in the 1960’s, ’70s and ’80s that focused on lyrics and musical composition. With guitar, drums, and bass solos taking center stage, it was more than just a show, it was a gift to the audiences. The band has evolved over the year with many changes,i.e. solo careers, collaborations with others, band changes etc. however here we are more than 30 years later and they still rock the crowd like they did all those years ago. As they took the stage at the Grandstands, it was apparent that the energy you felt back then was still there, and for those just experiencing their first Journey concert, something that will continue with a new generation of fans with Open Arms.
As days seven and eight wound down, I reflected on how amazing the Great NY State Fair had been so far. As I covered the shows and events over the course of these several days, I was able to take some time in between to really explore the different exhibits in the buildings, side entertainment, rides, and foods that make our fair so special. I highly recommend to families to actually come more than one day, so that they don’t feel rushed. By taking my time and exploring the buildings, seeing the parade more than one time, and taking time to taste some of what is offered, I felt as though I experienced the State Fair more than I ever had before.
Rubblebucket came to downtown Albany’s The Hollow Sunday night, infusing a typically low-key evening with high energy and a whole lot of funk. Accompanied by Brooklyn-based dance quartet Body Language, both bands had a hand in making sure that those who attended came out of their Sunday night football food comas.
Body Language kicked off the night at around 9pm and there were more people than one would expect for a Sunday. The front dance floor was packed pretty tightly, with people spilling out into the back portions of the bar. From the beginning, lead singer Angelica Bess emanated a really interesting stage presence. Sporting tie-dye leggings and a black crop top, her hair braided into long cables cascading to her waist, she pantomimed a lot of the lyrics as she sang. Bess, who also plays the glockenspiel (an instrument similar to a xylophone, but with higher pitched sounds) has a voice that ranges in style and possesses an ethereal quality. Body Language played an eclectic mix of instruments, including the tambourine and cowbell, and their musical style ranged from soul to pop. They also had a disco dance flare that had the crowd contorting themselves into dance moves that were as different as the instruments the band played. With Bess’ sultry voice and that R&B sound, if their music was truly translated into body language, they would be saying “come hither.” Body Language kept the mood light and upbeat and had everyone on their feet. They definitely set the stage for what was to come.
Rubblebucket who is on tour promoting their new album, Survival Sounds, played a slew of new songs including “My Life”, “On the Ground”, “Carousel Ride”, “Major Roxy”, and “Origami”. The new songs drift from the fun and fanciful aspect of Rubblebucket and delve a little deeper into real life and have a bit of a harder sound. They’re a little more hard rock and possess more electronic undertones with “Origami” being the most upbeat. Rubblebucket, whose shows are half concert half performance art, can sometimes border on gimmicky, but are ultimately fun and whimsical. While introducing “Origami”, the adoration of the fans was apparent as a fan yelled out “I love you Kal!” and she yelled back “I love you too!” The level of interactivity between the band and the crowd is interesting and something you don’t see at a lot of shows. During “Origami”, Traver requested that the crowd yell out the chorus, with her belting out the question “Why can’t it always be fun?” and the crowd yelling back, “always, always, always!” It definitely got people moving their feet, with Traver coming off stage and starting a soul train with the audience.
Although they are promoting their new album, they didn’t just stick to new songs. They played old favorite “Came Out of a Lady” off of Omega La La that saw the entire horn section coming down to play in the crowd, including Traver who was playing saxophone. That was definitely one of the highlights and had the audience jumping up and down with their hands in the air. They also played “Patriotic”, which is off their Save Charlie EP, and upon introducing it, Traver proclaimed that “it’s a song about being yourself.” From there, they played “Carousel Ride”, and with lyrics like “when all the strongest winds are blowing my way/and the reaper comes to take my breath away…I’ll dance in the fire and I’ll do it again,” it perfectly matched Traver’s hauntingly beautiful voice. “Carousel Ride” definitively showcased Rubblebucket’s penchant for art by having someone walk around in a faceless furry creature costume whose head was made out of pink fabric roses that had leaves and ivy running through it. This creature is featured on their album cover, as well as in the music video for the song, bringing a different aspect of their art to their concert.
Rubblebucket played straight through without a set break, ending in a superjam with Angela Bess from Body Language playing the glockenspiel. The entire band came onto the floor parading around the bar like a marching band gone rogue. The last couple of minutes of their set found trumpet player Alex Toth playing on tables by the merch booth along with Traver on saxophone. When it comes down to it, Rubblebucket is full of incredibly talented musicians whose sound works well together for being a larger band. Seeing them play is an experience in and of itself aside from the music. It can definitely get weird, but if you haven’t seen them before, they come highly recommended.
Backed by keyboardist John Clement Wood and bassist Richard Swift, singer-guitarist Auerbach and drummer Carney were the main attraction on stage. Carney wailed on the drums while Auerbach seemed content to get lost in the songs. Without saying much in between tunes, they let the music speak for them. “Howlin For You” and “Lonely Boy” were crowd favorites that had the audience singing along word by word. If there was any question, the encore sealed it. Auerbach and Carney are still a unique combination that rock the crowd on their own terms.
