Category: Saratoga Springs

  • Aqueous Announce Winter Tour 2014-15

    Aqueous Winter Tour 2015Buffalo’s Aqueous have played 100+ shows for two straight years now up and down the east coast and throughout the mid west. That trend will continue this winter as the band continues to reinforce their fan base throughout the mid and eastern US. Upstate denizens will get several chances to see the fast rising groove rock band. Besides the previously announced Dec 18 show at The Hollow in Albany and NYE at Buffalo Iron Work’s – AQ will hit Putnam Den in Saratoga Springs Feb 7 (w/ legendary jam band Max Creek)and Jamestown on Valentines day. More NY dates are rumored to be in the works.

    More info on all shows can be found on the band’s website. Check out the full list of 2014-15 tour dates below. Ticket’s for Aqueous’s NYE show are available here for 10$ pre-sale.

    Aqueous Winter Tour
    Dec 18 – The Hollow // Albany, NY
    Dec 19 – The Wheelhouse // Narragansett, NH#
    Dec 20 – Strange Brew Pub // Norwich, CT#
    Dec 31 – Iron Works // Buffalo, NY*
    Jan 22 – Cosmic Charlies // Lexington, KY
    Jan 23 – Cosmo’s // Covington, KY
    Jan 24 – Scarlet & Grey Cafe // Columbus, OH
    Jan 29 – The 8×10 // Baltimore, MD
    Jan 30 – Martins // Roanoke, VA
    Jan 31 – The Broadberry // Richmond, VA&
    Feb 3 – New Mountain Theatre // Asheville, NC
    Feb 4 – Blind Tiger // Greensboro, NC
    Feb 5 – Hot Spot // Waynesboro, VA
    Feb 6 – Ardmore Music Hall // Philadelphia, PA+
    Feb 7 –  Putnam Den – Saratoga Springs, NY%
    Feb 11 – Casa Nueva // Athens, OH
    Feb 12 – Grog Shop // Cleveland, OH
    Feb 13 – Jimmies Ladder 11 // Dayton, OH
    Feb 14 – Shawbucks // Jamestown, NY
    Feb 19 – TBD
    Feb 21 – 123 Pleasant Street // Morgantown, WV^
    Feb 25 – TBD
    Feb 26 – Spot Underground // Providence, RI^
    Feb 27 – The Stone Church // Newmarket, NH^
    Feb 28 – TBD
    Mar 6 – Tonic Room // Chicago, IL
    %w/ Max Creek  ^w/ Pigeons Playing Ping Pong +w/ Pink Talking Fish  #w/ Mister F &w/ People’s Blues of Richmond *w/ Funktional Flow
  • Montbleau Brings Exciting Lineup to Saratoga Springs

    If you go to a Ryan Montbleau show and you leave with both your face and feet hurting, you know it was a good one. It’s that type of sound that is upbeat and fun to dance to, but it’s also uplifting, it’s honest, it’s real, it’s those often simple yet insightful lyrics that can connect and bring a smile to your face for the duration of the set. It’s a blend of the most feel good parts of folk, soul, and rock, that has found a nice, cozy, welcoming home in the jam band world.

    montbleau saratoga springsAfter the Ryan Montbleau Band split up at the end of 2013, fans were nervous, curious and excited to see what type of project he’d jump into next. For those fearing a complete change, that they would no longer hear old favorites live, it seems there couldn’t have been a better outcome. Over the past year Montbleau has called upon a rotating cast of musicians to accompany him, in some cases for entire tours, at times only for a show or two.

    The lineup on hand at the Den was truly a treat: Beau Sasser on keys, John Kimock on drums, Marc Friedman on bass, and Mike Dillon on vibraphone/percussion. If you ever see a lineup that says “featuring Mike Dillon on vibraphone” go, just go. After becoming familiar with his unique style in previous Les Claypool side projects, hearing those sounds over those nice Montbleau melodies put a completely different twist on the sound. Sasser brought some serious funk on the keys, and the Kimock/Friedman rhythm section held down the base of whichever direction the band decided to go, proving to be incredibly solid, yet fluid when needed.

    Saturday night at the Putnam Den, Montbleau’s demeanor throughout the set showed that he was reinvigorated, genuinely happy and excited to be pushing his songs, and himself, in new directions. He proved to be on point both being a band leader, and member. Guiding the rest of the band with subtle cues of where he wanted the music go, but being generous with letting everyone else take the spotlight from time to time, showcasing the admirable level of musicianship the group of men brought to the stage. Songs stayed true to structure, while morphing in style just enough to give them new life. Every so often the smile on Montbleau’s face lit up the room as Dillion or Sasser grabbed one of his songs and put a healthy dose of their own signature flavor on it, perhaps taking it to places even he didn’t know it could go.

    The set was definitely a crowd-pleaser, the packed dance floor at the Putnam Den barely stopped moving throughout the night as the band played through favorites such as “Dead Set”, “Eggs”, “I Can’t Wait”, and “75 and Sunny”. As the rest of the band took a short set break, Montbleau remained on stage for three solo acoustic songs, playing “Chariot” with many in the crowd singing along before welcoming the band back on stage. Commenting that “it’s nice to come to Saratoga, where the crowd sings all the songs back”, Montbleau let the crowd know he doesn’t forget that a stop in Saratoga always means a full room and a party loving group of music fans. Before closing out the show, the night’s opening act, Jesse Dee, was brought up on stage to join in on a couple of songs. His big, soulful voice helped fill the room with warmth. There was also a surprise visit from moe.’s Vinnie Amico, who lives locally, joining Dillon on percussion. The group performed the Beatles classic “With A Little Help From My Friends”, which in some circumstances could receive an eye roll due to a “this song again!?” reaction from a crowd, but on this night it got a pass. It could sum up the evening’s performance, and perhaps even Montbleau’s current touring band situation, as he picks up friends and musicians as he traverses the country town to town, gaining from them help and inspiration.

    With the always changing group of musicians, now there is perhaps more reason than ever to catch a Ryan Montbleau show wherever, and whenever you can. Because while the songs may remain the same, the sound and the energy is in a constant state of growth that seems to be as exciting for the people in front of the stage, as it is for the performers on it.

  • Pink Talking Fish Announce 2015 Winter Tour Dates

    Pink Floyd – Talking Heads – Phish: they’re all great bands as we already know. How about a band that weaves the sounds of all three in an out of their setlist, creating a sound well beyond a typical cover band? Pink Talking Fish does just that, and the hybrid tribute fusion band has today announced winter tour dates spanning December through March. They have plenty of chances to escape the Northeast winter in 2015 with a handful of dates in Florida before returning to the Northeast with shows in Saratoga Springs, NY, New York City, Stowe, VT and more.Pink Talking Fish Tour

    Buffalo’s Aqueous will be appearing with Pink Talking Fish for a performance of ‘Dark Side of the Moon’ in Philadelphia on February 6. Their other two ‘Dark Side of the Moon’ performances will feature The Recovery Act performing the music of Stevie Wonder (Boulder, CO) and The Z3 featuring Ed Mann – Funky Takes on Frank Zappa (Boston, MA).

    Pink Talking Fish will also be adding an event, PHUNK THE WINTER! during their NYC performance at the Gramercy Theatre on February 7. Joining the band will be special guest ShwiKus Plays P-Funk, adding some Parliament Funkadelic into the mix.

    For more information please check out the official band website and Facebook Page.

    Pink Talking Fish Tour Dates:

    2014:

    December 10th – Live From AURA Studios in Boca Raton, FL (Free Video Webcast)*
    December 11th – Guanabanas Island Restaurant and Bar in Jupiter, FL*
    December 12th – The Funky Biscuit in Boca Raton, FL*
    December 13th – Dunedin Brewery in Dunedin, FL*

    2015:

    January 3rd – The Rusty Nail in Stowe, VT
    January 16th – The Fox Theatre in Boulder, CO (Dark Side Of The Moon Performance)**
    January 17th & 18th – Quixotes True Blue in Denver, CO (The Music Never Stops Making Sense – Intertwining sets with very special guest act TBA)
    February 6th – The Ardmore Theatre in Philadelphia, PA (Dark Side Of The Moon Performance)$
    February 7th – The Gramercy Theatre in New York, NY (PHUNK THE WINTER! w/ special guests ShwiKus Plays P-Funk)
    February 20th – Putnam Den in Saratoga Springs, NY
    February 21st – The Spot Underground in Providence, RI
    March 28th – The Middle East in Boston, MA (Dark Side Of The Moon Performance)$$

    * w/ Members of The Heavy Pets
    ** w/ The Recovery Act performing The Music of Stevie Wonder
    $ w/ Aqueous
    $$ w/ The Z3 performing Funky Takes on The Music of Frank Zappa

  • Funk Sessions at Putnam Den with The New Mastersounds

    The Heard opened a night of funk at Putnam Den, bringing blazing Chicago funk along with them courtesy of a solid horn section, who would later join The New Mastersounds for a few numbers. With guitarist Eddie Roberts leading the ultratight rhythm section, the night was full of instrumental funk that dipped into various subgenres of their signature sound, including funk of the late 60’s and early 70’s, surf rock, boogie, disco and Sly and the Family Stone-level peaks when accompanied by the horns. Little is left on the stage when the Leeds quartet plays and Saratoga Springs was fortunate to have such high caliber musicians in town. Here’s hoping to a quick return to the Capital Region. Check out their new album Therapy and see them in 2015 when they likely return to the Northeast for festival dates.

    Setlist: Soulshine, All I Want, MRG, Yo Moma, Each to their own, This ain’t work, Pure, MM’s, Upstairs*, Fast Man*, Surfin, Burnt Back, Freckles>Be Yourself>Knees, 33*, Nervous*

    Encore: 20 minutes of funk

    *with The Heard horns

  • Aqueous and Formula 5 join forces for Saturday Night fun in Saratoga

    Two of Upstate’s own, Aqueous and Formula 5, took the stage October 11 for a night of tight improvisational jams with covers and original music at The Putnam Den in Saratoga Springs. Both bands brought their dance groove to festivals all over Upstate this year such as Catskill Chill and Peach Music Fest with both appearing at Backwoods Pondfest.

    Formula 5 kicked off the night with their classic energetic “Excalibur” before gearing straight into a funky rocking  “Earthbound Tim” from their new latet album Edging on Catastrophe. Bringing up Aqueous guitarist Dave Loss for the Talking Heads cover “Uh Oh Love Comes to Town” brought out the best in the band as they helped stretch the melody.  “Nu-Gen” showcased psychedelic spacey keys from Mike McDonald, astounding guitar work from Joe Davis on “Coming Home” before going straight back into “Nu-Gen”. Formula 5 will be headed up to the North Country of Plattsburgh on Nov 15th and The Hollow in Albany on Nov 28th with The Heavy Pets.

    Setlist: Excalibur -> Earthbound Tim, Uh Oh Love Comes to Town*, Nu-Gen -> Coming Home -> Nu-Gen, Catch Me, Music Never Stopped

    * w/ Dave Loss of Aqueous on guitar, Talking Heads cover, “Strange Times” (Aqueous) teases

    The four piece groove rock band Aqueous has been getting fans excited for their new album Cycles, coming out October 25, making the crowd eager to hear some fresh and original tunes. The soft keys from Dave Loss of “Staring into the Sun” started the set before the song took a dark turn with strong rifts  from Mike Gantzer and wailing in sync vocals before diving into a psychedelic “Origami”. As the night progressed, so did the music with nonstop segues of climactic buildups and genre fusion. Drummer and newest member to the group Ryan Nogle proved to be a great fit as he put a unique touch to the familiar rhythm of Aqueous. Evan McPhaden dropped steady deep bass notes during The Police’s “Synchronicity II” and the night ended with guitarist Joe Davis of Formula 5 joining in for extra rock voltage on “The Median”. Catch Aqueous all over Upstate this week with The Mantras in Ithaca, Rochester and Buffalo for their official album release party on the 25th at Iron Works.

    Setlist:  Staring into the Sun > Origami, 20/20, Random Company > Synchronicity II > The Median*

    Encore: Uncle Phil’s Parachute

    *with Joe Davis from Formula 5

  • Hearing Aide: Better By Morning ‘You Say’

    YouSayArtBetter By Morning is the creation of Jake Brooks (vocals, guitar, bass, keys) and Johnny Gravitt (Lead and rhythm guitar), they’ve released their first EP You Say. It’s aptly titled as many listeners will have much to say after hearing this.

    Joining them on this EP are Roy Stein on drums of, My Plastic Sun and Jet Black Berries and Johnny Cummings, organ on tracks 1 & 3, also a member of My Plastic Sun and Jet Black Berries, their live performances feature Bradley Paquet (bass) and Kyle Squires (drums). Stein and Cummings come to the band through Nazareth College where Brooks is a student and Stein a Professor and Director of the Music/Business program, quite the interesting combination. Stein was enlisted to help finish the EP after their previous drummer departed and the multitalented Cummings was introduced to the equation by Stein. Together they’ve created a frankly stunning first release, bolstered by the nimble ears and fingers of Cody Niver at CGI Studios in Ontario, N.Y. and Tim Lynch at The Recording Company, Albany, N.Y. Track 2 was mastered by Joe LaPorta at Sterling Sound and the balance by Cody Niver at CGI Studio. Deftly talented artists’ each, the end result is even, yet dynamic with an underlying impulse for a number 11 on the volume knob.

    BBM-1
    If you have any knowledge (and you should) of Stein and Cumming’s work in their bands My Plastic Sun and Jet Black Berries, you’ll know these are two of the most remarkably talented individuals working from the Rochester area. To have them participate and speak as highly of Brooks as they do says volumes of what is in store from Better By Morning. Like Cummings, Brooks is a multi-instrumental talent, his voice is both commanding and sensitive, its depth belies his age. The band hails from lovely Saratoga Springs, N.Y., so having surroundings that inspire are certainly falling in their favor. The strength of his musical partnership with Gravitt is clearly evident and they’ve set a high bar for themselves. The hallmark of great pop and rock are big guitars, Gravitt provides the needed licks to accentuate and power the sweet melodies. Better By Morning has implied that planning for another EP is already in the works, but that’s for later, let’s get right to their current offering.

    While they’ve chosen “alternative” as the box to click genre wise, the songwriting duo of Brooks/Gravitt prove it’s much more than that with their lyrical and musical flexibility that conjures the energy of an early U2 with Coldplay intellect and diversity. The opener “Bird Won’t Fly” really lays it out there with a solid hook, soaring vocals and a driving rhythm, immediately listenable and repeatable. “Sell” has a Franz Ferdinand feel, the syncopated guitar and layered harmonies rise and fall into the breathy verses.

    “Hearts” is pure melodic power-pop in spades, it hits on every cylinder from the call and respond vocal to the rich instrumentation. The mix is so even that the bass pushes the melody line while the drums pacing is bright and on top of it, swelling with the guitar and urging the emotive delivery from Brooks. Very dynamic and well-engineered. “Pages” sounds like the built-in single, the catchy guitar riff, the easily assessable lyric, it pushes, bounces and urges motion within the listener. Trademark stuff for well-hewn power-pop.

    The closer, “Change Your Mind” gives Gravitt a chance to really cut it loose and get outside of the box a little. While his subtlety throughout the earlier songs is within the formula and fitting, there’s always space and frankly need, for that signature riff. I’d like to hear more of it. The restraint demonstrated by each player throughout is admirable, they obviously have the chops to run-over each other trying to grab the limelight. It shows a great deal of maturity and thoughtfulness to avoid that trap and work as a cohesive unit.

    Key Tracks: Sell, Pages, Change Your Mind

    I believe there is a ton of room for growth with Better By Morning, I also believe that there is another personality they take on when they play live. They’ve just announced an opportunity to see just that at Bug Jar in Rochester on November 11. Details on the show and their EP are available at their many social media and internet outlets, their website, facebook, twitter

    Buy their EP at itunes and cdbaby

  • Super 400 Shreds Putnam Den

    Putnam Den was the site of one of the hottest shows that is going to be seen anywhere, at anytime on Friday, October 3 with Super 400. The bar was packed, first with patrons surrounded around the TVs watching the baseball playoffs but when Suitable Groove took this stage the bar became sparse and the stage area began to fill up to get a better look at opening act of the evening.

    Opening up with the hoppy dance track “Up to the Front”, which grabbed everyone’s attention with an energy matched by few. The solos where abounding as each member added their own uniqueness to the bands sound. The drummer, Ian Henderson, did not just hold the songs together with his rhythmic beats, he also sang lead vocals, a complicated task. Bassist Eric Johnson helped in this as well as he laid down beats in which keyboardist Chadd Portwine, who was filled with energy, danced around getting the crowd even more engaged then they already were. The guitar playing of Wayne Chaet, however, was a very high energy groove, a Suitable Groove if you will. They also had the ability to bring it back down to the songs original composition. This was the perfect opening act for what was to come next with Super 400 ready to take the stage.

    The energetic “Be My Friend” opened up Super 400‘s set and had the crowd eating out of their hands from the onset and there was no turning back. This and many of their songs featured shredding guitar solos from Kenny Hohman, but unlike many bands where guitars solos are the feature of the band, this was not the deal with Super 400. They focused more on the songs, the lyrics and the melodies which complemented the songs to perfection. Lori Friday added a higher pitch and slower vocal that matched Hohman’s more raspy southern rock feel. Friday however was not just a backing vocalist by any stretch of the imaginations, taking leads on many tracks that still wasn’t her highlighted skill. She laid down sick bass solos and had the crowd in awe. She was tearing it up to the point drummer Joe Daly and her were almost dueling, which just brought the energy lever higher. The show was amazing in every aspect.

    Playing covers of the Beatles “Don’t Let me Down,” to Carole King’s “I Feel the Earth Move Under My Feet,” and new renditions of standards that have been heard hundreds of times, but with Super 400 playing them it seemed as if it was the first time they were ever heard. Everyone in attendance was blown away, and although it was a free show, people said they would have had no problem paying to see this spectacle, a statement to just how fantastic the night was.

  • Dopapod Kick Fall Tour off at Putnam Den

    On this unseasonably warm Saturday night Sept. 27, people flooded into Putnam Den to see and hear some of the best live music around with Consider The Source and Dopapod. The vibe was chill, most people waiting for the bands to come on were talking about the music. This was a good sign of what was in store. There was a wide array of ages 18 and up (in some cases way up) but regardless of what age, everyone was there to get down and have fun.

    Consider the Source, a power trio out of New York City opened to a packed room, which became more and more engulfed as the seconds went on. Starting with a slow melodic piece that was reminiscent of Pink Floyd; a treat to many in attendance and a good sign of what the evening had in store. The lead Guitarist, Gabrielle Marin, played a double neck guitar possessing many different effects; one emulating a horn which was out of this world. Fans were looking around to see where the horn layer was, which there wasn’t, it was just on the guitar, this was brilliant as well as impressive. The drums played by John Olsen, laid down a sweet groove to jam over, which usually the drum and bass do together. Which they did do to a point  but the bass player, John Ferrara, had many solos of his own. Showing that this band was, well, a band. There is no real way to describe the sound of Consider The Source but ‘Thrash Jam’ could fit. They did just that, holding the audience’s attention while getting them ready for Dopapod.

    Dopapod opened with “Indian Girls”, a very danceable groove layered by heavy beats provided by two percussionists and the bass. This one kept the energy that CTS left going, and even raising the bar. It was on and the party was just about to get into full swing. Dopapod took their groove to another level with “Brooklyn Bridge”, and by adding in vocals, this made their jams actual songs to sing along too, and many people did. Smiles were abounding as people sang along and a small sense of family was felt throughout the crowd. This showed they were not a one trick pony who could come out and lay down heavy beats and just move on to the next heavy track, which so many bands tend to.

    The compositions of Dopapod were very complex. All four members of the band, including Adrian Tramontano from Kung Fu as a guest percussionist, were very intricate parts of these songs and everyone stayed tightly together, not losing a beat for a second. It may have seemed as if they were all over the place, but with a careful ear you could tell they were 100% on the same page. This was sheer brilliance. This led into a dark trance like groove keeping their overall sound, their feel, which isn’t very easy to do when shifting so drastically. With Dopapod’s heavy build ups, there was only one place for them to go: the peak. When they reached this peak it was second to very few. The lights went up, the crowd roared, and the payoff was well worth the wait. Eli Winderman’s keys and Rob Compa’s guitar took fans to another world, the world which is known as Dopapod.

  • Jesus Christ and the Hallucinogenic Allstars Bring Salvation and Metal to the Putnam Den

    The time had come for metal to return to Saratoga Springs. On Friday, Sept. 5, the Putnam Den held court for Jesus Christ and the Hallucinogenic Allstars (JCHA) monthly residency, where they bring the best in hard rock and metal from locals to bands up and down the East Coast. Unfortunately for this show, Surfacing from Brooklyn had to drop off last-minute due to vehicle troubles. The three remaining bands though from the local scene were primed to give up their offerings to the gods of metal, and to the wanting masses gathered at the venue.

    First up was Crown of Vultures, from Albany. Formerly known as the band Vacant, they have a progressive, heavy sound reminiscent of bands like Tool or Chevelle. The singer did his best to croon in that vein over the music, but their set was lackluster. People were already milling about the venue as they took to the stage, but a dynamically flat performance did not grab too much attention. Not sure where this band might fit, but in the bulging heavy scene that breathes metal and hard rock, this band sounded reserved and gave an almost boring performance. Their set was peppered with some great driving riffs, but they were too few and far between, with some stumbles along the way by the drums. They are a budding band though, which has been re-tooled with new members, so look for them to hopefully coalesce into a powerful outfit soon enough.

    Next up was Foaming at the Mouth, who flanked the stage with two towering posters, depicting a screaming girl writhing in the dirt. With that image in full display, the two-member band took no time diving into their first song. Guttural vocals being slung by both the guitarist and drummer, they instantly redeemed the show. Playing their own brand of crushing metal, with elements of death metal and grooving riff-rock, the sound paralleled to Lamb of God and Dying Fetus. With a brand new music video that dropped the same day and a new CD coming out in December, these guys are on a fast track to turn heads and melt faces. The absence of a bass player was never felt, as the onslaught of sound and technical prowess of the guitarist won the crowd over, gaining huge responses after each song. Both guys looked at ease and truly enjoying being on stage, even covering a Death song almost flawlessly.

    Resident pushers of all things stoner rock, JCHA prepped the stage with all their tricks. They took their traditional whiskey shot onstage, served by their bearded bartender-slash-light tech. They then launched into a barrage of sound and laser lights that instantly took over the audience. The band commanded the best sound of the night from the Putnam Den, but the vocals of bassist Dustin were a little overpowering at times, losing the drums in the mix. But these were only small technical problems that were made up for by the energetic performance the band produced. Jon, the guitarist, showed the crowd his brilliant talent through precise riffs and big solos. Ross beat his drums like they owed him money, but kept the floor held down throughout the performance. Dual vocal harmonies from Dustin and Jon, and well-timed lights and smoke brought the performance higher than a casual listener might have anticipated. At one point, during a cover of “Stranglehold” by Ted Nugent, Jake the bartender stepped out from behind his stage bar to mix a drink in the faces of the audience, adding to the intense fun being had by the band on stage.

    They raffled a beautiful piece of art from local artist Alexis Herzog, who paints live during their set. The only downfall was that the stage lights were too dim to make out the piece being raffled, and she was working on the side of the stage in virtual darkness, making it hard to see what she was producing. There was still a good crowd as the show went on past 12:30 AM, and JCHA livened it up by unconventionally launching into three cover songs in a row. The fans that remained were still hungry for more, and they graced them with a brand new song as their final offering of the night.

    JCHA will be performing again Sept. 12 at Monirae’s in Pennelville, NY, as well as Sept. 19 at Sharpshooters in Amsterdam, NY.

    Setlist: Greed Makes You Fatter, Great Sage, Stranglehold, Late and Lost, The Mountain, Extension, Never Clean, Bear Steak, Green Machine, Children of the Grave, Ommision, Dying in Leather

  • Steely Dan Closes the SPAC Season with Absolute Mastery

    Steely Dan is known for high-quality composition, intellectual lyrics, and songs that contain multiple layers of meaning. Yet, while on SPAC’s stage on Sunday, Aug. 31 their performance was quite simple. No fancy props, no flashy clothes, no crazy antics. The complexity of their music compared to the simple performance on stage was ironic.

    The irony of Steely Dan seems to be a common theme. Even their name is ironic. Those who don’t know the band might assume it is named for one person whom perhaps either has a “steely voice” or who makes the guitar screech like grinding steel. But Steely Dan is not named for one person – they are named for an adult toy that was the subject of the novel, The Naked Lunch and the band’s name definitely does not describe how they operate on stage.

    Their performance does not focus on one person; in fact, it’s not even really focused on the two men (Donald Fagen and Walter Becker) who founded the band in the 1960s while attending Bard College. All 13 musicians on stage had an opportunity to show off their incredible talent. The keyboardist, guitarists, and backup singers were all given ample time to display their gifts. All four horn players had solos, and even had a chance to step to the front of the stage to highlight their life’s work. The drummer had multiple times to shine, and in fact, lights were arranged behind and underneath him to further emphasize his explosive talent.

    Fagen and Becker, who are of course, the glue that holds Steely Dan together, were the guys who drew thousands of fans to Saratoga Springs. Both are brilliant musicians. Fagen was working with malfunctioning equipment; the G above middle C on his  keyboard was not working, but, as he told the crowd, he worked around it. Becker’s stories, which started out in a conversational tone, but following tangent after tangent, ended up fitting into the music that the band was building up behind him.

    Fans who came to hear their Steely Dan favorites were not disappointed. The 1970s hits, such as “Rikki Don’t Lose that Number,” “My Old School,” and “Reelin’ In the Years” were performed with absolute mastery.

    Steely Dan’s Jamalot 2014 Tour will end with a three-day run Sept. 19-21 at The Capitol Theatre in Port Chester,N.Y. with several other scheduled performances in the Northeast.

    Set List:
    Cubano Chant (orchestra) , Black Cow, Aja, Hey Nineteen, Black Friday, Show Biz Kids, Time Out of Mind, Two Against Nature, Dirty Work, Bodhisattva, I Want To (Do Everything for You), Daddy Don’t Live in That New York City No More, Babylon Sisters, Reelin’ In The Years, Josie, Peg, My Old School, Rikki Don’t Lose That Number

    Encore:
    Kid Charlemagne, The Untouchables