Category: Beyond NYS

  • Rock On the Range 2014: Day Three

    On day three of Rock on the Range, rangers traded in their ponchos for T-shirts and bikinis. Already a step ahead of the first two days before it had even begun, a karaoke version of “Sweet Caroline” had everyone singing at the top of their lungs. The music faded out, replaced by the heavy guitar intro to “Pleasure and Pain”. Rather than waste time with small talk, they made the most of the short set, packing in as many songs as possible.

    An opening slot on the main stage didn’t seem to do Trivium justice. Following the recent departure of drummer Nick Augusto, the band was still on point, getting everyone moving on their latest single “Strife” and setting the bar high for the bands that followed, with a contagious energy on closing song “In Waves”. Australia’s Twelve Foot Ninja brought the Jäger Stage a quirky and refreshing fusion of rock and reggae before it was time to return to the main stage for Adelitas Way. Lineup changes and some time off the road served the band well. Frontman Rick DeJesus never stood still, promising to join whichever side of the stadium gave him the most energy. The closing notes of “Invincible” came, and DeJesus made good on his promise, crowd surfing from the front of the pit to the back, and then back again. Asking Alexandria’s lead singer Danny Worsnop is working his way up again in new project We Are Harlot, featuring members of Silvertide and Sebastian Bach. The new group were obviously no stranger to big crowds, delivering an impressive and fast paced set. Wolfmother seemed to be an unusual choice with this years metal heavy lineup. Donning short shorts, guitarist and singer Andrew Stockdale hit every note without hesitation throughout a set that seemed to flow together like one long guitar solo.

    Mastodon hit the main stage next, fueling the crowd with melodic metal. Each song had it’s own character with each member of the band singing a song or two to keep things fresh. Over at the Ernie Ball Stage, Of Mice and Men were playing to perhaps the most insane crowd of the weekend. A circle pit that looked more like a running track moved nonstop amidst an insane sea of bodies flying through the air.Impeccable skill from guitarist Mark Tremonti combined with the powerful vocals of Myles Kennedy made for an unforgettable set from Alter Bridge. The new single “Addicted to Pain” marked the first sighting of Spider-Man crowd surfing his way to the front, and the classically inspired guitar played against heavy riffs throughout the too short set.

    The general consensus at past years of Rock on the Range appeared to be that Five Finger Death Punch brought a performance far bigger than their opening set times. This year the band was second to last on the main stage, and security had doubled in size in preparation. A traffic jam of crowd surfers rolled above the crowd the instant “Under and Over It” began. Each and every member did their part to entertain  and interact with the crowd as they sped through a hit filled set list. Guitarist Jason Hook sat down with an acoustic guitar midway through the set, accompanying singer Ivan Moody on “Remember Everything”. The lighter ballad was the calm before the storm, which picked back up for the duration of the set.

    Just a few short minutes after 9 pm, the lights on the Main Stage dimmed for the last time as headliner Kid Rock slowly made his way out onto the stage. Before he walked out, a clip of Journey’s “Don’t Stop Believin”” was played from the speakers and cut off appropriately during “born and raised in south Detroit” leaving the audience to scream the lyrics from the top of their lungs and officially introduce Kid Rock. He spoke a small prayer from behind the stage getting the crowd riled up in anticipation and finally emerged onto the stage accompanied by sparklers going off in the background. Kid Rock took into account that it was a rock show so he kept the energy high by jumping up and down across the stage and doing cool little mic tosses during “You Never Met a Motherf***er Quite Like Me.” Other songs included in the setlist were “American Badass,” “Cocky,” and of course, “All Summer Long.”

  • The Strange Came and Conquered at StrangeCreek Campout 12 – 2014 Festival Review

    DSC_0133The 12th annual StrangeCreek Campout took place at their traditional location that is Camp Kee-Wanee in Greenfield, MA over the 2014 Memorial Day holiday weekend. Hosted by Wormtown Trading Co, this music festival has become a yearly tradition for dedicated fans, also known as “worms” or “creek freaks”, to enjoy a few days of “good times, great music and each other”. The 33 acres of woods and open areas left plenty of room for folks to explore and play for the weekend, while the three stages and cabin sets supplied a never-ending musical soundtrack.

    Friday started with Eaturaura kicking off the main stage with their electronic dance music while B.A. Dario got the groove flowing on the River Worm stage with their heavy jams. The River Worm stage was the farthest, but worth the walk for it was located right by the Green River that saw festival goers consistently enjoying the rocky beach throughout the weekend. Wild Adriatic had great stage presence on the main stage as they threw themselves into their set of pure rock and roll and Consider the Source beckoned to the masses with their Middle Eastern hard jams. Turkuaz proved that you can’t stop the funk with the heavy rain that fell that evening as they still blasted apart the main stage, while Upstate’s Eastbound Jesus performed on a soggy Vernville stage with a sincere “North Country Girl” set closer. The Vernville stage was just on the outskirts of the woods in a clearing, in between the main and River Worm Stages, next to a graffiti tent of colorful weekend memories that were drawn. Donna the Buffalo sang out easy-going folk tunes to a sea of fans in rain jackets as Primate Fiasco was sheltered by the trees; their fans were deep into the mud and into their psychedelic Dixieland. The big headliner of the night was Zach Deputy, a one man band of funky soul with loops of spitting beats and contagious rhythm. Deputy recalls the fond memories he’s made at StrangeCreek, reminiscing of his first sets played there and how it “popped his festival cherry”. The late night music was held in the three cabins setup near the community bonfire and in the craft vendor village. Jeff Bujak held his Silent Disco set known as Silent Bujak with dance crazed techno and a stand out remix of Talking Head’s “Naïve Melody”.

    Gabriel Marin of Consider the Source
    Gabriel Marin of Consider the Source

    Saturday brought sunshine and Hot Day at the Zoo to start the day off with their unique acoustic bluegrass blend that they have named zoograss . Combining progressive folk with rock and roll, the quartet put a new spin on classic favorites as they went from the Grateful Dead’s “Cumberland Blues” into a funky “Foxy Lady”. Domino Theory won hearts with their Americana light rock jams like “Everybody Love My Mary Jane” and guests were treated when Scott Murawski, guitarist from Max Creek, sat in for a few songs. The Lee Boys performed the always needed slide guitar soul saving for the festival. The Jiggle the Handle reunion brought together New England jam band fans for Max Creek drummer, Greg Vasso, and company for a set of improvisational rock and a wicked rendition of Paul Simon’s “I Know What I Know”.

    The big act of the night, and for who the festival is partly named after, was Max Creek who shared the stage with a large inflatable duck mascot. The set started with some light plucking and bounce from “Windows” followed by Mark Mercier whispering out Paul Simon’s “Diamond’s on the Soles of Her Shoes” as the whole band brought out the upbeat island rhythm. They covered The Beatles “Come Together” with a serious jam that came marching out of it before ending the set with “Will The Circle Be Unbroken,” a traditional folk sing-along. As Silent Bujak took over the Holistic Cabin again, Pigeons Playing Ping Pong bounced in your face funk right next door around the Wormtown Cabin.

    DSC_0162

    Sunday’s weather emphasized everyone’s gratitude and love for the StrangeCreek festival. With love in the air, the day started with a wedding on the main stage during the acoustic and adorable duo of Flagship Romance. They have smooth sailing ahead of them with their gentle love ballads as they serenaded the newlyweds and other festival goers who were treated to a full on reception with hot buffet. Plenty of guests were still arriving with day passes still available, and with a blue sky forecast, the last day of StrangeCreek was shaping up to be beautiful. Rev Tor Band filled the air with a light reggae gospel spell with their jazzy guitar riffs as Ryan Montebleau stood tall and solo with “75 and Sunny” being a great representation of the festival itself.

    Alan Evans of Playonbrother
    Alan Evans of Playonbrother

    One of the most talked about tribute bands on the scene, Z3 is a Frank Zappa tribute trio and were joined with original Zappa band member, Ed Mann, on the main stage for an extra dose of authenticity. The Juicy Grapes squeezed out some soulful funk and sensual female vocals while Alan Evans Playonbrother rocked out with fresh material and a solid Cream cover of “Sunshine of Your Love”. Be on the lookout for Playonbrother at this year’s Catskill Chill as they will dedicate one of two sets entirely to Cream. The main stage came to an end with an all-out bust out from Rusted Root, as they celebrated their 25th anniversary with a set of world rock and percussion of all shapes. StrangeCreek continues to be a special gathering of first timers and longtime wormers in a family friendly environment full of music and good times. With a successful 12th year under their belt, StrangeCreek only has the best to look forward to.

    If you’d like to hear some music from the festival, check out these free downloads from a few sets over the weekend:

    Bay Road  –  Zach Deputy  –  Lee Boys  –  Jiggle the Handle

    Max Creek   –  The Alchemystics  –  The Main Squeeze

  • Boston Calling Music Festival, May 23-25, 2014

    Friday’s start of Boston Calling 2014 was a little far off from a “summer” music festival as the grayish-blue cloudy skies and chilly air swept through City Hall Plaza. “Banana Pancakes” singer and one of the most chill Dads out there, Jack Johnson ,noted humorously, “So Boston this is what you guys call summer? I had to put shoes on,” something that’s likely uncommon for the Hawaiian native. The weather however seemed to have no affect on the singer/guitarist as his voice sounded remarkably similar to what’s heard on his records and with his band including dazzling pianist Zach Gill, Johnson was able to bring the summer vibes to Boston. Upon one fan’s brief speech earlier in the night of discovering good music during Edward Sharpe & The Magnetic Zeros’ performance, Johnson responded during his own set, crediting Fugazi as the gateway introduction to his love for music.

    Prior to Johnson taking the stage, the crowd heard performances from Cass McCombs and Edward Sharpe & The Magnetic Zeros. The Edward Sharpe gang brought sing along tunes that kindled high spirits and enraptured the city in one feel good atmosphere. Still to this day, nearly five years since their first album released, one song remains as absolutely relevant as it ever did, and that’s the widely popular “Home.” The group played the song acoustically and there’s just something about the realness of front man Alex Ebert’s voice and lyricism that paraded a calming nature over the crowd. Their performance also featured storytelling from Alex Ebert as well as members of the crowd. At one point Ebert went over the railing and into the crowd to take a phone from a girl who was filming. The singer filmed back up on stage before returning the video to the delighted fan. Edward Sharpe & The Magnetic Zeros carried out an involved show with their fans that broke down the barrier between audience and performer.

    Though Saturday’s rainy overcast weather hung over Boston, spirits were high amidst the crowd with acts like Death Cab For Cutie, The Decemberists and The Head and The Heart all putting on great shows.

    The last day of the festival featured some indie bands who been around for a while like Built To Spill, Brand New and Modest Mouse. Brand New front man Jesse Lacey credits both Modest Mouse and Built to Spill with much of their own band’s start up inspiration, saying that they likely wouldn’t be here without them. Brand New gave a straight up rock and roll show, smashing over amps and breaking off lights and using them to play their guitar for thunderous sounds. The night’s headliner, Modest Mouse, lit up Boston with everyone’s favorite dance party disco groove “Dashboard” and the well-known hit “Float On,” both of which had the audience in high applause. Tegan and Sara, another early 2000’s indie band, played Sunday to an excited crowd with heavy synths and stadium-like drums, fitting for their newest album.

    This May’s Boston Calling festival brought connections between bands and their inspirations, gave the audience an important role in performances, and fought weather with spirits aided by music- pretty impressive for only the third-ever event.

  • Rock On the Range 2014: Day Two

    Columbus, Ohio promised sunshine for Day Two of Rock on the Range, and by early Saturday morning it was pretty evident that we had no such luck. Sponsors and staff manned each and every entrance to Crew Stadium, armed with ponchos to hand out to already wet and weary rangers. What looked like a sea of garbage bags was really a dedicated horde of music revelers who stuck it out right from the start, filling the Ernie Ball Stage up in preparation for some Christian rock.

    Kicking off the festivities was female fronted Stars In Stereo. With everyone’s ears still ringing from the night before, the melodic tone of front woman Bec Hollcraft’s vocals were a great way to ease into the harsher male dominated lineup to follow. Fellow Christian rockers We As Human hopped on next, wowing the crowd with their nonstop antics. Between climbing the scaffolding, towering high above the stage, and jumping into the pit for some crowd participation, the set was anything but dull.

    The Main Stage didn’t get off to quite as energetic of a start, with opener Rev Theory clearly growing frustrated by the lack of enthusiasm. As the rain poured down for the worst storm of the day, the band did their best to distract the crowd and finally succeeded when they broke into “Hell Yeah”, during which it was nearly impossible not to crack a smile.

    The Jägermeister Stage hosted one of the biggest breakout acts of the weekend next. Pennsylvania’s Crobot reminded rangers what true rock ‘n’ roll is all about – dirty, grungy hooks to bring the genre back to its purest form.

    The sun finally started to “Shimmer” when Fuel took the stage to rock out to some newer tracks followed by the old favorites. The second half of their set was a welcome throwback for twenty-something’s to reminisce their glory days.

    Winning the award for quirkiest band of the day was Sweden’s Avatar. The metal band’s short Jägermeister Stage set provided some unique entertainment while the main stage was set up for Pop Evil.

    With a recent string of #1 singles under their belts, it was no surprise that the main stage was packed when Pop Evil arrived. Drummer Joshua “Chachi” Marunde moved around more than most singers do, and frontman Leigh Kakaty made sure the crowd was awake by jumping in for “Last Man Standing”. The real show began, however, when members of the armed forces joined the band on stage to close the set with “Trenches”, featuring a jaw dropping collaboration with Run DMC that had everyone talking for the rest of the day.

    Another new act hit the Ernie Ball Stage next, Texas natives Nothing More. They incorporated some unique elements, including a separate small drum at the front of the stage that frontman Jonny Hawkins would drum and jump on throughout the set.

    Theory of a Deadman lit up the main stage with some entertaining singalong tracks, including “B***h Came Back” and “Bad Girlfriend”, as well as throwing in a more serious ballad, “Not Meant to Be”. With everyone bouncing and singing along to each of the songs, it was clear that the band was a Rock on the Range favorite.

    The Pretty Reckless, the second of two female fronted bands slotted for Day Two, hit the Ernie Ball Stage. Lead singer Taylor Momsen’s voice was a force to be reckoned with, and the overall charismatic nature of the band shone through throughout their set. Chevelle began what was to be a heavy night to follow, building up the energy level that would remain until the final band left the stage with nonstop crowd surfing and moshing. The band may be a trio, but lead guitarist/singer Pete Loeffler had no problem amping up the crowd on his own.

    With the side stages closed for the evening, it was finally time for Slayer.

    The pit suddenly transformed into a hulking mass of muscles and bald heads, scaring away the younger crowd for the duration of their hour long set. Holding nothing back, the band powered through an intense set, clearly unaffected by recent lineup changes. Closing out with “Raining Blood”, Crew Stadium exploded into a frenzy of bodies flying in every imaginable direction.

    Not to be outdone, Avenged Sevenfold brought their spectacularly haunting stage set up to close out Day Two. With too many hits to choose from, the band did their best to please everyone from the most diehard fans to brand new ones, making sure to include a few from each album. Without the addition of fireworks and pyrotechnics, the set would arguably be one of the best of the day. With them, it was a no brainer.

    Midway through the set, lighters filled the sky as the band slowed things down a bit to honor the band’s late drummer, Jimmy ‘The Rev’ Sullivan. Frontman M. Shadows took a moment to let the crowd know that they are not a band to usually use tracks in their live show, but revealed that that the vocals we had been hearing in the background all night, in fact, belonged to Sullivan. An impressive guitar solo preceded the final few songs of the night, wrapping up with “Unholy Confessions”.

    Stay Tuned for Day 3 coverage tomorrow!

  • Rock On the Range 2014: Day One

    Rock on the Range promised to bring Columbus, Ohio the biggest and best lineup to date for this years festival, and on day one, they certainly delivered. This year’s festival marked the first featuring a full 3-day lineup, and Rangers were eagerly waiting outside the stadium early on Friday morning to get their weekend started. Cold weather and rain tried to put a damper on the sold out crowd, but the bands and tens of thousands of fans energized one another and made sure the weekend was unforgettable.

    Featuring former members of Egypt Central, Devour The Day were given the task of warming up the Ernie Ball Stage early on Friday afternoon. Mixed in with the new material was an unexpected surprise, Egypt Central’s hit “White Rabbit”. The Monster Main Stage was christened by Redlight King. The instantly recognizable opening notes of “Comeback” got the crowd going immediately. The band steered clear of their more relaxed rap-rock tracks, keeping it heavy for the festival crowd.

    Intro music could be heard at the Ernie Ball stage the moment the main stage wrapped up, allowing a few seconds to rush over in time for Thousand Foot Krutch. Playing mostly newer material, the band was sure to bring it back for the old fans on “Move”, which had the entire field doing just that. Black Stone Cherry had just the right balance of entertaining lyrics, southern charm, and high energy rock to convert just about any ranger into a fan, taking the main stage to deliver a set that was nearly impossible to not sing along to.

    While We Came As Romans played the Ernie Ball Stage, Japanese four piece ONE OK ROCK took the Jägermeister stage for their first US festival performance, a not so modest transition into their upcoming Warped Tour appearances. Killswitch Engage seem to never disappoint, and that certainly held true for the band’s main stage set. The fun and eccentric playing style of guitarist Adam Dutkiewicz was contrasted by the growl of vocalist Jesse Leach, who held his own on the final track, a cover of Dio’s “Holy Diver”.

    Black Label Society were next up on the main stage to ensure that the lucky few not exhausted following Killswitch Engage were completely worn out by the end of their 50 minute set. While the band may cater to the middle aged biker crowd, it’s safe to say that everyone that caught the set appreciated the undeniable talent of Zakk Wylde as he effortlessly shredded through guitar solos that lasted as long as some band’s songs.

    (Interview with Seether from Upstate Rock Station Q103’s Wes Styles)

    The anxiously awaited return of Seether to the festival scene was well received next at the Monster Stage. Following the addition of a touring guitarist, the former trio sounded better than ever. Not even the slightest split second of silence occurred throughout the entire set, with improvised transitions from song. On top of the old favourites the band included their brand new single “Words As Weapons”, which many devoted fans had already memorized word for word.

    Also having laid low for the last few years, Staind took the stage next to show Columbus that they are far from finished. Despite the fact that each of the members have been working on various side projects in recent years, the band proved to be as in sync as ever. Flames lit up Crew Stadium on rock ballads like “Outside”, with Seether’s Shaun Morgan accompanied Aaron Lewis on vocals. Time for rest on the lighter tracks allowed fans some much needed time to catch their breaths and rest up for heavier tracks like “Mudshovel”, during which bodies flew in every imaginable direction amongst the crowd.

    Guns N’ Roses may have been a surprising choice to close out day one of Rock on the Range, but the rest of the day’s killer lineup left little room for complaints. Whether it was out of mere curiosity or genuine excitement, the majority of the sold out audience stayed for the final show of the night. After starting out slow with a newer track, the famous guitar intro of “Welcome to the Jungle” caused every single face in the stadium to light up. Backed by a theatrical stage set up and scorching pyro, Axl Rose wowed with powerful vocals that haven’t wavered since day one. After teasing everyone with a taste of the GNR classics, he number of newer songs included in the band’s set list left many disappointed and rushing for the exit to beat lines of traffic on the way out. While the set list wasn’t spectacular, Guns N’ Roses put on a solid performance worthy of closing out an incredible day of rock.

  • Hearing Aide: Dan Johnson “Mercury 85”

    a4120112466_10Despite calling Vermont home, the origins of Dan Johnson’s music career lie here in Upstate New York, where he first strummed his guitar to the public inside where Valentine’s Music Hall and Beer Joint once stood. Valentine’s is gone, but Dan Johnson’s Americana sound continues today with the release of his latest, Mercury 85.  The album was released on May 27th.

    Located off Albany’s New Scotland Avenue, Valentine’s was a popular venue for live music before it succumbed to a local hospital’s progressive movement to expand last year.  Johnson, along with his Expert Sidemen, had hosted his Americana music series every Tuesday night featuring the likes of Woody Pines, Star Anna and the Laughing Dogs, The Farewell Drifters, Hamell on Trial, JP Harris and the Tough Choices, Holy Ghost Tent Revival, and Eastbound Jesus.

    “Most of the album is about people I’ve known,” said Johnson, “especially folks from the time I spent in Buffalo, but also moving from New York to Vermont, and life changes [too]. The songs mostly use driving and cars as a metaphor for writing,” he added. “I’m curious about what other people get out of the songs so don’t want to go crazy breaking it down.”

    Dan and Mike

    Mercury 85 is Johnson’s third album and features twelve original songs that were all recorded at his home in Jericho, VT. It presents a departure from the live instrumentation of his previous releases, featuring drum machines, amp modeling and MIDI instruments to support his acoustic guitar, banjo and mandolin. While the instrumental support has taken some new turns, said Johnson, the songwriting remains rooted in storytelling and first person narration with strong poetic imagery.

    Johnson’s unassuming approach to the mic is intended to allow the story to take the spotlight: Well-matched with his low-key but welcoming attitude towards the listener. The presentation is reminiscent of Bob Dylan, as each song tells a story surrounding common people remembering yesterday, lamenting today, and looking forward to a better tomorrow. Never does there seem to be a resolution to change. As with “Rose”, for which Johnson only recently released a video, the protagonist speaks to another about a woman he casually met at a bar his band had played. Over the course of one night, skirting around the truth and telling lies over cups of coffee, he fell in love. But, it’s apparent he has since spent a long span of time searching her at each bar he happens to play and seems to have given up hope on ever finding her. “If you ever see this girl, she’s got a tattoo of a rose.  Tell her that I miss her when the chilly wind blows.”

    Johnson attributes the country landscape of his new home for the stripped down production of his latest release. The focus on the storytelling is certainly his strong suit, and is the most appealing factor to this album. This same quality may also be off-putting to the casual music fan used to a contrasting style, but it is a sound that can easily find itself played at trendy coffee houses.  And, for those who appreciate good storytelling, Mercury 85 is worth a preview (and purchase) on Bandcamp or contact the artist directly on his Facebook page.

    Key Tracks: Rose, Mercury 85, and Allentown.

    http://www.youtube.com/watch?v=_1TQ21xYfKQ

  • Trey Anastasio Band at House of Blues Cleveland, Friday May 23rd

    On Friday May 23rd, Trey Anastasio Band rolled through Cleveland for the first of two Ohio shows leading up to headlining Summer Camp Music Festival on Sunday. Taking the stage shortly before 8pm, the septet certainly didn’t waste any time, jumping right into the reggae flavored ” The Land of Nod”.

    trey anastasio clevelandFresh and tight from the get-go, the band showed absolutely no signs of rust from the three month break. If there’s one thing that’s clear, TAB brings the heat on a nighty basis. Trey certainly wasn’t hesitant in reintroducing the midwestern crowd to the slew of new material debuted back in February. Anastasio also premiered two new originals – “Flying Machine” and “The Song”, while later confirming the band is working on a new album. Master of harnessing energy, Trey and company delivered two high octane sets complied by a mix of new and old school staples. “Magilla”, “Drifting” and “First Tube” provided the closing credits to an incredible night of music on the shores of Lake Erie.

    Setlist – Trey Anastasio Band, House of Blues, Cleveland, OH 5/23/16

    Set One: Land Of Nod, Bounce, Cayman Review, Burlap Sack and Pumps, Flying Machine*, Pigtail, Money Love and Change, Frost, Dark And Down, Valentine, Gotta Jibboo

    Set Two: Sometime After Sunset, The Song**, Night Speaks To A Woman, Shine, Plasma, Architect, Sand, Clint Eastwood, Push On Til The Day

    Encore: Magilla, Drifting, First Tube * – First Time Played (Anastasio) ** – First Time Played (Anastasio/Pollak)

    Download the show from Etree

  • 25th Annual Crawfish Fest in New Jersey to Host New Orleans’ Finest Musicians

    A vast array of New Orleans’ finest musicians will be performing at Michael Arnone’s Crawfish Fest this weekend at Sussex County Fairgrounds in Augusta, NJ.  The Crawfish Fest will be celebrating its 25th anniversary, with musical styles ranging from R&B to funk, Cajun, gospel and jazz.  There will be four stages, including music workshops and children’s activities.  New Orleans style food will be available, including fresh crawfish, Po-Boys and Jambalaya.

    Famed jazz trumpeter Kermit Ruffins will headline the festival on Friday, May 30th on the Main Stage.  Zydeco accordionist and singer Curley Taylor, Mia Borders, and The Tin Men will also be performing on Friday on various stages.  Music starts at 5 pm Friday.

    New Orleans’ legendary Funky METERS will be headlining on Saturday, May 31st, joined by Walter “Wolfman” Washington, Bonerama, and Terrance Simien.  On Saturday night, The Nth Power will host a special 1-year anniversary party for Josh and Karen Raskin, who were wed by the Meters’ bassist, George Porter Jr. at the Brooklyn Bowl last year.  Marcia Ball will be headlining on the Jager Pavilion Stage Saturday.

    JJ Grey and Mofro headline on Sunday, June 1st, along with the funk powerhouse, Ivan Neville’s Dumpstaphunk.  Earphunk, Royal Southern Brotherhood, The Crawdaddies, and Ray Abshire Cajun Band also perform, along with many others.

    Tickets are $40 per day, with multi-day combo and group discounts.  Camping tickets are sold out. Pick up tickets here. Parking is free. Please leave pets at home.

  • The Breakdown at Susquehanna

    Susquehanna Breakdown Music Festival was an all day event on Montage Mountain in Scranton, PA on May 10th. Hosted by music sensation Cabinet, whose blues infused rock and roots Americana sound has established them a firm footing in the soils of the East coast, for a second year, the festival was a success.

    Cabinet is from the hills of Pennsylvania making the backdrop of Montage Mountain a perfect fit. A heavy rotation of artists from NY trampled the stages giving high-energy performances leaving the audience tired, yet wanting more. The Brummy Brothers kicked off the day and music alternated without a break all day and into the night. Highlights include a set from Marco Benevento and Sister Sparrow &  The Dirty Birds, as well as artist at large, Ron Holloway. The festival was a big dance party from start to finish for all ages. The family oriented event offered something for everyone whether it was hippy clothes shopping, face art or hula-hoops.

    Check out our photo gallery of the festival.

  • Get Strange at StrangeCreek Music Festival Memorial Day Weekend 2014

    Wormtown Trading Co. will host the 12th annual StrangeCreek Music Festival next weekend, May 23-26, 2014 once again at Camp Kee-Wanee in Greenfield, MA. The Memorial Day weekend event will host a diverse lineup with multiple stages, cabin jams, a silent disco and plenty of food and craft vendors. Major headliners include Rusted Root, Donna The Buffalo, Ryan Montbleau and two shows each from Max Creek and Zac Deputy. Click here for the weekend schedule of StrangeCreek.

    strangecreek 2014A portion of the StrangeCreek Campout tickets will be donated to Camp Kee-Wanee, an inclusive children’s summer day camp of 33 wooded and open areas, with an emphasis on arts and fostering self-esteem. Strangers Helping Strangers will be conducting a food drive with proceeds going to local food pantries, be sure to bring non-perishable food, toiletry, feminine or personal hygiene or baby product donation.

    For those eager to start the weekend and a chance at prime camping spots, there is a Thursday Early Entry fee for $30 a person at the gate starting at 5pm and is cash only with no ATM on site. The Early Entry Fee also treat’s guests to Cabin Sets with performances by Love Whip, Gratefully Yours and Van Gordon Martin Band. Gates open at 9am on Friday and the campgrounds will close on Monday at 1pm. Weekend tickets are still available only $125 with Sunday Day Passes available for $50, including night camping. RV Passes are sold out. All tickets bought online will be available at Will Call and you MUST bring a picture ID. Click here to purchase tickets today.

    The Festival is family friendly, offering secluded Family Camping and plenty of activities for kids of all ages at the Kids Cabin and TEEN Scene. There will be a Holistic Village offering group activities to engage each person’s mind, body and soul. Don’t forget your discs for your chance to explore the StrangeCreek Disc Golf Course. The night will light up with the community bonfire plus the FireWormz Fire Show each night. The festival has become a tradition of music, community and camping in all kinds of weather for fans that wouldn’t have any other way.

    With over 60 musical acts, has broken it down to FIVE acts you need to see at StrangeCreek: The Hornitz, Wild Adriatic, Eastbound Jesus, The Primate Fiasco and The Juicy Grapes.

    The Hornitz is a dynamic duo from Boston creating big band sound as they use horns, keys, live-looping equipment and their beatboxing skills to form high energy dance parties.
    [youtube http://www.youtube.com/watch?v=Pp6XInb9ROw]

    Wild Adriatic one of Upstate’s own is a trio of pure rock n roll with more than enough soul to go around.
    [youtube http://www.youtube.com/watch?v=mS8ZNOt3Li8]

    Eastbound Jesus is a Northern Rock band from Upstate with a dedicated following due to their hard hitting bluegrass and foot stomping Americana.
    [youtube http://www.youtube.com/watch?v=GYBJwJNJ2EE]

    The Primate Fiasco is best described as a psychedelic dixieland, creating parades of music down every street where ever they go.
    [youtube http://www.youtube.com/watch?v=742PkGAIf4s]

    The Juicy Grapes are based out of Connecticut with funky and soulful rhythms to get you grooving, blended with some light rock melodies.
    [youtube http://www.youtube.com/watch?v=CU7GbyreJcM]