Category: News Desk

  • Music, Cars and Food Trucks Combine for a great time all month long at Paddock Chevrolet

    Every October, there seems to be quite the buzz in Western New York over a few things, whether it’s the onslaught of changing colors with the trees, the Oktoberfest themed weekends or the pumpkin picking for the families there seems to be always something to do. One big event that seems to also get people out and about is the many different types of Automotive sales events that seem to dominate the radio and television channels. So how does one decide who to visit? I’m not sure there really is a correct answer but one local dealership has seemed to really taken the month of October and really made it their own.

    IMG_6411 (1)

    Paddock Chevrolet, nestled in the tiny Buffalo suburb of Kenmore, coined the tagline ” A world-class dealership with small town values” and has been around for over 77 years in the same location. So how does Paddock Chevrolet make October different then its competition? They have branded themselves and the month with an annual sales event called ROCKTOBER. The event which started out as a sales event that produced the catchphrase “Rocking deals on Rocking Wheels” will be amping up this year with some really incredible stuff. The month will obviously be a perfect time to check out some of the deals but there will be some fun stuff happening at the same time making it a lot more fun to come to the dealership.

    The showrooms will be a lot more lively with live music on Saturdays featuring some local music talent. A perfect place for not only an up and coming artist to get their name out there and a place where local solo artist Tim Britt will be able to increase his already growing audience. Britt will be appearing on Saturday October 25. Britt has opened for Dave Matthews Band’s Boyd Tinsley (violin) and guitar virtuoso Tim Reynolds. Tim Britt is an incredible artist and a must see for anyone in the area. There will also be food trucks on site for Saturday’s in October and who doesn’t love a perfect excuse to get some great eats from local food trucks? Giveaways will be going on all month as well with three signed guitars being giving away, signed by Dave Matthews, Keith Urban and local hometown hero and Goo Goo Dolls frontman Johnny Rzeznik. There will also be a grand prize giveaway for a trip for two to Las Vegas for a 2 night 3 day stay at Planet Hollywood and orchestra seats at the Rock of Ages show. You also may want to checkout Paddock Chevrolet on Facebook because they are also giving away two signed microphones, signed by Michael Buble and James Taylor. Rockband and Guitarhero will be in the showrooms as well to keep you busy while you wait or keeping your kids entertained while your going through the sales buying experience.

    This event is starting to become the destination for buying a new vehicle. The biggest thing people hate to do seems to be buying a vehicle so why not go somewhere that is making it fun again to head down to the dealership with the whole family. Grab something to eat from the local food trucks, check out some local music, maybe win a cool guitar or trip and perhaps drive home in a great new vehicle for you and your family.

  • Super 400 Shreds Putnam Den

    Putnam Den was the site of one of the hottest shows that is going to be seen anywhere, at anytime on Friday, October 3 with Super 400. The bar was packed, first with patrons surrounded around the TVs watching the baseball playoffs but when Suitable Groove took this stage the bar became sparse and the stage area began to fill up to get a better look at opening act of the evening.

    Opening up with the hoppy dance track “Up to the Front”, which grabbed everyone’s attention with an energy matched by few. The solos where abounding as each member added their own uniqueness to the bands sound. The drummer, Ian Henderson, did not just hold the songs together with his rhythmic beats, he also sang lead vocals, a complicated task. Bassist Eric Johnson helped in this as well as he laid down beats in which keyboardist Chadd Portwine, who was filled with energy, danced around getting the crowd even more engaged then they already were. The guitar playing of Wayne Chaet, however, was a very high energy groove, a Suitable Groove if you will. They also had the ability to bring it back down to the songs original composition. This was the perfect opening act for what was to come next with Super 400 ready to take the stage.

    The energetic “Be My Friend” opened up Super 400‘s set and had the crowd eating out of their hands from the onset and there was no turning back. This and many of their songs featured shredding guitar solos from Kenny Hohman, but unlike many bands where guitars solos are the feature of the band, this was not the deal with Super 400. They focused more on the songs, the lyrics and the melodies which complemented the songs to perfection. Lori Friday added a higher pitch and slower vocal that matched Hohman’s more raspy southern rock feel. Friday however was not just a backing vocalist by any stretch of the imaginations, taking leads on many tracks that still wasn’t her highlighted skill. She laid down sick bass solos and had the crowd in awe. She was tearing it up to the point drummer Joe Daly and her were almost dueling, which just brought the energy lever higher. The show was amazing in every aspect.

    Playing covers of the Beatles “Don’t Let me Down,” to Carole King’s “I Feel the Earth Move Under My Feet,” and new renditions of standards that have been heard hundreds of times, but with Super 400 playing them it seemed as if it was the first time they were ever heard. Everyone in attendance was blown away, and although it was a free show, people said they would have had no problem paying to see this spectacle, a statement to just how fantastic the night was.

  • Punk Legend Billy Idol Announces Album, Tour and Autobiography

    Punk rock legend Billy Idol has released January and February dates for the latest leg of his world tour supporting “Kings & Queens Of The Underground” that begins in Europe next month. Tickets for these tour dates in Canada and The U.S.  go on sale Friday, October 10 on the heels of the release of his self-penned autobiography, Dancing With Myself on October 7.

    Billy Idol tour

    Idol’s new album, his first in nearly ten years, hits the shelves on October 21 and is garnering pre-release raves for the single, “Can”t Break Me Down”, including from USA Today: “With its punkish drive, sneering vocals and roaring Steve Stevens guitar, ‘Can’t Break Me Down’ could have made a great follow-up to latter-day Idol hits.” Produced by Trevor Horn (with two tracks co-written and produced by multiple Grammy nominee Greg Kurstin) the anthemic lead single can be heard below.

    Idol will appear on NBC-TV’s Today Show on October 7 and the Howard Stern Show on Wednesday, October 8. The following day, Thursday, October 9, Idol will be interviewed live on stage as the keynote event of the 2014 CBGB Music and Film Festival in New York City.

    BItunnel

    Welcome back Billy, get out there and bust some balls!

    Billy Idol Winter 2015 U.S. Tour dates:
    January 21: House Of Blues, New Orleans, LA
    January 22, The Tabernacle, Atlanta, GA
    January 24: Tower Theatre, Upper Darby, PA
    January 25: Lincoln Theatre, Washington, DC
    January 28: Beacon Theatre, New York, NY
    January 31: Orpheum Theatre, Boston, MA
    February 3: Metropolis, Montreal, QC
    February 4: Massey Hall, Toronto, ON
    February 7: Riviera Theatre, Chicago, IL
    February 9: Paramount Theatre, Denver, CO
    February 12: Queen Elizabeth Theatre, Vancouver, BC
    February 13: Paramount Theatre, Seattle, WA
    February 15: The Fox Theatre, Oakland, CA
    February 18: The Wiltern, Los Angeles, CA

  • Gov’t Mule Announces New Years Eve run and Vault Releases

    Gov’t Mule will spend their New Years run in New York City at The Beacon Theater on Dec. 30 and 31 and swing down to Philadelphia for two more shows on Jan. 2 and 3 at The Tower Theater. On New Year’s Eve, Mule will be joined by Myles Kennedy for a potential night of AC/DC covers, given the artwork below and Kennedy’s vocal potential.

    On Jan. 2, Cabinet and Ron Holloway will join Mule, and sax legend Bill Evans will join the band on Jan. 3. Tickets are on sale for the Beacon shows Friday, Oct. 10 at 12 noon, while Tower Theater tickets are on sale Friday, Oct. 17.

    In addition to their four-night New Year’s run, Mule will also be releasing four vault releases:

    Stoned Side of the Mule: Volume 1 releases exclusively on vinyl on Black Friday, Nov. 28 and features seven Rolling Stone covers from Halloween 2009 at The Tower Theater.

    Dark Side of the Mule, will release on Dec. 9, including 90 minutes of live Pink Floyd covers. Recorded on Halloween 2008 at The Orpheum in Boston, this release will be available as an album, an album/DVD package or double vinyl.

    Dub Side of the Mule, to be released in early 2015, will feature reggae songs with reggae legend Toots Hibbert of Toots & The Maytals from Mule’s New Year’s Eve 2006 show at the Beacon Theatre in New York City.  This release will be available as an album, an album/DVD package or double vinyl and features special guests Gregg Allman & Friends and John Popper.

    SCO-MULE, a long-awaited release that celebrates John Scofield’s teaming with Gov’t Mule as the band enters their 20th year. Details from the press release spell out the great potential for this live release:

    In late September of 1999, John Scofield teamed with Gov’t Mule, then featuring original bass player the late Allen Woody, along with keyboardist Dr. Dan Matrazzo, in Georgia for two legendary shows of mind-bending live prowess. Both shows were recorded and included the Mule’s first-ever all-instrumental sets. The band had begun preparing the music for eventual release while working on their third studio album Life Before Insanity. However, less than a year later, their beloved bassist Allen Woody passed away, setting the Mule on a different path. The idea of releasing SCO- MULE came up over the years, but the timing was never as right as it is now – helping to mark Gov’t Mule’s 20th Anniversary. While Scofield and the Mule did reunite briefly for a set at Warren Haynes’ 25th Annual Christmas Jam in December 2013, fans have been clamoring for the return of the project ever since those lauded 1999 shows, and for more than a decade the Mule have been eager to share the music from these shows through an LP. Now for the first time, fans can experience the SCO-MULE magic first-hand in album form, newly mixed and mastered. The 3-hour all-instrumental album is a jazz romp laced with rock riffs and will be available as a 2-CD set as well as a double vinyl.

  • Trey Anastasio Band Fall Tour and New Album ‘Paper Wheels’

    Exciting news today as Trey Anastasio Band has announced a fall tour of the Northeast and a new album, Paper Wheels, due in early 2015. The album was recently recorded by the band at The Barn, Anastasio’s reconstructed barn-turned-rehearsal/recording studio located outside Burlington, VT, in less than a week.

    trey anastasio paper wheelsInspired by the immediacy of Stax-era recordings, Anastasio and his band mates recorded the songs live, playing and singing together in one room and often requiring no more than one or two takes. This tour will let the band preview the songs on the album before the release. As an added bonus today  you can download “Bounce” right now as a free download at Trey’s website for a preview of Paper Wheels. The album was produced and engineered by Bryce Goggin, who helmed several Phish albums and has also partnered with Anastasio on previous solo projects, and mixed by Elliot Scheiner (Steely Dan, Van Morrison).

    Trey Anastasio Band has previewed some of these songs already on their West Coast tour this past spring, as well as the special Brooklyn Bowl taping for PBS in August. Other songs that have been played already and are expected on the new album include “In Rounds,” “Paper Wheels,” “Lever Boy”and “Sometime After Sunset”.

    The tour will start the day after Thanksgiving in Chicago before coming to the East Coast. The first two night stand of the tour will take place at the famed 9:30 Club in Washington D.C. on December 2 and 3. This will be followed by another two night stand at Boston’s Orpheum Theatre on December 5 and 6. On December 9, the band will be Binghamton’s Broome County Forum Theatre. The Beacon Theatre in New York City will get the band on December 11 and 12 with the tour wrapping up the following evening on December 13 at Philadelphia’s Tower Theatre. Tickets will be going on a pre-sale through Trey Ticketing on Thursday October 9 at Noon with a public sale happening Thursday October 16. The full list of tour dates is below.

    11/28 – Chicago, IL @ Aragon Ballroom
    11/29 – Pittsburgh, PA @ Stage AE
    11/30 – Richmond, VA @ The National
    12/02 & 03 – Washington, DC @ 9:30 Club
    12/05 & 06 – Boston, MA @ Orpheum Theatre
    12/07 – Portland, ME @ State Theatre
    12/09 – Binghamton, NY @ Broome County Forum Theatre
    12/11 & 12 – New York, NY @ Beacon Theatre
    12/13 – Philadelphia, PA @ Tower Theatre

  • Laws Against Sound

    All is quiet in the rural community of Newstead, but this past summer, the rural, Western New York community served as a battleground in what has become a war on noise, with laws against sound in need.

    The fight against noise pollution has been all the rage in 2014. In January, the USA Today published a story stating noise as the leading quality of life complaint in, of all places, New York City.  The fight has even hit Bourbon Street, where New Orleans’ city council is addressing whether or not to strengthen its own noise ordinances.

    Located 25 miles northeast of Buffalo, Newstead boasts a population of approximately 8,500 people. Some of which reside in the trailer park community of Quarry Hill Estates, who last November spoke to the town board to complain of noise levels coming from a neighboring venue. The then-proposed law was subsequently nicknamed “Braun’s Law” named after Braun’s Concert Cove.

    laws against sound
    Braun’s Bar & Grill boasts an “outdoor” venue that includes a spacious canopy built in part to limit noise from disturbing neighboring property owners. (Photo Credit: Braun’s Bar & Grill/Facebook)

    Braun’s Concert Cove was established in 2012 to compliment the bar and grill owned by Ray Braun. The footprint of the property is located on Main Street, approximately 2600 feet from Quarry Hill Estates. It has two predominate structures; one of which is the bar and grill, the other is the “cove” that resembles something similar to an airplane hangar.  One local music reviewer described how the structure dwarfed a mid-week concert audience of 500 people.

    From this stage, several hard rock acts have played to crowds numbering in the thousands. Ted Nugent, Yngwie Malmsteen, Pop Evil, Sebastian Bach, Jackyl – have all recently performed. On September 6, Winger played Braun’s last concert. It was a contract already negotiated before Braun’s Law passed.

    Braun’s Law had nearly passed back in April, but one abstention from council member, Marybeth Whiting prevented a majority vote. At the time, Whiting said she wanted to research the subject further. In July, when the Town Board advertised it would bring the subject back for  a vote, an online firestorm erupted.  This time, all the weight was placed on Whiting’s vote.  With just a few days before the board meeting, Braun quickly took to Facebook, posting Whiting’s picture and phone numbers at the town office, including her personal cell phone number and email address.

    HERE SHE IS!!!,” read the post on the Brauns Bar & Grill Facebook page, “the council woman who is voting YES to the ‘Brauns law’ as they call it, to put us out of concert business. … Email her, call her, call her office. LET HER KNOW!!! ASK HER WHY?”

    Before passing into law, Whiting addressed the attention she received from her opposition. She cited the names of neighboring communities with noise laws – Clarence, Lancaster and Townawanda. She also named cities outside of New York, with continued reputations for hosting live music, despite the presence of noise laws – Red Rocks, New Orleans and Austin.

    “This isn’t rocket science,” said Whiting, from her seat on the board. “The town of Newstead isn’t any different from any of these communities. Whether it’s loud noise or residents in place – more often than not there is a noise ordinance in place. It is an effort for everyone to coexist, not to close any one business down.”

    “It would be wrong to conclude that my vote counts any more than anyone else’s on this board. However, Mr. Braun has chosen to single me out in very vile, demeaning and derogatory ways.  In doing so, Mr. Braun has shown this entire community the type of person he really is. Life is full of choices. I could have chosen to respond in kind, but I did not.”

    The thread of comments referenced in this article was promptly deleted from the Braun’s Concert Cove Facebook page within the days following the town board meeting.

    “I attended the town board meeting that was held awhile back on this matter,” said Newstead resident Deborah Loke, who brought along a decibel meter.  The amplified voices within the Town Hall on that evening peaked at 99.1 decibels, she said.

    “At the time I brought up the Basket Factory Restaurant in Middleport that was shut down by their town board. The business was very renown, but due to the short-sightedness of their town passing an extremely low noise ordinance, it was the straw that broke the camel’s back and it was shut down a short time later.”

    Here in Upstate New York, we’ve covered news regarding Frost Ridge Campgrounds in Le Roy, where town officials are combating against campground owners hosting outdoor concerts. In the college town of Amherst, lawmakers recently disallowed the use of loud speakers from 11 p.m. until 7 a.m., affecting fast food drive-thrus. And, in July, the Town of Newstead included a noise ordinance into its own law books – outlawing noises louder than 80 decibels after 9 p.m., and 65 decibels after 11 p.m.

    In favorable atmospheric conditions, a sound registering at 110-decibels can be heard from a distance of 12 miles away. The sound of an electric shaver registers at approximately 80 decibels.

    “She probably is a good lady,” stated Braun, of Whiting. “But making a bad decision that we need more answers to is what I want. I did not build this massive place on approval of town to have six regulars come in for a beer and sandwich in the afternoon. How will that pay for this place? No tax credits here. No funding here either. … No one knows the behind the scenes we have done to make this happen, nor will many care, but I’m not going down without answers or a fight.

    Someone needs to pay me my money back if this is how it can [come to be] and can be pushed out of a town that approved it.”

    The comparison the town board attempted to draw between Newstead and Austin was to argue how communities, large and small, face similar challenges, establish noise ordinances, and still support live music.

    But, the Texas city goes beyond establishing decibel thresholds.

    “Austin’s approach to sound is more than enforcement,” said Don Pitts, Manager of the Music & Entertainment Division of The City of Austin’s Economic Development Department. “What we’ve learned over the past five years is that you can’t solely depend on enforcement.

    The Music Office conducts an investigation for each amplified sound application and we prepare a report recommending approval or denial of the application and any appropriate conditions and restrictions. We base our report on the following criteria below. We also use cut off times and days of weeks among other things to mitigate the impact to nearby residents.”

    The entertainment division first assesses whether or not a venue is suitable for providing outdoor music. The office considers several factors, including local topography and proximity to residential and commercial property.

    The governing body that administers over a city of nearly 900,000 people is apparently conscious of how surround buildings can serve as a buffer as well, as they also look into building design, the construction of the stage and orientation of speakers. As the Live Music Capital of the World, Austin has a stake in nurturing the local music scene. Pitts explained that a joint effort between his office and local venue owners created a program to assist business owners prepare an acceptable environment for all to enjoy.

    “The Music Venue Assistance Program (MVAP) is an innovative program based on the Music Division’s music venue case study work with Cedar Street Courtyard and Black Heart Bar, and launched in 2013 with Council support,” said Pitts. “MVAP assists qualified venues to acquire sound mitigation technologies through a low-interest emergency personal loan program, and also provides them with best practices expertise for deploying those technologies with maximum efficacy.

    This program has already proved to be a win-win solution for neighborhoods and venues alike, creating high-quality listening experiences for music patrons, while simultaneously providing significant reduction of sound bleed in residential areas.”

    Drawing comparisons between Newstead and Austin leaves much for speculation. Both sides of the argument state that Braun’s Concert Cove was cooperating with the suggestions from the town board, which one could compare to Austin’s MVAP program.  However, it remains to uncertain as to whether or not Braun’s would even pass Austin’s initial review process due to how closely it stands to an existing residential area.  Nonetheless, it is clear Newstead did not follow Austin’s lead, despite its own comparisons.

    As the changing of leaves usher summer away in New York’s Upstate, the fallout from Braun’s Law continues into the winter months. Councilmember Whiting resigned from her post on August 5. Her letter to her compatriots stated she no longer wanted to be a politician.

    Braun immediately invoked words of litigation before the board placed the law into effect. However, as of the drafting of this article, he has not filed a lawsuit.

  • Aqueous Announce New Album ‘Cycles’, Release Lead Single 20/20

    AQUEOUS-CYCLES-COVERARTBuffalo’s Aqueous, one of New York’s fastest growing bands, has announced an October 21 release date for their 3rd studio effort Cycles. Featuring eight road tested originals and two brand new instrumentals, the album exemplifies a leap forward in songwriting and focus for the four-piece groove rock outfit.

    Fans can now pre-order the album on the band’s merch page and stream the first track –  “20/20”, which, like most Aqueous tunes, seamlessly mixes multiple influences into one coherent composition. Aqueous will play a three show Upstate New York run to celebrate the release along with North Carolina’s The Mantras. Catch the mini-tour Oct 23 in Ithaca NY at The Dock, Oct 24 at The Montage in Rochester, and a hometown show Oct 25 at Buffalo’s Iron Works.

    “This is the most invested we’ve been in a studio effort so far; it feels really cohesive, and we were truly afforded the opportunity to spend the time elaborating on ideas and being thorough in our execution of them,” explained guitarist Mike Gantzer. “We all feel a true sense of accomplishment and excitement for our fans to hear this; it contains some of the most intense and thematic compositions in our catalog, and generally speaking feels like a profound step for us.”

    Guitarist/keyboardist David Loss adds his own thoughts on the recording process – “I couldn’t be happier with the way this album came together. Everyone gave their best performances and I think it really shows. It was great to work with Justin Rose and Richie English again at GCR Audio in Buffalo as well as finally getting a chance to work with Jocko at More Sound. This was an all around great experience!”

    Cycles was crowd funded via a successful Kickstarter campaign which fans helped exceed a $7000 goal by over $2000. Go grab yourself a pre-order and check out the full track listing below.

    Cycles Track Listing

    1. Dawn [1:00]
    2. Kitty Chaser (Explosions) [9:39]
    3. 20/20 [5:02]
    4. The Median [6:41]
    5. Skyway [8:47]
    6. Complex Pt. I [8:11]
    7. Wandering [1:56]
    8. Complex Pt. II [9:04]
    9. King for a Day [7:45]
    10. Staring into the Sun [15:02]

  • The Disco Biscuits to Release ‘The Classical Set’

    The Disco Biscuits are easily classified in the genre of EDM or Livetronica, but their classical roots are apparent in their extensive compositions such as “House Dog Party Favor” and “Hot Air Balloon”, and form the backbone of the band’s sound. On August 16, 2003 at TranceMission festival in Trade, TN, The Disco Biscuits played a set composed solely of famous classical pieces of music and some original Biscuits songs.  Now, for the first time, a remastered show is available for download and vinyl, The Classical Set.

    disco biscuits classical setKeyboardist Aron Magner recalls “I vividly recall the band tearing through the sheet music of the conductor’s score and crafting our own unique four piece orchestration that still stayed true to the written music. Though we have played some of these songs very rarely over the years, this is the only time we have performed them as one complete set, and that fluidity made it an instant fan favorite since the day it was first performed.”

    Mastered by Jon Altschiller (Wind at Four to Fly, Rocket 3, TransFusion Radio), and engineered for vinyl by Scott Hull, the vinyl edition is pressed to high quality, virgin 180g vinyl by RTI, Americas finest vinyl production facility pressing plant.

    A limited edition, four sided official release is set for November 28, and pre-orders are being accepted now that ship in mid-November. Included in the release is original artwork by Gwen AP, liner notes by Jon Lesser, a special bonus track on side 4, a download card redeemable for a free digital version of the album, and, for those who purchase via the pre-order before the end of October, a bonus item from our merch store.

    The Classical Set track listing:

    1. Eine Kleine Nachtmusik (Mozart)
    2. The Devil’s Waltz (Jon Gutwillig)
    3. Sabre Dance (Aram Khatchaturian)
    4. The Thieving Magpie (Rossini)
    5. The Overture (Jon Gutwillig)
    6. In The Hall of the Mountain King (Edvard Grieg)
    7. Waltz Of The Flowers (Pyotr Ilyich Tchaikovsky)

  • Jack White Announces show at World’s Famous Arena, MSG

    Jack White has announced a headline concert on January 30 at Madison Square Garden. This will be the first time White has played the venue since 2007 with his band The White Stripes. Jack White is touring behind is latest release Lazaretto, which came out earlier this year to rave reviews from around the country. Throughout this past summer he has headlined many festivals, including Governors Ball, Bonnaroo, and Osheaga, as well as his own shows around the world.

    White has also announced that this past summer’s show from Bonnaroo will be released in a deluxe package from Third Man Records as the latest in from their “Vault Package” series. Included is the entire performance, that stretched an extra 45 minutes past its scheduled end, on a 3 LP vinyl set, a DVD of the performance, a poster, 4 pictures, and a custom television usb stick. The performance was streamed live as hit happened and right away was hailed as one of the greatest performances in Bonnaroo history. White always has a knack for giving it all to an audience that gives it right back to him. If an audience isn’t to his liking though he has cut the show short on occasions, including a show at Radio City Music Hall in 2012 after about an hour.

    At every show this summer he has not only covered his solo catalog, but also tackled songs from his other bands The White Stripes, The Dead Weather, and The Raconteurs. His backing band is tremendous and they go into each show without a set list so the show can be produced on the fly. Although White has admitted that certain songs will be performed at each show, he has said there is no plan on stage. Be prepared to be wowed by White and his band this January. Tickets will be going on a pre-sale tomorrow at 10AM for Vault members, followed by a another pre-sale Thursday at 10AM for venue and Chase and Amex cardholders. Finally the public on-sale will be Friday October 10 at noon.

  • Curtain Call for Enter The Haggis – Final Show at Westcott Theatre

    As the curtain is lowered at 7pm on October 11, 2014 on Enter The Haggis, at the Wescott Theater, in Syracuse, NY,  attendees commonly known as Haggis Heads, will close a chapter to a much-loved book, and open a new one.  The title of the new book?  Jubilee Riots.  A name that invokes chaos, but in a fun exuberant manner. Fitting as these five musicians are known to take a crowd and incite utter chaos with their electric, eclectic, gripping sound.

    Enter The Haggis
    Enter The Haggis

    As we bid them farewell we also welcome a new sound, a new path, and a new opportunity to support our friends in their new adventure. Enter The Haggis aka Jubilee Riots has extended to NYS Music’s readers the opportunity to win (Post) one of three sets of two tickets to their final show on October 11, 2014.  All you need to do is go to the link on the NYS Music’s Facebook page, and follow the directions to enter.  It’s simple..you must first “Like” the NYS Music Facebook page…then go to the Jubilee Riots page and “Like” them, and then comment in the post as to who you will bring.

    Enter The Haggis
    Enter The Haggis

    Be a part of history, and a part of the future by showing your support of live music in Upstate New York and Enter The Haggis as they move ahead to new adventures.  The chance to win ends Sunday, October 6, 2014, at midnight so don’t hesitate to win your chance to be part of history at the farewell show of the year.  Winners will be announced the morning of October 7, 2014 on the NYS Music’s Facebook page. Good luck to all who enter and see you there at the show.

    Enter The Haggis
    Enter The Haggis

    Enter The Haggis
    Enter The Haggis