The lineup for the 2014 and eighth annual Backwoods Pondfest in Peru, NY was announced Sunday night via Facebook.
All, that is, except for the headliner.
The list of acts is heavily laden with Upstate New York talent – Twiddle, Spiritual Rez, Turquaz, Cabinet, Alan Evans Trio, The Garcia Project, Lucid, The Manhattan Project, Hot Day at the Zoo, Sophistafunk, Aqueous, The Blind Owl Band, Conehead Buddha, Capital Zen, Big Daddy Love, Big Mean Sound Machine, The Big Takeover, Mister F, GUBBILIDIS (Twiddle Duo), Formula 5, Doomfxck, and North Funk Tree.
As it has since the beginning, the festival will take place at Twin Lake Campsite on August 8th and 9th, a tossed apple from Plattsburgh; or, roughly 13 miles south of the college town.
Advanced tickets are on sale now for $70, and will continue to be sold online until August 5th. Afterwards, tickets are advertised to be sold at $85 ($5 off with a non-perishable good) at the time of the show.
Upstate New York’s Formula 5 have announced the release of their sophomore album Edging on Catastrophe. A more ambitious project than their debut album, it contains 13 tracks total and has a run-time of near 75 minutes. Recorded at the beautiful Edie Road Recording Studios in Argyle, NY, Edging on Catastrophe seeks to illustrate the progression of the groups song-writing and album-crafting, while continuing to satisfy the group’s ever-expanding palette for different musical styles. They also bring to the table a new bassist in James Woods.
Sprinkled into this album are various musical styles including bluegrass, folk, funk, reggae, and electronica, among others. This album incorporates a more cohesive feel with each track thoughtfully blending into the next through the use of re-occurring melodies and lyrical themes throughout. The appearance of acoustic guitar, violin, saxophone, trombone, an increased use of synthesizers, instrument and studio effects provide for a more polished final product. Guitarist and songwriter Joe Davis echoed this sentiment. “I’m really excited for people to hear the growth we’ve had over the last year. I feel this album is much more complete than our last and I think that will be clear right from the very first track. We explored a lot of new territory this time around in the studio and I’m extremely pleased with our effort.”
Album release shows will be held on April 18th at Red Square in Albany, NY with The Hornitz (Boston, MA) and Suitable Groove (Albany, NY) opening the show, and April 19th at The Monopole in Plattsburgh with locals North Funktree opening.
The April 19th Formula 5 show also marks the debut of new bassist James Woods joining the band with his fretless bass and a root in jam and improvisation. “It feels great to be a part of a band which not only appreciates the bass but also a band that works as a whole. Every instrument is adding equally to deliver music, not just a spotlight for a single person.” Joining the band has proved seamless for Woods, a Lake George native. “Being a new member to this group I’m exited to add a fusion edge to the sound, constantly piece together original ideas and bring the fretless tone back and into local music.” Added Woods, “It’s not every day that you can link up with some new musicians and throw together a Jeff Beck song in a few minutes.”
Keyboardist Mike McDonald follows suit with the excitement of Woods’ addition to the band. “We are extremely excited for the next chapter of Formula 5. What immediately drew us to James was his interesting style and bass tone. He plays a fretless jazz bass and immediately brought a new feel to our style of improvisation and groove. You will notice this change instantly, but we feel this is a great opportunity for us to evolve as a band, continue to write interesting new material and push the boundaries of what we want to do as a band. James will be a key component of really pushing us there.”
Our second editor’s playlist features some of the artists performing at this years second annual Spring Revival Festival taking place May 8-11th at Carey Lake in Macedon NY. This family and wallet friendly festival features some of the top up and coming bands in the state, easy access, vending on site, plenty of camping space and non stop music on #2 stages.
Book-ending the playlist and also headlining both Fri and Sat night at the festival is Buffalo’s Aqueous. The AQ boys have played close to 300 shows since 2012 and have been rewarded with an ever-expanding frenetic fan base referring to themselves as “AQuaintances”. Being the bands first 2 night run at a festival they are bound to have some surprises in store. Both tracks – “20/20” and “Complex II” – are some of the bands newest material and are sourced from their March Nectar’s residency. Stay tuned to for a first look at the band’s 2014 summer tour coming tomorrow!
Our second track is an UpsateLIVE exclusive first listen of “The Clear” from Albany’s Formula 5. The band recently finished recording their excellent sophomore effort Edging on Disaster and remain one of our staff’s favorite bands to cover and follow.
Third, from the also Albany based Mister F, is the lead-off track “Everything You Say” from the just released The F Stands Four. This marks the debut album for the Albany dance-prog-electro-rock outfit. Check out Tim O’Shea’s review of the whole disc over here.
Our fourth and fifth tracks enter the psych-electro field even more. Roots Collider and Ocupanther, both Rochester based, have been garnering excellent crowds and reviews. The Collider track “Infinity” is almost impossible not to dance too with a sound that bestows at least a subtle nod to the prowess of instrumental dance rock pioneers STS9. Ocupanther’s “This, A Seagull” is actually a compilation of a studio based jam and a practice session for the newest OCU-song “III e III”. The band is in the midst of mixing their third album and wanted to give fans an early taste of what to expect.
Keep in mind, beyond this playlist there remain tons of top-notch bands performing at The Revival including Rochester’s Haewa and Lap Giraffe, Buffalo’s Lazlo Hollyfeld and Universe Shark, northern NY and ‘s March Madness champion Lucid, the incredibly intense Flabberghaster from Vermont, and much much more. Hope to see y’all there!
Finally, it’s that time of the year again. The official line-up for this years Rockstar Energy Drink’s Mayhem Festival has been officially announced. Time to put all the rumors to bed and see which ones were true and which ones were just actually rumors.
Founded by Kevin Lyman and John Reese in 2008, Mayhem has now become an annual event to kick off every summer.
This years festival will mark the seventh annual event for this summers tour and will hit over 20 different cities. The tour will be headlined by Avenged Sevenfold and Korn and will round out to 19 bands in all. Korn headlined the festival in 2010 and Avenged Sevenfold appeared on the same tour for only 2 dates in July.
James “Munkey” Schaeffer, guitarist from Korn enlightened us to this information in a video interview at NAMM.
The 2014 lineup will also include the likes of Asking Alexandria, Trivium, Cannibal Corpse, Suicide Silence, Miss May I, Mushroomhead, Emmure, Texas Hippie Coalition, Veil of Maya, Upon a Burning Body, Darkest Hour, Body Count, Ill Nino, Wretched, King 810, Erihma and Islander.
Rockstar’s Mayhem Festival usually consist of bands in the Hard Rock/Heavy Metal genre style of music. There are also a lot of sub-genre band styles like nu-metal, metalcore, thrash metal, groove metal and industrial metal to name a few.
The Festival was a three stage event until 2013 when a fourth stage was added. The Main stage, the Jagermeister stage and a third has been rotated by sponsors’ like Hot Topic in 2008 and 2009, Silver Star in 2010, Revolver in 2011, Sumerian Records in 2012 and 2013 and last years third stage was sponsored by the Musicians Institute.
The festival is a must for all rock fans. Not only is there kick @$$ live music, but you have the Metal Mulisha as a side attraction.
Most of the bands that participate on the tour have meet-and-greets at various locations throughout each venue and how can you beat all the free samples of new Rockstar flavors you can handle under the Rockstar Tent.
Well it’s that time of the year again when all the summer concert tours start getting announced. Well one band that seems to never miss touring in the summer and has now become an annual event of summer concert tours for many music fans is here. That’s right people! Dave Matthews Band has announced their summer concert tour dates for 2014. The Tour is titled ” A Very Special Night With” Dave Matthews Band. Dave will perform two different sets, one acoustic and one electric in the same night. The tour will start on May 16th, in Woodland, Texas and conclude on September 6th, in Irvine, California and will expand over 30 cities nationwide. This will be a tour that every DMB fan will not want to miss!
This very special tour will hit New York State in the bands usual NYS weekend summer tour stomping grounds on Friday, May 30th and Saturday May 31st, 2014, at the Saratoga Performing Arts Center in Saratoga Springs, N.Y. The tour will also jam out the Darien Lake Performing Arts Center in Darien, N.Y on Wednesday, June 11th, 2014.
Dave Matthews Band has a wide variety of musical styles. DMB’s musical genres include Alternative, Country, Folk, Funk Rock, Jam, Jazz Fusion and Bluegrass. From Charlottesville, Virginia the band is made up of singer-songwriter and guitarist Dave Matthews, Carter Beauford (drums,backing vocals), Stefan Lessard (bass), Jeff Coffin (saxophonist), Boyd Tinsley (violinist), Tim Renyolds (electric guitar) and RaShawn Ross (trumpet).
With eight studio albums under their belt the band is currently working on their ninth album. The band also has eighteen live albums and one greatest hits album called “The Best Of What’s Around Vol.1.” Their current album “Away From The World” was released in September of 2012. The album debuted at #1 on the Billboard 200. That made it the 6th consecutive #1 studio album in a row for the band making them the only group to do so. DMB has sold over 30 million records worldwide as of 2010.
Fan Club Members of DMB called “The Warehouse” can gain early access to DMB concert tickets, exclusive cds and merchandise. The club was created to promote fan interaction.
This will be the bands 23rd year touring in the last 24 years. In 2011 the band announced that they were going to take the summer off and did not tour that year. Dave Matthews and Tim Renyolds played an acoustic set at Farm Aid 2013 in Saratoga Springs, N.Y in September of 2013. Amazing performance!
Country Pop star, Jason Aldean will be one of the headlining acts this year for Live Nation’s “Country Ticket” series with his “Burn It Down Tour” that will cover 50 cities across North America. Florida Georgia Line and Tyler Farr will help support the shows in select cities. Miranda Lambert will even make a couple of very limited appearance on the tour as well.
Appearing on the tour with Aldean will be Florida Georgia Line. Formed in Nashville, Tennessee, the country pop/rock duo of Brian Kelley and Tyler Hubbard have the world country music buzzing.
Tyler Farr will opener for the tour. Born in Garden City, Missouri, the guitar playing singer/songwriter released his debut and current studio album Redneck Crazy, was released in September of 2013. His top 10 hit, and the title track from the album “Redneck Crazy” is certified platinum by the RIAA.
On May 7th the road leads full circle for Ben Mauro, Syracuse native and world-class musician, as he takes the stage at Shifty’s Bar & Grill on 1401 Burnett Avenue to launch his new EP, Take Your Time. The year was 19-something when those at Shifty’s Bar & Grill first saw Ben take the stage for open mic night.
Since that time, he’s gone full steam ahead to have one of the most successful careers a musician could hope for, traveling the world, meeting and playing alongside the most amazing musicians, mentors, and fans along the way. However, after only two seconds I knew he was something special as we chatted about his upcoming event. The success that Ben has achieved has not changed his priorities, and this is apparent as he comes home to share this special release. Giving back to the community that embraced him originally was Ben’s goal, and for this we embrace our home town star and say thank you.
As I reviewed the new EP Take Your Time, I came away with a sense of who Ben is and what he wanted to achieve in his new release. His versatility is amazing to me and after speaking with him, I can see how all of the influences over the years lend to what we hear on Take Your Time. A positive vibe comes across in his sound as the lyrics tell a story of love, happiness, and living life uncomplicated as it should be. With a mix of pop, country, southern rock, jazz, and Latin flavor the audience is treated to many genres, sounds, and instruments along the way. In “She’s Beautiful”, the jazzy tune is upbeat and happy with an interjection of a sax solo that is reminiscent of songs during the Motown era. In “Complicated” Ben’s songwriting skills inherently shine through. While on the track “Down By The River” you have this urge to grab a cooler, bathing suit, and fishing pole to play hooky all day like Huck Finn and Tom Sawyer. On the title track “Take Your Time” Ben’s guitar solo rocks this number to the point where that’s the one thing that stands out..WOW…this man can play a guitar. Here’s a small taste of “Take Your Time.”
Lately I’ve been on a kick for ethnic sounds and find myself drawn to songs of this nature so on the final track “Burn It To the Ground” I was immediately drawn in to the sultry song with the Latin flair to it. Not only does it showcase the songwriting talents of Ben, it also showcases the amazing talent of Ben’s backup musicians with the percussion and keyboards, while his guitar solo evoked a feeling of being in a small cantina listening to the mariachi band serenade me. Only thing missing was my cerveza. Over all, once I listened to the Take Your Time EP, I couldn’t help feeling happy, upbeat, with an admiration for Ben. I was curious to see who and what had influenced him over time to bring us to the point where this mix of music originated from within. So as Ben toured the world with Lionel Richie through Australia, Asia, and many countries, he so graciously took the time to answer a few questions for me and the audience to get to know him better.
Kathy Stockbridge: So let’s begin this journey and share with me some insight to how it all began. When did you know that music was your destiny? You share how you began as a young adult jamming in the basement to Led Zeppelin tunes, but did you also participate in music through grade/high school also? Garage bands? Marching Bands? Was a formal education in music helpful to your understanding of the craft?
Ben Mauro: I played French Horn in middle school, and was All-County Band and Orchestra. Then I took a break from music for a while, until my dad brought home an electric guitar he had trash-picked while out running one day. That’s where it started, and I’ve been playing since I was 16. I had a garage band in high school ,and we played in the school talent show and at a couple of parties. That was really it.
My formal education was mostly with Rick Balestra, a private jazz instructor, that still teaches and performs around Syracuse. I studied with Rick for two or three years – he really opened my eyes to a lot of different types of music and it made a huge difference. I was mostly playing Southern Rock up until that point. Plus going to OCC for classical guitar really helped a lot – learning technique and how to read music. My instructor there was Joe Jewel. He left Syracuse to go to Los Angeles and now plays on “Dancing With The Stars.”
KS: As a parent I support my children in anything they wish to do, no matter how risky it may be as I feel when you love what you do, it’s not even a job, it’s a lifestyle. Did your family support you like this as well? Do you come from a musical family?
BM: The short answer is no, I don’t come from a musical family. A couple of my cousins were kind of musical – one played guitar and one had long hair. But the rest of my family are all teachers. My dad started the rugby team in Syracuse, so I was surrounded by rugby players growing up. I was always hanging around athletes, not musicians. They still know how to party, though! Really, I’m very lucky because nobody in the family knew much about music. My dad said if I could make it my job and make a living doing it, we support you. And they did – still do.
KS: You share how you took off for NYC to for a “street musical education”. As a starving artist, do share some experiences that defined in which direction you ventured. We know you gravitated towards the music scene in Greenwich Village at Café Wha? Were there other venues you played that held special meaning? Types of music that helped you learn the business more so than had you just hit the tour scene?
BM: What I tell up and coming artists all the time is that they have to work – hard. Before I got the Lionel Richie gig, I was a freelance musician playing around the circuit in NYC for years. I paid my dues and at the time that I got the Lionel audition I was playing in ten different bands. I used to say “Yes” to every call I got. It was a badge of honor in our circle of friends to see who could play the most nights in a row without taking a night off. It would usually be about 35-40 nights straight of playing before I would take one night off and then go back at it. Sometimes that was two gigs a night –three sets in two different bars! We would play one gig then drive into NYC to start our second gig at 1am and then play sometimes until 4am. But that is really what helped me keep my name out there – just keep going and going. And playing in all different kinds of bands. I got the experience in Jazz, Funk, Rock, Latin. Even if I wasn’t sure I could do it when the call came in, I would say yes and then make sure to learn. You can’t just play one style of music, even if it is your favorite. Learn as much as you can and play as much as you can.
KS: We all are inspired by other greats along the way. Share with us some of these influences that shaped your musical style and steered you towards the craft you do today? Teachers, mentors, bands, sounds…who and what has shaped the sound we hear today on “Take Your Time”?
BM: My favorite band growing up was the Allman Brothers Band – that kind of Southern Rock type band. Learning all the different styles helped me figure it out along the way, but my all time favorite is a guitar player named Warren Haynes.
KS: On this timeline, please share with us some of your musical moments beginning at Shifty’s and carrying on through to your world-wide tours with artists such as Lionel Richie, Don Felder, John Fogerty, Kelly Clarkson, and so many other great musicians along the way.
BM: The thing with Shifty’s is, that is where I first met Delmar Breland. He was playing bass and I went up and started talking to him. My first band was with Delmar, Ricky Chisholm, and my good friend Paulie Cerra. And that all happened because of Shifty’s. Ricky loves the Commodores and we played all kinds of those songs. Which really helped out a lot when it came to my current job. Delmar was also a big help to me because he and this other dude named Sugarfoot are the ones who really taught me how to play that kind of funky rhythm guitar. Here I was, this long-haired white kid from the country and these two big guys took me under their wing and taught me how to really play. That is why I am working today – that funky R & B guitar skill has served me well.
It kind of goes with a story about Lionel, too. After I had played a couple of gigs just filling in for his main guitar player he made some changes and he fired everyone in his band except the drummer and sax player. I had to try out again too, and at first the new musical director didn’t want to hire me. He told me later he was thinking who is this surfer looking dude in here, but it was Lionel who said to him, “Naah, give him a chance – he’s funky.” So if I hadn’t hung out with Delmar and Sugarfoot, or learned all those Commodores songs with Ricky…
KS: In between, what are some “a ha” moments that you have had?
BM: Probably watching the first season of American Idol and then getting a call to play in the band for the tour and backing up Kelly Clarkson. She was really great to work with – and then doing TV shows with her. Getting a call from Don Felder from the Eagles asking me to be his guitar player in his solo band and then playing the Hotel California harmony guitar solo on stage with him. That was a WOW moment. Auditioning in John Fogerty’s garage and getting the job as his guitar player and background singer. That was pretty surreal. He asked me if I knew any country! And pretty much every time I get onstage with Lionel and he looks me in the eye while he is singing his ass off!
KS: As I previewed the new songs on Take Your Time EP, one thing definitely jumped out at me, and that is that you are very versatile in your styles. Many times you will listen to an album and get a flavor of similarity in all the songs, however on this album, you get a wonderful variety of genres, musical instruments, and moods.
BM: I think this goes back to my days in NYC where I had to play all those different styles of music. Now that I’m an artist and write my own stuff, that is all coming out. It just feels comfortable and comes naturally to go from one style to the next. I don’t set out to write in a specific style – it just comes out.
KS: And I must add they go together extremely well. They have a common theme to them and a positivity.
BM: I’m happy to make music that makes people feel good instead of all down and dark.
KS: Talk with me about the making of this album and the songs on it. What do you want the listener to take away from this album?
BM: Uplifting. I want people to feel good and positive.
KS: What was the creative process, the inspiration, and share some of the moments in the making of the album cuts. Do you come up with lyrics and immediately reach for the closest paper? Were there melodies in your mind you came up with and then put the lyrics to them?
BM: The music usually comes first and then I write the lyrics as I play the tune. I don’t write it down very often – just start playing. Sometimes I will record things on my phone so I don’t forget an idea. Some of the new songs were written in the area. “Down By The River” was inspired by something my dad said when we were all on a family vacation. He just said one thing and it clicked – the song came from that. And I wrote “Take Your Time” sitting at my parents kitchen table.
KS: Do you collaborate on any of the songs? Share with us the band and how you chose the instruments to accompany the music.
BM: I do most of the writing and then my producing partner Gary Davenport comes in to collaborate on some of them. He does some arranging and polishes the songs up. Makes them more focused – just better. The band is the 13 Curves Band, Oscar Seaton and Gary Davenport. 13 Curves was my rock band from a few years ago. We played together for a while and then it kind of morphed into me as a solo with them playing for me when I recorded. Gary is also from Syracuse and I played with him way back before I left for New York. I first met Oscar touring with Lionel – he has been Lionel’s drummer for 15 years. He also plays with jazz guitarist George Benson and a bunch of other great artists.
It’s also cool because Paulie Cerra, my old bandmate is still one of my best friends. He plays saxophone with me on “She’s Beautiful.” That’s another Syracuse connection.
KS: Do you play multiple instruments in the recordings?
BM: I play guitar, dobro and banjo on this one.
KS: As I mentioned above I have noticed that you are a very upbeat and positive individual and that shines through your music and your show Let’s Go! With Ben Mauro. How did you come up with the idea for Let’s Go! and share with us how long you have been documenting your adventures?
BM:Let’s Go! came from my dad telling me I had to go out and see things while I was on tour. I kept telling him I was too tired after having been on a 12 hour flight, but he would say things like, “The Tower of London is only 20 minutes from your hotel.” I finally went and took some pictures and posted a blog. I started to do it for my family – so they could know what I was doing while I was on tour and stuff. But people really liked it so it expanded. I got an HD camera and started to do the videos. The very first one I did officially was the Great Wall of China and it’s been almost 4 years.
KS: What are some of your most favorite places and you’ve been able to share with viewers along the way? I also want to commend you for featuring band mates and other musicians along the way as well. It’s great to not only see these amazing countries and places, but also to see behind the scenes of the rock and roll way of life with sound checks and traveling and all of the things that accompany this lifestyle.
BM: Some of my favorite places are Morocco, Brazil and the Great Wall of China. It is very important for me to show the life of working musicians. I say that in every episode. What we do is really so different from what most people think. It’s a great job and I’m very lucky to get to do a lot of really cool stuff, like seeing places I might never see. But it is not all rock and roll glamour. We are on planes. A lot. We are in hotels. A lot. It’s a job and we work hard.
KS: As a fun way of getting to know the musicians and give the readers an insight into their personalities…would love if you would play along in a “Social Speed Round” of questions, some very random questions for you to answer. And…”Let’s Go! With Ben Mauro!”
1. You’re flipping through the channels on TV and come across this movie or show that you always stop on!!! No matter how many times you’ve seen it!!! – Million Dollar Baby or Anchorman.
2. You come across a restaurant out-of-state that claims to have the best original NY food…you think THIS has to be on the menu to even be considered a NY restaurant? –
3. I meet a lot of great individuals in my line of work, some that have left me at a loss of words. This is the person that leaves you speechless and at a loss of words when you finally meet them? – Greg Allman.
4. Time to get away for the touring for a while. Where is your “Happy Place”? – Zuma Beach, Malibu, California.
5. You’re at Disneyland/World…you only have time for one ride because you have to do a sound check and perform immediately after…you choose Roller Coaster/Bumper Cars/Sky Ride or Ferris Wheel? – Roller Coaster.
6. You get an offer to be a featured star on a cable television show but you can only do one..you choose Dancing with the Stars/ Man vs. Food/ Off Limits? – Man vs. Food
7. Dream collaboration – Greg Allman again.
8. Favorite board game? – Yahtzee.
9. If you weren’t a musician what was your plan B? – When I was a kid I wanted to be a professional athlete – soccer player, but never really had a plan B. Since I was 16, I always wanted to be a musician and I loved it so much that I never thought about doing anything else. Even when I was dirt poor in New York, I never thought I would do this for a few years and then get out.
10. Your guilty pleasure? – Spy and adventure novels. Like Lee Child or the James Bond books.
As you can see, Ben Mauro is a fun, positive, upbeat type of person. He works extremely hard to be the best he can be, and he is appreciative of his beginnings and those along the way. Syracuse is honored to have Ben Mauro return home to launch his new EP Take Your Time and we urge everyone to take the time to stop down to Shifty’s Bar & Grill on May 7th to welcome Ben home. Ben will be joined by SAMMY award-winning performers Phoenix Eleven and special guest Ricky Chisholm. Tickets are being sold ahead of time and can be purchased at http://bpt.me/622514 There are limited tickets available so I urge you to not wait, but buy in advance to guarantee to be part of this event.
Mike Gordon kicked off the final weekend of his tour this past weekend, which has been getting some buzz in the Phish community, with a show at the historic Tarrytown Music Hall. Along with bandmates Scott Murawski, Craig Myers, Tom Cleary and Todd Isler, Gordon has been touring in support of his latest studio album Overstep, performing it extensively on this tour with all but three tracks performed at the Music Hall. With the absence of a parking lot and decent weather to hang outside in before the show, a slight delay in the start (possibly due to some last-minute rehearsals with a special guest) seemed to be welcomed by the crowd who quickly settled down and enjoyed conversations with each other in the theater.
Eager for the show to start, the audience cheered as the stage was dimmed to a purple and the band made their way out with Gordon’s glowing scarf hard to miss. The first set kicked off with the first track off Overstep, “Ether,” an extended noise/sound effect intro recreated live by Gordon playing around with a speed drill near his bass’ pickup. “Yarmouth Road,” one of the two songs on the album with a reggae feel, was played in its studio fashion with the crowd digging the added 90’s ska interlude toward the end. “Yarmouth Road,” by the way, was first debuted with Phish at SPAC July 5, 2013.
There were some hushed mutterings before the show that Trey was backstage and would be sitting in for some portion of the show. This wouldn’t have seemed too far-fetched either as Trey resides somewhat locally in nearby Manhattan. It was obvious though that this was to the crowd at large a big surprise as the theater erupted when Trey was introduced and took his spot between Scott Murawski and Gordon. Murawski started off the Talking Heads tune “Cities” with Trey joining in quite forcefully after resolving a guitar glitch. This one got jammy with Trey and Scott trading solos in a call-and-response and dueling fashion. Trey stuck around to take the lead in the jam section of one of Gordon’s new tracks, “Tiny Little World,” to close out the first set. While some people were chatting during the intermission about what Phish song they’d like to hear if Trey were to come back out in the second set, they would soon find out they would have to wait until July to hear live Phish from the source.
Not only was the music a focal point of the show, but both sets also flaunted a high-tech display of lights and projections that took advantage of the smaller stage setup, different that what would be practical at a large-venue Phish concert. Gordon and Murawski both sported custom-made guitars that would light up with LEDs at times during the show while the stage was dark giving a vague effect that they were being played by ghosts or while cast in front of psychedelic patterns. Gordon also debuted a crowd interactive instrument, the “EEL” as he called it. A MIDI controller that spanned the width of the stage, this strip resembled an oversized keyboard that the lucky front row could tap on when Gordon’s band triggered it on. Its sound sets (i.e., piano or Hammond Keys) were controlled by the band’s audio engineer and changed periodically while the audience was tapping away. One of the times the EEL was active was during “Peel” in the first set and again at the open of the second set – we have a short video excerpt of this in “Peel” later on. Gordon also incorporates something else a little different for a jam band type show: MIDI triggers on his and Murawski’s mic stands which allowed them to play a sound or an effect tapping it with their hand. All of this combined added an interesting twist to the experience of the show.
Gordon’s stop in Tarrytown, and his whole tour for that matter, was a pleasant bridge in the gap between Phish’s NYE show and the start of their summer tour, July 1 at the Xfinity Center and their three night run at SPAC July 3-5. It gave fans a chance to see another side of Phish: one free of large crowds, potentially questionable weather, and ultimately the creativity of Gordon separate from his role in his native band.
Set I: Ether; Cruel World, Yarmouth Road, Different World, Pretty Boy Floyd, Spock’s Brain, Face; Peel, Cities^, Tiny Little World^ Set II: Long Black Line, Crumblin’ Bones, Barton Hollow, Angatta, Spiral, Jumping, Traveled Too Far; She Said She Said>Tomorrow Never Knows>Are You a Hypnotist?>Tomorrow Never Knows>She Said She Said>Traveled Too Far, Say Something Encore: Soulfood Man>Alphabet Street
The Paramount Hudson Valley is no stranger to the blues, having hosted one of a handful of NY Blues Hall of Fame induction ceremonies this past fall featuring performances from Commander Cody and Professor Louis and the Crowmatix, among others. The theater itself was even inducted as a great performing arts center in the Blues Hall of Fame. The Paramount lived up to that recognition with an excellent double bill of blues headlined by Robert Cray on March 30th.
The night started off with an opening set by local NY blues artist Nik Rael. Rael, on acoustic guitar, was joined by Joe Plum on electric guitar for an instrumentation that created a well-balanced sound for the blend of blues, soul, rock, and pop that was to follow. As a duo, many of the songs were not too complex but performed with a lot of expression and dynamic, from Rael’s voice to his guitar which carried the set to Plum’s electric riffs and lines that iced the cake. His set included a mix of his original work as well as some covers. One notable cover was of Bob Marley’s “Redemption Song,” where Rael put on an accent to emulate Marley’s voice. Just as Charlie Daniels did with two songs at his show the night before at the Paramount, Rael performed three Dylan tunes that he has on his tribute album Highway 61. Most notable was “All Along The Watchtower,” combining elements of both Dylan’s and Hendrix’s arrangements. Rael’s opening set went beyond the expectations for a warm-up act with an impressive and engaging performance.
After Rael’s opening set, the silhouettes of Robert Cray and his band took to a dimmed stage with much applause. Cray dialed in to the excitement of the crowd to get things going with a solid performance of “Phone Booth.” By the third song, “Right Next Door,” we saw the first of Cray’s rather dynamic, expressive and animated performances of the night, pretending to sing along with his guitar solos and bringing part of his second solo on the song down whisper quiet as fans listened intently.
Unlike some artists that almost seem to make an effort to install a glass wall between themselves and the audience, there was no such barrier that night giving an almost living room like feel at the Paramount. Yes, the cozy quarters of the Paramount with its chest-high stage helped in that regard, but it was really the connection Cray built with the audience that did it. His quick wit led to jokes between songs about the subject of the song – some he would carry on to the next break – and brief exchanges with the audience.
Cray gave a sneak peek, or rather gave us a sneak listen, of several new tracks off his latest album,In My Soul, released on April 1, just two days after the show. He debuted “You Move Me,” “Fine Yesterday,” “What Would You Say,” “Hip Tight Onions,” and a Bobby Blue Bland tune, “Deep In My Soul.” An example of Cray’s humor came when he joked about the new material. “You’ll never know we forgot the songs!” he said citing that no one in the audience would know how the songs were supposed to go. A highlight of the new songs was the band’s first instrumental track, “Hip Tight Onions,” written as a nod to the stylings of Booker T and the MG’s with Cray and bassist Richard Cousins dancing in sync and a more dominant keyboard presence over the other songs.
Throughout the show, it wasn’t hard to miss the chemistry of the band on stage. Whether it was Richard Cousins sharing a moment with drummer Les Falconer (a 2013 addition to the band) as they laid down the groove for a song or Cray connecting ideas with keyboardist Dover Weinberg, the cohesion on stage radiated into the audience.
The combination of Nik Rael and Robert Cray created an unforgettable evening of blues, setting a tone for a theater rebuilding a strong reputation for its musical presence after briefly closing its doors in 2012. It was a truly genuine performance and experience, leaving the crowd eager to hear more from Robert Cray on his next NY appearance, which he will hopefully make on his next tour.
Setlist: Phone Booth, Poor Johnny, Right Next Door, It Doesn’t Show, You Move Me, Won’t Be Comin’ Home, Don’t You Even Care, Fine Yesterday, Chicken In The Kitchen, Bad Influence, What Would You Say, Hip Tight Onions, Forecast Calls For Rain
Encore: A Memo (Nothin’ But Love), Deep In My Soul
Lucid! The North Country’s finest barreled through the competition with strong support from their fans, knocking off the top seeded Ominous Seapods on their way to the championship against Big Leg Emma. It was a true Cinderella story, a #16 seed coming out on top over 6 rounds of tight voting in March Madness 2014. Lucid has plenty of time to relish the victory, as we await the soon to be announced lineup for their own Backwoods Pondfest Music Festival, held in Peru, NY on August 8th and 9th.
When asked how it felt to win the inaugural March Madness, percussionist Lowell Wurster had this to say:
It feels like there is a lot of love out there for Lucid. We have been working really hard for 10 years and I think we have good name recognition. As I generally don’t view music as a competition, because I think it’s hard enough to be a musician in the first place, the football player in me is ferociously competitive, so it was interesting to see that side come out of me again.
I am happy people recognize us and felt they knew us well enough to vote for us, especially during this very exciting transitional period for us. Having Chris English join the band is one of the best things that has happened in a long time, and it got all of us amped up to make some serious moves. We feel that we are finally the band we were always supposed to be, and we all have the same goals now and that is super exciting. We are looking forward to the future with bright eyes and cant wait to see where it takes us.
Winning the march madness tournament only gives us more validation that we are onto something and people may be taking notice. This whole transition has happened within the month of March, which also marked Lucid’s 10th year. I don’t think this is coincidental, we are excited and can’t wait to keep working as hard as we ever have, to play our music, and spread our message of love, light and community.
Look for our Local Limelight profile of Lucid later this month, and be sure to check them out at these shows in April:
April 24, Monopole Bar, Plattsburgh
April 25, Unitarian Church, Plattsburgh
April 27, Plattsburgh Half Marathon, City Rec Center