Category: UpstateLIVE Archives

  • Night Lights Fall Festival 2014 Announces Second Round of Artists

    Held at the site of the Great Blue Heron in Sherman  NY, Night Lights Fall Music festival has announced a second round of artists for the September 12-13, 2014 affair. Joining the already loaded lineup will be Brooklyn’s hottest export in years Dopapod, Ithaca’s Big Mean Sound Machine, Buffalo’s Rhubarb and Airplane, Rochester’s Papi Chulo and Neon Veins.

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    Get pre-sale tickets for only 60$ here.

    Entire Lineup:

    Snarky Puppy
    Dopapod
    Turkuaz
    The Mike Dillon Band
    Consider the Source
    Jimkata
    Aqueous
    The Manhattan Project
    Smackdab
    Lazlo Hollyfeld
    Funktional Flow
    Big Mean Sound Machine
    12/8 Path Band
    Family Funktion and the Sitar Jams
    Rhubarb
    Aircraft
    Broccoli Samurai
    Ocupanther
    John E. Old School
    Papi Chulo
    Neon Veins

  • Phoncert Mobile App to Stream Jazz Fest Audio from Various Venues

    phoncertTechnology has finally caught up with your thirst for more music.  If you’ve never heard of it, Phoncert is a new and groundbreaking  live music application. The app is a free download from the iTunes store for your iOS device, but you can also listen on their website. What they offer is a live, soundboard-quality audio stream from shows around the country, so you can enjoy live music from the comforts of your own home.

    Operation immediately started upon their announcement this Thursday (April 24). The company will be streaming daily performances from several venues in New Orleans during this year’s Jazz & Heritage Festival. The broadcasting began last night from The Howlin’ Wolf and featured the New Orleans Suspects w/s/g Fred Tackett and Paul Barrere of Little Feat. For the full broadcast schedule see below and make sure to hop on this as the ease of access is only surpassed by the quality of music you will enjoy.

    Broadcast Schedule:
    4/25: Dumpstaphunk plays Led Zeppelin > Easy Star All Stars Dub Side of the Moon late night @ The Howlin’ Wolf
    4/26: Anders Osborne w. Rebirth Brass Band > Particle late night @ The Howlin’ Wolf
    4/26: The M&Ms Late Night show @ Tipitina’s
    4/29: The Original Wailers @ The Howlin’ Wolf
    4/30: Polyrhythmics with Special Guests @ The Festival Hall Theater at Bamboula’s
    4/30: The Megalomaniacs Ball ft. Garage a Trois, Steel Punk, Mike Dillon Band, Marco Benevento & Stanton Moore Trio @ The Howlin’ Wolf
    5/1: Anders Osborne @ Tipitina’s
    5/2: 12th Annual Bayou Rendezvous ft. Raw Oyster Cult w The Bonerama Horns, The New Orleans All-Stars, The Pimps of Joytime, & The Motet @ The Howlin’ Wolf
    5/2: FIYA Fest Presented by Fiyawerx Productions @ Mardi Gras World
    5/2: The Revivalists w. The Motet & Earphunk @ The Joy Theater
    5/2: Papa Mali and Friends ft. Anders Obsborne, Jerry Joseph, Bill Iuso, Tony Leone & Mike Dillon @ The NOLA Brewing Co.

  • Pink Talking Fish Brings a Fantasy to Reality

    Fans whirled around the Putnam Den in bewilderment on Saturday night asking questions such as: Are there three bands playing tonight? What are they playing? What is this going to sound like? All these questions were asked in a jovial way as very few could fathom the idea of one band playing the music of Pink Floyd, The Talking Heads and Phish. Everyone was excited to see how this could be done, and they would not be disappointed; Pink Talking Fish delivered a spot on fantasy performance.

    The High Peaks Band, a three-piece ensemble out of Saratoga Springs, opened the evening bringing a high energy jammy sound that mixed in lyrics of an alt-country band. The lead vocals of Rick Nelson were complimented wonderfully by Michael Hoffman’s backing harmony. Drummer Jason Vasquez held the band together as they ran through their set. Although there were very few, if any, low points, the highlight of the set was the cover of a moe. classic “She Sends Me,” a rocking tune that not only got the crowd going, but also showed the bands diversity.  It was a great surprise during a great set.

    The stage was now set to answer everyone’s question: What is this Pink Talking Fish all about? Well, from the onset, they were about tearing it up. Opening with a spacey rendition of “2001,” the audience knew what this band was all about and that they meant business. With the funk vibe of Phish and backing sounds that echoed Pink Floyd, the tone was set for the whole evening.  “Life during Wartime” came out of this extended jam as the entire room danced along with the bouncy lyrics. From there, things slowed down a little as the band performed “Have a Cigar.” Keyboardist Rick Umlah took lead vocals on this, hitting all the notes perfectly, resonating Floyd, yet with his own spin to it. Up to this point, the songs were played very well, but it wasn’t until “Possum” that they really shined. Eric Gould, founding member and the only one consistently in the lineup, took over the vocals and guitarist Dave Brunyak, of the Phreaks, showed the crowd his stuff. The lengthy jam was filled with shredding only comparable to Trey Anastasio himself. Brunyak’s sound wasn’t the only thing that was reminiscent of Trey, as he made body movements and gyrations similar to those of the Phish guitarist, but with his own style. He wasn’t copying Trey, he was just simply being Dave, and the crowd ate it up as they fed off his energy and enthusiasm. This continued throughout the set up until the closer “Cross Eyed and Painless.” This was a perfect way to end the first set, a high energy song that left the fans wanting more.

    Some may have thought there was no way the first set could be matched, but those people could not have been more wrong. Opening with a raging “Run like Hell,” Zack Burwick’s drums hit hard and heavy which set the atmosphere for the whole room and the whole set. “Run like an Antelope” was as solid and tight as it has ever been played. It seemed as though there was nothing these guys couldn’t do. They were nailing everything they tried and then some, but just like every great band, they were not done outdoing themselves. “In the Flesh,” went into “Mikes Song,” which in and of itself was a treat. The real treat however is when they went back and forth between seven different songs before playing “Weekapaug Groove,” going into “Eclipse,” and ending the set where they started it with “Run like Hell!” This was simply amazing. For the encore the boys had some fun mashing up “Makisupa Policeman” with “Brain Damage,”  and closing the night out with“Cities” and “Tweezer Reprise.”

    Many bands go out and try to cover other bands, usually falling short. These guys not only successfully covered one band, they covered three! The energy was high from the beginning and it only intensified with each song. The magic of not knowing what was coming next and being pleasantly surprised when it dropped was pure brilliance, brilliance in which this band should continue to do for a long time.

    High Peaks Band Set List 4/19/2014

    Walk to the Bar, Within Reason, Doesn’t Matter, Rice Petunias, Not on TV, Superman Above, She Sends Me*, Fade to an Echo#

    *- moe. cover #- Lively up Yourself teases

    Pink Talking Fish Set List 4/19/2014

    Set 1: 2001*>Life During Wartime, Have a Cigar>Posum, Slippery People>Sand>Slippery People, Another Brick In the Wall>Psycho Killer> Another Brick In the Wall, You Enjoy Myself>On the Run>You Enjoy Myself**>Crosseyed and Painless

    Set 2: Run Like Hell***>Run Like An Antelope, Burning Down The House, In The Flesh>Mike’s Song> Pigs(3 Different Ones)>Houses In Motion>Tweezer>One Of These Days>Lenghtwise>One Of These Days>Once In A Lifetime>Weekapaug Groove>Eclipse>Run Like Hell

    Encore: Makisupa Policeman/Brain Damage >
    Cities>Tweezer Reprise

    *w/ multiple Pink Floyd teases in the intro
    **w/ Mother tease
    ***w/ Careful With That Axe Eugene tease
    ****Back and forth between Makisupa and Brain Damage. Brain Damage was reggae style during the verse and classic style during the chorus. “Woke up on 420. Went to Putnam Den. I get to try out my brand new Vapo Pen.”

  • Nation’s eye on local tattoo artist

    Since local tattoo artist Lydia Bruno was a young adult, she understood life better than most.

    “You have to make your own path in life,” Bruno said. “If you wait for things to happen to you, you’re just going to get lost in it; just end up settling for a life you really weren’t meant to live in.”

    The 34-year-old tattoo artist is suddenly on the national stage.  Starring in Ink Master, a hit television show on Spike TV, she enjoyed a two-month run before ultimately being eliminated from an initial field of 16 artists.

    Already, it has impressed her toughest critic.

    local tattoo artistToday, Bruno lives in the Capital Region.  But, she is the very definition of a cosmopolitan, having lived throughout the world, thanks in part to her father’s career as a nuclear engineer.  Originally born in London, Bruno has lived England, Canada, and the Netherlands.  In the United States, she’s lived on both the West Coast and the East Coast. As can be imagined, her father believes in a good education.

    After Bruno graduated high school, she pursued a career in mental health.  She ultimately wanted to earn a PhD.  But, as you read this, you can already tell that’s not what happened.  While enrolled in school, the opportunity to work at a local mental hospital presented itself. Valuing experience over schooling, Bruno leapt at the chance.

    “Wow, the experience,” Bruno said. “I’m learning more in a day than I am in a month at the school.” It coaxed her into dropping out of school to pursue a full-time job.  The experience, she said, was worth it. “It was good,” she said, “because I realized that I hated it.”

    Bruno toiled with her mental health career for four years.  By chance, another opportunity presented itself when her roommate’s boyfriend noticed her doodles. “I’ve been an artist all my life,” she said. “I never once thought to do something with my art. It’s so much a part of me. It’s like breathing! You don’t make money off of it.” He thought enough of her art to persuade her into an apprenticeship at a local tattoo shop.  Working nights at the hospital, and days as an apprentice, it wasn’t long before she was forced to a decision.

    “I got to follow my passion, so I went with the art side,” she said. “That’s why I’m on this Earth, I feel.  I try to fight it. Sometimes I’m like, ‘Maybe I’m on this Earth to do this job?’ No. I’m an artist. I can’t fight it.”

    Nearly a decade later – after dropping school, after quitting her career, after being cast onto the show – she receives a phone call. “’Your famous! I saw you on tv,” says an excited voice on the other end of the telephone. “You’re on a billboard in Times Square!”

    “Yeah,” Bruno says. “Not bad for a hobby, huh, dad?”

    Burn Your Own Path was a motto taken from a skateboarding company Bruno and a partner started a decade ago.  Custom designing decks naturally tapped into her creative nature.  Her partner pulled out of the venture before it took off.  The name has since developed into Bruno’s own personal mantra, of sorts.

    Bruno’s creativity had also drawn her to the local stage. She was a teenager when her hardcore metal band, Catheter, was making the rounds in the Capital Region. They would be playing along such groups as Section 8, Skinless, Crisis and Stigmata at the QE2 (where the dance club, Fuze Box is now located on Central Avenue). They went as far as cutting a record before ultimately disbanding. But, while on stage, she demonstrated her talents as a vocalist and a wordsmith, singing her words out onto a riot of dancing revelers.

    Whether it was a skateboard company, a heavy metal band, a graduate’s degree in mental health, or a tattoo apprenticeship; Bruno has approached each opportunity with passion. “I like to throw myself into things 100 percent,” she said. “I definitely put every fiber of my being into something I’m doing.” Which, as of late, has included amateur boxing.

    From the back of a weathered boxing gym, Bruno can be found jumping rope under the watchful eye of pro boxing trainer, Rick Sweeney.  The snapping of her rope blends into a medley of sound that includes the thack-a-da-thack-a-da-thack-a-da of speed bags, along with the percussion of punches (and subsequent grunts) from two boxers who battle inside the ring.

    Even among the handful of women who are there, Bruno seems out of place – a little bit shorter, a tad bit smaller, maybe a little older. Despite this, she appears to have an air about her where others recognize she’s no one to mess with. Maybe people are intimidated by her eyes, dark and blunt, especially when unaccompanied by a smile. Or, maybe by her tattoos, to which her tank top reveals plenty; from both “sleeves” down her arms to the art that covers her chest and back of her neck. Regardless, such perceptions are based upon assumptions.  Speaking with her melts away those preconceived judgments, and reveals someone entirely different.

    local tattoo artistFor starters, Bruno enlisted herself into an amateur boxing program at Sweeney’s Boxing & Fitness in Delmar, New York.  Sweeney, has produced two champion boxers out of his gym.  One of which, Sarah “The Knockout” Kuhn, who is responsible for introducing Bruno to the gym.  All who walk into Sweeney’s gym are immediately made aware of the no none-scene atmosphere.  Those who seek training for amateur boxing are warned they must meet “high expectations” or be asked to leave.

    “I’m very passionate, and it may be overbearing [for some people],” Bruno said. So much so, some people label her as a badass. “I believe the term badass is something other people put upon someone else that they don’t understand.”  Nonetheless, it is a persona she’s been asked to embrace while on television.  “(Laughs.) I guess a lot of people have labeled me a badass.”

    With careful editing and coaxing from show producers, Bruno is intense and unapproachable.  It’s something the show wanted to portray, she said. And, she agreed to play along. “Okay, I’ll go with it.”

    The premise of the show pits tattoo artists against each other in competition.  Each episode focuses on a specific technique to which a panel of judges ultimately critique and eliminate one artist at the end of every episode.  The margin of error “is so slight,” Bruno said. “They don’t show how bad [the critique process] is. You’ll have a line that is a little bit thinner than the other and you’ll get blasted for it.  You can get eliminated for it.”

    In addition to the stress of competition is the drama involved with living with strangers.

    “It’s basically, you’re putting sixteen overly passionate artists in a loft,” Bruno said. “We like to do things our own way. They are going to fight… A lot of people had a difficult time… On top of that we had to deal with the production side [of the show], which took hours and hours of every day. We were tired.  We were cold.  We were hungry. And, then, when that was done. There was a lot of standing. Going back, going forth.  Out in the cold, pretending that it’s summer. And, then it’s 10 o’clock at night, ‘alright, competition starting. Here are your canvases!’

    The biggest obstacle for me throughout the challenges was not being in my artistic comfort zone,” Bruno said. “I learned that I like to do art in my own time, in my own setting.”

    local tattoo artistLike the images tattooed onto her own body, she draws back to things she’s picked up along the path. She still picks up a pen.  She writes prose and later posts it onto Facebook for her friends to read. (“Just with the way my words come out on paper.  Just writing and writing, and read it later and I’d learn about myself. Same thing will happen with my art.  I’ll just zone out and start drawing. When I’m done with a piece, I’ll look at it and I won’t realize that it came from me.  It’s like I’m looking at someone else’s art.”)   When she tattoos, she can listen to her music. (“Music is very important to me. I listen to ’80s music when I tattoo. I listen to the 80s station on Pandora – Billy Joel, Flock of Seagulls. Stuff like that. I listen to hardcore metal, a little mix of everything. Every now and then the occasional Haddaway.”)  The television show has lead to more phone calls; old clients offering up support and new ones from out of town calling in to have work done. It humbles her to remember how long it took to build her credibility with clients. (“It’s been glamorized so much that everyone wants a hot girl tattooing them.  But, back in the day, for the trailblazers, it was difficult.”)

    Now, she continues to box, something she had to abandon for the show. Another path she intends to burn.

  • Formula 5’s Album and Album Release Party A Major Hit

    It was one of the first beautiful nights of the year for The Formula 5 album release party at Red Square on April 18th. Suitable Groove started the night off as the crowd thickened and the energy levels increased. Although it was still early in the night when Suitable Groove took stage, there were a significant people gathered to get down to their funky beats.

    20140418 - The Hornitz 5

    Shortly after Suitable Groove, The Hornitz took stage with enough energy to put Russel Simmons to shame. The Hornitz mix a wide array of funk, beat boxing, bass trombone, tenor saxophone, keys, and a list of different samplings to make up their unique sound. At one point during the performance they busted out a full rendition of Cypress Hill’s, “Insane in the Brain” with a flooring amount of funk. In case the crowd wasn’t already highly impressed, the duo then broke into a beat-boxing session while singing at the same time. All of you 90’s kids might remember the comparison to the great Rahzel who really brought this technique to the forefront. Overall, an absolutely phenomenal performance by this Boston based duo. If you have yet to see the Hornitz live, I suggest you check your local listings.

    As soon as Formula 5 took to the stage, the harrowing funk of Joe Davis’ guitar riffs echoed through the streets of Albany. The band opened with “The Clear” off of their new album, Edging on Catastrophe, which was an impressive and energy packed song to open their debut off their new album. For a portion of the show, special guest Tucker Callander stepped in for a few songs live on the violin. Callander sat in for “The Clear,” “Catch Me > Timmy’s Slumber > Epiphany > Timmy’s Slumber” and “Nu-Gen.” This part of the show showed their extreme versatility within each segue while adding a new and different flair to each song with the accompaniment of the violin. New bassist James Woods sat in for a set closing “Hot Box > Good Times Bad Times”.

    20140418 - Formula 5 8

    Often times for album debut parties it is hard to tell which direction the band is trying to take with it’s new endeavor, but it is evident that Formula 5’s direction is up. The entire album front to back is like a more polished version of who the band has always been and what they have always been about. Staying true to their roots with Joe Davis’ Phish-esque guitar riffs, while rounding out their funky Bill-bass lines with Mike McDonald on the keys and Greg on the drums. Edging on Catastrophe is a wonderful representation of the band’s versatility as artists, bringing in influences of bluegrass, electronic, folk, rock and of course, funk.

    This was also their farewell show to their longtime bassist Bill Shattuk, so of course there had to be an epic bust out of “Sledgehammer.” This is clearly one of Formula 5’s favorite covers, which is evident through the extreme amount of energy and enthusiasm they show on stage. Another highlight of the show was “Pedro”, for which the guys from The Hornitz jumped on stage with the guys to share in the jam.  They then segued into the Phish/Trey Anastasio Band classic, “Sand.” The show was an all out party from start to finish and the collaboration of all of these talented artists made for a perfect concoction of pure funkafied excellence.  From front to back the album shows the exponential growth each individual has accomplished as a musician and also the immense amount of capability the band has as a whole.

  • The Palace Welcomed the King of the Blues, B.B. King on the 17th

    The Palace in Albany hosted the legendary B.B. King, one of the greatest guitarist of all time, and King of the Blues, on Thursday the 17th of April, to a crowd of all ages and backgrounds who all shared a love for the blues. The venue buzzed with teens in blue jeans and adults in fur, parading in the lobby and the aisles, eager for the magic of B.B. King and his guitar “Lucille.” The band warms up the stage with instrumental jazz, each stretching their musical muscles as guests take their seats. The introduction was made and B.B. King was escorted onto the stage, making for a grand entrance as the crowd greets him with a standing ovation. He takes a seat at center stage and goes through the introductions of the band, poking fun and setting the laid back tone of the evening.

    “Here is something for the lovers tonight,” B.B. cooed as the band opened with “I Need You.” His voice is still strong as his vocals are crisp and echoed beautifully around the Palace. He plays each note on purpose with an incredible ease and care. The long exaggerated plucking is second nature to him and so are the blues. “You Are My Sunshine” started a massive sing-along that was adorable coming from everyone in the audience. As the lights would begin to darken, B.B. would request them to be brighter as he got a kick from looking out at all the fans trying to get his attention; this shifted the focus off of the music and was a bit irritating.

    But the show went on to “Rock Me Baby,” a sophisticated, sexy song with a slow tempo, consistent buildups from the band, and rebellious guitar riffs from B.B. The show came to an end all too soon as B.B. said his good nights with a very slow exit. B.B. King still performs with a smile, booming vocals and mighty hands, but it was a disappointment to have the show end so early with such a short setlist. Despite his distracted stage presence, the 88-year-old musician is still a must see act as he continues to spread the blues to Upstate NY and beyond.

  • Tycho entrances The Sinclair, Boston 4/17

    The Sinclair was in for an epic night on April 17th when Tycho took to the stage as a part of the “Awake” tour for his newly released LP. Tycho, otherwise known as Scott Hansen (the main man behind the curtain), utilizes synths, guitar, bass guitar and his own visuals and programming to hype up his act. He’s been in the works since 2002 but recently has been touring with a live backing band including Zac Brown on guitar and Rory O’Connor on drums. His unique pairing of psychedelic synths with hypnotic guitar patterns has formed a distinctive ambient sound that fans have been craving for years.

    the sinclair
    Tycho_13

    With the anticipation at its highest peak and the beginning bass notes slamming through the speakers, everyone in the crowd at The Sinclair inched forward expecting a big entrance, only to see Tycho and his band humbly walk to their positions on stage. They shyly waved to the audience as people screamed and entered into the first number from their newest album, “Awake”. Just like their entrance, the synths, keyboard and guitar riffs flowed sweetly together to send every audience member into an immediate trance. Tycho refused the exaggerated energy of the high beam flashing lights that their opener, Gardens & Villa rocked so well with a new-age disco vibe. Instead they stuck with an honest low-lit environment that complimented the screen behind them. They amped up the beat with some intricate drumming patterns that barely allowed your head to bob as you watched the second star of the show: the artwork. One cannot speak about Tycho without speaking about his artist/photographer counterpart, otherwise known as ISO50. The music changed completely with his silhouetted figure swallowed up in the projected dreamlike sequences. Eyes were overcome with images anywhere from a mixture of space and sky, to slow motion splashes of feet running through the ocean, to a girl wrapped in the wind, slowly being drowned by the white light. All of these were intermittently overlaid with his design work – beautiful pink and orange and red stripes taking different forms, reminiscent of his most recent LP cover. As the psychedelic ambience washed over you, so did the slow sunsets and splashes of his video art.

    the sinclair
    Tycho_5

    Tycho mixed up the evening with schizophrenic switches from new to old to even newer. After breezing through a few songs in “Awake”, the band dipped back to the classics, throwing in tracks from the album Dive” including “Hours”, “Ascension”, “Daydream”, “Dive”, and any Tycho-lover’s favorite, “A Walk” for his encore. He livened up the set with some new numbers called “Pip” and “E:”, both vibrant with his signature repetitive synth chords and heavy with drums. Of course the newest tracks caught the most attention with their beat-driven base and unique guitar parts. Tracks like “Apogee”, “See” and “Montana” really got the crowd moving, if they were able to break out of their psychedelic abstraction.

    In the end, Tycho was gone just as quickly as he hobbled on stage – the night breezed by. Maybe it was the daydream we all entered so unknowingly; maybe it was the trippy flashes of people spinning in saucers, musicians in large hats and water droplets spilling through the screen and into the crowd. Whatever it was, being “Awake” hit us hard – if you’re ever in a live Tycho trance, you’ll never want it to end.

    Setlist: Intro>Awake, Dye, Hours, Ascension, L, Daydream, Spectre, Apogee, Dive, Pip, See

    Encore: E:, A Walk, Montana

  • Hearing Aide: Alan Evans Trio ‘Woodstock Sessions Volume I’

    Recorded in one magical evening with a small studio audience and comprised of a straight take with no overdubs, the Alan Evans Trio‘s Woodstock Sessions Volume I is a timeless document of a musical moment of creation. Developed over the course of an intimate evening at Applehead Recording Studios, the recording retains the freshness of an improvised performance as well as the crispness of a studio recording. The magic is to be found in the communication between the players, who were unfazed by the recording machinery and luminescent red recording light.  The trio successfully captured the live vibe and thick atmosphere of the concert experience.

    Alan Evans Trio

    Drummer and band leader Alan Evans immediately conducts the band through the 80+ minute set, beginning with a funktified and extended run through of the fuzzy and smooth, ‘They Call Me Velvet’.  The power of the trio is on full display immediately as Beau Sasser’s organ saturates the air with the sound of multiple instruments. The thick, creamy funk of the band is their specialty.  As they slide into ‘If You Want My Love’, guitarist Danny Mayer strikes out with classic James Brown chord structures, meeting with Evans’ emotive beats to equal a hip street walking ass shake.

    The track ‘Thor,’ the subject of which is a guitar amp, fittingly features some nimble-fingered riffing by Mayer, touching on some of the fringes of acid jazz. The joy here is that the band is playing fully orchestrated and arranged pieces that contain uniquely original improvisational passages brimming with joyful attitude. ‘Have You Seen Him,’ contains themes that elicit memories of the grooviest ‘Shakedown Street’ with an envelope filtered guitar that works in conjunction with the drums while Sasser’s organ paints in long broad strokes.

    ‘Crooooz’ is a highlight of the set with a luscious groove that sets the perfect backdrop for more atmospheric organ excursions reminiscent of some earthy Jimmy Smith. The band keeps the marathon live recording moving forward breathlessly, changing tempos, keys, and vibes at the drop of a dime. The diversity of the band gets an airing with the ‘spoken word’ and classically jazzy, ‘What Happens In the Woods.’ Scattered and spacey drumming in conjunction with a star-dust guitar dressing provides the framework for Evans’ humorous story telling.

    The evening concludes with another highlight, the aggressive and powerful ‘Cosmic Hazeldust’, containing all of the impressive elements that make up the band and the recording. Slick keyboard exclamations, wildly on point guitar work, and the knockout punch of Evans thunderous drum kit.

    Taken as a whole, the entire Woodstock Sessions Volume I plays out like a created storyboard, each musical excursion a beautifully created scene. Organically developed, yet tight and practiced, the album reaches numerous peaks and euphoric highs. The organ lines intertwine with the guitar melodies, playing off of the multiple rhythmic ideas of the drums.  The recording captures music during its genesis as it’s developed by the minds and fingers of the players and disseminated to the hearts and ears of the listeners.

    Key Tracks: They Call Me Velvet, Thor, Cosmic Hazeldust

    Check out the full album here.

  • Hearing Aide: Perfect Pussy Debut ‘Say Yes to Love’

    FolderPerfect Pussy’s full length debut Say Yes to Love is the core definition of hardcore punk.  An album that is very loud, fast, noisy, and with a much-needed raw attitude that most punk bands are lacking nowadays.

    My initial reaction when I start playing the album was “WTF?” because I didn’t see it coming.  Once the opening track “Driver” started, I knew I was in for a punch in the nose.  My favorite track is easily “Work” because of the eerie opening guitar riff from Ray McAndrew mixed with the quick trippy bass line from Greg Ambler.  Vocalist Meredith Graves spits out punk-like poetry throughout the entire album over muffled noise that adds a very unorthodox flavor to their sound.

    Another fun track is “Advance Upon the Real,” which is very muffled and very fast.  The drums from Garrett Koloski really stand out on this one.   Keyboardist Shaun Sutkus’ talent is on full display with the closing track “VII” which seems to be slightly subliminal.

    Overall, Say Yes to Love is a very fast-paced and trippy punk record that can be played from front to back in less than a half hour.  It’s definitely a fun listen and a breath of fresh air, but, most important, the element that stands out the most is the attitude.  Perfect Pussy has a bright future and Say Yes to Love is a must own for any hardcore punk fan.  The album can be purchased here.

  • Boston Calling Announces September Lineup and Gears up for May 2014 Festival

    Boston Calling music festival takes over Boston’s City Hall Plaza twice in 2014. The festival has grown since its first year to now be a 3 day festival twice a year instead of a 2 day festival twice a year. Making multiple stages on the plaza, the festival lets Boston shine in the background of all the groups performing. Although there is no camping, the city has so many hotels in the area that it should be fairly easy to find lodging.

    The May portionboston calling festival 2014 of the festival is taking place over Memorial Day weekend from May 23rd to the 25th. Acts scheduled to play include Jack Johnson, Modest Mouse, Death Cab for Cutie, The Decemberists, Bastille, Tegan & Sara, and Frank Turner and The Sleeping Souls. Tickets are on sale now in various formats including single day, weekend only, all three days and VIP.

    Today Boston Calling announced their September portion taking place from the 5th to the 7th. Taking the stages over that weekend will be The National, Lorde, The Replacements, Nas x The Roots, The Hold Steady, Lake Street Drive, White Denim, and Girl Talk. This is also looking likely to be one of the last east coast dates for Neutral Milk Hotel for the foreseeable future. Tickets for the fall festival go on sale tomorrow.

    With these eclectic lineups, Boston Calling is spearheading the festival scene in the Northeast with something for everyone with a great mixture of –  indie, rock, hip-hop, and EDM. Get your tickets for these now as they will likely sell out much sooner than later.