They will share the stage with Chevelle, A Day To Remember, Middle Class Rut, J Roddy Walston and the Business, Big Data, Tove Lo, and Joywave.
Sahlen’s Stadium will host the event August 9th.
For Cry to the Blind, it’s another rung on the ladder.
The band has released three CDs independently since 2009. They are a heavy, modern rock band, who market themselves as a “therapeutic release” for their fans. They like to promote a “positive spin on the negative energy that surrounds us every day,” as stated on their Facebook page.
Last December, the band released a cover of Miley Cyrus’ “Wrecking Ball” taking the No. 1 pop single and making into a hard rock track of their own. The accompanying YouTube video went viral, earning them enough attention to gain play time on Sirius Octane.
Earlier in the year they shared the stage with Imagen Record’s Framing Hanley in Watertown. The band had also filmed a video for a new release “Unbroken” in partnership with Imagen Records back in March.
Cry to the Blind is not signed with any record labels as of yet, but the pairing up with Imagen appears to be something worth keeping an eye on for the near future.
Editor’s note: We previously reported that Bonzai would take place in July.
So, you say you can’t make it to Manchester, TN to attend Bonnaroo this year. Just as well, it starts this afternoon anyway. And, have you seen the crowds?
That’s okay, because the festival has got you covered. You can stay home and turn on your computer, or Xbox, and watch every performance from Bonnaroo 2014 online, from the comfort of your living room.
Each performance will appear on a live webcast, on the festival’s site. The list below, shows the time (and corresponding channel in parentheses).
Friday, June 13th: 3:30pm – Umphrey’s McGee (1) 3:30 – Break Science (2) 4:00 – Jake Bugg (2) 4:45 – Jon Batiste (1) 5:15 – Cass McCombs (2) 5:30 – Janele Monae (1) 6:00 – Andrew Bird (2) 6:30 – The Head and the Heart (1) 7:15 – Jonathan Wilson (2) 7:45 – CHVRCHES (1) 8:15 – Cloud Nothings (2) 9:00 – Pusha T (1) 9:15 – Robert DeLong (2) 10:00 – Vampire Weekend (1) 10:15 – The Naked & Famous (2)
Saturday, June, 14th: 3:30pm – Tedeschi Trucks Band (1) 3:30 – Valerie June (2) 4:00 – Cake (2) 4:45 – Dr. Dog (1) 5:00 – Sam Smith (2) 5:45 – Damon Albarn (1) 6:00 – Cage the Elephant (2) 7:00 – Phosphorescent (1) 7:00 – Polica (2) 8:00 – Lionel Richie (1) 8:00 – Die Antwoord (2) 8:45 – James Blake (2) 9:45 – Chromeo (1) 10:00 – Cut Copy (2) 10:45 – Jack White (1) 12:15am – Derek Trucks Superjam (1)
Sunday, June 15th: 3:30pm – St. Paul the Broken Bones (1) 3:30 – Okkervil River (2) 4:15 – Warpaint (1) 4:15 – Fitz & the Tantrums (2) 5:15 – Disclosure (1) 5:30 – J. Roddy Waltson & The Business (2) 6:15 – Broken Bells (2) 6:30 – Danny Brown (1) 7:00 – The Avett Brothers (1) 7:30 – Warpaint (2) 8:15 – Wiz Khalifa (2) 8:30 – City & Colour (1) 9:30 – Elton John (1) 9:30 – Little Dragon (2) 10:45 – Washed Out (2) 11:30 – Zedd (1) 11:45 – Amos Lee (2)
Music has always been a life-sustaining medium for Jeremiah Shea. Some of his earliest recollections of having “the bug” include drumming on anything he could hit his hands on, air guitar snow shoveling throughout the long Buffalo winters, and going to bed while listening to the radio. The snow guitarist in particular was one of those forks in the road because, after so many years of frustratingly strumming a wooden handle, he needed a change and proceeded to buy an actual electric guitar the summer of his freshman year of high school. The writing was always on the wall, but that sole constructive purchase would change his life forever and provide the creative outlet he was clearly lacking.
Fast forward to today and Jeremiah is, first and foremost, a proud father of two incredible children (Jack, who is 4 years old, and Anabelle, who is 7 months) and happily married for the past seven years. The music is still there, but his relationship with it has since evolved to more of a creative driver and less of a passive listener. His time now is spent sharing his passion with his family through writing, listening, and playing music.
By day, Jeremiah works for Ingram Micro where he is able to utilize his technical background to consult customers, engage with manufacturers, and help drive business for the company and its partners. The 9-5 though isn’t, in and of itself, fulfilling though as there is still the gap that only music can fill. Upon a chance back in 2012, Jeremiah responded to a Facebook post from an editor at Buffalo’s Artvoice who was looking for writers in the area. After getting the opportunity to try out, Jeremiah ran with it and began his career as a professional music writer. Now two years later, Jeremiah still writes for Artvoice, but obviously branched out and has also been working for since 2013. Over the course of two short years, Jeremiah has had the opportunity to see countless live shows and interview some of his biggest influences. The list of interviewees includes Umphrey’s McGee, Lettuce, Marco Benevento, Rebelution, Alan Evans Trio, Zach Deputy, Joseph Wooten, Protest the Hero (first time/second), Snapcase, Jefferson Waful, Luke Stratton, Johnny Goode, Funktapuss, Armcannon, Aqueous, Zach Deputy and many more.
That aside, his biggest achievement came this year when he was asked to write the liner notes for the Alan Evans Trio Woodstock Sessions album. In another bout with serendipity, Jeremiah was able to attend because he literally pulled off the side of the road when hearing the announcement and immediately emailed Alan Evans to apply. It was because of that chance that he got to meet Alan and establish a wonderful working relationship, giving way to the album contribution.
Outside of music, Jeremiah also enjoys playing and watching various sports. As a die-hard fan of the Bills and Sabres, he’s swallowed the “maybe next year” mantra hook, line, and sinker that every sports fan in Buffalo has come to accept. On the creative side, Jeremiah still plays guitar, but also enjoys drawing with chalk in the driveway with his son, cooking, and Photoshopping pictures of his kids.
Maybe it’s that blue-collar attitude that Buffalo breeds that has helped elevate him to where he is today, but regardless, Jeremiah is just happy to have a good job and enjoy a hobby-like side career that surrounds his life and family with great music. Whether playing, listening, or writing about music, Jeremiah loves to share with the world the significance it’s played in his life. If there’s one thing he’d tell you, it would be to pick up an instrument as it’s never too late to play. His kids may be young, but he’s hoping they too will embrace life’s rhythm and find their niche in the world of music.
Jeremiah’s musical bucketlist includes Rage Against the Machine, Eric Clapton, Pink Floyd, The New Mastersounds, Soulive, Stevie Wonder, Maceo Parker, The Nth Power, The Meters, and The Neville Brothers.
Last week, on the eve of my birthday, I decided to stay up late on a weekday, knowing that I’d have to wake up by 6am the next day to go to work. Yo Mama’s Big Fat Booty Band was in town though for their first show ever in Buffalo and I wasn’t going to miss it. Even with the exhaustive circumstances, what transpired that night invigorated me in a way not every concert does. Waking up the following morning, I felt alive, beaming with excitement, and still humming the notes from the night prior. I can only speak for myself, but throughout life, I am constantly chasing that kind of high from music, but was certainly not expecting it to this degree when I walked in to Nietzsche’s the night before.
As I approached the building, I still wasn’t sure what to expect. There is no adjacent parking lot, so you can’t tell if the venue is packed or empty for any show. Crossing the threshold, it was as though the doors had just opened even though I was unfortunately late to arrive. My disappointment in Buffalo for not showing up on a night like tonight – where a band was making their first appearance here – started the night off on the wrong note. Regardless of the crowd situation, on this particular Thursday, Nietzsche’s was the place to be as Yo Mama’s Big Fat Booty Band was ready to share their gritty funk with whoever showed up.
Changing their opening song on the fly, the band kicked things off with a new song in “Wake Yo’self”. This song will be featured on their upcoming album, so the only way to catch this one at the moment is live. The bass line throughout the song had a relentless determination to it that gave the crowd a reason to move right from its opening notes. As it propelled forward through thick and heavy waters, trombonist Derrick Lee Johnson and keyboardist Mary Frances, aka Mama Funk, highlighted his spaces with peaks of cutting tone. There might not have been the greatest turnout for their first show, but the band was determined to have a good time and make sure everyone else did too. Talking with the band after the show, I brought up how bassist Al Al Ingram’s tone is similar to the bass tone on Cake’s “The Distance”, but in a heavier and funky way. The band collectively laughed in agreement and shared how they actually had talked about covering that song on numerous occasions. The show was off to a great start and with a lot of people in attendance unfamiliar with the bands songs, this was the perfect choice as it immediately grabbed everyone’s attention.
Mama Funk Leading the Booty Band
The band continued to light up the crowd with one heavy-hitting song after another. I’ve always felt that a smaller crowd can affect how a band plays in a negative way, but not these guys. On several occasions throughout the show, various members stepped off the stage and came right out into the crowd to dance. Mama Funk, Derrick Lee Johnson, and Al Al Ingram all took turns playing their instruments amongst the dancers in attendance and it really helped elevate the crowd’s overall response. Mama Funk specifically blew me away as her sweet and unassuming look was only a disguise. Throughout the night, she displayed her prowess on the keyboards as she supported the band through her various tones, ripped through solos, and constantly exuded a fun and free spirit that came out through her playful approach. It was all about a good time with her and the band as a whole and there was no shortage of those moments on this particular Thursday night.
The Booty Band played a variety of music from their catalog, but two covers stood out as I had never heard a band cover a hip hop song before in person. The band chose two Dr. Dre songs in “Let Me Ride” and “Nuttin’ Butt a G-Strang” – the latter being an obvious play on the famous “Nuthin’ but a ‘G’ Thang”. Both of these songs were instantly recognized by the crowd and hit me about as hard as the originals did when I first heard them. The songs had such a beautiful, funky flow to them, similar to the original, but felt right being instrumentalized. Adding layers of live and spacey keyboard runs made two already fine choices that much better. The funky rides down memory lane were complete with rap battles between Johnson and Ingram and choruses colored by Mama Funk. By sharing the vocal responsibilities on these two and others over the course of the night, the self-proclaimed “Mountain Gangstas from North Carolina” were able to flex to the style they were playing and showcase the voice that made the most sense.
John Paul Miller on guitar with Al Al Ingram and Derrick Johnson in the background
The Booty Band’s spirit was just contagious. As they wrapped up their set, the crowd was simply not ready to let them go. After some clamouring, the band returned with grins all over their faces, ready to keep the night going a little longer for the outpouring of appreciation. One person from the crowd yelled, “hey, we all have to work tomorrow, just play one more song.” It was clear that those in attendance didn’t care that it was already past 1am at this point and I couldn’t have agreed more; we all just wanted a little more before they packed up and left. The band obliged with two songs to close the night that featured some heavy grooves and some deep funky ruts. Drummer Lee Allen was blatantly abusive towards his drum kit during the finale, making sure that his talented band mates wouldn’t completely overshadow his own impressive skills; everyone in the crowd already knew this though as Allen drove the rhythm the entire night. This band is loaded with talent from the front of the stage to the back, and if you haven’t taken the time to listen to them or catch them live, you need to drop what you’re doing now and make some time.
On a final note, I have to take a second to outline the band’s genuine appreciation for their fans and that they get to wake up and play music everyday. I talked to both Derrick Lee Johnson and Mary Frances after the show, separately, and I thought it was interesting how they echoed similar sentiments when I asked them for their thoughts on the turnout. Mary Frances said, “”It doesn’t matter if there’s 20 people or a packed house, everyone deserves a good show”. While Derrick Lee Johnson said, “I get to do my passion every single night. Whether it’s 10 people or 10,000 people, I get to pick up my trombone every night and play.” Hearing this from two different members in an off-the-cuff conversation was a breath of fresh air. There’s so many acts nowadays that play for the money and fame and those are the same bands you hear have broken up because money and fame don’t happen overnight. After hearing this, I thanked both of them for having that love and passion for their craft and that definitely translated as they genuinely had fun on stage and you could tell that they enjoyed the night just as much as everyone that was in attendance. The money and fame will come to them in time, so long as they keep doing what they’re doing, people are bound to catch on. I know that next time they come around, everyone in Buffalo will be bringing a friend as they easily won over those who came to dance on a late Thursday night/early Friday morning. As for work the next day, I got by and I am indebted to these guys for kicking off my birthday in the best way possible – with an incredible, booty shaking display of live music!
Setlist: Wake Yo’self, @$$, Quick E, Funk Life, Let Me Ride*, Cancion de Fuego, Mama Feel Good, Sunday Afternoon, Sanchez, Shadows -n- Sunshine, Nuttin’ Butt a G-Strang (Nuthin’ but a ‘G’ Thang)*, 24/7, Naw Brah, Flea Bite, Trunk, Livin’ the Dream
When Mysteryland USA was announced I was immediately interested in covering the event. I was excited that a multi-day music and camping festival was going to be held at the site of the original Woodstock festival and the fact that the music at Mysteryland would bear little resemblance to the original festival. ID&T, the company hosting Mysteryland, started as a hardcore record label in the late 1980s as dance music exploded in Amsterdam. By 1993, they had organized the first Mysteryland festival in Holland. In 2002, the festival switched to a day and night format. One of the goals of the festival is to promote friendship and inspiration, and this is accomplished by working with record labels and other artists to curate multiple stages, art installations and food and drink vending.
Mysteryland allows its guests to become part of a truly interactive environment, not knowing what exactly is going to happen next. You can meet people from the same place that you’re from, or from the other side of the globe. You can hear new music from acts you might not have heard of, or you can check out a favorite performer in a unique new setting.
On Friday May 23, 7,500 Holy Ground campers began celebrating Mysteryland USA 2014 at the Camping Circus stage, located within the Holy Ground camping area outside of the main festival venue. The music provided a nice backdrop as people arrived and began setting up their campsites. By the end of the day the camping area was packed out. Navigating through camp to the showers, portos, stage and vendors was tricky during the days as occasional rain contributed to the most traveled pathways between tents becoming extra soggy. During the nights it got even harder as the harsh light from the light towers placed around the campsite forced you to shield your eyes so that you could focus on what was immediately around you; having a small flashlight here was clutch. Although the daytime temperature rose above 70 degrees F, it cooled to near 40 degrees F at night.
Dancing under the tent of the Camping Circus stage Friday night provided a small preview of what was to come for the weekend when the festival officially kicked off on Saturday. The featured performance Friday was the official pre-party, Nicky Romero Presents: Protocol NY Reboot. Even in the cooler nighttime air, the dance floor under the tent got hot and sweaty as you moved towards the center of the crowd, and standing at the edge of the tent you could observe a noticeable difference between the ambient temperature and the heat generated by the party inside, moreso when the breeze picked up. The BangOn! NYC Boombox Van was parked not far from the Circus tent and played music into the night after campers had returned from the main stages, adding an extra dimension of sound and activity to the atmosphere in Holy Ground. I enjoyed John Dahlback and Don Diablo before Nicky Romero took the stage for a great high energy set, which turned out to be a good example of how his set would go on the Main Stage the next night.
On Saturday, I finally got to see the main festival venue. On the way in I took a small detour to visit the monument commemorating the 1969 festival. It is located past the main gate and looks towards the site of the stage and the field that the fans watched the show from. This field was decorated with many rows of flags and was named the Ceremony Field at Mysteryland. At the front of the field were several teepees, a fire pit, a small stage and a dancing circle. The official opening ceremony was held here, and featured members of the Red Hawk Council, which represents first nations and indigenous people of the Americas. The ceremony began with traditional native drumming and chanting.
A speaker from the Red Hawk council welcomed us to Mysteryland and explained how the native focus on the earth, honor, integrity, respect and love was reflected in the crowd and experience of Mysteryland. We were asked to think about what we want in life, and what we need from it. The happiness and peace that comes from the music and the dancing that we were going to participate in, and the friendships that we came with and the new ones that we were going to make, shows us that this is how Mother Earth wants us to be. After the speech, the Red Hawk dancers were introduced and they began to lead the crowd in traditional ceremonial dances. They showed us two different dances before a small rainstorm began and scattered the crowd. And this is how Mysteryland really began for me.
There was so much to do and see here that it was truly overwhelming. Once the music starts, one quickly realizes that they can stay at one stage for most of the day and experience the type of music they enjoy most. The tent stages – Big Top, The Sound of Q-Dance, and Spiegeltent were all full of people dancing and enjoying the sounds of pop, electro, hardstyle and experimental house. Like the Camping Circus stage, the Big Top and Q-Dance stages were under large tents. The Spiegeltent was a traditional Dutch portable venue constructed mostly from wood, and being inside it actually felt like being inside an actual building, which was unique here at Mysteryland.
The Vinyl Only stage was tucked into a stand of trees, and had an open air DJ booth at one end of a synthetic dance floor surrounded by stage rigging decorated with vinyl records. There was a small pavilion behind it that had many disco balls hanging from its ceiling. I really enjoyed this stage for its steady blend of house music.
Big Gigantic closed the Boat stage on Saturday. This was an open air stage in front of a small slope. The whole facade of the stage was fabricated to look like a sailing ship. The DJ booth appeared to be in the cabin in the center of the ship, and there were several pairs of large butterfly styled sails rising above it. Dance platforms were located on both sides of the DJ booth for those with backstage access. Big Gigantic was one of the most unique acts here because they use live instruments – drums and a saxophone – to provide rhythmic and melodic textures over a base of electronic sounds with styles ranging from jazz to hip-hop to dubstep.
Kaskade closed the Main Stage on Sunday. This stage was styled as a house of cards in an Alice in Wonderland theme. The DJ booth here was in a ML cutout in the center of the stage, with five towers of cards rising around it. The central tower was the tallest and featured a clock face at its top. All of the hour markers around the face of the clock read ‘NOW’. The finale at the end of Kaskade’s set was fantastic. After more than ninety minutes of driving electro with elements of pop, trance, moombahton and more, all of the lights within the card towers were flashing and pairs of laser lights were tracing multiple layers of colored wedges through the smoke above the crowd. And then the fireworks started. Small rockets were launched from within the crowd on the field in front of the stage, slicing through the layers of smoke and lasers and exploding in the sky above the festival. More fireworks were launched off in the distance to the left of the stage. The launching, whistling, expanding and exploding were all choreographed to the music and a farewell monologue to the guests of Mysteryland, reminding us that yesterday is history, today is a gift, and tomorrow is a mystery.
Mysteryland USA 2014 was presented as well as or better than most debut festivals. The rainy weather leading up to the festival contributed to some delays and under-performance of some of the technical and logistic aspects of the event, but on the whole the vibe was fun and positive and the music and art created an environment shared by more than 20,000 people for two days that really took you away from the day-to-day world. ID&T is already planning another Mysteryland festival for Memorial Day weekend in 2015 and is hoping to make it an annual event. I look forward to spending a few short days at Mysteryland in the future and finding it better than when I left it.
Frost Ridge Campgrounds boasts a long history – 50 years, to be exact – for being a site to see live music. Nestled deep within the farmlands and orchards of Western New York, it lends to an intimate, outdoor venue for live music, while also being accessible to the cities of Buffalo and Rochester, both about 40 miles away.
But, to those who reside near the campground, the amplified music and crowds that draw nearly 800 people, is far from ideal. Coupled with the fact the Town of Le Roy ultimately said the concert venue, a proposed bar and grill, and even the campgrounds themselves violate the town’s zoning.
Recently, New York Supreme Court Judge Robert C. Noonan granted a temporary injunction against amplified music at the campgrounds, as the town pursues a lawsuit that could potential shut everything down.
David and Greg Luetticke-Archbell, co-owners of the Frost Ridge Campgrounds, responded with the following statement:
The Town of Le Roy, NY (Town) has filed suit against Frost Ridge Campground LLC (Frost Ridge) alleging they are in violation of local zoning code. After initial arguments, Judge Robert C. Noonan has ordered Frost Ridge to temporarily suspend “amplified outdoor concerts and alcohol service” until the merits of the lawsuits can be fully addressed.
Of course, Frost Ridge has complied and will continue to comply with Judge Noonan’s Order. In the meantime, Frost Ridge remains open to all its camping guests, and will continue to seek alternative options and potential venues for its live music.
Again, we thank our guests for being patient, as we have had to be patient. We need to allow this process to be worked through. There may be a few bumps along the way, but everyone who knows us will realize that we work through issues to resolve them.
To comply, Frost Ridge has made arrangements to host their scheduled concerts at an indoor venue off the campgrounds. Attempts to contact Frost Ridge for comment went unanswered.
The events have been earnestly reported by The Batavian, an online news source for the local community. Through their investigating of the events, the crux of the matter seems to lie on how the land was being used in 1967.
Ownership of the grounds has changed hands a few times over the years. Luetticke-Archbell bought the grounds in 2008. In doing so, there was no apparent confusion over how the land could be used, due in part to a 1998 decision by the town’s zoning board of appeals. As the land was being sold nearly 20 years ago, its owner asked the ZBA to clarify how it was zoned. The board supposedly responded viewing the activities on the grounds as “preexisting nonconforming”, as they were established before the town devised their master plan in 1967.
Since 2012, Luetticke-Archbell have started to establish a healthy summer music festival, luring music talents from across the country. According to the campground’s website, music has been played there since it was known primarily as a ski lodge. The campgrounds, according to the two brothers, were established in 1963.
The town, citing from their records, see only the ski lodge as being grandfathered into their zoning plans. Everything else, after 1967, would require a use variance, which would go through the ZBA, whose present members have since disagreed with the board’s decision in 1998.
New York welcomed back the Swedish rockers known as Ghost B.C on May 14. This time accompanied by very dark folks King Dude, they delivered a powerful performance to a packed Best Buy Theater. With a nice touch of neo-folk, the lesser known King Dude opened the ceremony with a beautiful set of Luciferian music. The mystery that surrounds Ghost, their enigmatic, mysterious personnel known as The Nameless Ghouls, and their leader Papa Emeritus II will forever draw in a mass of faithful followers that gather around to celebrate a black mass of 70’s style rock. The electricity and emotion were in the air as their devotees chanted along all night with passion and faith to some of their biggest hits.
Setlist: Infestissumam, Per Aspera ad Inferi, Ritual, Prime Mover, Jigolo Har Megiddo, Con Clavi Con Dio, Elizabeth, Body and Blood, Death Knell, Here Comes the Sun, Depth of Satan’s Eyes, Stand by Him, Genesis, Year Zero, If You Have Ghosts, Ghuleh/Zombie Queen, Monstrance Clock
Art Garfunkel, legendary folk singer known for his part in Simon and Garfunkel, has recently taken back to the stage after three years of recovery from vocal cord weakness with a number of performances in the greater Northeast. This Saturday, he brings his performance to the Paramount Hudson Valley one night after a nearby show at the White Plains Performing Arts Center in White Plains.
Diagnosed with vocal paresis in 2010, Garfunkel felt a tragic loss with his inability to sing. In the time he spent off stage he took to other forms of expression in writing and poetry. In early 2013 he felt the need to return to singing, as a singer does. He has overcome the tragedy (as he calls it) by learning how to sing differently, in a lower register.
Now over a year after his return to the stage, Garfunkel has built a performance based on his songs and writings. On his tour he is joined by guitarist Tab Laven performing songs from his years with Simon and Garfunkel, his solo work as well as covers from some of his favorite songwriters. Aside from song, Garfunkel will also share thoughts from his writings and poetry.
Be a part of “An intimate Evening with Art Garfunkel,” an acoustic performance with songs, anecdotes and prose at the historic Paramount Hudson Valley in Peekskill this Saturday. Tickets for this performance are available here.
For a full listing of Art Garfunkel’s performances, visit his website here. He is scheduled for five additional Northeast stops in Massachusetts, New Jersey, and Queens before moving on to England for five performances in September.
moe. will be coming back to where it all started on Thursday, June 19th at Buffalo, NY’s hottest summer venue, Canalside.Conehead Buddha will be opening for moe. and should be a great opening act as they have been playing for many years throughout the northeast. The show is also the second of many free events on Thursdays this summer at Buffalo’s waterfront area. There is also an option to purchase VIP tickets that allow front of stage access as well as complimentary beer, wine and appetizers.
moe. is coming off of their newest album release, No Guts, No Glory , which came out at the end of May. The band has several dates throughout the summer as well as many stops throughout New York. moe. never seems to disappoint when coming back to Buffalo, so make your plans to head out to Canalside to catch them at this free event.
Gratwick Park in North Tonawanda, NY will host Primus at their annual Niagara River Rocks Concert Serieson Sunday, June 22nd. Primus will play the waterfront show with opening act support from Fishbone.
Primus has been staying very busy with touring and this summer will be no different, scheduled to be at many festivals throughout the summer. Primus has been playing together for over 25 years and brings all sorts of influences to the table, with frontman and bassist Les Claypool’s unique style in the forefront it really makes for an interesting evening.
Doors open at 2PM and the show starts at 3PM, all ages are welcome. Tickets can be purchased for $7 or you can purchase VIP tickets for $30 which includes such benefits as private bathrooms, beverage stands and optimal view of stage.