Category: UpstateLIVE Archives

  • Interview: Discussing The Beatles with Dr. Gordon Thompson

    There is little question as to how quickly news travels today.  With the advent of smart phones, computers and 24-hour news services – the impact of the event is as immediate as its occurrence.  But, the collective experience is no longer as vivid, only because of the diversity by which we all receive the news; where one person may watch a transmission over television, another is viewing it from his iPhone.  The shared memory isn’t quite shared at all.

    In 1964, television was the leading means of entertainment, and NBC’s Ed Sullivan was the man to provide you that entertainment. Radio could no longer compete.  And, the home computer would not be conceptualized for another 20 years.  Sullivan practically invented “prime time” television with his 8 p.m. telecasts.   But, on February 9th, he not only entertained viewers, he created news.  And, in doing so, had a hand in creating a memory.

    Dr. Gordon Thompson is the music department chair for Skidmore College in Saratoga Springs, NY. He remembers that broadcast of The Beatles, as, it seems, everyone from his generation.  It’s a shared memory as vivid as that February night 50 years ago.

    “In 1963-64, a generation of baby boomers sought to distinguish themselves, not only from their parents, but also from their older siblings,” said Dr. Thompson. “As usual, they did this en masse, just as they always do, whether hippies, punks, gangstas, etc. They buy the same clothes and adopt the same jargon, all as a way to separate themselves from the others.”

    Dr. Thompson is a ethnomusicologist, or one who studies the relationship between music and culture. He is also respected as this area’s leading expert on all things Beatles.

    And, come July 5th, he’ll have a seat at Albany’s Times Union Center to attend a Paul McCartney concert.  Ironically, on account of the ticket prices (which, as of today, are going for as high as $766.50 on studhub.com), he initially thought of not going.

    “Well, this morning I changed course and went for the tickets, so I’m going. I’ll be in section 103.”

    When arena officials announced the event in April, news crackled across all mediums. The excitement seemed to overshadow the news of Ringo Starr performing at the smaller, more intimate, Palace Theatre. Nonetheless, “Macca”, the man behind many of the band’s lyrics, has never been here.  And, though popular music has transformed since “The Fab Four” left the stage, their music is as timeless, and popular, as Bach.

    “I’m not sure exactly that we could call Bach ‘popular,’ but his music was important,” said Dr. Thompson. “McCartney has said that they compared themselves to Bach because, just like him, they were chugging out music on a regular basis for a particular audience. His was the Lutheran church. Theirs was the baby-boom generation.”

    NBC newscaster Edwin Newman reported the details on “Beatle Mania” the following November. Newman, a respected journalist known for his candid interviews of foreign head’s of state, was also a music aficionado. From 1965 to 1971, Newman was a Broadway drama critic.  Later in life, he hosted summer Boston Symphony concerts from Tanglewood, in Massachusetts.

    But, in 1964, it remained questionable whether or not he appreciated The Beatles.

    “It’s anybody’s guess why The Beatles emerged from its cellar night clubs to national prominence, but emerged, they did,” reported Newman, who is held in reverence for his journalistic talents.  However, he was also known for his sense of humor, as evident in his playful quips in the same report. “The sound they make is called the Mersey Sound, because Liverpool is on the Mersey River. [Pause.] The quality of Mersey is somewhat strained.

    One reason for The Beatles’ popularity may be because it’s almost impossible to hear them [over the screaming of fans].”

    Newman’s career as a journalist would span over four decades.

    No one accused him of being a music critic.

    “Trying to second-guess history is a tricky business,” said Dr. Thompson. “Everything looks so inevitable to us, but was much less definite to contemporary players. If not for Felix Mendelssohn, we might not be paying attention to Bach. I’m not saying that Bach’s music doesn’t have much to commend it; but aesthetics are a social construct and social constructs by definition are constantly changing.

    One of the reasons the Beatles remain so important is because of the cultural role they played at a critical point in history. In the wake of the Second World War, the rise of the baby boomers, the exponential growth of globalism – aided by both the beginnings of satellite telecommunications and the initiation of commercial transatlantic jet travel – and the emergence of acoustic-magnetic recording and a convergence of audio playback technologies, the Beatles were the most successful performers out of the gate. Their recordings, indeed their career, helped to define the popular-music industry in such a way that they shaped the very artistic vehicles used by artists today.

    Yes, Lady Gaga is building on Lady Madonna in a way.”

    So explains the appeal McCartney has upon today’s youth. The fingerprints left behind by The Beatles of yesterday are still visable, if not through music than by avant garde choices in fashion. Though it can be safely assumed that part of McCartney’s popularity is fueled behind older generations that age along with him, but the simplicity of and the diversity within the group’s catalogue of music has an appeal for everyone.

    Today, “Beatlemania” is no longer an event, but a shared phenomenon enhanced by the many means in which fans use to listen to music.  The same tools used to disseminate details of current events, draws generations together in a shared memory.

    “They were modernists in an era when parents wanted things to return to an imagined happier pre-Cold War era, “said Dr. Thompson. “In an era of presidential assassinations, brutally repressed civil-rights marches, and an increasingly angry and dangerous world that seemed right on our doorstep, the Beatles irreverently espoused innocence. Rather than duck and cover in fear of an atomic bomb, the Beatles told us to live and be funny doing so.”

    Tickets are still available for Paul McCartney by visiting the Times Union Center box office, or through Ticketmaster.

  • Xerox International Jazz Festival – Photo Gallery: Steve Martin & the Steep Canyon Rangers Featuring Edie Brickell

    STEVE MARTIN & The Steep Canyon Rangers Featuring EDIE BRICKELL

    Xerox Rochester International Jazz Festival 2014, photographer Kelli Marsh

  • O.A.R. and Phillip Phillips Visit Artpark on Wednesday, July 2

    OARPhillips_hpOf A Revolution or O.A.R. as most know them, bring their reggae infused rock sound to Artpark in Lewiston, NY on Wednesday, July 2. The band is known for their electric live performances, this show will be a great start to the Fourth of July weekend with Phillip Phillips

    O.A.R was formed in Rockville, Maryland in 1996 and then relocated to Columbus, Ohio where they attended Ohio State University. The band is led by Marc Roberge (vocals, guitar), Chris Culos (drums), Richard On (guitar), Benj Gershman (bass), and Jerry DePizzo (saxaphone).

    American Idol winning artist Philip Phillips will be opening for O.A.R. for this event. Philips has had the best success post American Idol with his hit song “Home” as well as releasing two additional albums since his win on the show. Philip Philips has said his music has been influenced by artists like, Damien Rice, Dave Matthews and John Butler. Phillips’ music can be described as – “jazz and rock alternative sound. Be sure to get to Artpark early.Tickets can be purchased online here for $11, the show starts at 5:30PM

    O.A.R. – Crazy Game Of Poker

    Philip Philips- Home

  • Catch Phish on the Net From SPAC

    Not going to be around this holiday weekend to catch Phish at Saratoga Performing Arts Center (SPAC)?

    There’s still hope for you.

    Livephish.com will be streaming the three-day event over the Internet.

    Phish is coming to Saratoga Performing Arts Center on July 3-5. One of the crown jewels of venues at which the ever-popular jamband will stop to perform during this year’s summer tour.

    It’s a developing trend for venues and artists to telecast their performances over the Internet. It certainly is a perk for those who are unable to obtain tickets, or simply can’t travel the distance to attend the show.  But, for those who can attend, should.

    For one, live events have an appeal that can not be replicated on a computer. And, another reason was reported by us back in June, when it was announced that the Putnam Den would host late-night shows at two locations: Putnam Den and The Parting Glass in downtown Saratoga Springs.

    The post-shows in Saratoga have become a destination after seeing Phish at SPAC, with up and coming bands, as well as local bands ready to burst onto the scene and keep fans dancing into the wee hours of the night. The lineup for this year’s post-shows is yet another installment of great music that shows the vibrant scene of Upstate New York.

    It’s to be expected that the group will be playing  some tracks from their most recent album, Fuego, which they debuted earlier this month.  Please be sure to read Myke Menio’s review of it here.

  • Xerox Rochester International Jazz Festival: Photo Gallery Fourplay

    For two decades, the contemporary jazz quartet known as Fourplay has enjoyed consistent artistic and commercial success by grafting elements of R&B, pop and a variety of other sounds to their unwavering jazz foundations. In the course of a dozen recordings – six of which have climbed to the top of Billboard’s Contemporary Jazz Album charts – the supergroup has continued to explore the limitless dimensions and permutations of jazz while at the same time appealing to a broad mainstream audience. – See more at: http://www.rochesterjazz.com/artist_lineup/?artist_id=962#sthash.jYLwVv74.dpuf

    Photos by: Xerox Rochester International Jazz Festival, photographer Kelli Marsh

  • The Revivalists Coming to The Waiting Room in Buffalo August 12

    The Revivalists  will be coming to the Upstate New York area with a show on August 12 at The Waiting Room in downtown Buffalo. The Revivalists have been touring non-stop since 2007 and the New Orleans based band has no plans to let up. The group has such an amazing energy level, with their rocking sound and unique blend of music that gets everyone up and wanting more.

    revivalists2

    Opening for the Buffalo show will be home-grown funkadelic jamband Funktional Flow, who have been really taking their music to the next level. The band most recently enjoyed a successful Buffalove Festival, where they were one of the headliners of the event.

    Thomas Wynn and The Believers are set to open the show. The band  comes from Orlando, Florida and has been coined by SOUNDBOARD as – “Southern Rock Muscle/Soulful Rock n’ Blues.”

    The Waiting Room will be the place to be come Tuesday, August 12. You should anticipate a full crowd right from the beginning so get your tickets today. Tickets for The Revivalists can be purchased through the Waiting Room in Buffalo for $15, doors open at 8pm

  • Free Soulive Show at the Xerox Rochester International Jazz Festival

    SLV_0235Supergroups in music usually consist of members who are individually famous for their prior work with another band. If Soulive were to form today, you could say that they would be a funk supergroup, snatching up members from some of the top bands in the scene. That’s not the case though as this is a band that has been around since the late ’90s and is in the opposite position – they were one of the bands who laid the groundwork for funk’s recent resurgence and the groups leading that push today. The trio consists of Alan Evans on drums, Neal Evans on organ/bass keys, and Eric Krasno on guitar.

    At one point the band had been a touring force, even opening for the Rolling Stones and Dave Matthews. Their instrumental combination of funk, jazz, soul, and rock was enlivening and people were taking notice. With each of these guys though, keeping the pedal to the floor and constantly being involved in the scene has led to other projects and ventures. Neal and Eric are touring to a greater capacity with Lettuce, Eric splits that with contributing in the studio and occasionally touring with Tedeschi Trucks Band, while Alan has Playonbrother who have been making a name for themselves as of late. Alan also owns his own studio and regularly produces records for various bands. The net of it is that Soulive performances are now a rarity and shouldn’t be squandered. Given the fact that their shows don’t happen often, with the talent these guys possess, anytime they do get together, it’s usually a magical performance replete with inspiring moments of musical mastery. This Saturday, Rochester is in for a treat as Soulive is set to perform at the Xerox Rochester International Jazz Festival. If my words aren’t a big enough nudge, the show is free and is the only local tour date for the band besides a late August date in Turin when they appear at moe.down. The show kicks off at 9pm at the East Ave. & Alexander St. Stage and is one Jazz Fest act you don’t want to miss.

  • Hometown Heroes moe. at Saranac Brewery in Utica

    It’s officially summer whenever moe. plays their first show of the year at Saranac Brewery. This year it actually was the first day of summer, and the clear skies and warm sun made it a bearable accompaniment to the second of two nights of moe. at Saranac Brewery. More than 1,000 fans filled the outdoor venue, drinking Saranac’s latest offerings as well as staples such as Pale Ale and Adirondack Amber. An attentive crowd, the brewery attracts a strong hometown crowd for the Utica summer concert series, but nothing like moe. brings in.

    hometown moe utica
    moe. Saranac Brewery

    Kicking off the night with three newer tunes, two off of the recent No Guts, No Glory release, warming the crowd up slowly with the more familiar “Billy Goat” followed by “Annihilation Blues” and “Do or Die”, all warmly received, but not as much as the next trio of songs. The classic combo of “Not Coming Down > Wormwood > Okay Alright” featured Conehead Buddha horns from Shaun Bazylewicz, Terry and Shannon Lynch on all but “Wormwood”, which had a more aired-out pace to it. “Nebraska” found the horns on stage once again,  as well as on “Late in the Evening”, a fully rhythmic version that had some interesting interplay between horns and percussion, as well as Marley Amico joining on saxophone . The classic jam vehicle “Moth” ended the set nicely, and set the stage for a phenomenal second set.

    Things began a bit dark, and not just because the sun went down. moe. took their time getting into “Spanish Moon”, working patiently into the intro that kept everyone guessing. Joined again by Conehead Buddha horns, the crowd erupted as Chuck sang through the Little Feat lyrics, taking their time to explore the entire composition. Local musician Jason Barady joined on mandolin for “Jazz Wank”, which took a meandering stroll through the improv-friendly composition before segueing ever so nicely into “Buster”, garnering the biggest cheers of the night – the anticipation was stroked ever so carefully on this one.

    “Buster” found its way into “Yodelittle”, which clocked in at over 20 minutes and featured a nice jam, segueing into “Four”. With two distinct improv-induced movements, there was full band contribution on making this version of “Four” a stand out among its peers, and made for the highlight of the night, and part of an instant classic second set. “Downward Facing Dog” closed the set, and after al.nouncements, “Same Old Story”, off No Guts No Glory, as well the song from which the lyrics give the album its title, started off the encore, while Blue Oyster Cult’s “Godzilla” stormed through the crowd. Of note in “Godzilla” are Rob’s vocals/sounds he was making during the open section of the 70s hit, and well worth a listen.

    moe. next plays in New York at Great South Bay Festival in Patchogue on July 19 (get tickets here) and from August 29-31 at moe.down XV in Turin, NY. Get tickets here.

    Listen to the show below courtesy of Archive.org

  • Great Blue Heron Delivers Family-Friendly, Festy Fun on the Fourth

    Donna the Buffalo by Jim Gavenus

    Whether you are looking for a festival where you can party all day and night or want to bring your little ones and know that they are going to experience an enriching musical, artistic, and communal atmosphere (with plenty of space and respect given from partiers), the Great Blue Heron is here to deliver!

    For the twenty-third time, the Great Blue Heron Music Festival will bring to Sherman, NY the sounds of Americana-jam favorites Donna the Buffalo and a smorgasbord of great grassroots, traditional, and Americana acts. From the passionate bluegrass-folk licks of Binghamton’s Driftwood, to the feel-good, deep reggae groove of Mosaic Foundation, to the periodically psychedelic folk/Americana of The Horse Flies, to mystical instrumentation by East Indian master Naryan Padmanabha…your ears will have a feast. If that’s not enough, they also have a nice little swimming pond which does wonders in the Fourth of July heat and other fun acts like fire-spinning. So come to Sherman, NY on the Fourth of July weekend (July 4-6), and bring your friends and family to the best little festival Western New York has to offer.

    Check out the schedule below for the times each band will play, and if you haven’t picked up your ticket yet, you can grab it here.

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  • Get Warmed up for Phish Tour with The Lawn Boys at Red Square

    Phish tour looms, but in the meantime, get warmed up with The Lawn Boys, a Phish tribute band out of New York City, on Saturday, June 28th at 9pm at Red Square in Albany. This show marks The Lawn Boys their first ever show in Albany, days before Phish’s summer tour kicks off. With tickets just $10 at the door, you’ll get two sets of Phish from some of their biggest fans.

    On the fence? Check out video below and get ready to Phish!