Category: UpstateLIVE Archives

Rain Didn’t Dampen Sheryl Crow at Denver Botanic Gardens in Littleton, Colorado

Rain couldn’t keep the crowd away at the Denver Botanic Gardens at Chatfield. The lawn was a sea of umbrellas belonging to dedicated Sheryl Crow fans. The nine-time Grammy winner proved to the Littleton crowd that she was worth every drop. Opening with “Maybe Angels” Crow came ready to rock. A country girl at heart Crow said, “I’ve seen every nook and cranny of Colorado and I love it. I have a soft spot for y’all.” She went on to play a collection of favorites from over the years including the breakthrough hit from her debut album “All I Wanna Do” and still popular, “If It Makes You Happy” and “The First Cut is the Deepest”.

Crow got serious with the crowd for a minute when she acknowledged the recent suicide of beloved actor Robin Williams. “I’ve gotten very sentimental in these last few days,” she said. “I feel like we’ve lost one of our good ones. One of our sensitive ones and good-hearted ones.” After a somber moment Crow played “Redemption Day”, a song about hope, she said. Crow still has what it takes. Songs from her newest album, Feels Like Home are proof that her twenty-year career has been well earned and she’s not done yet.

Setlist: Maybe Angels, A Change Would Do You Good, All I Wanna Do, My Favorite Mistake, Easy, Leaving Las Vegas, Strong Enough, Redemption Day, Best of Times, Nobody’s Business, The First Cut Is the Deepest (Cat Stevens cover), Shotgun, Picture/If It Makes You Happy, Soak up the Sun, Everyday is a Winding Road

Encore: Steve McQueen, Rock and Roll (Led Zeppelin Cover)

August 25, 2014
A Dopapod BOOBday

A slut nixes sex in Tulsa, but BOOBs were on full display in Port Chester on Tuesday, Aug. 19. The BOOB & Friends boobday/birthday bash for Dopapod’s bassist/palindrome enthusiast Chuck Jones raged well into Wednesday morning at Garcia’s, fueled by good vibes and heavy improvisation.Dopapod stealthily took the stage before a rapidly filling crowd and began jamming shortly after 9:30 p.m. With eagles and seductive photos of Chuck alternately soaring across a screen in the background, Jones took the lead, pumping out quaking bass lines. Boobday boob-shaped balloons bounced around and “Weird Charlie” invaded the room as Chuck was clearly Jones’ing for a dance party. Many of NY’s finest musicians came out to celebrate, thanking Chuck for the uniquely creepy thuds and plucks his well-trained fingers strike in unusual time signatures.

Dopapod’s original drummer, Mikey Carubba, had the first sit-in as Scotty Zwang cooled off from a hot start. Having just ridden through Garcia’s with his own funk army Turkuaz last week, Carubba smashed the kit with the force of an oncoming train—“Freight Train.”

With Eli Winderman still grinning and grooving on the keys, Chuck waded off the stage into a sea of love from family, friends, colleagues, and fans. Guitarist Rob Compa welcomed Consider the Source to the stage, but not before their bassist John Ferrara made eye contact and already began grooving with Eli. Once guitarist Gabriel Marin and drummer Jeff Mann were set up, they opted to play “_/” (yes, the song is a symbol), going from 0 to 100% instantly with screaming guitar riffs, thumping bass, and crashing drums.

“We learned your favorite song for your birthday, Chuck. It’s a questionable music video, but that’s why we think you like it,” Gabriel said with a twinkle in his eyes before the Sourcerors flamboyantly covered Queen’s “I Want To Break Free”. Generous as they are, CTS had one more gift in store for Mr. Jones. They fried onlookers’ brains while reminding Chuck to “Keep Your Pimp Hand Strong,” and then Gabriel timidly—almost apologetically—wished “happy birthday!” one more time.

After a raucous singing of “Happy Birthday” and a BOOB cake delivery, everyone took a much needed breather. Outside, festival-families met up and marveled at the music and atmosphere of the night. I reunited with my favorite UMPHreaks (it had been a whole two or three days since I had raged with them at Snarky Puppy or The Ron Holloway Band!) and we were in universal agreement: this was Dopa-fucking-pod.

The festivities continued as members of Mun, ShwizZ, Mister F, and others crammed the bar’s stage. There was a Rage Against the Machine cover and Phish teases. Mun’s Wiley Griffin and Dopapod’s Rob Compa sparred on guitars and Todd Stoops wailed on the keys. As 2 a.m. neared, Eli reappeared on stage followed by Zwang and, with heavy, deliberate notes oozing from his bass, Chuck rejoined the stage for Dopapod to close the night.

After a three-way tie choosing a final song (“FABA,” “Donkey Kong,” or “Bats In The Cave”), the band mashed all three into a funky, creepy shakedown—“Donkey In The FABA Cave.” Nearly five hours after the celebration began, Eli was not quite ready to put this BOOBday fest to rest.

“It’s about the love: for you guys and for Chuck. It’s about the love.” One last time, everyone showed the love for Chuck during an emphatic Alanis Morissette cover. As the party wound down, grins filled the room and Rob’s voice echoed, “You oughta know!”

August 25, 2014
Allen Toussaint & Preservation Hall Jazz Band Bring Dixieland to New York

Allen Toussaint and The Preservation Hall Jazz Band will be teaming up for a joint tour of the United States this fall and the Northeast is getting a full docket of shows. The tour promises to see plenty of interaction between the acts, with each band sitting in with one another throughout the show. Ben Jaffe, the Preservation Hall band leader released a statment for the tour saying “After all these years of playing together in New Orleans and coming to the same festivals here and there around the world, it is amazing that we never hit the road as a package before. It was almost as if we’ve always just assumed it had already happened, and then one day it was like ‘Oh yeah, WE need to do this thing’ and the Oh Yeah! Tour was born.”

“I’ve been playing with the guys in Preservation Hall around New Orleans since the 1960’s, so I’m really excited to finally get out on the road and perform together with them every night on a tour,” said Mr. Toussaint, “we’re going to have a lot of fun, and so will the audience.”

The first show of note will occur on Oct. 15 at Shea’s Performing Arts Center in Buffalo. This will be closely followed by a stop at MASS MoCA on Oct. 23 and SUNY Purchase’s Pepsico Theatre on Oct. 24. The tour then goes to Brooklyn’s Music Hall of Williamsburg on Nov. 1.

August 25, 2014
Umphrey’s Night Three in Upper Darby, PA

On Friday, August 15th in Upper Darby, PA, Dopapod, or more lovingly known as Derp-uh-perd, flipped the Tower Theater on its head before Umphrey’s McGee got the chance to touch an instrument.

Dopapod opens the Tower Theater.

Thinking to myself, “they’re really playing down their weirdness for this huge slot tonight,” I overheard a woman behind me: “I think I like them; they’re just really weird. Did he just sing about Trapper Keepers?” Weird is synonymous for Dopapod and vice versa, so pardon the repetitiveness.

Dopapod bassist Chuck Jones.

“This is their attempt at toning it down,” I had to interject. “They just turned knobs, slapped basses, and jammed out for 15 minutes about a Trapper Keeper, or something like that. But, they’re actually playing a relatively straightforward set tonight.” As fans packed in for Umphrey’s McGee’s debut at the Tower Theater, Dopapod cranked the rock out, setting the mood for a long night of hard jamming ahead.

For my friend Chris and I, this was our third night of getting Umphed in a row. This night was special, though: we were back on our home turf, back with our UMPHamily. The previous two nights in Burlington, VT, and Hampton Beach, NH, respectively, were great, but Burlington’s Maritime Festival show drew a relatively subdued crowd and Chris had to drive us home in the middle of the night after the Hampton show— five hours away.

Philadelphia was basically our backyard. As I met up with some of my best friends from all over the Northeast (and a new one from Atlanta), a warm sense of serenity washed over me: this was exactly where I belonged in the universe. Umphrey’s took the stage and showered a foreboding “Bathing Digits” onto us, and my hands involuntarily reached to the heavens, pointer fingers fully extended, crossed, and displayed Umph-horns for the world to see.

Bassist Ryan Stasik: Rage, rest, repeat.

The Tower Theater, a classic movie house built in 1927, had an historic feel to it with trellised boxes upstairs and pillars climbing the height of the stage on both sides. Downstairs was a wide open symmetric room, where the approximately 3,000 fans were confined in a tightly packed sea of people that would sway gently and heave aggressively throughout the show, depending on the band’s climate.

The historic Tower Theater.

From night to night, you never known what you’re going to get at an Umphrey’s show. UM is that friend who is the life of the party, yet inherently a loose cannon. It is only an educated guess whether you’re going to get a melodic old friend in “The Fussy Dutchman,” or a brashly combative “Wizard Burial Ground;” a persistently rebellious “Mulche’s Odyssey,” or a rambunctious yet contemplative “Der Bluten Kat.” At the Tower Theater, we saw all these faces of Umphrey’s.

Jake Cinninger’s game face.

Whenever you get “Glory” and “Hajimashite” in the same night, the universe is aligned in your favor. Throw in an emergency 11-minute dance party known as “The Triple Wide,” and the start of “In The Kitchen” early in the first set and the end late in the second, and an Umphrey’s show is materializing. With an emotional cover of The Police’s “Driven To Tears,” a “Puppet String” sandwich encore, and a few other originals and teases, Joel Cummins and the Cookie Bandits brought their “A” game to rock UMPHilly late into the night.

Umphrey’s at the Tower Theater.

Setlist Umphrey’s McGee Tower Theatre, Upper Darby, PA
Set One: Bathing Digits > The Fussy Dutchman, In The Kitchen > Mulche’s Odyssey, The Linear > 2X2, Der Bluten Kat > Amble On > Der Bluten Kat (1)
Set Two: The Triple Wide > Cut The Cable, Driven To Tears > Hangover (2), Educated Guess, Hajimemashite (3) > In The Kitchen, Synchopated Strangers, Wizard Burial Ground
Encore: Puppet String (4) > Glory > Puppet String
[1] with It’s About That Time (Miles Davis) tease
[2] with Proverbial teases
[3] with White Man’s Moccasins tease and Den jam
[4] with Simple Gifts (trad.) tease

August 24, 2014
The Revivalists Perform an Intimate Show at Buffalo’s Waiting Room

It seems no matter if The Revivalists play a huge music festival or an intimate small club show they seem to really give it their all. Tuesday, August 12 was no different as the New Orleans band played with as much conviction as if they were playing in front of thousands upon thousands of music lovers at The Waiting Room in downtown Buffalo.

Opening the show was Buffalo’s own Funktional Flow. The band bridged funk, reggae and all around jamming together and hitting you in the face with a powerful recipe this foursome is really taking it to the next level. Playing a few new songs in the set was also entertaining and giving Camp Flow, which is what the fan base has started to adopt as their nickname something to long for. A new album is on the doorstep and with the potential this band has, the sky is the limit. Funktional Flow continues with spots at The Purple Pig Festival, Catskill Chill and Night Lights Music Festivals, keeping them fairly busy and they would have it no other way.

Thomas Wynn & The Believers followed Flow’s explosive set with an American Rock infused sound that turned the decibel rating in the small club to overdrive. The band itself was solid and makes sense that they were named Orlando’s top Rock n Roll band four years in a row.

It may have been a Tuesday night but it soon seemed like a weekend night as soon as David Shaw (vocals, guitar) and The Revivalists started to really get going. Shaw asked the crowd to move right up close and the spaced out room became very intimate in no time. One thing you will find in many Revivalists shows is Shaw enjoys to be part of the crowd, often jumping into the crowd and mingling with his fans. Shaw has so much soul in his voice and his actions at times really speaks largely to what this band has become. He is backed by some solid musicians and his band has just as much fun on the stage that Shaw seems to have off stage. The seven piece band played their hearts out and it may have been a smaller show in the grand scheme of things but they sure didn’t give that impression to the Buffalo fans.

Setlist: All in The Family, When I’m Able, Stand Up, Concrete, Keep Going, Catching Fireflies, Two Ton, Not Turn Away, Navigate Below, It Was a Sin, Soulfight, Fade Away, Souls To Loud

August 24, 2014
Queens of the Stone Age Paid a Visit to Rochester, NY

It’s 6:30 PM on a warm Friday night in downtown Rochester, NY. A lengthy line stretches down a sidewalk running parallel to the historic Main Street Armory; the venue that is about to house the alternative hard rock sound of California’s own Queens of the Stone Age. As this show was their only stop in Upstate, NY, there was certainly no shortage of eager fans packing the floor and balcony of the large performance room.

Taking the stage first was the freshly signed (Sony Music Entertainment) New York City trio, Unlocking the Truth. Considering their roots come from setting up shop in Times Square, along with the fact this was only their third stage show ever, one would assume that a hint of nervousness would be obvious, especially when not one member of the band has hit their fourteenth birthday yet. Instead what the crowd got was a surprisingly heavy sound from the incredibly talented and comfortable teens on stage. The band was able to get the night started on the right foot, drawing cheers and immense applause from awe-stricken faces in the crowd. They continue their route to fame in the fall as they tour with rock veterans, Living Colour.

Next on stage was Aussie rocker and wife of Josh Homme, Queens of the Stone Age frontman, Brody Dalle. From start to finish in their ten-song set, the band delivered an edgy, up-tempo punk rock sound to the ever-growing audience. Along with a majority of newly written songs, Brody Dalle also threw in the single, “Coral Fang” from her prior musical project The Distillers. The fast paced sound that Brody Dalle delivered kept the anxious crowd energized and moving as they awaited the main act of the night. The band continued touring the United States through the end of July before they traveled across the pond to tour Europe during the month of August.

At 10:00 PM, the light panels at the back of the stage displayed a sixty-second countdown to which the ever-ready crowd counted along as the moment they had all been waiting for, finally became a reality. The large venue was sporting a packed balcony and limited free space on either side of the floor. As the band dove right into the popular hit “No One Knows” there were few heads not banging along to the music as well as fists stuck straight up into the air demonstrating a love for the ones on stage. As the show continued, it was hard not to appreciate the amount of work that went into stage and lighting setup. With elaborate overhead and backing lights, the mood of each song could be captured by different colors and light speeds. After powering through six or seven fast-paced, in-your-face fan favorites, Josh Homme took the piano to slow it down for their song, “Like Clockwork”. The crowd stayed rowdy and slowly more lighters than camera phones began to prevail from the sea of people. They did not keep the mood mellow for long as they revamped the tempo with more crowd favorites like “Sick, Sick, Sick” and “3’s and 7’s”.

The Queens of the Stone Age were admired as kings of rock n roll for the night, from beginning to end, keeping the audience jumping and cheering with no signs of stopping. The sweat-soaked band members finished their set, leaving the audience begging for more. As they walked off the stage, the overwhelming cheers begging for an encore began growing louder and louder. Gone for no more than two minutes, the band took the stage, beers in hand, welcomed back by the adoring fans whose cheers now reached a new peak. The three-song encore satisfied the crowd above and beyond what they could have hoped for, and shortly after the band left the stage for good, the lights came on and the venue was clear of the majority of people. Queens of the Stone Age put on not only a terrific musical show, but created an experience for their fans that left ears ringing and heads pounding for the ride home. The band continues its tour throughout August as they head to Norway to appease even more insatiable fans

August 23, 2014
It’s The Time Of The Season: The Zombies Mix Nostalgia and Relevance at the Paramount Hudson Valley

The Paramount Hudson Valley has continued its remarkable comeback since reopening in 2013 by hosting a rather big name from the ’60s, The Zombies, who put on a remarkable show on Aug. 15. The Zombies haven’t been together under that name for a number of years since their first run in the ’60s, but “It’s The Time Of The Season” and after a few regroupings in the ’90s they have been actively touring since 2001. Original members Rod Argent (organ/vocals) and Colin Blunstone (vocals) have been joined by bassist Jim Rodford who played with The Kinks from 1978-1996 and with Argent in his band of the same name.

The evening eased in with a set by singer-songwriter Bruce Sudano, known for his writing and arranging for some of the most famous performers in the world along with his late wife, Donna Summer. The songwriter in Sudano was apparent throughout his performance. With some longer songs to fill out his 40 minutes on stage, Sudano and his two band members carried a Brian Eno type ambiance throughout the set mixed with elements of rock, blues, and reggae. The layering of sounds and interweaving of guitar, sax, and keyboard lines help bring the words to life – more poetic than lyrical.

When The Zombies took the stage, it may have well been a scene out of a club show The Beatles played in England in their earlier days with standing ovations and boisterous cheers. It was the first of many signs throughout the night that the band has, 50 years later, not drifted into the novelty band clique as some with decade-spanning careers have. Like the simple flick of a light switch, the first sight of original members Rod Argent and Colin Blunstone brought the somewhat placid crowd to life.

With a smile on his face that carried through most of the show, singer Colin Blunstone introduced the evening early in the set claiming “We’ve been playing songs for 50 years. We’ll play the hits and lesser known songs. We want to keep it fresh with new songs.” The evening did, yes, include their chart-topping hits “She’s Not There,” “Time of the Season,” and “Tell Her No,” among others. The real attention grabber though was the roster of other songs weaved around these show anchors. How much of an attention grabber? Let’s say there were no dull I’m clapping because I have to moments after each of these other songs. In fact, each song in their set received at least a few standing ovations, though some songs of course received many more than others.

Along with the “classics,” they performed a fairly eclectic mix of other songs to keep things interesting and fresh, a sentiment Blunstone touched upon throughout the show. Early in the set they brought back their 1964 single “You Make Me Feel Good,” and although it’s an old tune, it was their first time playing it live in 50 years. On the recent end, they performed a brand new bluesy rock song, “The Moving On,” which had only been written a few days prior and received quite well. Another recent song, “Any Other Way,” off their 2011 Breathe In, Breathe Out album, featured an acoustic guitar solo from Tom Toomey (a member of the band since 2011) that reverberated with the style of Mark Knopfler.

Part of the musical journey of the night included material from the band members’ other gigs while The Zombies were in their disbanded years. They brought out two songs from Argent (the band), including “Hold Your Head Up” with Argent wailing out two extended keyboard solos that brought the remaining few people in their seats to their feet. Blunstone introduced the other Argent song as “The hit by tall guys with lots of makeup which was a hit in the UK before they got to it.” He was of course talking about Kiss covering “God Gave Rock and Roll To You.” Blunstone also spoke of his time away from The Zombies with a story of how he met Alan Parsons and became involved in recording vocals on the Alan Parsons Project album Eye In The Sky before performing “Old and Wise,” one of the songs he recorded with Parsons.

To cap the evening off, the final song was a nod to the two original members of The Zombies. After a final bow from the whole band, Argent and Blunstone remained on stage to perform a duet on “The Way I Feel Inside,” one of the band’s earliest recordings.

The reactions of some people in the audience screamed nostalgia throughout the evening. Perhaps calling it a robust nostalgia would be a better way to describe it because of the band’s fresh mix of song selections. It was clear from this show that The Zombies have evolved with their latest regrouping to entertain fans old and new with a performance that is far from being a can of vegetables. They’re keeping up with the times pretty good too with different forms of social media to engage their followers. Don’t miss their show next time they pass through your neck of the woods – you may just regret it!

Setlist

I Love You
Can’t Nobody Love You
Breathe Out, Breathe In
I Want You Back Again
You Make Me Feel Good
She’s Coming Home
Miracles
Any Other Way
A Rose For Emily
Care of Cell 44
This Will Be Our Year
Beechwood Park
I Want Her, She Wants Me
Time Of The Season
The Moving On (newly written song)
Tell Her No
You’ve Really Got A Hold On Me
Old And Wise (Alan Parsons Project)
Hold Your Head Up (Argent)
She’s Not There

Encores:

God Gave Rock and Roll To You (Argent)
Just Out Of Reach
The Way I Feel Inside

August 23, 2014
Feel Free at Fontana’s on July 31

“They’re a poor man’s Galactic”, the banker in the dark charcoal suit standing next to me tells me. Though I have no idea what Galactic is, or what a suit is doing watching a self-proclaimed funky-reggae-rock-soul band playing at Fontana‘s (I later learn that it’s an obscure jam-band, and they’re friends of the band from University of Miami), I nod my head in agreement anyway. The suit is soon joined by more men wearing brown herringbone skinny ties and I arrive at the conclusion that it’s corporate night at the music bar.

As hard as it is to take these men in floral shirts with highjacked Jamaican accents from Washington seriously, it gets harder to maintain my level of cynicism a few minutes into their set. The crowd begis to sway with abandon to the jazz harmonies in “What A Time”, and not even the staff is immune to the hard hitting horn lines of “The Motions”. Feel Free even spews a lyric or two about having a thing for a girl with sleeve tattoos in “Popcorn and Alcohol”, a song built around a chord progression reminiscent of Young the Giant’s “West Virginia”, granting them major star power from the crowd.

Feel Free is by no means a band that’s going to ritually treat their hair the way it’s described in Chapter Six of the Book of Numbers, but there is no doubt that they will create genre-bending music that brings all sorts of people together. By the end of the night, everyone left Chinatown feeling free, thoroughly impressed by the band’s musicianship.

August 23, 2014
Origin Tour Kicks Off in Clifton Park

The All Things Dead Tour kicked off in Clifton Park, NY on Wednesday, Aug. 13. Promising to be one of the heaviest tours this fall, it is a month-long assault on the United States and Canada. Fresh off of the Summer Slaughter tour, Origin headlines an impressive lineup, and this first show at Trickshots Billiards started with a bang.

Photo by Jim ‘JT’ Gilbert

The first band on the stage was the only local support, Declension, playing practically right in their own backyard. Having shared the stage with bands like Dying Fetus already in their short career, they showed no nerves warming up the already sixty plus crowd. Starting with an epic intro, it foreshadowed the five-piece band’s talented dual guitar harmonies in later songs. Crushing riffs and old school metal guitar solos, reminiscent of King Crimson, made for a good start on the night.

Next up was Texas band Abolishment of Flesh, who wasted no time diving into their brand of southern extreme metal. The bass and guitar launched into tapping riffs and the singer showed an impressive range from guttural low screams to almost black metal highs. They employed interesting musical breaks in a few of their songs, which was a little surprising, but worked very well with their overall sound.

Photo by Jim ‘JT’ Gilbert

Trickshots has been putting on consistently good shows, along with Joelggernaut Productions, and this night was no different. A big, heavy sound and a great light show highlighted the talent on stage, and the bar was slinging drinks and food at a rapid pace. Beyond Creation, hailing from Montreal, Canada, was the first band of the night to draw a big crowd right to the front of the stage. The attendance was steady from the time the doors opened at 6pm, and they were all happy to be there. Lots of familiar faces from the Upstate metal scene, and also many new fans as well, giving the bar and the merchandise booths a lot of business.

The first two bands on the night were showered with impressive strobe lights, to accent their brutal music. Beyond Creation projected talent and precision, commanding the stage in a hard red light, allowing their music to speak volumes. Two eight string guitars lent to the deliberate sonic destruction they were dealing to the audience, and the crowd response was just as huge. Parallels could be made between the tight, honed presence of Cryptopsy and the intensity of Lamb of God.

All of the great moments of the night so far could barely prepare the crowd for the incredible energy of King Parrot. All the way from the other side of the world, Australia, they joked at one point that they thought they might be in Billiards, New York. But, this was actually their second time in the states, and definitely feel at home being on stage in America, or more likely, anywhere. Toddy, the singer, strutted on the stage shirtless and began to whip the crowd into a frenzy, running to the back and the front of the club with his wireless microphone. It was a sight to behold, and it felt much like catching a crazy punk or metal band at CBGB’s in late ’70s. They instigated the first ever Wall of Death at Trickshots, and the audience happily obliged. A cross between Rob Halford and Iggy Pop, the singer brought everything he had and more, at one point jumping on the bar in the middle of a song. Their unique brand of heavy thrash metal and punk impressed the entire club and set the stage for the headliner.

Photo by Jim ‘JT’ Gilbert

Origin just released their new album, Omnipresent, to great reviews from fans and critics. Fitting nicely into their own headlining tour, they were poised to bring their special brand of shredding death metal to Clifton Park. Exploding onto the stage with a relentless onslaught of metal, they drew the biggest screams of the night. The also had the best mix from the soundboard, allowing the audience to really hone in on the intricate music they produce. John Longstreth, revered by many as one of the top drummers in the metal genre, kept the entire set in perfect time with crushing percussive energy. Both John, and the singer, Jason Keyser, call Upstate New York their home, and it was a treat for the crowd to see this band in this area. Jason led a three-part vocal assault that mesmerized the crowd as well as riled them up. They had incredible energy and an amazing stage presence that even allowed for Jason to crowd surf at one point. Being a weekday show, it abruptly ended at 11PM, with Origin possibly cutting their set short. But no one in attendance was unhappy with all of the incredible talent presented before them, getting what they played for and more.

Origin is a very hardworking band, and headlining a tour like this shows all the fruits of their intense labour. For the rare time they, and the rest of the bands, graced the stage in Upstate New York, it was definitely a show that the people who were in attendance will wear that like a badge of honor. For anyone reading this in cities where this tour might be making a stop, it is a heavy metal experience that is not to be missed.

August 22, 2014
Hearing Aide: Big Mean Sound Machine ‘Contraband’

Big Mean Sound Machine‘s third album Contraband was released earlier this year and has slowly been gaining traction throughout the state. Hailing from Ithaca, Big Mean Sound Machine has continuously broadened their sound with each new release. The opener “In the Name of What?” is a throwback to the Stax era sound of 70’s funk and soul. From the Shaft-esque guitar holding down the background of the song right to the horns that guide the track through its seven minute journey. From the get go, Contraband lets you know that you’re going to want to move your body while listening to the record.

The band hits its’ groove during “Woah Gosh” and “Junkies Everywhere”. “Woah Gosh” constantly builds as the horns and the Moog synthesizers play off one another to see who can lead the track to its eventual transition into the “Junkies Everywhere” that is steeped in Afrobeat and jazz. The drums and congas really get a chance to shine about halfway through the track as the Moog searchers around in the back keeping a beautiful tension and making the track sound dangerous. You get the feel of walking the streets in a city late at night as those who are up to no good are coming out of their homes searching for their next score.

The title track comes late in the album but is one that definitely could take off in the live setting. The quick guitar and bass riffs that drive the track forward will definitely get people moving and grooving on the floor. The band is at its tightest here of the whole album. The closer, “Wolfpack” brings the album to a delightful end with a song that could be in a Quentin Tarantino film scoring a scene perfectly. Contraband is great throwback album, yet Big Mean Sound Machine did a great job of updating that sound and making it their own. Be sure to catch them in New York this fall and head on over to their Bandcamp page to purchase the album.

Key Tracks: In the Name of What?, Wolfpack, Junkies Everywhere

August 22, 2014