Category: Special

  • Hearing Aide: Mikaela Davis ‘Fortune Teller’

    Pretty strings with an indie dig – that would be the formula followed by Mikaela Davis on her second album, Fortune Teller, released in January. The classically trained harpist carries along an impressive record of talent which she uses to craft the six track album. How impressive? Davis studied harp with the principal harpist for her hometown Rochester Philharmonic Orchestra, has performed with the Rochester Philharmonic Youth Orchestra and has won awards for her performances. She is now studying Harp Performance at the renowned Crane School of Music at SUNY Potsdam. Joining Mikaela on the album are Alex Coté on drums and percussion and Cian McCarthy on guitar, sitar, and keys.

    Mikaela Davis Fortune TellerThe performance on the album isn’t purely singer-songwriter or indie lo-fi. Davis starts with a simple one guitar, bass, and drum lo-fi core but refines it to a much cleaner soothing sound. Where one would typically hear a droney guitar line we hear the that graceful harp sound which complements the rival indie sound trying to make its way to the forefront. The album combines elements of classical, ambience, noise, and energy orchestrated into a well-rounded eclectic composition. Davis’ placid, melodic voice bundles this all up like a cozy knit scarf and presents it to you in Fortune Teller.

    Mikaela Davis Fortune Teller“I Wouldn’t,” a song with love as its theme, leads the album in with a simple singer-songwriter feel while building anticipation for the more eclectic sounds throughout the rest of the album. In “Lady Lavender” we hear the highlight of how Davis’ harp compliments McCarthy’s guitar along with a bridge introducing a synth line that goes beyond lo-fi to blend musically into the song. “Interlude In The Sky” seems to build of the solo harp outro of the previous “Lady Lavender.” This one is a beautiful instrumental track incorporating woodwind sounds which would serve well as the soundtrack to stargazing on a warm spring night or walking down a trail on a crisp, colorful fall afternoon. “When The White Horse Takes Me Away” takes us away on an atmospheric journey with an ambient harp and vocal mix before picking up in energy in the later part of the song. “Feels Like Forever” features more of the vocals carrying the melody with a stringer prominence of the classical-indie rivalry. Lastly, the title track “Fortune Teller” rounds out the album with a similar style heard in “I Wouldn’t,” though the sounds of Davis’ harp are more at the front of this track.

    Mikaela Davis will be performing tonight, March 27th at Red Square in Albany and again in her hometown of Rochester at Bug Jar on March 29th.

    Key Tracks: Interlude In The Sky, When The White Horse Takes Me Away, Fortune Teller

    Fortune Teller is available for purchase as a CD or download at Mikaela Davis’ Bandcamp page.

  • Lucid 10th Anniversary Celebration at Olive Ridley’s Friday March 28th

    20140327-135056.jpgLucid will take the stage at Plattsburgh’s Olive Ridley’s Friday, March 28th to celebrate their 10th anniversary.

    The show kicks off at 9 pm, and is for those 21 and over only. Admission is $5 and will feature special guest Chromatropic.

    A full decade of progress and development has established Lucid as one of the most dynamic, hard working, finely tuned bands in the North Country. Lucid is also featured among the surviving Top 16 bands in this year’s March Madness tournament.

    Recently, Chris “Hollywood” English left his hometown of Rochester, NY to join his long-time friends and colleagues in Adirondack-rock, blues-fusion outfit, Lucid. Hollywood is a welcomed addition to this hard working and veracious group of dynamic, respected musicians. The addition of Chris only solidifies the growth and forward momentum of Lucid.

  • UMBowl V Themes Announced: Odds Are Everyone Wins

    Umphrey’s McGee is an innovative band. Striving to provide new experiences for fans with things like sUMmer school, the headphones and snowcones experience, and their subscription model website allowing unlimited access to content for a reasonable monthly fee, the band elevates itself above the pack before you even get to the face melting music. Nothing substantiates this innovation more than the annual UMbowl with version V coming up next.

    Starting in 2010 this 4 set experience unites the audience and band into one unit, with all quarters featuring fan interaction that constantly changes. Not surprisingly, these shows sell out immediately and this years fifth rendition is no exception. Taking place at the esteemed Capital Theater May 3rd in Portchester NY, this years themes should have fans mouths watering in anticipation. Here is the breakdown straight from Umphreys.com:

    Q1.

    Ah . . . Jimmy Stewart. You never let us down. How much you’ve given all of us through the years. Raw Stewage returns for a three-peat. UMBowl V kicks off with an entire set of your favorite pieces of improv stitched together to create a long-form piece of new music. Ticket buyers will vote on their favorite live moments, and the band will take those Legos and assemble them into one tidy package for Q1. The Raw Stewage quarter has evolved into a song incubator as it continues to spawn new UM originals year after year.

    Q2.

    The evening rolls along with the ever popular All Request Quarter. All ticket buyers receive a ballot to vote for the songs you ‘d most like to hear, from rarer UM tunes to alternate versions of “the hits” to classic covers, including multiple new, unreleased options . As in the past, there will also be a write-in category for you to submit your own requests.

    Q3.

    Q3 is a Stew Art Event, an S2. This one of kind Umphrey’s innovation returns to the UMBowl for its 5th year. The band will play a full set of improvisation based exclusively on themes, ideas, scenes, and concepts presented by fans. Entries will be submitted via text message by those in attendance and the best of the best will be added to the playbook. The selected themes will appear before both the band and audience in real-time so split second decisions will be paramount. Expect handoffs and Hail Mary’s as one musical idea is lateral to another. The Stew Art Event has become a UM staple

    Q4.

    Rounding out the festivities will be the Choose Your Own Adventure experience. Those in attendance will be calling the plays, quarterbacking the music to unfold at your will. A series of choices will be presented to the audience on large projection screens and you will decide the set list in real-time. Voting will occur via text message and the results will be tallied as they roll in. You’ll be able to choose from a wide variety of UM originals, improvisational styles, and cover songs. You pick the plays and determine the strategy to make it a killer set. This one is in your hands. Don’t blow it.

  • Flashback: Summer Slaughter 2013 Gets A Mixed Review

    If you take a few minutes to do the math in your head, Summer Slaughter is kind of a strange concept. The daylong event on August 10th, 2013, which circused down the road across major metal loving cities – big and small – is the self proclaimed “Most Extreme Tour of the Year.” It’s an indoor event — think lots of sweaty people crowded — so really, there is quite a bit of room, just like any hyped concert, for problems. Here’s the weird deal: among certain dissatisfaction of goers, bands, and other events, the term “extreme” should be taken in both positive and negative lights.

    In each city, viewers were pleasured to the sound and visual power of one or two local or “lesser known,” bands. Most of the time, these slots were determined by contest winning. As for Upstate Concert Hall, these bands came in the forms of Hollow is thy Heart and A Ruthless Scene

    summer slaughter

    Hollow is thy Heart’s name is as electrifying as their performance: strange, raw, and mysterious. Their sound was characterized by a mix of thrash, death, and metalcore. Although they were given the short end of the stick as far as sound issues and slot, the four-piece took to the stage like it was their last day on Earth and certainly cared about their job. We can’t say the same for the next crew.

    A Ruthless Scene is from New Jersey (insert a bunch of New Jersey jokes here) who specialize in one thing: The Breakdown. For all those who listen to real music, and would not know otherwise, a breakdown is a slang term given when a guitarist plays one note over and over again to a specific, simple pattern. During the set, the band generally displayed a lack of energy and desire to sound like every other Sumerian-core band out there.  To quote one person, “I wish I brought earplugs because A Ruthless Scene was ruthlessly annoying.” The next band, Thy Art is Murder, was more of the same.

    Then, the story took an interesting twist. Quick-rise-to-fame “Aliencore” band, Rings of Saturn, demolished the room. Their signature speed picking was ever present, and their energy was no less sincere. “Kneel before my minions as they kneel before me,” the crowd screamed along with Ian Bearer, vocalist. After being accused of recording at half speed in the studio, then speeding everything up, Upstate Metal can confirm that everything done in the studio was done live. The only thing missing was abruptly departed bass player Sean Martinez, who took off just weeks ago. Still, this geared the crowd up for the next round.

    Revocation and Aeon both are examples of unrelenting passion. If you have not been through a viewing of a documentary Why You Do This, it comes on high recommendation. The movie, which features the words of Gojira and Last Chance to Reason, outlines the many hardships an “up and coming” metal band goes through. Specifically, the movie points to how bands go through financial trouble on the road. With Revocation’s newest album just out, tour support is a must, and although life on the road can be hard, they still had fire in their performance. Equally, Aeon’s vocalist, Tommy Dahlstrom, was not present. Still, they persevered, leaving the crowd in awed respect.

    One major source of controversy for this tour happened in the aftermath of Lamb of God vocalist Randy Blythe’s manslaughter charge (he was acquitted) were the rules of stage diving in many clubs. This required bands and fans alike to be aware that stage diving was forbidden. The Ocean, who are known for delivering a high energy, almost angry performance, took to Facebook when they remarked on the irony of calling “the most extreme tour of the year,” but stage diving was not allowed. Their performance was as loud and blatant: clear and to the point. Impressive, too, is their wide genre variety. Interestingly, their post warranted the attention of Summer Slaughter’s creator, Ash Avildsen. Although he was displeased with their remarks, the crowd was left quite impressed with their dynamic performance.

    Impressive, though, hardly encapsulates the performance of Cattle Decapitation, who are musical veterans, but seem to have just began to gain more popularity, with their latest release, Monolith of Inhumanity. Decap’s music videos are controversial enough, but their performance was fast, angry, and honest. It would have been even better if Upstate Concert Hall had provided vocalist Travis Ryan with a microphone that worked for more than half the set.

    What can be said about Norma Jean? The band was an underdog from the beginning. When the line up was first announced, the most extreme tour of the year was criticized for putting a band on the bill that played anything less than blast beats.

    The rest of the show, of course, is history. Think of the stomping of feet as the entire crowd jumped to “Icarus Lives” by Periphery. There is some kind of force that comes over the crowd when certain bands play. It causes the crowd to sway and sing along, and Periphery has this angle. Or, how everyone’s mouth was wide open at the site of Animals’ as Leaders technical ability, or how the crowd asked “how could it all be?” To Dillenger’s onstage antics.

    So, Upstate Metal talked about what would happen if we set up Summer Slaughter. Here’s what it looks like:

    Here’s what would have happened if we set up Summer Slaughter:

    1. Hollow is thy Heart

    2. Revocation

    3. Rings of Saturn

    4. Animals as Leaders

    5. Between the Buried and Me

    6. Cattle Decapitation

    7. Dillinger Escape Plan

    8. Periphery

    9. Decrepit Birth

    10. Brutal Truth

    11. Behemoth

  • JD McPherson Rocks Rochester at Abilene

    Roots rocker JD McPherson treated Rochester to two nights of foot stomping tunes.  Playing the second of two sold out shows at Abilene Bar & Lounge, McPherson takes things back to the roots of rock and roll.  Backed by a band brimming with raw talent, McPherson wooed the enthusiastic crowd with songs like, “Fire Bug”, “Dimes For Nickels” and “North Side Gal”.

    Kelli_Marsh_JD_McPherson-1026

    Abilene was busting at the seams with adoring Rockabilly fans holding records to be signed and singing along to every song. Special guest Sean Rowe joined the band singing and playing guitar and bringing the already thrilled crowd even more excitement. JD McPherson’s fierce blend of rock and roll and blues had the crowd bouncing from start to finish. McPherson closed both nights with “Wolf Teeth” to the crowds delight.

  • The Carolina Chocolate Drops to Perform at The Egg on April 2nd

    The Carolina Chocolate Drops will perform at The Egg on Wednesday, April 2nd at 7:30 PM as part of the American Roots & Branches concert series. The Carolina Chocolate Drops are a string and jug band, bringing back a sound from the 1920s and 1930s,  recalling the dirt-floor dance electricity of the Mississippi Sheiks and Cannon’s Jug Stompers. The band features Rhiannon Giddens (fiddle, banjo, vocals), Hubby Jenkins (guitar, mandolin, vocals), cellist Malcolm Parson and multi-instrumentalist Rowan Corbett.

    The Birds of Chicago will open for Carolina Chocolate Drops. Tickets are $34.50 and are available at The Egg Box Office at the Empire State Plaza, by telephone 518-473-1845.

  • Real Estate Plays The Higher Ground in Burlington, VT – March, 21

    It’s not common to see an staff writer stray from his or her namesake territory and cover a show on foreign turf. Every so often, an act so deserving makes an appearance in a neighboring state, a small road trip ensues and the audience is made even more aware of the boundless concert opportunities offered in the Northeast.

    The most recent example of this came about on Friday night at The Higher Ground in Burlington, Vermont, where the New Jersey-based jangle-pop outfit, Real Estate put on a headlining set with opening act, Pure X.

    Currently on the road in support of their recently released third album, Real Estate played several dates at South by Southwest and two sold out nights in Cambridge, Massachusetts before heading north to Burlington. Their tour with Pure X is currently en route to the Midwest before heading overseas for a European Circuit in May.

    While Real Estate’s set at the Higher Ground featured a large portion of material from their debut LP and 2011’s Days, much of the set was made up of material from the latest addition to their discography, Atlas.

    Real Estate introduced their set with “Had to Hear,” the same track that opens Atlas. “Had to Hear,” along with much of the material on Real Estate’s latest album, focuses on the barriers in communication brought about by life on the road. For someone who writes so openly about the difficulties of touring, however, Martin Courtney gave the impression of being perfectly comfortable on stage at The Higher Ground.

    Real Estate’s live set was incredibly cohesive; Courtney, Bleeker, and guitarist Matt Mondanile’s experience playing together since high school is entirely apparent in their performance. The threesome’s ability to lengthen their songs into intricate jams showed an amazing level of musical awareness. With the recent addition of keyboardist Matt Kallman and contributions from drummer Jackson Pollis, Real Estate’s live sound features a collection of textures and layers that produce a remarkably full sound.

    The consistency in Real Estate’s current lineup is largely the result of the recording process behind Atlas. During a sting of tour dates in Wilco’s schedule last summer, Real Estate took over Jeff Tweedy’s Loft studio in Chicago and recorded the album in a relatively short period of time, coming into the process with the album completely written.

    It was no surprise on Friday that Real Estate’s set had been the product of more than a year of rehearsing Atlas’ material. While Burlington may be a hike from the Upstate area, Real Estate’s appearance at The Higher Ground proved to be a wholly acceptable reason to make the weekend trip to our northern neighbor.

  • Turkuaz and Alan Evans Playonbrother Celebrate Album Release at Putnum Den

    Turkuaz and Alan Evans’ Playonbrother (formerly known as the Alan Evans Trio) will each hold a CD release party at the Putnam Den in Saratoga Springs, Thursday, March 27 at 9 pm. The party is organized through Nectars and tickets are available to those 18-years old and older for $8 (and $12 the day of the show) through Ticketfly.com or at the Putnam Den. Turkuaz launches their latest with Zerbert  at the double-CD release party.  While Alan Evans Trio sets out to release their Woodstock Sessions in tandem.

    Alan Evans TrioAlan Evans recently announced that the group would drop “Trio” from their name, despite remaining a three-piece band.  Evans supplies the drums and vocals, Beau Sasser is still on organ and Danny Mayer is on guitar. Though they have now adopted Playonbrother as part of their moniker, Alan Evans Trio will still appear on their latest album.  Please don’t refer to them as a jazz trio.  In fact, don’t try to put your thumb on them at all.  They are three musicians, who happen to play for other bands, but don’t dare call this a side project either.  In fact, they would just rather you just tune in and enjoy.

    Influenced by the funky ’70s groove and R&B of Sly & The Family Stone, Rick James, Parliament and Bohannon, Turkuaz take their self-described “jittery, world-pop-power groove” to the streets.  They just recently finished supporting Future 86, and will continue on the road for this latest installment.  Sporting a line-up of nine musicians, Turkuaz throws everything from percussion to brass to guitars in a live performance that can invoke the ghosts of rockers past. Don’t miss them and Alan Evans Playonbrother and check out our coverage of their show at Drom in NYC on December 30th.

  • Preview: Rock and Roll Resort: v4, The Dream Machine

    The Hudson Valley Resort & Spa in Kerhonkson, NY will greet festival goers once again to host Rock n Roll Resort: v4 The Dream Machine on April 4th-6th. A unique and intimate music experience produced by Wicked Cool Productions offers a weekend full of music, art installations, fun activities and workshops plus much more. Perfectly located between Albany and New York City in the heart of the Catskills, The Hudson Valley Resort is the ideal festival retreat offering plenty of space to unwind, recharge and enjoy the beauty of Upstate NY.

    Besides the nonstop music, Rock n Roll Resort offers multiple activities that include a mini-golf tournament, the first annual Disc Golf tournament, daily yoga as well as various instructional classes in the Holistic Village. Plus each night will have different theme night with costumes encouraged. The themes are Friday: Decades of Decadence, Saturday: Superheroes vs. Villain’s and Sunday: Pajama Party. The most creative characters for each night will be gifted a Rock n Roll Resort T-shirt and Event Poster.

    The 2014 lineup features a variety of musicals performances offering something different for everyone throughout the weekend. Big acts include Dumpstaphunk, The Motet, and The Everyone Orchestra featuring Steve Kimock, John Morgan Kimock, Reed Mathis, Jennifer Hartswick and Natalie Cressman. The music will start on Friday around 4pm and go until 4am Sunday night for the dedicated ragers with more than enough music in between.

    has dissected the lineup and has come up with the Top 5 acts to catch at Rock n Roll Resort v4, The Dream Machine: Solaris, Bobby Paltauf, Tauk, Mister F and The Motet.

    Mister F combines members of Upstate’s own Timbre Coup and Capital Zen for a quartet of high energetic, dark rock that thrills and urges you to keep dancing.
    [youtube http://www.youtube.com/watch?v=arlC0BUwcH0]

    Bobby Paltauf is a artist on the rise in that he has played with a long list of notable musicians and is only 14 years old. Do not miss him on Friday as he is one of the starting acts and is sure to set the bar high for the weekend.
    [youtube http://www.youtube.com/watch?v=dchgTntthfA]

    Solaris is an all instrumental trio from Ithaca that creates original compositions fusing electronica with jazz and funk with plenty of improvisation making each show unique for new and old fans alike.

    Tauk is a four piece experimental rock band that breathes music into their shows with an intensity of all instrumental jamming. They have performed at a number of festivals and recently worked with Grammy-winning producer Robert Carranza on their newest album.
    [youtube http://www.youtube.com/watch?v=PTrdwUNtU6c]

    The Motet is THE improvisational funk band of today. The seven piece band from Colorado is always a special treat when they travel out to the East Coast with their reputation for throwing the funkiest dance parties.
    [youtube http://www.youtube.com/watch?v=mUHOTiPPQC4?list=UUB40I1T1eQDV7YpOGcJrW7w]

    There are multiple ticket packagesavailable from single day passes to Rock star VIP status. For $125, you get a 3 day pass, not including meals or lodging plus you can only stay as late as 2 am. Single day Friday or Saturday go for $68 and single day Sunday goes for $37. But your best bet is to get a standard room package and split it up with your festy friends. The standard room package includes a 2 night stay, 2 event tickets, plus first class food. The more people you have in a room, the cheaper the package but with a 5 person maximum brings it to only $230 a person. Guests are encouraged to carpool, those with groups of 3 or more will have free parking, any less and it’s a $5 parking fee. There will be food vendors available 24 hours a day and reasonably priced alcohol for the adults. Don’t miss your chance to be a part of this growing festival that continues to combine all the fun of a summer music spectacle within a historic and luxurious resort.

  • The Women of Ireland Take The Stanley By Storm

    As Central New York continues to celebrate their week long St. Patrick’s Day traditions, it was only fitting to host the beautiful Women of Ireland at the magnificent Stanley Center for the Arts.  While not all of the Women of Ireland could make it, they did send some very special ladies and gentlemen to represent and share their traditions of music and dance across the pond here in America.

    And what a fabulous production it was.  To state that the musicians and dancers were outstanding is just an understatement of their amazing talents and effortless delivery.  The lovely O’Neill sisters, Fiona, Naomi, and Evangeline, are no strangers to the music industry as they have roots in music both here in America and across the pond in Ireland.  They grew up in Ireland in the County Kerry, an area where coastline and natures beauty surrounded them.  Studying music, dance, and theater at an early age fueled in them a passion to share their voices and talents with audiences worldwide, and after spending some time in America with the likes of stars such as Bruno Mars, Tom Cruise and Miley Cyrus, their homeland began to beckon them home where to our great fortune, they became involved with Women of Ireland.

    Mix the angelic voices with the light and airy steps of Kelly McDonnell and you have a perfect combination.  Kelly McDonnell hails from County Tipperary and at the age of 3 began dancing with the Fleming Ball Academy.  With several amazing championship wins under her belt by the age of 16, Kelly turned professional and traveled the world performing for huge audiences, select celebrities, and shows such as Michael Flatley’s “Celtic Tiger”.  Her amazing spring and effortless ease entrances those who are lucky enough to see her perform.

    How could this show get any better you ask?  Well just add in Anthony Fallon.  Anthony began his dancing career at the early age of 3 also, under the tutelage of Terry Gillan and Philip Owens in Dublin Ireland, and at the age of 6 began competing.  Anthony was World Irish Dancing Solo Champion from 2000-2004, and with numerous titles under his belt he began touring.  While working in America he was invited to tour with Riverdance: The Show, where after two years he was offered a principal position. Anthony is the Principal Choreographer for the Irish dancing you see in the Women of Ireland, and I must compliment his magnificently creative, and impeccably  timed choreography you see through each and every number in the production.

    Rounding out the ensemble I would be remiss to not mention how absolutely enjoyable were the performances by both Katie Shaughnassey and Maureen Devereaux. These young ladies float across the stage performing their slips, reels, and jigs as though clouds moving to the music. And rounding out the cast was a band of musicians who are top notch in their crafts. On uileann pipes was Dan Callaghan, on bodhran was Andrew Meyer, on guitar was Searn Ernest, Katie Greenan was on fiddle, and on drums was Renato Milone.

    For all that attended the show on March 11th they were thoroughly entertained with both traditional celtic tunes such as Danny Boy and Red Haired Mary, and more contemporary tunes such as Josh Groban’s “You Lift Me Up”, Original Castle’s “One Tin Soldier”,  and John Lennon’s “Imagine”.  They were treated to the traditional celtic instruments of the uleann pipes, the bodhran, and of course the fiddle.  As the dancers joined them on stage audience members couldn’t help but tap their toes and clap along.

    This production took every detail in mind.  I have been part of many shows and this one was an outstanding artistic production.  The light show and sound match the talent it was highlighting and all together was seamlessly carried out.

    Although all the women of Ireland could not make it to The Stanley Center for the Arts, it was truly our gift that they shared this cast and crew with Central New York making this pre St. Patrick’s Day show the perfect way to begin the holiday week.