Category: Special

  • Venue Profile: Oneonta Theatre, A Historic Vaudeville Theater Revitalized

    The Oneonta Theatre, located at 47 Chestnut Street, just 100 yards away from Oneonta’s vibrant Main Street, is a true gem of a venue. Being situated in a college town, the theatre is just a hop, skip, and jump away from a wide array of dining options, as well as a plethora of bars. Consisting of two separate concert spaces, the larger of which can accommodate 900 people, and the smaller 200, the Oneonta Theatre is a unique and charming place to check out a show. The larger downstairs theater has a deep, tall stage, one that can accommodate a large band or the cast of a play, and the sloped floor typically has seats up to about two-thirds of the way down towards the stage, leaving the front of the floor open for boogieing down. The smaller upstairs theater features a stage that is not very much higher than the dance floor area, with seats sloping upwards towards the back of this space, and is slightly rounder than the space downstairs. An amazing sound engineer works with the theatre, making sure the sound is stellar in both of the differently configured theaters.

    Oneonta TheaterDesignated as a historically significant building on the National Register of Historic Places, the Oneonta Theatre was originally built as a vaudeville theater in 1897, during a particularly happening time in Oneonta’s history, when the railroad ran through town. From its lavish first production of The Sporting Duchess (at a production cost of $50,000!) on February 28, 1898, to silent and talking films throughout the 19-teens and Roaring ‘20s, to the site of countless Oneonta High School graduations, this theater was a definite draw for both area residents and travelers from afar. Then, in the mid-1960s, the theater was slated to be wiped out as part of an urban renewal program planned for Oneonta, but fortunately a gentleman by the name of Harold DeGraw bought it and saved it from being destroyed, and invested his own private funds to rehabilitate the theater and storefronts. In 1979-80, the upper balconies were separated from the main theater, turning it into a two-theater “multiplex.” Live plays continued to be performed here, as the Orpheus Theatre group used the downstairs performance space for their plays and musicals. That is how the Oneonta Theatre operated until about 1992, at which point the stage was actually abandoned, and the theater started to deteriorate, becoming more and more dilapidated with each passing year.

    Oneonta TheatreIn 2009, the current owner, Tom Cormier, took ownership of the Oneonta Theatre. Interestingly, the theater was actually not what motivated him to buy the building. He became interested in the property for the front part of the building, which consists of three storefronts and six apartments, but when he looked more closely into purchasing the property, he discovered that it actually contained two buildings, one of which was the dilapidated theater. Initially, Cormier said the theater was in such bad shape that it was impossible to stand inside it for more than a half hour without having respiratory issues from all the mold and pigeon poop that had built up over the years, but thankfully, the non-profit group Friends of the Oneonta Theatre, to whom Cormier rents the theater for $50/month, were able to convince him to fall in love with the theater and put in the time, money, and effort to rehabilitate it. During the renovations, Cormier came across numerous hidden treasures, including a collection of signatures on the walls backstage from actors who had performed there over the years, and a complete newspaper found between the first and second stories from the day after a World Series game that took place sometime in the 1950s during which a perfect game was pitched! (He even mentioned that he and several of the employees have encountered ghosts, but he assured me they were all friendly.)

    Oneonta TheatreHaving gone through extensive repair work, it can now once again be said that the Oneonta Theatre has truly lived up to its motto of “Showing Oneonta A Good Time Since 1897.” Some of the bigger acts who have been booked here since Cormier took ownership include Steve Earle, Arlo Guthrie, Chris Robinson, Blue Oyster Cult, Kansas, McGuinn & Sebastian, Little Feat, The Radiators, and the Zombies – quite the assortment! Cormier also likes to feature more local and regional acts, and has in fact helped out some local acts by booking them as openers for bigger names, and as a result of that, a couple of bands (including Sister Sparrow and the Dirty Birds) have landed national touring gigs! In addition to live music, the occasional cult classic movie can be viewed at the Oneonta Theatre. In the past few years, The Big Lebowski and The Rocky Horror Picture Show have been shown on the big screen, and the audience has come out in full garb. The Theatre has even provided suitable goodies during these movies, such as serving up White Russians (normally, only beer, wine, and a limited selection of bottled cocktail drinks are available at the bar located inside the lobby area of the Theatre) during The Big Lebowski, and handing out prop bags including rice, noisemakers, and toilet paper to encourage audience participation during The Rocky Horror Picture Show! The theatre also rents out its space for the occasional college event, and as such has hosted a few foam parties, the first of which completely trashed the floors of the theater due to the chemical composition of the foam, and which resulted in a scene reminiscent of a slaughterhouse afterwards, as the floors of the theater were red, and the red paint was streaming down the entrance hallway before heading out the door and down the sidewalks! But Cormier just turned what could have been a bad situation into good, and used the opportunity to strip the floors, since the job was already halfway done!

    Oneonta TheatreWhen asked about plans to expand or renovate the theatre, Cormier mentioned that he does have some changes in mind for this summer, but it’s too early to reveal those changes. He is in the process of looking for investors for this project, so if anyone is interested, please get in touch with Tom Cormier through the theatre’s website! Upcoming shows that have been confirmed at the Oneonta Theatre this summer include Rusted Root on June 27, Start Making Sense (a Talking Heads tribute band) on June 28, and Sister Sparrow and the Dirty Birds on August 22, but continue to check their website, as they are always booking new bands. And now, to quote theatre owner Tom Cormier, “We’re not the shiniest nickel around, but there’s a good vibe in this place! And the sound’s incredible. So, come to Oneonta, come visit us!”

  • DelFest 2014: A DEL of a Good Time

    In its largest attended event, the seventh annual DelFest of 2014 kicked off with host The Del McCoury Band breaking wide open the second observation: that music would achieve excellence whether it be felt by the souls of the listeners or performed by the masters. Music would take on a leading role in the senses of the receiver’s mind, body and soul.

    A community of music aficionados amassed Memorial Day weekend below the ridges of the Allegheny Mountains. Location is the first noticeable observation. Two mountain ridges overlap to form a V shape and an enormous American flag proudly waved in the tender breeze in the forefront. The natural and vast stonewall embedded into the mountainside provided a sense of security. The trees lining that same stone ridge were so green summer dripped off the stems of the distant leaves but ever so gently whispered “love,” from, earth. One could sense that something great would happen.

    “Music is harmony, harmony is perfection, perfection is our dream, and our dream is heaven.” ~Henri Frederic Amiel

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    The identity of DelFest is defined through lack. It lacks the mainstream energy in spite of approximate 10,000 gatherers. DelFest lacked in a garbage strewn concert field, instead a lush green lawn cushioned dancing feet (thanks to Clean Vibes). DelFest lacked individuality dictated by ego of its guests but rather like-minded strangers embraced diversity and co-creation was encouraged. DelFest lacks in standardized instruction but rather affords educational mind expansion by offering guests The DelFest Academy. Chosen student musicians were given the opportunity to perform on stage Thursday night. Cheaper by the Half Dozen played the traditional version of “CC Rider” and Caterpillars on the Bow rocked a bluegrass version of Dylan’s “Knockin’ on Heaven’s Door.” DelFest lacks in providing popular genre yet nurtures niche music with roots so deep only those that know it, understand it.

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    As the long weekend began to take shape, the third observation began to unfold – a sense of community. If music had the sun, community had the moon and under puffy white clouds by day and a billion stars by night, those elements co-mingled in harmony. Nothing and everything mattered at the same time. Acceptance was immediate and therefore fear of everyday life dissipated into the distant forests. Whether it was hula hooping or dancing or arts or picking at a campsite, ancient tribal rituals were called into play giving birth to a spiritual movement.

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    Every community develops its own tradition and DelFest is no exception. Although the DelFest dictionary has not been written, a spoken language has emerged. A rather simple collection of phrases, words and actions gave rise to an even greater sense of community and Del McCoury himself was not only center stage, but often interacted as well. The “Delfie” (think Del selfie) was an added goal of festival attendees. The “Delbow,” the act of touching elbows was another way of giving love (unless a hug was otherwise expected). Del is a prefix for any exclamation of excitement such as “Delmazing” or the first and most common term of absolute joy, “Del Yeah!” A group of men gathered together and wore “Delmets,” grey and white wigs to honor Del McCoury. Photographer Pati Bobeck was present when the “Delmet” boys were able to reach Mr. Bluegrass himself backstage for the most honorable “Delfie” of the weekend. Onlooker and wife of a “Delmet” boy proclaimed, “Del has the best hair in bluegrass!” The photo, turned Internet meme, captivated the unspoken kinship.

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    Kinship was celebrated on stage as well. Multiple guest sit-ins, collaborations, and honorable song covers sprinkled throughout artists’ sets for the duration of the weekend. Emcee and musician, Joe Craven introduced each band with eloquent words. The moment the newly rearranged Yonder Mountain String Band appeared, no one could have expected the exceptional delivery. Famed dobro artist, Jerry Douglas, John Frazier on mandolin and The Traveling McCoury’s packed a wallop to a receptive and appreciative crowd.

    Headlining Friday and a late night set Saturday, Railroad Earth is the true embodiment of colliding energy defying the natural. Opening with “Seven Story Mountain”, with its mystic middle jam immediately secured the enchantment of the dream. The set was bolstered with songs of distinction attracting more of the same brilliance the weekend was offering. Mysteriously appearing out of the fog of the late night stage, mandolin maestro’s Ronnie McCoury and artist at large Jeff Austin collaborated for an extraordinary version of “Head.” Fiddler Timothy Carbone could not hold back his excitement and bellowed out mid song, “Look who!” Download the show here.

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    First time to the DelFest stage, Ricky Skaggs and fellow bluegrass hero brought his Kentucky Thunder and a special partnership with piano virtuoso, Bruce Hornsby for an unfathomable combination of artists that astonishingly flourished. Community was the thriving theme of the weekend. The Del McCoury Band often fielded song requests from audience members. After performing late night and then again for the wake up slot the very next morning, Cabinet was not alone with bloodshot eyes hidden behind sunglasses. The crowd and Cabinet supported each other like the hazing initiation into the bluegrass club had been successful.

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    Both Carolina Chocolate Drops and The Reverend Payton’s Big Damn Band equally embodied the unrestricted communal ideal, which interpreted into major crowd participation. Creatively, Carolina Chocolate Drops, a traditional African-American string band included historical facts with talk sets between songs. The anomaly of a black man and a banjo was quickly erased when Rhiannon Giddens factually tutored the crowd. She expunged racial inequality by speaking truths such as that of the history of the banjo; initially the picking instrument was traditionally a black instrument until the mid-nineteenth century. Whites integrated the instrument into the mainstream to what is now known as modern country and bluegrass. Download their show here.

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    The most poignant performance was also a most tranquil and comfortable release of any emotion that may have been left over. Tim O’Brien and Darrell Scott dug deep, a subterranean level reaching the core of human emotion. At any moment during the duo’s set, a stream of consciousness could be attained and catharsis being the end result. O’Brien opened with “Walk Beside Me,” a song made known by Railroad Earth and anyone familiar with their setlists would know it as “TOB” – Tim O’Brien’s initials. O’Brien is the place where songs begin and just as his webpage states, “things come together.”

    For the grand finale, The String Cheese Incident took the stage Sunday night opening with “Song in my Head,” the title track from their first release in nine years. String Cheese fused bluegrass, rock and slight elements of electronic, reaching in and pulling out the inner child, squeezing the last ounce of time left together at DelFest. The crowd was particularly receptive to an orchestra of players, including Tim O’Brien, Nick Forster, and Jeff Austin during a rendition of Grateful Dead’s, “I Know You Rider.” Included in the second set was a nod to album producer Jerry Harrison, with a cover of “This Must Be the Place (Naive Melody).” Download the show here.

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    Indeed, it was the place. An adjacent railroad on one side and a river yonder provided the texture reminiscent of Americana sustaining the essence and the very music heard at DelFest. Everything came together with great success as though the collective whole swallowed the Divine and breathed it out onto the fairgrounds. Music provided harmony, the harmonization was perfect, the dream was attained and heaven was found on earth.

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    Download more music from this weekend from etree!

    The Travelin’ McCourys
    Greensky Bluegrass
    The Del McCoury Band
    Rev Payton’s Big Damn Band
    Bela Fleck and Abigail Washburn
    Devil Makes Three
    Greensky Bluegrass – latenight

  • Basilica Hudson Gearing Up for Soundscape 2014

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    The Basilica Hudson recently announced an abridged lineup for Soundscape 2014 for September.

    The two-night affair promises at least the following five acts for September 12th and 13th: Swans, Deafheaven, Tim Hecker, Julia Holter, and Gamelan Dharma Swara. However, more acts are anticipated to arrive.

    Purchase your tickets anytime before June 15th, and you are granted an “Early Bird” discount of $50 for the weekend.  Afterwards, the price goes back up to $60.

    Originally a foundry that produced railroad car wheels in the 19th century, Basilica Hudson is an 18,000-square foot arts and performance venue that boasts a capacity of 1,200 people, but no climate control.  Hence, shows are scheduled during the Upstate New York springs and autumns.  It is located on the South Bay off the eastern shores of the Hudson River, south of the Amtrak Terminal.

  • Dave Matthews Band Rolls into Darien Lake Performing Arts Center

    As they make their way to Buffalo, the talk right now is about the stellar show Dave Matthews Band just put on with their two-night run at SPAC. The Dave Matthews Band will play Darien Lake Performing Arts Center on June 11th.  DMB never seems to disappoint their loyal fan base in Western NY, and with the new two set format that includes an acoustic set and a full band, electric set, it will surely be an unforgettable experience. The band has been playing songs throughout their extensive catalog, making every show more unique and exciting night in and night out.

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    Darien Lake Performing Arts Center is the perfect backdrop to a summer concert and with the amusement park connected, you can enjoy some fun during the day before catching a great show at night. With the venue being a consistent stop over the years for DMB, the show is always the perfect start to the summer concert season for many fans in the WNY region.

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    Tickets can be purchased through Live Nation here.

    To get you ready for the show, check out these highlights from SPAC:

    “Minarets” (5/30/14)

    “Pig” (5/31/14)

  • Donna The Buffalo is set to Play at Inspire Moore Winery in Naples

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    Donna the Buffalo debuted their first studio album in five years, Tonight, Tomorrow and Yesterday, on June 18, 2013 via Sugar Hill Records. They have been touring the country in support of that album feverishly throughout the past year and they are bringing their Americana music to Naples, NY on Friday June 20th at Inspire Moore Winery at 197 North Main Street, Naples, NY 14512. This is an all ages show, tickets are $15 adv; $20 dos.  

    Closing in on the quarter-century mark, Donna the Buffalo has proven itself a consistent purveyor of Americana music. What’s the recipe? To be sure, it’s infused with more spices than you’ll find at a Cajun cookout by way of a southern-fried, country old-time jamboree.

    The group draws its inspiration from a cherished part of the American heritage: the old-time music festivals of the south that drew entire towns and counties together. “Those festivals were so explosive, and the community and the feeling of people being with each other, that’s the feeling we were shooting for in our music,” Puryear says. “Donna the Buffalo is an extension of the joy we’ve found.”

    Donna the Buffalo has toured the nation for nearly twenty five years with an ever-evolving grassroots sound and plans to keep on doing so for many years to come.

    Music Video for “Working On That”

  • Saving Abel and Syn City Cowboys To Rock Upstate NY This Weekend

    Corinth, Mississippi rockers Saving Abel return to CNY this Friday night at Monirae’s in Pennellville, NY. Saving Abel is now fronted by Scotty Austin who has replaced singer Jared Weeks as of last year. Kansas City, Missouri rockers Syn City Cowboys are set to open. 95X (WAQX) is the main sponsor of the show. Saving Abel will also be playing at the Washington Avenue Armory with rapper Immortal Technique this Saturday.

    Tickets can be purchased for Syracuse here.  Tickets for Albany can be purchased here.

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  • Woodstock 50th in the Works for 2019?

    Woodstock has gone through two major official reincarnations since the original fest changed the musical landscape forever. With the 45th anniversary this year, many have wondered whether the third installment of this epic music festival would be in the works. While this appears to not be happening, original promoter and co-creator Michael Lang appears to be in the early planning stages of the 50th anniversary of Woodstock, an event that launched so many careers into the stratosphere.

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    Details are minimal at this point: the site will likely be near the original Bethel site, and it’s anyone’s guess which bands will be present. Considering the past two were fraught with issues (Mud, fires, crime etc.), one would hope they go back to the original mindset: hippies, peace and love. NYS Music will be monitoring this story and keep you abreast of any changes. Who would you like to see at Woodstock’s 50th?

  • Road to Backwoods Pondfest: Lucid in the North Country on June 6th and 7th

    10321572_10152418026195944_4418165811163170152_oWith so many great festivals right in our backyard, we are lucky in the Upstate region to be able to pick and choose what we attend every summer. One gem that calls the North Country home and always has a solid lineup is Backwoods Pondfest. Now in its 8th year, this years fest will be headlined by Jurassic 5’s Chali 2na with his project Chali 2na and the House of Vibe.  Other acts include bands like Twiddle, Spiritual Rez, Turkuaz, Alan Evans’ Playonbrother, Conehead Buddha, and of course, the gracious hosts, Lucid. With it still being two months away though, there’s still a lot of great music to catch in the near future before even thinking about that.

    Welcome to ‘s “Road to Backwoods Pondfest” series.  Through this, we plan on highlighting some of the shows in the region that we are sponsoring that feature Pondfest bands before its August kick off. Being that it’s our first installation, it made sense to tell you about the guys who host Pondfest every year, Lucid.  The band hails from the Plattsburgh region and have been a gracious host over the years to the many bands that make the trip in August.  As the winner of ‘s March Madness tournament, Lucid is gaining popularity throughout the region as one of the premier up and coming bands to catch.

    On Friday, June 6th Lucid will be taking the stage at Olive Ridley’s in Plattsburgh.  Joining them that night are two bands from the area that are local favorites in Doomf*ck and Trinity Park Radio.  The following night, Lucid is making the short trip south to Saranac Lake to play Waterhole.  Opening the night will be The Royal Noise whose powerful funk sound is a great fit for the show.

     Lucid (Photo by Laura Carbone)
    Lucid (Photo by Laura Carbone)

    For both shows, doors open at 9pm with music beginning at 10, so head out and get a taste for what’s to come this August when Backwoods Pondfest kicks off its 8th year.  And if you still haven’t picked up your Pondfest ticket quite yet, hit the link and grab yours now!  There’s a reason why this is one of our favorites in New York.

  • Photo Gallery: Pink Talking Fish at Garcia’s

    Following Phil Lesh and Friends’ performance on May 30th at The Capitol Theatre, Pink Talking Fish performed a set at Garcia’s.

  • Upstate was into Ingrid Michaelson at UCH on May 27th

    Singer/songwriter Ingrid Michaelson was taken by surprise by the fully packed and excitable crowd at Upstate Concert Hall on Tuesday May 27th. “You hear Clifton Park, you think small quiet town but damn!”, she said with a sly smile in her dark framed glasses. Ingrid Michaelson has been touring in support of her sixth album Lights Out, with fellow musicians and friends from Storyman and Sugar and the Hi Lows. The Storyman was a charming celtic duo that serenaded the crowd with their acoustic harmonies and defined their band name with their intricate story telling.20140527 - Ingrid Michaelson 12

    The first few tunes from Ingrid were upbeat and energetic with a complete band to which she had to compliment the audience on being the only crowd to sing the instrumental parts. The night swayed into a mellow mood with the charming melody of “Unbreakable” followed by a song in which for a few awkward moments Michaelson forgot how it started. Luckily for everyone, one of her front row fans handed her their smart phone with a copy of the song on it. The night progressed with beautiful covers of her infamous solo piano work of “Can’t Help Falling in Love” and Bon Iver’s “Skinny Love”, performed in a trio of feminine grace.

    The band came back out to perform some of her more popular hits such as the roundabout chorus from “The Chain” and “Be Ok”. Michaelson notes the next song was a fan favorite but with not wanting to hate the song and never playing it, the musicians put a genre twist on it to keep it fresh and enjoyable for everyone. They began the romantic pop tune of “You & I” but to a polka styling which still received cheers and applause. The show ended with Michaelson’s newest breakup anthem hit, “Girls Chase Boys”. The night felt like a wooden rollercoaster ride of up tempo, catchy pop highs seguing to geeky stories and indie slow ballads. Michaelson will return to the NY area at the end of July to The Stephen Talkhouse in Amagansett and Summer Stage in Central Park NYC.

    Michaelson dances to her own drum with creative compositions that reflects her emotions that anyone can relate to. Ingrid Michaelson continues to share her songwriting in a quirky manner and wants fans to remember that “Different is always a good thing.”