Category: Show Reviews

Tedeschi Trucks Band Bound for Glory in Rochester

Thursday Sept. 25 brought the Grammy Award winning Tedeschi Trucks Band to Upstate NY during a break in the middle of their New York City Beacon Theatre run. The group performed at the Auditorium Theatre, radiating their unique blend of roots, blues and soul-stirring musical heat. Their extended set touched on all aspects of their stage show and featured well-known studio cuts from the band’s catalog as well as a few surprising covers for their hardcore Rochester contingent. Eliciting memories of past rock legends and influences, the multifaceted Tedeschi Trucks Band mirrors roots revival masters Delaney and Bonnie and subscribes to their aesthetic which includes disseminating a unique brand of traditional, Americana and funky blues music.

After a booming and raucous set by opening band, Playonbrother, the Tedeschi Trucks band followed with an inspired set despite militant security and a seated crowd. Eventually, as the show continued the energy could no longer be contained as the band stirred the assembled throng into musical hysteria through their funky and virtuosic performance. While the focus is often and rightfully so on Derek Trucks spiritual channeling of melody through his trusty Gibson SG, every musician in the eleven member coalition is given equal time to bask in the alluring glow of the spot light. Whether it is the double barrel drum duo firing off rim shots in a percussion battle, Kofi Burbridge blowing a breezy flute line, Mike Mattison singing a sweet soul lyric, the horn section punctuating a great jam, or Susan Tedeschi stinging with a series of clean tone blues licks, it’s all hands on deck with this group.

The concert opened with the simmering groove of Traffic’s’ “Who Knows What Tomorrow May Bring” each member adding color to the fat bounce laid down like shag carpeting by bassist Tim Lefebvre. Similar to every song that is added to their increasingly large repertoire the Tedeschi Trucks band grabbed the song in a firm embrace made it their own.

The concert continued flashing by like a series of Super 8 images, each moment building on and in most cases surpassing the last, instantly logged in the recesses of the attendees spun heads. “Made Up Mind” the title track from the bands 2013 LP whipped the crowd into a hand raising gospel review, with Trucks innate ability to reconfigure melodic ideas into dazzling guitar dissemination’s fully on display. Then, the following breakout of blues standard “Loan Me a Dime” instantly caused an assembled gasp from the audience, especially those familiar with what Duane Allman did with the song via Boz Skaggs. First Tedeschi and then her husband tastefully poured liquid string bends and sustains all over the shifty track, bringing the seated to their feet and concluding the song with a standing ovation.

“Idle Wind” concluded the first segment of music fittingly in a rolling maelstrom of sound. After disposing of the groovy verse segment that features Susan vocalizing like granulated sugar, sweet with a yummy grit, the song slipped into a beautiful place. The horns and guitars started to intertwine and it is this illustrated relationship that soon developed into a teeth clenching jam that squeezed the handlebars for dear life tightly. Soon the excursion fell softly into an avalanche of drums neatly tying itself up with a “set closing” reprise.

Breaking into different segments the band returns for an acoustic set of music. A seated Trucks five-fingered some woody acoustic slide on the traditional “Keep Your Lamps Trimmed and Burning” as well as name dropping the Allman’s with a stripped down “Done Somebody Wrong”. Susan Tedeschi’s reading of Bob Dylan’s “Don’t Think Twice It’s Alright” was special and featured Tedeschi wringing every drip of emotion from Dylan’s timeless melody. This brief respite from the electric proceedings is a testament to the diversity and multiple talents of the group.

The second half of the performance began with crowd favorite, “Midnight in Harlem” ushered in on a Allman-esque space drift that coalesced into the songs blue rotating groove. The husband and wife duo sang together in glorious voice, each represented by their respective instruments. There is no looking back when the group seizes the moment and blazes their way first through Derek and the Domino’s classic “Keep On Growing” then the hard-hitting Bobby Bland blues, “I Pity the Fool” before closing with an extended and definitive “Bound For Glory”.

The band’s own “Bound for Glory” contained jamming that bordered on the edge of fusion magic. A plethora of horn exclamations, sexy slide and honky keyboards lifted the song to dizzying and illicit heights. The central section of the song lost its structure, going so far out you wonder how they are going to land. The band so deftly balances the tight rope between accessible songs and twisted improvisational passages that their appeal is one of celebration and cross genre pollination. The group not only represents a sepia toned lonesome train whistle of the blues past, but a Technicolor supersonic rocket ship into the musical future. “Bound for Glory” encapsulates all of these elements and fittingly closes the show.

A gentle and original version of James Taylor’s, “Fire and Rain” closed the evening and sent a hungry crowd home stuffed, unable to imbibe another musical bite. The greatest thing about this evening’s performance is the realization that the band will be back and they will continue to improve and grow their catalog of music. Tedeschi Trucks band delivers the goods on a nightly basis, it’s a shame there can not be more nights like this one.

October 2, 2014
An Exciteable Crowd got into Vintage Trouble at The Hollow Bar

With an energetic 60s rock sound and a crowd that gave as good as they got, Vintage Trouble put an impressive performance September 28 at The Hollow Bar in Albany. Amid The Swing House Sessions Tour, in support of their latest album, Vintage Trouble drew upon influences that spanned genres that developed in the ’60s, including Little Richard, Albert King, The Rolling Stones and Smoky Robinson as they put forth a powerhouse 90 minute show.

Lead singer Ty Taylor channels Marvin Berry (think Back to the Future) and his cousin Chuck, engaging with the crowd, who quickly became the 5^th member of the band. Taylor has the stage presence of a 1960s band leader, and alongside Nalle Colt (guitar), Rock Barrio Dill (bass) and Richard Danielson (drums), put forth a sound that could have been made by another five or more musicians on stage – the sound was that big. “Low down Dirty Dog” had a rockabilly blues vibe, while “Pelvis Pusher” appropriately channeled Little Richard.

Mixing the show up with some acoustic songs, the break served to drive the crowd’s attention to a couple of ballads that reeked of pain and loss. The song titles alone in this middle part of the show – “Never Mine,” “Another Man’s Words,” “You Save Me” and “Still Always” could have been a part of a relationship exit interview. “You Save Me” was most notable for a Peter Gunn-esque bass line from Dill. “Run Like the River” had a (likely) Hollow Bar first – Taylor walked through the crowd, found his way up to the small balcony in front of the soundboard and sang to the crowd a most energetic call and response.

“Nobody Told Me” the ballad of the night, hinted at Smoky Robinson influence while “Strike Your Light” began with a tribal surf rock before moving into swing rock, giving a nod to Chubby Checkers “Twist” in both energy and music, leading to a college professor crowd dancing with abandon. The encore of “Total Strangers” found the band walking off the stage, once again through the crowd, serenaded by “Na na na na na na” capping an evening with a welcome surprise on a Sunday night in Albany.

Setlist: High Times, Blues Hand me Down, Nancy Lee, Low Down Dirty Dog, Pelvis Pusher, Never Mine*, Another Man’s Words*, You Save Me*, Still and Always*, Lo & Behold, Run Like the River, Nobody Told Me, Tear Drops, Strike Your Light
Encore: Total Strangers
*acoustic

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October 2, 2014
Tauk and The Jauntee Go Furthur in Providence

On Saturday, September 25, the bus stopped in Providence, RI at The Spot Underground. To celebrate, The Spot had a planned mini festival outside. Unfortunately, likely rain showers forced them to move artists and other vendors indoors and the acoustic performers they had planned were nowhere to be found. That didn’t stop the people from coming by for the main event, a triple bill of The Jauntee, and Tauk. The three bands each played a set on the main stage with Cosmal playing a short set in between as the bands switched up equipment.

2014 marks the 50th anniversary of the famed cross-country trip made by Ken Kesey and his Merry Pranksters on the bus that shared its name with their destination – Further, or Furthur, depending on whom you ask. To commemorate the original trip Kesey’s son, Zane, took the bus on 50 ^th Anniversary Tour with stops around the country.

Albany, NY’s Formula 5 took the stage at 8:30 getting folks moving with a 12 minute “Perch Above the Earth.” This was followed up with a buttery segue into a cover of the Talking Heads’ “Uh Oh, Love Comes to Town,” picking up the pace a bit and getting everyone in the room dancing. Keeping with the flow, they took this into a great “Excalibur.” Only at this point, halfway through their hour-long set, did they take a break. “Coming Home,” the highlight of the set, included jams on The Blues Brothers and Phish. The set closed quite fittingly with a cover of The Grateful Dead’s “The Music Never Stopped.” The influence of these various bands is quite obvious in the way Formula 5 plays, but they are making their own mark on the scene. Seek them out now while they’re still playing small clubs.

The Jauntee, hailing from Boston, took the stage next around 10:00. Their opening song, “Puppy in my Pocket,” starts a bit like the Velvet Underground’s “Rock and Roll,” but quickly changes up. There were many similarities to other bands throughout their set, including a song that sounded like it could have been pulled directly from Primus’ repertoire. In fact, their entire sound mimics that of Phish. It’s not surprising that they were once called the heir to Phish’s throne. They seem to have modeled their entire sound on that of Phish. Even the guitarist, Caton Sollenberger, looked a bit like Trey Anastasio from the ‘90s to the point where he even mimics the “Trey face” that Phish fans have grown to love. The band is quite talented and can definitely go places. However, they need to use Phish more as an influence and less as what they strive to become. They seemed to lack a sound of their own.

Finally, around 11:30, New York City’s TAUK took the stage as the crowd filled in. Their mix of the funk, progressive rock, and intricate melodies kept the room moving as they kept the groove going from start to finish. The band is reminiscent of Umphrey’s McGee in how tight they keep their composed sections intertwined with the improvisation. It’s almost as though the entire show was a long composition. They closed their set strong with “Collateral,” ending about 10 minutes after the 1:00am curfew with the house lights on. TAUK is a band worth checking out. It would not be surprising to see them playing larger venues within the next year.

In the half hour breaks between the sets on the main stage, COSMAL played his one man band fusion of EDM, trance, and house music. Most of the crowd headed outside to take pictures of the Further bus or hung out at the bar during his sets. The music provided a good filler between the main events.

Overall, it was a great night of music, bringing the ‘60s vibe of the Further bus and the new band of Merry Pranksters together with the some of today’s music that looks to the past for inspiration. The Spot continues to impress by attracting some of the best lineups of local and regional acts. It was all smiles as the crowd left the club.

photos by Eric Rogers

October 2, 2014
Five Finger Death Punch and Volbeat Deliver a Solid Rock Outing at Times Union Center

Rock music was alive and well at the Times Union Center on Saturday, Sept. 27. Two of the most popular heavy rock bands in the mainstream radio today, Volbeat and Five Finger Death Punch, brought the noise and the fun to a semi packed house of screaming fans. As the crowd waited patiently outside for doors to open, they were treated to choice rock and heavy metal covers by a group of young kids named Time Machine.

Promptly at 6:05, Nothing More from Texas and New Orleans took the stage. The crowd was sparse due to this early start time, but the ones that were there were ready for a whole night of rock. The four piece came right out of the gate with a lot of energy, lead vocalist Johnny Hawkins belting out his songs shirtless and shoeless. The second song of the night was started with a mouth-picked guitar solo, and the gimmicks didn’t stop there. They brought out a massive installation that housed a bass guitar, and the guitarist, bassist and eventually Johnny as well all percussively played the instrument to a crescendo. The final song started with a prerecorded bass line and ended with a weak drum circle. These antics probably do wonders in smaller clubs, but were somewhat lost on the arena audience.

Vinnie Paul of Hellyeah came out first, taking his throne upon his drum riser to monstrous applause. With the rest of the band in tow, Chad Gray, the vocalist (also of Mudvayne) whipped the crowd immediately into a frenzy, getting everyone to get on their feet for their title track off the new Hellyeah record, Blood for Blood. Chad really worked the crowd, using the whole stage and jumping up on the banks of PA’s to make his own catwalk to the audience. The new addition of Kyle Sanders on bass, formerly of Bloodsimple, was a great fit, and his bass work along with Vinnie Paul’s stellar drumming kept the whole set nailed to the floor. At one point, Chad told the audience that one thing he loves about New York is the mosh-pits, and we are all brothers and sisters, so if someone goes down, you help them up. This was an accidental foreshadowing of the end of the night.

Just the dropping of Volbeat’s backdrop as the crew set up the stage gained a massive response from the crowd. Fans were evenly split throughout the venue, half wearing Volbeat shirts, and half wearing Five Finger Death Punch shirts. With a slightly different sound than the rest of the acts, Volbeat came out to a rolling banjo track laden with guitars. The style of rockabilly mixed with hard rock is what makes this band so interesting, and also what makes the crowds just want to move and dance along to the music. Singer Michael Poulsen traded his time between three different mics set up on stage, and the rest of the band interweaved with him, all having a good time up there. New guitarist Rob Caggiano, of Anthrax fame, seemed right at home with this four piece band from Denmark, and was in a very unique position, playing these songs live and also producing them on their newest album, Outlaw Gentlemen and Shady Ladies. Micheal explained to the crowd that he was influenced heavily by Johnny Cash and Elvis, and it showed with his vocal capabilities, and his style, sporting a slick back hairdo and a badge on his guitar strap. They had an impressive light show to couple with their infectious party anthem rock and roll, and no one was in their seats by the time they welcomed a special guest to the stage. Jerry Only, from the legendary Misfits, walked out in full Misfits regalia, and the band went into a great rendition of AngelFuck.

By 9:30, the crowd was sufficiently amped up to welcome Five Finger Death Punch to the stage. A deafening bass drone ushered the band to the stage, and singer Moody growled at the audience while brandishing a bat. Jeremy Spencer, the drummer, was in full costume of a skeleton with LED lights throughout him and his drum set. The stage setup was simple, with light rigs behind brushed steel arches, but everything was used to it’s fullest, creating an immersive experience both visually and sonically. This five piece is much more aggressive than the previous bands on tour, with gigantic double guitar attacks and bottoming out low-end bass drops. The sound on the night was full of slight mishaps, with feedback being rampant through the other bands sets, and 5FDP having trouble keeping the ear-splitting double bass drum sounds from taking over the show. A very crowd friendly band, at one point they called out all the people in the audience who have served in the military, and then dedicated their cover of Bad Company to them all. They also brought on stage a bunch of children from the audience for a chance to spotlight the “next generation of metal”.

Mid-set, the band decided to take a completely different turn, first with a drum solo that bordered on electronic dance music, and then into two acoustic guitar ballads, bringing the mood of the show down considerably. But, this didn’t quell the raucous energy they had already instilled in the crowd, and by the time they launched into their first encore song of the night, the floor erupted again into a writhing pit. Moody stopped the song abruptly, seeing one of the fans being really hurt in the pit. He called out the audience member who he saw do the deed, and told the crowd that he would personally kick his ass, and would not finish the show until he apologized to the injured man, stating that this is what makes heavy metal look bad. “Where are the days of Pantera,” Moody scolded the audience, “when people would take care of one another.”

This one incident was not the face of the entire night though, by a long shot. Young and old were all in attendance having a great time, and the crowd seemed generally pleased with each performance. Other than this one bad moment, the show was met with consideration and a party-like atmosphere, truly showing what heavy music can do for people, as they use it for an escape or metal therapy to ‘get their aggression out’ through music.

October 2, 2014
Dopapod Kick Fall Tour off at Putnam Den

On this unseasonably warm Saturday night Sept. 27, people flooded into Putnam Den to see and hear some of the best live music around with Consider The Source and Dopapod. The vibe was chill, most people waiting for the bands to come on were talking about the music. This was a good sign of what was in store. There was a wide array of ages 18 and up (in some cases way up) but regardless of what age, everyone was there to get down and have fun.

Consider the Source, a power trio out of New York City opened to a packed room, which became more and more engulfed as the seconds went on. Starting with a slow melodic piece that was reminiscent of Pink Floyd; a treat to many in attendance and a good sign of what the evening had in store. The lead Guitarist, Gabrielle Marin, played a double neck guitar possessing many different effects; one emulating a horn which was out of this world. Fans were looking around to see where the horn layer was, which there wasn’t, it was just on the guitar, this was brilliant as well as impressive. The drums played by John Olsen, laid down a sweet groove to jam over, which usually the drum and bass do together. Which they did do to a point but the bass player, John Ferrara, had many solos of his own. Showing that this band was, well, a band. There is no real way to describe the sound of Consider The Source but ‘Thrash Jam’ could fit. They did just that, holding the audience’s attention while getting them ready for Dopapod.

Dopapod opened with “Indian Girls”, a very danceable groove layered by heavy beats provided by two percussionists and the bass. This one kept the energy that CTS left going, and even raising the bar. It was on and the party was just about to get into full swing. Dopapod took their groove to another level with “Brooklyn Bridge”, and by adding in vocals, this made their jams actual songs to sing along too, and many people did. Smiles were abounding as people sang along and a small sense of family was felt throughout the crowd. This showed they were not a one trick pony who could come out and lay down heavy beats and just move on to the next heavy track, which so many bands tend to.

The compositions of Dopapod were very complex. All four members of the band, including Adrian Tramontano from Kung Fu as a guest percussionist, were very intricate parts of these songs and everyone stayed tightly together, not losing a beat for a second. It may have seemed as if they were all over the place, but with a careful ear you could tell they were 100% on the same page. This was sheer brilliance. This led into a dark trance like groove keeping their overall sound, their feel, which isn’t very easy to do when shifting so drastically. With Dopapod’s heavy build ups, there was only one place for them to go: the peak. When they reached this peak it was second to very few. The lights went up, the crowd roared, and the payoff was well worth the wait. Eli Winderman’s keys and Rob Compa’s guitar took fans to another world, the world which is known as Dopapod.

October 1, 2014
Marco Benevento Plays Capital Performance to New York’s First Capital

The unmistakable notes from Marco Benevento’s piano rang out in the streets of historic Uptown Kingston – New York’s first capital – on Friday, September 26th. Benevento, who teamed up with bassist Dave Dreiwitz and drummer Andy Borger, played early into Sunday morning to a hyped-up Hudson Valley crowd. With family and friends aplenty to witness the release show for Benevento’s new album, Swift, no one left BSP without an ear-to-ear grin.

The front doors of the large bar/venue were wide open and folks could cool off on the plaza while still enjoying the feel-good tunes wafting outside. Inside, the music was as hot as the air; the trio rocked while joyous admirers filled the hall with dancing bodies. The shaggy piano man led long jams and, in between, held the audience’s attention with captivating asides.

BSP, located in the heart of New York’s first capital, provided an intimate setting for the Ulster County resident to play for a hometown crowd before hitting the road on tour. A few hundred people filled the spacious room, and everyone had a chance to get as close as desired to the semi-raised stage. In the middle of one 20-minute long improv session, Marco eased up on his piano to clap along and start an “AN-DY” chant, ensuring everyone in the building knew exactly who was banging the drums. Andy Borger fed off the cue, turning in a solid drum solo as Marco and Dreiwitz admired in support.

Later in the set, Benevento’s metaphorical nose grew and grew as he covered Money Mark’s “I Don’t Play Piano,” belting out: “I don’t know how to play piano; I don’t know how to sing.” For over a decade, the world has been aware of his mastery of the piano; the new album, Swift, features his voice as an additional weapon for the first time, evincing the complete inaccuracy of the lyrics. “DJ” Dave Dreiwitz’s stoic onstage persona never wavered even as he thumped out heavy solos, while Marco’s smile crescendoed with the music.

Though the room at BSP was dark, the music was light and uplifting. They played a poppy brand of improvisational, piano-heavy rock that induced the shimmying horde to raise hands to the heavens in delight. The band and crowd instantly engaged in a symbiotic relationship; fans fed off the musicians’ energy and vice versa. Spirits from the bar were lifted for many “cheers” while spirits were lifted by the sprinkling of melodious piano solos, accompanied by raucous cheers.

Around 1 a.m., the band came out for an encore while nearly everyone remained to show support. Benevento, Dreiwitz, and and Borger hit the road next in support of the album, which will conclude at the Brooklyn Bowl on December 18th and 19th.

September 30, 2014
Thousands Withstand Rain to Celebrate 23rd Annual Westcott Street Cultural Fair

Despite the torrential downpour that swept the Syracuse streets this past Sunday, this year’s annual Westcott Street Cultural Fair lit up with a vibrancy and energy that could outlast any inclement weather. With over 30 acts performing on six different stages across Westcott Street, thousands of visitors got the chance to celebrate their cultural roots with acts ranging from Ivory Coast inspired drumming to tribal fusion belly dance.

The festival features over 100 artist tents, with a range of shopping in addition to Westcott Street’s most trusted food vendors. Free classes were also available during the entirety of the festival, where visitors of all ages can learn yoga, belly dance, and drumming. In case you’d rather watch the pros, you can always mosey over to the Wacheva Multicultural tent, where you can witness their Drumming and Dance studio perform Flamenco, Salsa, and African Dance routines.

With the addition of the Golisano Children’s Hospital Kids’ Stage (and a plethora of puppies!), this festival has a friendly, family-oriented vibe. But don’t fret fellow millennials- the ongoing concert series engages audiences of all ages, especially for funk lovers. If you consider James Brown and Wild Cherry your scene, dancing in the pouring rain to the Blacklites as they perform on the WAER Main Stage is an unforgettable experience. With an energetic stage presence and howling 12-piece band, there was no way you could stand still during their performance.

For anyone who wants to stay in the loop for next year’s event, follow the Westcott Street Cultural Fair on their website, Facebook, and Twitter.

September 28, 2014
Twenty One Pilots Flying Straight with no Faulty Parts

If Twenty One Pilots is not flying onto your bucket list of a “must see” in concert, add it. Wednesday, Sept. 10, 2014 the Quiet is Violent Tour came to Main Street Armory in Rochester, N.Y. and showed all who came what a concert is all about.   Vinyl Theatre and Misterwives opened, making all the buzz from everyone saying “That was one of the best concerts I have been to.”

Twenty One Pilots, Photo by Cathy Bechle

Two words for Twenty One Pilots – respect and inspiring – they are the result of hard work and determination showing that you can make it into this industry without being discovered. Mike Gibson, tour manager for Twenty One Pilots, shared with NYS Music prior to doors opening, why they have such a strong cult like following and operate differently from most. Growing up with the dynamic musical duo, he understands these two musicians like no other possibly could. A professional clean-cut guy, he has his head on straight with an easy going vibe about him. In fact, Josh Dun and Tyler Joseph have surrounded themselves with people who have very specific traits that are important to their success from what I can tell, intelligence, focus, determination, they need to be goal oriented and must have values or they need not apply. All of this so they can successfully perform their music, have a blast while doing it and give fans an amazing show.

Mike explained more about the incredibly driven people to help make it all happen. Starting with asking how many bands out there today consider that achieving “success” or “fame” is when that money from the first few shows come in and then goes directly into a band’s pocket. Perhaps it goes to support a glamorous lifestyle or even comfort from a van to a tour bus. Well, this band should be a model example on how to handle finances. As he continued, he thought that the strong values they were taught as they were growing up, close family ties, an awesome Manager (Chris Woltman) and of course the band’s financial adviser (Mike’s Dad) make doing what these guys love continue to happen. The rule they follow to always make the next show better than the last and to always invest back into the show.

Fans enjoying the performances. Photo by Cathy Bechle

As Mike was reminiscing about the best times on the road it was not on the big tour bus that was parked in front of us, although truth be told he did say it was much more comfortable. It was on the road in the van in the very beginning a couple of years ago. They did not cash in early on well-paying gigs for personal comfort, instead they opted to reinvest in themselves and stay in the van. They outlook, give a better performance, more lightning, better equipment and experience for the people who come to show and to make sure they are still having fun while performing what they love.

Clearly remembering about good times these guys have had by the look in his eyes as spoke about the cold winter nights were invigorating going from one city to the next and saying how those were some of the best times together. Their alarm clock was parking lot security wherever they parked; being woke up as they were kicked out the next morning “Time to move on guys”. With a slight chuckle as we continued to talk I was brought into feeling that those were the times where it was an a whole new exciting adventure. Young guys, in a band, on the road, in different cities, I am a smart women and know there are stories there, but listen, some things are just meant for a band to keep under “band code rules” and a writer to know better than to ask and to just to respect.

Now that they have grown they have a Manager that is best described as looking like Jesus (insert laughter from Mike and saying “he really does”) who is great at making calculated and driven decisions with their goals in mind. His name, Chris Woltman. Mike elaborated about the path they have paved for themselves and feels that their faith early on as Christians while growing up helped them avoid some potholes along the way. One pothole avoided, almost missing the opportunity to work with Chris. During the time where they were talking with potential managers Chris’s scheduled flight in to see a live performance did not take off. The show was of epic and historic proportion for them and their hometown of Columbus at the Newport Music Hall.   A sold out show, three in history that have ever been able to accomplish this before at this venue, so when they stood outside and looked up at the marquee it was a moment to take in. The band and the whole town pitched in selling tickets to this show, again grassroots efforts on how they became to be. The guys didn’t know what to think about Chris not being able to make this important show, but quickly focused on what they just did and the people who helped make it happen. It turned out that Chris, was the one. They met with a few others but similar to finding a spouse no else came close to the feeling that got from Chris. They just knew he was the right fit.

So how does all of this lead to a concert review you ask? The determination for performing, making sure it is doing what they love and showing the audience a performance that they have invested continuously back in, was mind-blowing evident that night. Lightening was amazing from the color changes, directions, types, size, timing it was consistently changing to keep the mood of the performance. Josh and Tyler giving all trust into the literally hands of their fans by having them holding them up as they perform on a platforms was crazy. Fans watched in pure amazement as the energy as they act out their music and interact with them directly. The music was not just heard, by watching reactions Twenty Pilots are also investing emotionally and physically directly into people in unique ways. A concert is entertainment to listen, feel and watch. It is astounding that how only two people on a huge stage kept everyone’s attention the entire performance. The wonder of what was going to happen next look and surprised faces and expressions as confetti was being shot from the stage kept people wanting more and for the night not to end.

With ever concert there are opening bands and performances. The first group to kick it off and get everyone moving and smiling was Vinyl Theatre. They had won battle of the bands in 2013 to open for Twenty One Pilots, newbies to the music scene forming in 2012. Gaining new fans with their sound of indie electronic rock that night they will surely keep them because of the passion. Each member exudes it when they are on stage. A trait of the performance that makes music worth watching. This was starting to transform the night into what has long been lost in definition as a concert by transforming the music experience into a new level. Their record label, Fueled by Ramen, seem to have targeted their artists having deep passion as they perform; making the record label one to watch as the sign artists.

Misterwives added to the build up to the night amping up the crowd. This group’s carefree and fun spirits is contagious in the crowd. Group participation as Mandy Lee, lead singer, led the audience to snap along with them during songs was a communication all of its own between the artists on stage and the people taking it all in. The whole band is amazing.   Front women Mandy is a vocal powerhouse. She is the full package when it comes to lead singers. Has the energy to rock the whole performance with their pop style, has a personality that keeps it entertaining to watch and spot on vocals. The ability to reach the back of the room with her voice from such a petite body but then would have people leaning in at the right times for the dynamics and drama. Watching each of her Misterwives look as she performed smiling they all feed off one another with a pure look.   The talent they had paid off by the response from everyone.

At the end of the performance, I caught up with Mandy to share how incredible her powerhouse of a voice is. Giving me a huge hug she was bubbly with an amped up energy level. She replied humbly with a huge smile hearing that their performance was so well received by their potential new fan base in Rochester, NY. She was gracious to agree to with Andy DeLuca Photo making sure we caught it all live and putting this together for us to share:

Definition of a concert to me is a mass of people who could sing along to every fast paced lyric, got on the shoulders of their friends when the singer asked, displayed emotion as the music touched them at a personal level and musicians constantly looking directly into the sea of people and in return picking up the bands satisfaction as they performed is a concert that exceeds expectations. This night was packed with pure satisfaction for the music and the people who were there to experience it. Commonalities of each group going up for their set and performance night after night is to share their passion of music as artists.

The last-minute of the show with only my phone video to record captures a glimmer of the definition of the word “concert”. Their hard work to this point in their career has captured more than a definition of a word. It has captured an emotion, feeling and provides and experience to all that get to be entertained by their talent and skills. Thank you Twenty One Pilots, your support systems and management. The Bands that you have on tour with you that share the same passion and drive yet have unique differences your fans to new musical creations.

September 24, 2014
Closing out the Great NY State Fair in Style

As I prepared for Day 11 at the Great NY State Fair, I looked forward to the closing out the day of music, some glitz and glamour with my Miss Syracuse ladies, and taking in all the exhibits, food, and festivities as the week-long Fair began winding down. It had been the most amazing week for NYS Music staff members as we covered shows and events, and took in all the fun we possibly could so that we could share with our readers. With the Grandstands holding its final concert the night before, I looked forward to the shows at Chevy Court and a local band who I had been wanting to see for a while this fine Sunday.

First up at Chevy Court was MKTO, then I would be off to see The Rick Short Band, and then I would finally get to check another off my bucket list, with the Phillip Phillips show. Apparently I was not the only one with the Phillip Phillips show on a bucket list. As I approached the photography area at Chevy Court, I learned that one young lady had been there since sunrise when her folks dropped her at the gates to get the perfect seats. This was surely going to be a day to remember for her as she sat front and center with her friends, beaming from ear to ear that she would be first row center to see her favorites MKTO and Phillip Phillips. Now that’s a fan.

Day 11

MKTO – Who is MKTO you ask? MKTO has recently burst onto the pop music scene over the past few years with their hits “Thank You” and “Classic”. The duo, made of up Malcolm Kelley and Tony Oller, met while working together on Nikolodean’s show Gigantic.

These two extremely talented young men began jamming together and the duo was born. Mixing pop, rap, and hip hop, their style is refreshing and energetic. Their background in acting, their musical talent, and their dynamic stage presence is the perfect combination to be the next big thing. Truly enjoyed watching them as they performed, and as they brought their young crowd to the feet singing and dancing along. Have to admit, do love their song “Classic”; is catchy and sends a good message to the younger generation about the importance of keeping it classy.

Set List: Could Be Me > Forever Until Tomorrow > God Only Knows > American Dream > No More Second Chances > Heartbreak > Am I Wrong > Wasted > Nowhere > Get My Way > Hide Your Girl > Goodbye Song > Thank You > Classic

Rick Short Band – Over the past few years I have tried to coordinate my schedule to be able to catch local favorites and good friend Rick Short and his band out and about. Unfortunately until today it had eluded me. With Tracy Bowens on vocals, Zach Calidonna on bass, Eddie Reilly on vocals and drums, Brian Tuttle on lead guitar, Callendra Comstock on vocals, and Rick Short on vocals and guitar, they played several songs that will be featured on their upcoming CD they are working on. With an anticipated release somewhere in the spring, the group shared with the audience some of their upcoming releases to positive results. His band, The Rick Short Band, specializes in what they call real rock and roll. We certainly were rocked, and look forward to seeing them again.

Phillip Phillips – Crowds began to gather for Phillips Phillips earlier than normal for this free show at Chevy Court. After exploring the fairgrounds for the day I decided to stake my claim to a spot close by the stage for the evening. Taking possession much earlier than normally, I wasn’t alone in my thought process. The immediate stage area was already spoken for, mainly by those who had seats from the earlier show. So as I sat there partaking in one of my favorite past times, people watching, I witnessed something pretty special that made Phillip Phillips a pretty stand up guy in my book. The security people, who by the way were awesome the whole fair, took notice of that young lady who had arrived at sunrise to see this show. Notifying the management for Phillip Phillips, shortly before the show began they surprise her and escorted her back stage to meet him in person. In tears and shaking, the young lady could barely walk to the back for the encounter. As she returned from the occurrence, she was ear-to-ear smiles chattering away about what had just happened. I just love seeing performers take notice like that and thank their fans who are so dedicated them. The humility in it sets them apart in my book.

Phillip Phillips who is best known as the winner of American Idol season 11, this young man has found a way to share his passion with the world, and we are certainly glad he has. With two albums under his belt, his song “Home” is the highest selling coronation song from any of the Idol winners to date. Phillip knew he had the music fever at the age of 14. Mentored by his brother-in-law,Benjamin Neil, Phillip pursued his passion in and around his hometown of Leesburg, GA playing with his brother in law’s band at local venues and events. Trying out for America’s Got Talent, he never made it to the final rounds. However this didn’t deter him, in fact it made him more determined to succeed, and off he went to audition for American Idol. Never in jeopardy of being eliminated during the competition, his talent shone through.

As he played at Chevy Court, it was apparent to me that this 23-year-old young man was special. As Phillip Phillip took the stage, what occurred during this performance seemed almost magical in its energy. I had covered the majority of the events over the course of the week, and as I began to watch him perform I was totally blown away. His enthusiasm and passion were transparent and you felt it as he performed. His stage presence and interactions with the audience just drew you in more. All the artists booked are talented, and I enjoy each and every performance, but WOW is all I can say about Phillip Phillips. He sang and played with a passion that mesmerized you. You literally felt the music as he played. Hands down this was my favorite performance of the Fair. He had me at hello.

The special passion and energy didn’t end at the edge of the stage either. One special couple took this opportunity to celebrate their special moment with the entire audience as Phillip Phillips played along. Yep, this show was special for sure.

Set List: Lead On > Get Up > Raging Fire > Unpack > Where We Came From > Gone > Man On The Moon > Trigger > Fly > Lillipop > Fool’s Dance > Home

Day 12 – $1 Day

Well as the Fair came to a close on Labor Day, they decided to try something new this year by offering $1 entrance, $1 rides, and many vendors charged $1 for favorite food items. As this new concept was born, it’s one I believe will live a long life as the record that was broken after twenty-five years the previous Saturday, was once again broken. 122,870 people took advantage of the final day at The Great NY State Fair.

Doobie Brothers – Closing out Chevy Court were the legendary Doobie Brothers. This multi-talented group has demonstrated their longevity and perseverance in the music business by doing exactly what they love, making great music. With a blend of blues, soul, R&B, and rock ‘n’ roll, these multi-talented award-winning musicians just continue to make great music and rock their audiences. The band has produced 3 multi-platinum, 7 platinum and 14 Gold albums; with five top 10 singles and 16 top 40 hits.

This ever evolving group, has proven over the course of the years that no matter what changes occur within the band, within the music industry, or within the world, being true to their sound and making music their way, produces music with a heart that their tried and true fans, and an ever evolving new fan base just love. Touring now with the band we have Tom Johnston – guitars, keyboards, harmonica, vocals, Patrick Simmons – guitars, banjo, flute, vocals, John McFee – guitars, harmonica, dobro, pedal steel, violin, vocals, John Cowan – bass guitar, vocals, Guy Allison – keyboards, backing vocals, Marc Russo – saxophones, Ed Toth – drums, and Tony Pia – drums, percussion. I personally am looking forward to their newest album’s release around the beginning of November 2014. In a collaborative effort with Nashville’s top country musicians, this album is already proving to be one of the most anticipated albums of the year. This collaborative effort pushes the boundaries, and follows a trend of forging rock and roll and country music in a new direction. The Doobie Brothers consider their music American Rock, and I wholeheartedly agree.

September 24, 2014
The Black Keys Rock The Blue Cross Arena in Rochester

The Black Keys came to Rochester and the Blue Cross Arena ready to rock their fans. The Turn Blue tour has been bringing some bluesy funk from their Akron, Ohio roots to cities across the U.S. Starting with “Dead and Gone” the Grammy winning duo, Dan Auerbach and Patrick Carney fired through a dynamic set. The set was dominated by tunes from older albums, though three songs promoting their chart topping new album, Turn Blue, made appearances.

Backed by keyboardist John Clement Wood and bassist Richard Swift, singer-guitarist Auerbach and drummer Carney were the main attraction on stage. Carney wailed on the drums while Auerbach seemed content to get lost in the songs. Without saying much in between tunes, they let the music speak for them. “Howlin For You” and “Lonely Boy” were crowd favorites that had the audience singing along word by word. If there was any question, the encore sealed it. Auerbach and Carney are still a unique combination that rock the crowd on their own terms.

Opener, Cage The Elephant didn’t miss the opportunity to make their mark. Lead singer Matthew Shultz thrashed around the stage while ripping through a nearly 45-minute set. Their high voltage performance included hits, “Shake Me Down” and “Come a Little Closer”.

Setlist: Dead and Gone, Next Girl, Run Right Back, Same Old Thing, Nova Baby, Gold on the Ceiling, Leavin’ Trunk, Too Afraid to Love You, A Girl Like You (Edwyn Collins cover), Howlin’ For You, Gotta Get Away, Fever, Tighten Up, Your Touch, Lonely Boy

Encore: Turn Blue, Little Black Submarines, I Got Mine

September 23, 2014