Category: Show Reviews

  • Intoxicated Fans Overshadow Great Performances at KRockathon 19

    Central New York was rockin’ Saturday afternoon and into the night as KRockathon 19 took over the Chevy Court at the NYS Fairgrounds in Syracuse. The hot sizzling sun didn’t stop music fans from crowd surfing, fist pumping, horn raising or just bouncing up and down to all of their favorite artists that took the stage during the annual summer event.

    krockathonThough this was an awesome rock festival with a killer lineup –  sadly, the music was an afterthought for most as it was overshadowed by a lot of, no actually a ton of, overly obnoxious drunken and impaired fans. Concert goer’s who walked into the venue were greeted by staff who were giving out free KRock koozie’s, sunglasses and KRock Elite passes for the first two-thousand fans who came through the door for random meet and greets with various bands. The venue had its usual set up, with two stage’s side by side. The standout performers of the day were: We As Human, Fozzy and Pop Evil. Blacklite District, Black Stone Cherry and A Day To Remember were really good as well. KRock Dj’s Rainman, Griffin and Cody came out, welcomed fans to the show and kicked things off by introducing the first band.

    Blacklite District kicked the show off and got the fans that were actually in the venue – and not in the parking lot still pre-gaming, pumped  up and did their job to get the crowd psyched  for the rest of the show. Starset was good but they had some technical difficulties at times. Singer Dustin Bates seems to get a little bit distracted with all the technology they use during their set. He cut his mic out when using his emulator screen. He also uses two microphones at once for most of his performance. One mic for regular vocals and one for voice distortion. Still a great performance by the band and when they work the kinks out they will be fine. We As Human came out and just kicked ass. Singer Justin Cordle stood on the security wall and grabbed the hands of fans during the song “Zombie”. Cordle then thanked Lacy Sturm (former Flyleaf singer) for performing on the next track they were going to perform and played “Take the Bullets Away”.  Justin then dedicated the next song “I Stand” to the Armed Forces; in a funny moment after the song, Cordle said to the crowd joking “as you can see two people are missing to my left. Our guitarist and our bass player said they needed a vacation. I said, ‘dude you’re a rock star, your life is a vacation.’ ”

    Framing Hanley put in a good set for the fans, vocalist Kenneth Nixon said they took a long drive just to be at KRockathon today, then went on to say how they love performing in Syracuse. Nixon went over two lines of the song “Simple Life” with the fans in the crowd so when he held the mic out during the song, he wanted the crowd to sing it back to him. Nixon also noticed a blown-up condom bouncing around the crowd and said “looks like the dude said f^@# it and gave up already.” They then played “Lollipop” and ended with “Stupid Girl”. Halestorm came out and turned the place into a nut house literally, I have never witnessed so much crowd surfing in my life.  Lzzy Hale’s mic was drowned out and you could barely hear her sing. Hale told the crowd that she just took two shots of Jameson before she came out. Arejay did his usual drum solo and brought out his oversized drum sticks, this also marked the spot where people started to act ridiculous for the rest of the show. During the mid way point of their set, a woman whom was crowd surfing was targeting other fan’s heads and blatantly trying to kick people in the face. Fozzy surprised me at this show, they really brought it to the Syracuse fans. Chris Jericho in my eyes finally made himself  a true rock star and not a WWE superstar trying to sing. From start to finish, “Sandpaper, Enemy, Lights Go Out” and every hit in between. Jericho also went back to his wrestling roots and rhymed a bunch of words building up his band before ending with “you can go home and tell everybody you just got your assess kicked by Fozzy.”

    Saliva was another band that the mic was way too low, they still put on a good show and sang every hit from the Josey Scott days’. Surprisingly, they didn’t sing any of their new tracks with new front man Bobby Amaru. Instead of doing an AC/DC cover, they should have played their current single “Rise Up”. Black Stone Cherry just kept the vibe going. They played all their singles and had the crowd singing along to “Blame it on the Boom Boom”. Unfortunately, I had to witness a guy get his lights punched out while his wife frantically looked for help as no EMT’s nor security were anywhere to be found. This was the first of many fights during the day. All That Remains played their usual set of radio singles. Before they played “What If I Was Nothing” – vocalist Philip Labonte said “we’re supposed to be a metal band. Two years ago we came out with our latest album A War You Cannot Win. We made a ballad. We like to break the f^@#ing rules sometimes.” Pop Evil was the best of the night. What an awesome set. This is one of the best live bands to watch. The crowd was absolutely insane for Pop Evil which prompted singer Leigh Kakaty to say “sick of people saying rock is dead. Tell that mother^@#&! to come to Syracuse N.Y.” Before the band played the song “Torn To Pieces” Kakaty said “put your horns and drinks in the air and let’s make a toast.” As the band was getting ready to play “Trenches” Leigh gave a shout out to all the bands that performed on the show. He also said to the crowd “every band on this show would be $#!% without the fans.” Then he dedicated the song to the Red, White and Blue.

    Some fans headed out of the show after this. It seemed like the hardcore outfit,  A Day To Remember and Seether fans, were the majority that were left. A Day To Remember had tons of fans there, fans were bouncing up and down and crowd surfing everywhere. The crowd nearly got out of control when the band played “Right Back At It Again”. Some fans were by now, passed out sleeping on the ground in some areas from being overly intoxicated in the heat. Seether headlined the event. The band started with “Gasoline” then they played hit after hit including “Fine Again, Rise Above This and Fake It”. They also played new songs “Weak and Words As Weapons”. What could have been the highlight of the night, kind of turned into a little snafu – the vocalist for Seether Shaun Morgan brought out Lzzy Hale from Halestorm to sing the song “Broken” with him. When it was time for Hale to sing the first line of the second verse she paused in confusion, looked to her side and pulled her cell phone out of her pocket. Morgan look on in amazement then laughed as other band members looked on with ‘what the hell is she doing’ look on their faceS. Hale then looked down at the screen of her phone and must have had the lyrics set as she picked up and started singing from the third line of the second verse. After the song was over, Lzzy went over to Morgan and hugged him and said something to him hopefully apologizing to him. He then said into the mic “it’s a learning curve.” Seether ended the night with “Remedy”. This was a really good show soley based on the performances of all the bands. Every band did their best to give the fans a great show. The lineup was excellent. The organization of the event as a whole is another story.

    So many things were wrong again this year at KRockathon. Mostly the drunken violent fans and lack of security. Security just fully and totally dropped the ball. I don’t know how much Police or security were on hand but it did not seem like much at all. The venue could have really benefited from another food tent, lines for a burger could have lasted you up to an hour. The venue could have probably used more garbage cans, but that really didn’t matter because all the cans were half empty because everyone decided to just throw their trash on the ground between all the puke piles. Buying water was also a joke as you needed to buy beer tickets to get a water. A $7 beer ticket was good for two waters but the vendors would take the caps off and keep them. So I guess they expected you to just down your drinks in one minute. They took the caps for whatever beverage you bought – Ridicules.

  • Brantley Gilbert Turns the Turning Stone Bottoms Up

    Brantley Gilbert certainly brought his ‘A Game’ when he visited Central, New York July 10 at the Turning Stone Casino. This Georgia born entertainer, recently awarded the coveted ACM 2013 Top New Male Artists award, has certainly been busy over the last few years cranking out hit songs for himself and other Nashville artists. Touring with the likes of Willie Nelson, Eric Church, Toby Keith, and Tim McGraw.

    Recently in Upstate, New York as one of the many top-notch country performers at the Taste of Country Music Festival at Hunter Mountain, concert goers got a small taste of the no holds barred artist that writes and plays from the heart sharing from real life experiences. This young man makes no excuses for who he is, what he believes in, or how he looks. He’s been labeled a bad boy of country music, however his polite persona shines through to give you a hint that there is so much more to this artist than what’s on the surface.

    Opening for Brantley was newcomer Brandon Lay who took over the stage and warmed up this audience; winning over new fans left and right.  Covering original songs of his own and covers like a pro, it was our honor to give him a warm CNY welcome to our neck of the woods, with the hopes of returning again one day soon on his own headline tour.

    I was really looking forward to seeing this rebels full show, having seen Brantley just a few weeks prior at the Taste of Country Music Festival, and he absolutely didn’t disappoint. As a performer, it’s great to have hit songs to belt out to an audience, but it’s the delivery that makes the show. It’s the opening number that pumps up the audience and begins the evening, it’s the interaction with the audience as the performer is singing, and it’s the momentum that builds as each song plays into the next one. Brantley has an innate ability to deliver these critical aspects that hook his audience and reels them in number after number. His opening number and accompanying video totally delivered this one-two-punch that hooked the audience, built them up to an expectation of greatness, and delivered from that point on. No matter how much of a showman this young man is, you cannot mistake his talent in songwriting. It’s his songwriting that truly shines bright amongst the chains and tough exterior, as he shares in each number a piece of who he is and how he perceives his life experiences.

    Brantley Gilbert - Turning Stone Casino
    Brantley Gilbert – Turning Stone Casino

    Surrounded by some of the top-notch musicians in the business, his band perfectly accompanies Brantley on each number delivering the ambience in one killer set. With Patrick Stevens on guitar and background vocals, Jonathan Waggoner on bass and background vocals, Ben Sims on drums and percussion, BJ Golden on the mandolin ,acoustic and electric guitar, keyboards, and background vocals, and Noah Henson rounding them out on rhythm guitar and background vocals, these guys commanded the stage meshing perfectly together to bring the show all together and build up that electric feel that delivers this show over the top.

    Brantley Gilbert - Turning Stone Casino
    Brantley Gilbert – Turning Stone Casino

    Brantley Gilbert is a force to be reckoned with as country music switches tides to deliver an eclectic sound that mimics a mixture of country, bluegrass, and rock and roll. Perhaps it’s this mixture and the fact that Brantley doesn’t sway away from his goal to deliver his sound his way that has hooked me as one of his BG Nation members. Coming back through NY August 22n to the Watertown Fairgrounds, it is my suggestion if you love the new direction of country rock you definitely need to take the time and the ride up north to see Brantley.

    Brantley Gilbert - Turning Stone Casino
    Brantley Gilbert – Turning Stone Casino
  • Giant Panda Guerilla Dub Squad with Funktional Flow Close Out Another Great Weekend

    Music filled the air again at Willow Creek Winery this past weekend; two days filled with music to keep everyone happy. One of the greatest things about Willow Creek is that you get the festival experience in a smaller setting.  If you combine the great location with Buffalive Productions,  you’re getting the entire experience at a great value with Giant Panda Guerilla Dub Squad and Funktional Flow.

    Buffalive, who just recently was founded, is doing things in their first year that many promotors take years to accomplish, putting  great music out there for the fan to truly enjoy.  Friday and Saturday was no different with the crowd being treated to a stellar show by Badfish-A Tribute To Sublime, bringing everyone the music of Sublime  that they love, but most were not fortunate to see since the bands demise in the 90’s.Saturday brought music with reggae influence and started in the afternoon, going until well after midnight.

    Preach Freedom, Mosaic Foundation, Tropidelic and The B-Side Dubs all playing early on before the main event. Funktional Flow and Giant Panda Guerilla Dub Squad played 2 sets each flip-flopping after each set. Funktional Flow started it off with  the side stage and GPGDS took over on the main stage. Flow has been playing the winery all summer and seemed to have quite the following since Buffalove Music Festival. Giant Panda was great and as the night wore on with darkness casting overhead and their lighting show, all made for a terrific night of music. Chad from Mosaic Foundation joined them on stage to boost the great reggae infused jam to the next level.

    Speaking with Chad as he came off stage he was happy as can be and he even said how it was a dream to be able to be on stage with Giant Panda, he had been huge fans of them since the beginning. Saturday night capped off another great weekend at Willow Creek  and with one more event to go who knows what Buffalive has in for store for next summer, it will be tough to beat their inaugural season. But First, up next will be The Grapeful Getdown on Aug 9, featuring a bunch of the area’s top Grateful Dead Tribute Bands with a day full of Dead songs.

    You can get more information about The Grapeful Getdown here and stay tuned for our preview of the upcoming show.

  • Moon Boot Lover: The Most Rockin’ Party on Wheels Around

    When pulling up to the train depot in quaint Milford, NY, you may be thinking to yourself, “Where am I? Have a stepped back in time?” It is hard to believe that a three-hour rockin’ party with Moon Boot Lover is about to take place on board the Cooperstown Blues Express Train.

    Led by a locomotive built in the 1940s, on tracks that were put in place in the 1860s and ran between Cooperstown and Colliersville, the Blues Express Train is truly one of the most unusual concert experiences in our state. Having been dubbed “the area’s only rolling nightclub,” this train has been hosting concerts every Saturday night from mid-May through late September since 1997.

    moon boot loverHaving been around since the ‘90s, formerly a frequent visitor to old school venues in Oneonta like Diana’s, Peter Prince and Moon Boot Lover (MBL) have garnered a huge local and very loyal following over the years. Whenever they come to town to play on the Train, which they tend to do at least once a season, you definitely want to book ahead for these rides, as they tend to fill up quick. As a matter of fact, one of their biggest fans mentioned that he is in the military, and he actually schedules his leaves around Moon Boot Lover’s calendar.

    While Moon Boot Lover’s music is difficult to categorize, there are definitely elements of blues, jazz, rock, and general “spacey-ness” involved. Channeling the energy of Jimi Hendrix and Santana at different points throughout the night, there was a constant out-of-orbit vibe going on all through the band’s set, which included the fitting choice of “I Miss the Train”. Peter Prince’s soulful voice shined on each and every song – at least those that had lyrics; and kept everyone grounded, with all the otherworldly tones coming from the instruments backing him up, including his very own frenzied guitar playing on his trademark Flying V guitar.

    Moon Boot LoverAt one point, Prince jokingly said that the train was trying to take their drum set apart, and explained that this is part of the reason MBL goes through so many drummers, but current drummer Lee James Falco seemed more than capable of holding the rhythm together, which is quite the feat on a slow-moving train rolling along on rickety old tracks. At only 19-years-old, Falco is already sitting in with many bands, so don’t be surprised if you see him play in your area; he is definitely full of talent and is only going up from here. Bassist Ben Carle provided steady yet creative rhythms and notes, on top of well-balanced back-up vocals, throughout the evening’s experience. Rich Lemire, a friend of the band, joined in for this performance with some added percussions.

    moon boot lover

    Once the sun went down, lighting designer Aaron Hunt provided a veritable psychedelic experience aboard the train, effectively utilizing the extremely limited amount of solid wall or ceiling space to somehow pin up the lights underneath translucent sheets, adding even more of an outer space element to the occasion. The crowd seemed to appreciate the trippy lighting, letting it take their already dancing feet to a whole other level, boogying down to “Natural Kind of Lover” until the last-minute, before pulling in to in the Milford Station.

    Moon Boot LoverIt is strongly recommended, for those of you who have never been on the Cooperstown Blues Express Train, to hop aboard one of these Saturday nights before the summer is through. Where else can you ride on a historic railroad through beautiful countryside – and baseball fields – listening to funky music on an open air car, getting to wave at and taunt the people who have to wait at the railroad crossings sitting in their cars, while you are kicking back, enjoying a beverage and a snack, and cruising along listening to some great tunes.

  • 95X Fest Packed A Punch At Papermill Island In Baldwinsville

    Although Paper Mill Island is located in the small town of Baldwinsville, outside of Syracuse, with practically no parking and a strict noise ordinance, apparently it doesn’t mean that it can’t be a great local destination for a kick ass rock show. 95X (WAQX) took the risk of holding an all day rock festival on Saturday, June 21 and combined it with entertaining wrestling matches from Central New York’s own 2CW to make this year’s 95X Fest one of the most memorable rock and metal experiences this summer in Upstate New York.

    The stars aligned as the weather cooperated that day and the Town of Baldwinsville allowed the music to go on for thousands of people to enjoy themselves. Props to Joe D, dXn, and their promotions staff for running the entire gig smoothly.  With the wrestling ring built at the opposite side of the island, there were some wrestling matches from 2CW going on between music sets. dXn had the guts to enter the ring and really put on a show for the crowd, including lots of beard pulling.

    The lineup wasn’t spectacular, but every band delivered. Adelita’s Way was the sole headliner, followed by Vegas rockers Otherwise, the veterans Smile Empty Soul, along with Nothing More, who is hot on the rise, followed by Ume and Edisun. Local area bands Jeremiah’s Razor, How To Disappear Completely, and Cry To The Blind kicked off the show.

    Every band was amazing, but the one band that really took it to a whole new level was Otherwise. Their stage presence and ability to deliver was completely unmatched; it was hard rock at its finest. Hands down, the band could have and should have been the sole headliner. 95X has this band at their disposal and I would imagine they will be back in Central New York again very soon.

    Overall, the day was fun, the beer was cold, the bands kicked ass, the wrestling was over the top, and everyone seemed to have a really good time (I didn’t see any fights). I feel 95X still has their work cut out for them for future local shows, but this one was definitely in the right direction.

  • Consider The Source Overloads The Hollow With Sonic Delight

    “You’re the best trio in the history of music!” a zealous fan shouted between songs during Consider the Source‘s heavy rock set on Friday, July 25. Some whoops of agreement went up from the crowd of approximately 200 at The Hollow, a bar/concert venue on Pearl Street in Albany.  No one disputed the claim.

    CTS took the stage after Ampevene, a young local quartet, who showed that the future of rock is in able hands.  They opened the night with a jazzy set of originals and a cover of Pink Floyd’s “Have A Cigar”.  Ampevene played for nearly an hour before Consider the Source came on around 11, looking sharp in their white business linens. The crowd, which was energetic all night, moved up and in to get a better look at the Sourcerors in action.

    Gabriel Marin was the first to melt faces during “You Go Squish Now”.

    Guitarist Gabriel Marin
    Guitarist Gabriel Marin

    Marin slid his fingers gracefully up and down the top neck of his fretless guitar.  Jeff Mann started the night with a pair of mallets rolling on the drums and John Ferrara—the Ferrari of bassists—came out slapping his 5-string.  The trio showed their versatility immediately with a section of hard rock that became a Middle Eastern tango for three of four measures, then Mann’s double-bass drumming kicked the jam into metal before they transitioned back to jazz.  Ferrara, semi-crouched, smiling, and slapping, faced Marin and the two dueled it out for the last-minute of the tune.

    During “Abdiel”, Marin flipped a switch on his custom double-necked guitar and was suddenly playing a velvety trumpet solo. When he gave his fingertips a moment to cool off, Mann and Ferrara went back and forth, trading drum and bass solos respectively.  Throughout the set, Marin manipulated trumpet, flute, banjo, and oboe-esque notes from his  axe.  The twenty-foot ceilings in The Hollow created great acoustics for Marin and company to jam in.

    CTS blends a myriad of genres and influences into elegantly composed songs with unique movements and stanzas.  The show in Albany was an epic instrumental journey, featuring the stunt guitar, bone-rattling bass, and Mann doing his best Animal impression on the drums.  The set played out more like a unified rock opera than a dozen individual songs.  “__/” (the title is a hand symbol), began with Ferrara soloing and cradling his bass like a baby, as his left hand flew up and down the neck and his right hand alternated between tapping and slapping.  Marin and Mann joined in, as the jam had a pure rock feel to it and a grandiosity reminiscent of Umphrey’s McGee’s “All In Time”.  While most of the ride was dark and spacey like “__/”, “Tihai For The Straight Guy” was a warm reprieve in the middle of the set.

    “We’ve been all over the world,” Ferrara said at one point, “but we are right where we want to be tonight! You guys have so much energy!”

    Bassist John Ferrara.
    Bassist John Ferrara.

    The front half of the venue was packed with wide-eyed and slack-jawed enthusiasts squished in to get a close-up view.  When not induced into dancing, listeners stood on tip-toes trying to get a better look at the Sourcerors operating their instruments with surgical precision.

    Toward the end of the set, Marin showed his mean streak during “I’ll Fight For The Imp”.  He played with an apparently disgruntled attitude, punishing his guitar for unknown crimes.  Most of the night, however, he looked like a violin savant fitting of the name Gabriel, fingering his custom guitar with deliberate movements of massive fingers.  He shredded with a cool, calm composure, making intricate solos appear effortless.  While he may be the most eloquent guitar player on the rock circuit, he may not even be the best string player in the band.  Imagine the ’90s Bulls.  Now, imagine them with LeBron on the team, too.  You can debate either way which of Marin and  Ferrara are Michael and LeBron.  Mann—who reminded the crowd during the encore, “it’s Friday night; I want you to push that fuckin’ rock button!”—is unarguably Pippen, valiantly rocking the most under-appreciable position in music.

    During the encore, the Sourcerors each showed their prowess one last time.  Mann busted out his electric drum pad and Ferrara played a solo that incorporated classical plucking and heavy womping.  Marin jettisoned his hat and, with his long golden hair flowing free, pumped out spacey laser sounds.  The Hollow was rocking as Consider the Source proved that rock is far from dead.

    Set list: Wandering Bear, Abdiel, Ninjanuity , __/, Tihai For The Straight Guy, Absence Of A Prominent Tooth, The Great Circuiting, I’ll Fight For The Imp, Keep Your Pimp Hand Strong

    Encore: Ol’ Chomper

  • Randall’s Island gets Rocked from Phish and Phans

    Phish and their dedicated followers are no strangers to New York City, seeing that they visit during the bitter cold New Year’s Eve runs each year. But the holidays came early for fans as they enjoyed the three-night run of beautiful weather, famous skyline and jam-packed Phish set lists on Randall’s Island, located between Harlem, Queens and the South Bronx. With a capacity of 35,000, Randall’s Island was a comfortable and familiar fit for fans that long for the Phish festival experience, but were happy to spread out on the lawn or rage by the stage.

    There was a strict curfew each night of 11pm, causing the shows to actually start on time around 7, and with gates opening at 4, there were more than enough activities to keep fans entertained. Ben & Jerry’s handed out free Phish food ice cream and Hippieshop.com sold raffle tickets for a Fuego themed bicycle. One of the biggest attractions were the Official Phish Freezer and Water Wheel Foundation tents, offering vintage merchandise, Pollock posters, DVDs, and vinyls such as the new exclusive release of Picture of Nectar.

    Thousands of phans travelled by ferry, car, subway, bus or walked the almost 2 mile hike over the East River to partake in the unique experience of Phish. The start of the three night run on Friday night brought a funky “Moma Dance” opener as the first “Ya Mar” of the season had the classic Page McConnell solo plus a stand out bass solo from Mike Gordon. The first set had possibly one of the best “Bathtub Gin” versions of the summer, clocking in at a solid 18 minutes. The Gin started in the traditional sense of phans singing along with the lyrics before the band dove into a fast paced melody of pure exploratory bliss.

    The second set was a continuous flow of surprise and delight as they started with a dark and rare “Steam” with a slow build up that got pretty weird before the stand out “Down with Disease” that featured high energetic guitar riffs from Trey Anastasio. The soft and gentle melody morphed into a “Golden Age”, followed by a mellow “Limb by Limb”. The ever popular new hit “Fuego” made an appearance and set fire to the “David Bowie” that followed with triumph.

    The show ended with a simple, yet groovy “Character Zero” as the first impressions of the night were grand, making everyone eager to return for two more nights of Phish. Randall’s Island has proved to be high on the list of venues and stand out jams for the summer tour this year.

    Friday July 11th Setlist

    Set 1: The Moma Dance, Kill Devil Falls > Ya Mar, Bathtub Gin, 555 > Rift > Sample in a Jar > The Wedge, Waiting all Night, Stash

    Set 2: Steam> Down with Disease [1] -> Golden Age > Limb by Limb > Fuego > David Bowie, Cavern Encore: Character Zero

    [1] Unfinished.

    Notes: Trey teased the Munsters theme in Stash. DWD was unfinished.

  • Bruno Mars Dazzles Times Union Center

    Albany was buzzing with anticipation Sunday night at the Times Union Center as Bruno Mars was set to make his debut appearance in Upstate N.Y, bringing his “Moonshine Jungle Tour” to the Tri-State area.

    Bruno Mars - Times Union Center - July 2014
    Bruno Mars – Times Union Center – July 2014

    Fans of all ages came out for this highly anticipated, sold out concert. Some seats opened up right before the show, but were gone just as fast with some lucky fans even scoring front row seats.

    After a short delay letting fans into the arena in the hot muggy weather, all was forgotten when this concert started.

    Multi-talented Bruno Mars and his band are some of the best live entertainer’s I’ve seen on stage this year. A very charismatic bunch of musicians. This concert had a little of everything – pyro blasts, fire, sparklers and an awesome light show.

    Both artists were very interactive  with the crowd.

    Aloe Blacc was the opener for this show in Albany. He and Pharrell Williams have rotated dates throughout the tour in select cities.

    Aloe started the night off with the song “You Make Me Smile”. Some fans were still filing in from the delay during this song. The song broke down into a dance break, which prompted Blacc to ask the crowd “who likes to dance?”. He paused for the crowd’s response, then Aloe himself broke out into a dance.

    The crowd stood for the rest of the performance when the song “Here Today” started.

    Blacc now sheds his jacket and tells the crowd “here’s an oldie but goodie” and sings the song “I Need A Dollar”. Aloe had the crowd on their feet clapping along to his hit “The Man”. Blacc talked about his other hit “Wake Me Up”, saying, “I had these words that I wanted the whole world to hear”, and proceeded to talk about hooking up in the studio with DJ Avicii in 2013 to record the track.

    Blacc was a great opener. The only drawbacks that I had were that his mic was a little bit low and he was drowned out by his band. Also, I didn’t like the plain black curtain behind him. I think a logo or themed curtain for intimacy as a back drop would have felt like more of a big deal, while the black made it seem like he was not that important.

    Blacc signed CDs and T-shirts at the merchandise booth after his performance for fans.

    Bruno Mars - Times Union Center - July 2014
    Bruno Mars – Times Union Center – July 2014

    Excitement from the fans started to rise as Bruno Mars was set to take the stage next. Concertgoers broke out into a wave around the arena in anticipation for Mars to come out.

    After a quick intermission to set up the stage for Mars, the lights went out to a thunderous, almost deafening, roar. Everybody’s attention was now focused on the gold palm tree themed curtain, just waiting for it to fall as the beat started for the song “Moonshine”.

    As the beat played, Bruno Mars welcomed the crowd to the moonshine jungle. A pyro blast cued the curtain to fall to Bruno and his band, jamming the first verse of the song.

    Before he sang the song “Treasure”, Mars said how it was his first time in Albany, N.Y as a giant mirror ball lowered from the ceiling above the stage.

    Mars then went into a medley of different songs, including the Beatles hit “Money (That’s What I Want)”, “Billionaire” (Bruno’s song with Travie McCoy), which drew loud cheers from the crowd, “Pony” (Ginuwine) and “Ignition” (R.Kelly).

    Bruno blended his songs “If I Knew” and “Runaway Baby” by asking the crowd to sing along with him by hitting certain notes. Then, Mars asked the crowd to repeat the words “do you love me”. After having everyone repeat it, he asked for just the ladies to sing it. After singing it with all the women in the building, he answered them, “yes I do.” The screams from the ladies were insane.

    When Mars teased the crowd that they were quiet, he said, “hey we can get quiet.” He and the band slowly faded down to silence, but were still dancing and snapping fingers like there was a beat still playing. Then Mars and the band slowly brought the volume back up; fans ate this up and just loved it.

    Another funny moment happened at the end of the song “Nothing On You” (his song with B.o.B). Mars asked the guys to grab their lady’s hand, look into her eyes and say…”Bruno’s gonna do the talking tonight.” Mars then didn’t forget about the single ladies in the house. He said, “singles ladies don’t worry,” and he and his band shouted, “we’re here,” as they did a hip thrust gesture.

    Bruno Mars - Times Union Center - July 2014
    Bruno Mars – Times Union Center – July 2014

    Mars then got serious and told the audience that his next song was the hardest song for him to write and was still the hardest for him to perform. He then played “When I Was Your Man” as cell phones lit up the whole arena during this song.

    A minute-long keyboard solo led into the song “Grenade”, and finally, the smash hit “Just The Way You Are”  ended the set.

    During the last song, gold confetti fell from the rafters. It was an awesome scene. There was so much confetti it was like a white out in the middle of winter.

    Mars introduced his whole band, while each member did their own signature dance as they were introduced.

    The two-song encore started with Mars doing a drum solo, which led into the song “Locked Out Of Heaven” and wrapping up with “Gorilla”.

    An amazing performance by Mars left me wanting more; he played about an hour and forty minutes it total. It’s nice to see Upstate N.Y. finally getting some different musical acts to this area who have never traveled here before, including Mars, Justin Timberlake and Paul McCartney. I hope this opens the door for more artist to come to our area for summer concert events in 2015 who would have not considered this area before.

  • Seth Yacovone Brings his Southern Style from the North to Putnam Den

    The Putnam Den has been a staple in the Upstate music community for quite some time and is known for bringing acts spanning many genres. This has not changed, in fact, it’s about the only thing that has stayed familiar. The walls have all been painted a dark red, sending a warming vibe throughout the club. The bras that once hung from above the bar are gone. Tables are placed methodically around the soundboard, leaving plenty of room for people to shake their stuff in front of the stage, which is now graced with a red velvet curtain. These changes, along with many made to the outdoor patio (such as ping-pong and baggo), have made The Putnam Den an even more desirable place to have a great time and see live music. Saturday night exemplified this tremendously. With a packed patio and even more patrons inside to see The Seth Yacovone Band, all of the ingredients for a fantastic night were in order.

    The Seth Yacovone Band, who hails from Burlington, Vermont with a sound coming from below the Mason-Dixon line, had the crowd hooked right away. “Tonight the Night”, a Neil Young song, was pure blue-blooded American rocking magic, with wailing guitar solos that set the mood for the entire night. Stellar musicianship was shown by the whole band. Steve Hadeka was on the kit while adding some vocals and Alex Budney slapped the bass, making a sound that was untouchable by many three-piece acts. “Botulism” was a high point of the set. Musically it held its own with the rest, but listening to the lyrics, which addressed nasty mayonnaise and other things that spurred the title, was very funny. If you didn’t listen close enough, the song was just another groovy danceable number. Closing the set out with Bob Dylan’s “Isis” was a treat. The band took the slow Dylan tune and sped it up a bit, yet didn’t stray too far from the feel of the original, a talent many bands do not possess.

    The second half of music opened with the bass-heavy, fast-paced “Storage Space”, a fantastic way to start the set, attracting people walking the streets of Saratoga to The Putnam Den. This vibe continued as the club became more and more packed of people who were digging the sound coming from the Vermont trio. “Gnashing Golgotha Footstomp Shindig Blues” was intense. Channeling the late Frank Zappa on this tune was completely unexpected as the rest of the night offered nothing similar. The slow start with a funky bass groove and drum beat kept the cool vibe going while Seth sang over it in a different tone than the crowd had grown accustomed to. As the solo emerged, the crowd was in awe. Shredding does not even begin to describe how hard and fast Seth was playing. It was as if he was on another sphere.  Slowly bringing it down enough to not lose the groove was just pure brilliance and, without a doubt, the high point of the show. Closing with “What Have I Done Wrong”, a song where the title pretty much sums it up, is about a man wondering what he did wrong and asking his lady with little or no response. Showing the more bluesy side of the band as well as some pure emotion was a great way to end the show. Not a single person was not screaming for an encore; the band gracefully obliged by playing “Little Richard Will Rise Again”, a song that sounds exactly how you’d picture it with a title like that. The band picked a fantastic way to end the show and was tops from the first note to the last.

  • Gypsy Punk Icons Gogol Bordello Played Host to a Melting Pot of Fans

    A small congregation of people waited outside of Upstate Concert Hall on Tuesday, July 22nd.  Much smaller than one might suspect, on a night helmed by gypsy punk band Gogol Bordello.  But, more people did show for the performance as the night went on, possibly in part for the ‘Upstate Common Sense’ on tap behind the bar, instilling in the 500 plus crowd a feeling of liquid camaraderie.  Gogol Bordello has a reputation for bringing a combo platter of life together for an all-inclusive party atmosphere, and by the end of the night, this was exactly the case.  The gypsy punk band, with members from all over the world, brought quite the spectacle to Clifton Park once again.

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    The show opened with the raucous energy of Man Man from Philadelphia.  Experimental rockers at their core, they descended onto the stage with a wall of sound and main singer/keyboardist Honus Honus presiding over the crowd in a sparkling hooded cape and his trademark mustache.  With a hurried explosion of notes, Man Man started their set with what sounded like the middle of it. Cheering along at full intensity immediately, the crowd fell right in step.  The four-piece switched instruments constantly, and between horns, strings and percussion, they welcomed the masses into their chaos.  Pow Pow the drummer acted as de-facto conductor for the band and the audience, keeping the White Stripes meets Frank Zappa vibe at peak energy the entire set.   By the end, the crowd was hungry for more.

    The crowd exemplified the feeling of the night — the idea that no matter who you are, you would belong, here, at this show.  People shirtless with multicolored LED gloves, or fedoras over dreadlocks, or metal shirts and ripped jeans, all were welcomed and more.  The lights dimmed and the crowd coalesced into one singular being, eager and willing as Eugene Hutz, the leader of Gogol Bordello, took the stage.  He vocalized the feeling of the night and asked the audience, “Where did we leave off last time?  Let’s pick it up right there.”  He started the show alone, with a single spotlight for the aptly titled “Illumination”, with the entire band joining him by the end.  They played their dirty, infectious gypsy grooves in expert fashion, from a band honed by constant touring.

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    The sound was great, allowing the crowd to pick out all the intricacies of the band, from the extra percussion, to the accordion and violin solos, to the subtle, but powerful, five-part vocal harmonies.  The presence of Pedro Erazo and Elizabeth Sun, the band’s MCs, extra percussionists, and hype man and woman, add to the deliberate crowd control that Gogol emits.  At one point, Hutz anointed the congregation with a bottle of wine as he sang “Immigraniada” and brought the audience to a fever pitch.  They left the stage, and not a soul moved, waiting for instruction to proceed.  The show had stripped the audience down to it’s innocence, and the band came back to emulate this, starting their three song encore with  “Lost Innocent World”.

    One thing can always be certain of a Gogol Bordello performance:  it will be an experience to remember.  One of the hardest working bands in the business, and it shows, they continue to enthrall audiences and provide tasty morsels of world-class rock, punk and folk to keep the audience eating right out of their hands.

    Photo by Jim 'JT' Gilbert
    Photo by Jim ‘JT’ Gilbert

    Set List: Illumination, Ultimate, Rise Again, Wonderlust King, Dig Deep Enough, Other Side of the Rainbow, Companjera, TC Hustle, Immigraniada, Mishto, Rise the Knowledge, Malandrino, Purple, Pala Tute, Sun Is On My Side, Not a Crime.
    Encore: Lost Innocent World, Alcohol, Think Locally.