Category: Reviews

  • Second Annual Taste of Country Music Festival: Day Two

    As day two began at Hunter Mountain’s Taste of Country Music Festival, festival goers certainly didn’t allow the torrential downpour on Friday night to hinder their spirits in any way.  Perhaps the other spirits on hand played a part in that.  Perhaps it was just this crowd was tough and didn’t care about sissy things like a little adverse weather conditions. With a clear forecast up on the mountain for the day, this crowd was locked and loaded, okay not quite loaded yet, but they were there and the fun had begun.

    Taste of County Music Festival
    Taste of Country Music Festival 2014

    Day Two

    Having the hindsight to write down the directions vs. relying on cell powered GPS today, I made my way to the mountainside in no time flat, with enough time to meander around and see the festival goers, vendors, food sources, and fun to be had away from the stages. As I approached the entrance, a random festival goer high five’s me and immediately I become one with the crowd again, despite my lack of tent, cowboy hat, and/or red, white, and blue attire; this girl did have her cowboy boots on though.  We belong to a gang, one that loves to hoop and holler, one that doesn’t mind getting a little dirty, cold, or wet, and a group that loves their country music and those that sing to us.

    As I scoped out my attack on today’s culinary cuisine, a few of the sites beckoned me with their wafting fragrances.  Tough as it was to decide between loaded potatoes, barbecue, hot dogs or hamburgers, fried macaroni and cheese, potato pancakes, alcohol infused donuts (which I would love to try next time I’m not working), watermelon, and so many more choices too numerous to list here, I made my decisions.  I would start off with the Asian noodles as a healthy light fare, and later follow-up with the bacon wrapped corn dog.

    As the crew began to set up the stages for the day’s performances I couldn’t help feel the energy already building for the day’s stellar lineup.  Up first was Jamie Lynn Spears, followed by The Cadillac Three, Charlie Worsham, Leah Turner, Craig Morgan, Randy Houser, and the headliner and one of country music’s icons, Brad Paisley would finish the night out right.  Wishing the line to the chair lift wasn’t so long so I could get a panoramic view of this crowd and the goings on, I had to put off as there just wasn’t time before the first performer took the stage.  As I hiked the hill to scope out the crowd, I took note that the crowd around the Ram Guts and Glory Stage was starting to fill in, which was my que to hightail it back to my spot for the shots I needed to capture.

    Taste of County Music FestivalUp first was Jamie Lynn Spears, best known as an actress on several Nickelodeon shows, and sibling to her famous sister, Brittany.  The crowd seemed apprehensive to what they would be in store for, but open-minded enough to welcome her with cheers and encouragement.    Jamie had been out of the lime light now for more than six years focusing on her soon to turn 6-year-old, daughter Maddie. During this time, Jamie did some soul-searching and being from the south and loving country music, she began writing with a team that included Chris Tompkins, Liz Rose, Lisa Carver and Luke Laird.

    With their expert guidance, she learned the art in putting your heart and soul into words that translate to messages through her songs.  As she began to sing, as good of an actress she is, this definitely is her calling  She has the perfect country voice, the perfect stage presence, and showed this audience what raw talent she has in this business.  She definitely proved herself and laid to rest and doubts the audience may have.   As she sang songs from her current list of music and covers she won over the audience.  However it if they didn’t love her yet, when she brought out her daughter to have the audience help her sing “Happy Birthday” to her, she won them over then.  Look forward to seeing more from this artist in country music as she grows with this country music family too.

    As Jamie left the stage, next on the days lineup was a band called The Cadillac Three.  As they took the stage, this trio of musicians stole my heart and rocked my world.  You couldn’t help relating to these guys as you felt like you were in the presence of Wayne and Garth from the movie Wayne’s World, which I’m sure they get all the time.  However, once past the initial doppelgänger recognition factor, Jaren Johnston, Neil Mason and Kelby Ray got your attention in a whole new way.  The energy they had during their set was off the charts.

    As they performed all I kept thinking was they were a party on stage.  Their hillbilly rocking, southern rock style was reminiscent of ZZ Top meets Lynyrd Skynyrd meets Molly Hatchet meets Charlie Daniels, meets .38 Special.  This wasn’t country music, this was rock and roll folks.  Their performances incited the audience and made for some of the most fun I had to date this weekend.  As a photographer first and foremost, I just love bands that move around the stage.  Things that always make for great photos were everything they offered in their show; long crazy rock and roll hair to whip around, a drummer that stood up and above his set really getting into the beat, and reflective glasses to show off the insanity their music was inciting.

    Taste of County Music Festival
    The Cadiallac Three – Taste of Country Music Festival 2014

    If you haven’t taken a look at these guys yet, please do.  You may have heard Keith Urban’s #1 single “You Gonna Fly”, which was co-written by Johnston, but it’s only the tip of their talent as their music that is worth a listen to.  Numbers such as “Tennessee Mojo”, “Back It Up”, and “The South” substantiate their stronghold they will wreck on the country music world.

    Next on the bill was newcomer Charlie Worsham.  Relatively new to this audience but definitely not new to the business, this talented young man has years and years under his belt of music experience.  He began playing piano in kindergarten, and then after seeing bluegrass banjo player, Mike Snider, at Opryland began learning the banjo.  Years later he would join him onstage at the Opry accompanying him on his own banjo.  This multi talent young man didn’t quit at the piano and banjo, each year he would learn another new instrument.

    This versatile young man found himself at Berkelee College of Music, where he fine tuned his craft in instruments and writing and since has toured and collaborated with such stars as Miranda Lambert and Taylor Swift.  On his newly released album Rubberband you will hear further collaborations with country music greats, Vince Gill and Marty Stewart, who join him in “Tools of the Trade”.  This young man was a total crowd pleaser from the moment the audience saw him.  Out of the norm for most musicians, he came out to the audience prior to his set to meet fans and sign autographs.  You see this after the fact at times, however beforehand is generally not the norm.  Signing and talking with them for a good long time, he eventually had to stop as his band beckoned him back to the stage to start the set.

    Already developing a relationship with this audience, this continued as he totally countryfied this crowd with his amazing banjo and mandolin playing tunes.  As if they couldn’t love him more, he decided today was the crowd and day for his first ever “body surfing”.  This totally rocked as he was passed from front to back to the soundboard and high fives everyone the entire time.  During his set he pulled up a young lady from the front and serenaded “Happy Birthday” to her as she blushed and gushed over him.  Yes, Charlie Worsham was a crowd favorite.

    Second Annual Taste of Country
    The Cadillac Three – Taste of Country Music Festival 2014

    As Leah Turner took the stage, her raspy country voice was a nice example of female representation in the male dominated country music business today.  Leah originating from California was by no means a surfer type, in fact she was representing the California cowboy/cowgirl clans.  One area of country music often forgotten about as Bakersfield, CA, which has given us some of country’s greatest artists, such as Buck Owens, Dwight Yoakum, Marty Stewart, Creedance Clearwater Revival, and Merle Haggard to name a few. About an hour outside of LA, Leah was raised on a farm in Morongo Valley with horses, goats, and chickens.

    This young lady had been around cowboys her entire life as her father has been on the rodeo circuit for years.  So country music was in her soul.  After working in LA with well-known producers, David Foster and Humberto Gatica, she realized her heart was in country music, and shortly thereafter bought her one way ticket to Nashville to realize her dreams.  The one thing you noticed about this country gal was she was no sissy. She had a strong presence, strong voice, and I’ll kick it country attitude.  As she sang some of her new tunes like “Take The Keys” and “Bless My Heart” from her EP Leah Turner, she showed us she had followed her true path.  Show casing her strong voice even further were her covers of Beyonce’s “Single Ladies” which pumped up the female crowd attendees, and her cover of John Fogerty’s tune “Proud Mary” which truly accentuated her strong vocal skills and stage presence.

    Taste of County Music Festival
    Leah Turner – Taste of Country Music Festival 2014

    Next up was Craig Morgan.  As I looked around the audience, his popularity was apparent.  It was a blanket of people everywhere. Opening the set with his hit “International Harvester”, he immediately got the attention of the crowd and from that point on sang hit after hit.  Numbers such as “A Little Bit of Life”, “Wake Up Loving You”, and of course his hits “Redneck Yacht Club” & “That’s What I Love About Sunday”.  This down home family man has found success just being himself.  With a resume that is as diverse as it gets, it demonstrates one thing about Craig, that he is a people person that cares about making life better for others no matter what the job.  Beginning as an EMT, he then spent ten years in the military, went on to being a contractor, sheriff’s deputy, and even worked at Wal-Mart.  The one thing though that tied all these jobs together?

    No matter what he was doing or where he was going, music was his passion and played a part in every aspect of what he did.  This dedication continues into his personal life as he is an avid outdoorsman, husband, and father to four children.  He continues with his dedication to community and causes such as those serving in the military. He has had an extensive singing career for years, and the one thing he continues to do is grow with his music.  He’s at a point in his career now that allows him the ability to feel confident enough to uncover raw emotions in his songwriting that reflects a piece of him in each song.

    Songs such as “If Not Me” and “We’ll come Back Around” signifies the depths he went to, to address ideals and experiences in life he drew from.  His success and longevity however come from his ability to mix it up and covers such as Justin Timberlake’s “Drink You Away” and Foreigner’s “I’ve Been Waiting” were perfect examples of Craig being Craig.  His set flew by, and the sea of people gathered cheering confirmed his popularity at this years Taste of Country Music Festival.

    taste of county music festival
    Craig Morgan – Taste of Country Music Festival 2014

    If any artist was to receive an award for their performance at the show this year, hands down it would be Randy Houser.  As Randy took the stage, unbeknownst to anyone in the audience, he and keyboardist, John Henry Trinko, literally just arrived.  Somewhere out in Pennsylvania was the rest of the band, the gear, and a broken down bus.  Not quite sure how the crowd would react, he began his acoustic set.  As he shared with the audience how he is a songwriter first and foremost, he began his set.  Best known for his “Honky Tonk Badonkadonk” song recorded by Trace Adkins, Randy’s portfolio of work is much more serious as he writes mainly about life experiences.  As he played song by song, no one noticed there wasn’t a band behind him.

    Between him and John Henry, they had it covered.  Randy told the audience how it felt as though we were all sitting in his living room or on his porch, sharing a beer, and listening to music together.  And that is how it felt.  This acoustic set was amazing.  His voice was all the crowd needed.  It wasn’t the pomp and circumstance they loved about Randy, it was his voice, his message, his music.  As he sang “Started With A Goodnight Kiss” and “Running Out of Moonlight”, the audience loved him more and more. However they really were on his front porch as they joined in on his cover of Garth Brook’s “Friends In Low Places”.  He didn’t need all the special effects. A keyboard, a guitar, and his voice was all that necessary to bring the show.

    Taste of County Music Festival
    Randy Houser

    As Randy left the stage, Dee Jay Silver pumped up the crowd with his mixes of country tunes keeping this complete wall to wall crowd at bay during set change.  Pure genius as this crowd was completely pumped up and ready for the highlight of the evening, Brad Paisley.

    Taste of County Music Festival
    Brad Paisley – Taste of Country Music Festival 2014

    As Brad Paisley took the stage, the most spectacular light show ensued along with a full lineup on stage, and full set list of hits to share.  Brad best known for his numerous number one albums and hits, and charming sense of humor brought that along with an extensive catalog of music to choose from.  Even though he was promoting his new album, Moonshine In The Trunk, with today’s current hit “River Bank”, he shared out of the treasure chest of other albums with numbers such as “This is Country Music”, “Online”,  “Ticks”,  “Mud on the Tires”,  and “American Saturday Night”.

    Through the modern miracle of technology, Brad was able to perform his duet with Carrie Underwood, “Remind Me”, as her image was projected in a hologram right there on stage.  He was awarded the best line for the night as he told the crowd “…this is the most fun you’ll never remember you had…”  Brad always has come across as a decent human being, and this was solidified as I saw him sign and hand a guitar he had just finished playing to a small boy right in the front of the stage.  Who does that right in the middle of their act?  Brad Paisley does.  Truly a superstar and all around decent guy.

    Taste of County Music Festival
    Brad Paisley – Taste of Country Music Festival 2014

    As the night came to a close up to the top of the mountain the spectacular light show finished out the night as the fireworks display went off.  Yep, Day Two lived up and beyond Day One.  Surely Day Three, would be anti-climatic.  Or would it?

  • LIVE: Rising Again with New Lead Singer, Chris Schinn

    Being the new guy is never easy. Try filling big, famous shoes. LIVE was one of the most popular grunge bands in the 1990s; I wasn’t the only one who was seriously bummed when the band split under some vague and ugly circumstances in 2009. Those of us paying attention were pleased to hear that the band was going to march on, but eyed the new lead, Chris Schinn with a decent amount of skepticism. And really, who wouldn’t? Anytime the new guy gets up on stage with an iconic group of performers, the fans’ critical eye gets super sharp. Most of us stubbornly refuse to accept lead replacements of super awesome bands, even if they are a great fit.

    Schinn told us, when we sat down with him in Verona, that he’s been guilty of the same thing. But then he saw Alice in Chains perform with William DuVall (replacing the original lead, Layne Staley). When he left that show, not only was he sold on the “new” Alice in Chains, but he also thought to himself, “I could see myself doing that.” A short time later, he was. Before I saw him perform with LIVE during the Summerland Tour in 2013, I was seriously doubtful that the band could live up to my expectations without Ed K. I’m a fan of Ed too, so I went in with the same skepticism of a kid meeting their new step mom. But, WOW. I was not disappointed. I’m not the only one; Schinn told us about a fan who approached him after a show to tell him that she drove hours to that show fully prepared to hate him. But in the end, the opposite happened: she fell in love.

    Schinn said that unlike the challenge of selling his acceptance to old LIVE fans, fitting in with the Chads and Pat was easy. Naturally, he was a LIVE fan in the 1990s (his favorites then were Operation Spirit, Pain Lies on the Riverside, and Lakini’s Juice). He also knew the guys personally; his former band, Unified Theory, actually opened up for LIVE during the Distance to Hear tour. Schinn and the rest of LIVE share responsibility for song-writing, many laughs, a good amount of patience — patience that I’ve been lacking actually as a fan. I’ve been eager to hear what they are up to, but they have taken things REALLY slow. It’s already been a couple of years since Schinn joined the group, and their first album together, The Turn, isn’t due out until October 2014. They wanted to make it good; get it right. They are using a lot of the same folks who have worked with LIVE in the past, including Jerry Harrison and Tom Lord-Alge, so we can expect the same quality of material found on Throwing Copper.

    On stage Schinn adds his own style to the show while bringing the audience close enough to LIVE-as-we-knew-them. Admittedly, there is a different energy that flows from the songs of old. LIVE’s established fan base expects to hear the old, popular stuff, and that’s Schinn’s key to their hearts. But when LIVE played their new music the vibration kicked up a notch. Schinn promised us four new songs during the performance at Verona, and noted that whereas a lot of LIVE’s previous work included references to water and rebirth, the newer material is harder, with many references to fire. Schinn’s favorite current LIVE song is “Siren’s Call”, the lead track on their new album, and it is awesome, and I’m not the only one who thought so. Schinn says, and I agree, to “give it a listen.” The Turn will be released in October and LIVE will promote it on tour. Dates will be announced on the bands website and related social media sites.

    Setlist: The Way Around, Iris, Top, All Over You, Siren’s Call, Pain Lies on the Riverside, Operation Spirit, Beauty of Grey, Dolphin’s Cry, Rattlenake, Freaks, Don’t Run, Selling the Drama, Lightning Crashes, I Alone, 6310 Rogerton Encore: Lakini’s Juice, White, Discussion

  • Ziggy Marley’s Rastaman Vibration Felt at Artpark

    Holding court above the Niagara River Gorge, Artpark in Lewiston, NY on June 25th was an idyllic setting for an evening of roots reggae featuring Ziggy Marley and his band, with Steel Pulse in support. A way laid back crowd was chilled out by the lush surroundings and a noticeably heavy ganja haze. After a smoky and celebratory set by Steel Pulse, the humid and heavy Summer evening brought an ambient island vibe created by the performed reggae ‘riddims’ and perfect weather.

    ziggy marley artpark

    Ziggy and his bridge bolt tight backing group set the thematic tone for the evening with the opening song “Love Is My Religion”. Prior to its beginning, Marley, head tilted back in a meditative stance, encouraged the assembled crowd to “Rebel with Love”. Marley often preceded his songs with a quote from their lyrics and a short rumination on their content. The collected crowd of Rastamen, college kids, Deadheads and happy families all slipped into a similar groove as Marley’s band played the crowd into a mellow mood.

    “Wild and Free” followed, Marley’s paean to marijuana, which Marley sang with great conviction, eyes shut, hand rising toward the collapsing sky. Marley stood at center stage in a flowing white top acting as a didactic freedom fighting Rasta, spreading his musical gospel message to the gathered masses. The group assembled around him, organically throbbing their way through dancehall, ska, rock, club beats and one drop, deftly and with attitude throughout the evening. Marley’s keyboardist also added some ‘toasting’ to the tracks, the Jamaican act of a DeeJay talking or rapping over undulating rhythms.

    ziggy marley artpark

    Marley likens his live concerts to fully formed stories told through the narrative of the individual songs. This evening was comprised of many essential chapters, each musical piece a solitary element constructing the fully fleshed out picture of the performance. The band premiered a nice chunk of the recent Fly Rasta release to great effect, the newer songs taking on additional unrealized details in their live renditions while nestled comfortably next to Marley’s previous work. The set also contained past Ziggy Marley glories played in addition to ‘Melody Makers’ favorites which had the crowd joining in with their own lyrical voices.

    The show started to hover above the ground when Marley decided to reach into his late father’s catalog of music for an ‘irie’ performance of “Lively Up Yourself”, one of a few of the elder Marley’s songs performed over the course of the evening, in addition to “One Love” and a penetrating, “So Much Trouble In the World”. During “Lively Up Yourself”, Marley gave a musical shout out to his famed Father with a, ‘Big Papa told ya so’ lyrical quote followed by great applause. These musical appreciations to his Father were so tasteful and natural, they fit perfectly into the natural flow of the show, unlike other ‘tributes’ to Bob Marley which often come off as contrived.

    As the concert continued and a veil of darkness dropped over the venue, the jamming got deeper and the dancing heated up; the reggae became more fluid and the rhythms more playful. Artpark was transformed into a sweaty dancehall maelstrom of love, dance, and Rasta vibes. All that was missing from the night were multiple bottles of Red Stripe being imbibed and some steamy sand.

    ziggy marley artpark

    “Black Cat” became a show highlight with Marley allowing his band to stretch out on the track, with his guitarists illustrating their improvisational authority. Similarly to his studio releases, Marley’s music takes on a plethora of insular, as well as pastoral and rural, themes, hence its huge web of influence and attraction to fans from all walks of life. Marley has accepted and taken on the role of disseminating his father’s developed message of love, peace, and freedom for the world as well as creating his own uniquely ‘Ziggy’ message.

    The stand out and title track of the new LP Fly Rasta signaled the beginning of the end as it was fittingly slotted to start the encore. Its message and imagery of flight not only applies to Rasta, but to all of those who respect the strength and love created and spread by reggae music. Its fundamental theme of finding yourself, respecting others, and of ‘One Love’ illustrates neither prejudice nor favorites. Marley’s ideal is that anyone and everyone can find the Rasta magic through the acceptance and enjoyment of reggae.

    ziggy marley artpark

    Ziggy Marley at Artpark was the type of concert one longs to be able to witness. Low on pushy crowds, obnoxious drunks and poor sound, this particular performance contained everything a fan could hope for when taking an excursion for live music, quality musicians, positive messages and a collaborative experience between band and crowd alike.

  • Hearing Aide: Mirk “Run”

    mirk_run

    Mirk, an Albany-based R&B band released their third endeavor, Run, and the melodies are already too catchy. The most accurate description of the seven piece band is evolutionary. Between the band’s first two albums, Love and Grind, and now Run, no element is subtle. Maybe Mirk says they’re “running out of time,” but this album is proof of the exact opposite.

    The band implemented many changes which are apparent from the first audible second of the album. Run opens with a ballad starting with new keyboard player James Rock and the band’s female backing vocalist Tara Merritt, whose voice is much more prominent – and rightfully so – than it ever has been before. Both Rock and Merritt are in high spirit and are set up to bring to the album the same energy of a dark, smokey bar room. This opening track, “Let it Go,” sets the intense, yet dynamic mood for the rest of the album.

    As such, the addition of James Rock on keys is critical to the round sound of this album. Rock may be young, but he lives up to his name. He gives Run a rock ‘n’ roll angle. He’s not afraid to overplay, to voice full, nearly obnoxious, uninterrupted chords. And that’s a good thing because this allows the rest of the band, especially guitarist Mike Thornton, and bassist Kate Sgroi to weave around this soundscape, and experiment with far more notes than Grind saw. Grind is no failure. It’s a great artifact, and a clear stepping stone, but it can be surpassed, as Run proves.

    Just seconds into this first track, “Let it Go,” lead vocalist Josh Mirsky comes in with the opposite of his usual trade: a backing vocal part to Merritt. He sings, “I ain’t got no money,” as a response to her aching voice, which might give a listener chills. Again, that barroom feel is heavy, but here the light fades up onto the rest of the band. They’re definitely not a mechanized backing track, either. They’re personable. They’re human. Instead of being “the band,” for a solo artist, the whole group works as a cohesive unit to bring an emotional element to the music, especially during “My City,” and “Marathon,” two previously released singles which made heavy use of Chris Russell’s sax.

    This is reminiscent of Mirk’s previous endeavorsThe soulful element of this album appears especially in tracks like “Turn Me On,” which listeners heard on Grind, such as “Butterscotch.” On the other hand, the album also contains some of Grind’s driving rock beats – provided by Stephen Struss — on songs like “Torture.” However, old Mirk fans – including those who first heard Love – aren’t the only ones that will be pleased with Run. The album furthers the band’s ability to try new things. Lovers of experimental bands like Muse might enjoy the title track, “Run,” whereas Billy Joel fans will relate well to “Love Above” – and even this, and the next track, “Crowd Surf,” turn into hip-hop in the style of someone like Weerd Science. But no matter what you’re listening to, the prime mover of Run is the fact that Mirk is not sticking to a specific theme – they’re writing what they want to write.

    Run perfectly utilizes Mirk’s tried and true methods of mixed genre fun, with the evolutionary sounds of each instrument and vocal track. They are only getting better and we recommend seeing them in Albany before they’re out of town for good, because this band is only going to get bigger.

    Key tracks: Let it Go, Love Above, Marathon

    Run can be downloaded on iTunes, and physical copies are available on Mirk’s online store.

  • The Dream of the ‘90s Was Alive in Oneonta With Rusted Root

    There was definitely something magical in the air in Oneonta on Friday night, with summer being officially in full swing, and the help of the Oneonta Theatre, where not just one but two foot-stomping bands opened up for ‘90s icons Rusted Root.

    rusted root oneontaStarting right on time, prepared for a long night of diverse music, Soco Mojo with special guest and local legend, John Scarpulla took the stage. According to a fan/friend of Scarpulla’s, tonight’s gig was their first public appearance together. But boy, that was not apparent from their tight sound. Scarpulla has, in the past, played mainly solo or duo acts, which always allow you a glimpse into this singer/songwriter/guitarist’s musical mind. However his talent was demonstrated just as much when playing alongside Sojo Mojo, another local act based out of Oneonta.

    The band is comprised of a Hammond organ, electric guitar, bass, drum kit, and two percussion sets, with one of the percussionists (John Banks) doubling as a flutist. The one issue with having so many players on stage was that if you were sitting on the left side of the theater, vocalist and Hammond player Conor Murphy was so far over to the left that you could not see him. This  was especially odd when he started singing, and you couldn’t see where the voice was coming from, but the sound came through just fine, so that somewhat made up for not being able to see him.

    rusted root oneonta theaterBassist Bill Youngs really drove the band with his steady rolling rhythms, while young drummer Sebastian Green and percussionist Andrew Yerdon provided great creative back beats. Scarpulla’s voice kept getting more and more powerful as the night wore on, which blended quite nicely with Soco Mojo. Scarpulla mentioned that the group had CDs for sale, and for those who couldn’t afford to pay, he offered to throw them a CD for free! After doing a bit of scatting, Scarpulla introduced the band, then walked off stage while the rest of the band was still playing, allowing them to strut their own stuff for a bit before finishing off the set. Being that this was their first public appearance together, this band’s energy can only go up from here.

    Soco Mojo 2

    Next to perform was none other than ’s March Madness contest runners-up Big Leg Emma! For the band’s first number, acoustic guitarist/vocalist Steve Johnson sounded particularly Rusted Root-esque, with his tremolo-like style of picking. Johnson’s voice was reminiscent of Alex Ebert of Edward Sharpe and the Magnetic Zeros, John McCrea of Cake, and former Yonder Mountain String Band frontman, Jeff Austin.  The wah-wah pedal and swirly effects used by mandolinist/vocalist/percussionist Charity Nuse were quite unusual (and awesome!) in terms of their usage on the mandolin, and her voice was lovely and subtle. The whole band was super tight, especially on their third number, during which the acoustic guitar, electric guitar, and bass were totally locked into each other in the best possible way. Each of their songs had a definite beginning, middle, and end, yet they also seemed to be able to simultaneously segue from one song to the next seamlessly.

    The band covered a couple of tunes that initially seemed like unlikely choices for a bluegrassy band to cover, but, believe it or not, they both seemed to lend themselves nicely to the genre – namely the Beatles’ “Dear Prudence” and Pink Floyd’s “Another Brick in the Wall”. Towards the end of their set, drummer Corey Kertzie played a super crisp drum solo, and then invited the percussionists from Soco Mojo to join him, along with bassist Miguel Morales. In this case, a little collaboration amongst bands went a long way, they sounded great together. For their last number, the true appeal of Big Leg Emma shined through with their ability to inspire a dance party! Charity reached down into the crowd and hoisted up some ladies to join her on the front of the stage to dance, and then slyly slipped back to her position as mandolinist/vocalist and continued to rock out with the band, leaving the dance party still happening in the front part of the stage. This band was the perfect choice of bands to open for Rusted Root, as they were able to get the audience energized enough to be able to keep up with Rusted Root for the remainder of the evening!

    The headliner of the night was Rusted Root, a Pittsburgh-based band whom defy genres. There was a nostalgic energy pulsing throughout the Oneonta Theatre, with fans psyched and ready to hear some of their old favorites, as well as see what the band has been up to recently. Having been playing together since the ‘90s, and touring relentlessly whenever they are not in the studio, the band is currently working on a new album due to come out next year. The band hopes to be able to record and produce independently with no record label. In order to accomplish this task, Rusted Root has started an indiegogo.com fundraising effort, in the hopes of raising $25,000 from fans to help fund their album. Their last album The Movement (2012) was also funded through a fan-funding campaign called “Fortunate Freaks Unite! We Are Rusted Root”.

    While the band obviously played songs off their latest and upcoming albums, they also threw in a bunch of their classics. At the very beginning of the set, before the lights even came up, percussionist Preach Freedom started playing drums that sounded so flawless that it was impossible to tell whether it was being played live, or if it was a recording! Opening with “Martyr”, a particularly energizing song to get people moving early on in the set, the band then moved into another classic, “Lost in a Crowd”, which was played with more of an electric sound than usual. Next, the band went into a couple of their new tunes, which had a different style and feel than their older material, including heavier bass and an overall increase in the level of “rock” within the music. Sensing that the audience was craving some more familiar tunes, Rusted Root pulled out an old school “Heaven”, then jammed out with a super long intro into “Laugh as the Sun”. The build-up leading into “Laugh as the Sun” created a nice effect, because it was tough to tell just from what they were playing what song they were going to go into – that kind of suspense seemed to get the crowd revved up. Next up was probably one of the more unique mash-ups I’ve heard in a while: “Cat Turned Blue”, Stevie Wonder’s “Superstitious”, and Bob Dylan’s “All Along the Watchtower”!

    Effectively interspersing their newer material with their classics throughout the rest of their one-set show, featuring a twangy version of “Rain” (heavy on the washboard) and a Middle Eastern-sounding “In Our Sun” featuring a simple three-note flute. Lead vocalist/guitarist Michael Glabicki did a Matthew McConaughey impression by quoting “All right, all right, all right,” they then played “Send Me On My Way”, one of their more popular numbers. For this one, electric guitarist Dirk Miller switched over to the recorder and Preach Freedom switched from his drum kit to hand drums. Ending their set on this soaring note, they encored with a familiar but possibly new tune, and then finished off with a particularly high-energy version of “Ecstasy”, which began with a very Santana-esque intro involving just the electric guitar and bass played masterfully by Patrick Norman.

    The Oneonta Theatre was definitely on fire with this show, including three amazingly talented yet diverse bands. Starting off the night with the funky blues rock of Soco Mojo joined by John Scarpulla, moving on to the Americana bluegrass stylings of Big Leg Emma, to the world rock jamming of Rusted Root. It was definitely the place to be to enjoy a wide range of music in a single night. Concert goers enjoyed running into a ton of familiar faces who came out from the woodwork to enjoy some nostalgic music from the ‘90s, and get your dance on! Be sure to check out all of these bands, and visit Rusted Root’s indiegogo site if you are interested in and able to contribute to the production of their next album.
    [youtube http://www.youtube.com/watch?v=l-BSr_1sSdw]

  • Primus Slaps Some Serious Funk on Gratwick Park

    There is just something really interesting about Primus and their unique style of music. It might be because of their frontman Les Claypool who isn’t exactly your normal guy. The way he slaps his bass, stomps his foot, or dances in a circle is only half of it. Whether donning his pig mask or telling his quirky stories, there is something that just grabs your attention and takes you on a strange trip with Claypool and his band. Primus packed the waterfront area of North Tonawanda’s Gratwick Park for the Niagara River Rocks concert series on Sunday, June 22.

    The band played through a number of songs which included favorites, “Wynona’s Big Brown Beaver”, “My Name Is Mud”, and “Jerry Was a Race Car Driver”.  Claypool, who always likes to narrate during shows, went on to tell a story about how he had thought about throwing himself over Niagara Falls that afternoon, but eventually decided that would probably be a bad idea. It’s a good thing, too, because if Sunday was any indicator, there is still plenty of fans eager to see what Claypool does next.

    Setlist: Here Comes The Bastards, Moron TV, Fisticuffs, Groundhog’s Day, Over The Falls, South Park Theme, Lee Van Cleef , Jilly’s On Smack, Mr. Krinkle, Eleven, The Heckler, American Life, Wynona’s Big Brown Beaver, My Name is Mud, Over the Electric Grapevine, Jerry Was a Race Car Driver, Harold of the Rocks, Too Many Puppies

  • Hearing Aide: Analog Son’s Self-titled Debut Album

    One of the newest bands to the funk scene, Analog Son has released their self-titled album just in time for the start of the summer. Jordan Linit and Josh Fairman have created Analog Son after years of friendship together and with the help of some talented funky friends.

    The duo took months recording the album at Scanhope Sound in Morrison, Colorado using vintage equipment with modern technology to create a sound that is funky fresh. The album features members from The Motet, Dumpstaphunk, The Shady Horns, Lettuce as well as Colorado’s local talent with members of The Congress, Fox Street All Stars, Devon Parker and Convergence. The 10 track album is ideal for getting the party started on lot, at a BBQ or grooving by a pool. The album is available as a free stream via bandcamp or as a $10 digital download.

    analogsonalbumart

    The album starts off with “The Proffesor” with immediate attention to the funky guitar riffs and bass notes with a splash of brass that gives the listener a quick lesson in instrumental jazzy boogie fever. Devon Parker of SuperCollider provides some sensual vocals on “She’s Somethin” with a hip shaking cymbal crashing. The light and loose keys give great meaning to the song title “Not A Care In The World” whereas “The Game” is a no mess around, tough and spunky melody. “Analog Island” was their first released single and sums up everything you want to know about Analog Son in one genre fusing madness tune. Channeling the disco era, “Struttin” uses harmonies and a contagious rhythm that makes you groove. “Cadillac Sundays” is a lazy afternoon day vibe with full blast guitar strumming while “Swervantes” helps you get thru the week with long stretches of climactic peaks.

    Analog Son is a great addition to the growing funk music community of Colorado with unlimited possibilities of artist collaborations and their serious devotion to a dream.

    Key Tracks: Analog Island, The Proffesor, Swervantes

    [youtube http://www.youtube.com/watch?v=tQYf710QJ6o]

  • Hearing Aide: Fikus ‘Living Life Through Multicolored Scenery’

    fikus albumFikus, the five piece electro-funk band from New Jersey, is set to release their first full length album Living Life Through Multicolored Scenery on July 1st. The band consists of guitarist Steve Malone, Travis Paparoski on bass, Jon Schumarak on keyboards, Pete Kozak on percussion and Kito Bovenschulte on drums with all of them contributing to youthful and harmonious vocals. Fikus is no stranger to Upstate Festivals such as The Catskill Chill, and The Big Up, gathering fans all over the East Coast with their genre fusing, energetic live performances.

    The album title is on point, given that each song takes you through diverse musical landscapes with such mixed emotions; it is a 13 track surprisingly mature psychedelic trip. The album will be available as a digital download, physical CD for $10, vinyl for $25 plus shirts, pins and even a teapot. Living Life Through Multicolored Scenery is a great listen for unwinding after a long day of work, road trips or studying with your headphones on. Click here to purchase your Fikus package today.

    The first two songs, “Living Life Through Multicolored Scenery Part 1 &2” are eerie with wailing echoes and dark lyrics. Part 2 turns into a haunted amusement park with a familiar friendly tone before the creepy whispers, laughs and climbing guitar riffs take over. “Something Stanky” is where the mood shifts for a more recognizable and welcoming tone. A structured song of steady rhythm with jazzy keys sets an easy groove. “Tempest In A Teapot” has a vintage piano sound with that old rag time tempo with punk rock attitude. The all instrumental “Dingo” and “Nightwalker” both have fast paced electronic melody with powerful guitar riffs and climbing peaks that sends the body in motion. “Cloudburst (From Jim)” is just that with bursts of crashing cymbals and airy, graceful piano notes. “Space Cowboy Part 1” resembles a softer side of Pink Floyd, with ambient compositions that soar through light and dark space out of the speakers whereas “Part Two” has more edge. The funky bass line on “Wafflestomp” is solid for the overlapping chaos. The album ends with a speedy “Big Booty Bounce” and a bitter “DayCrawler” with spiteful lyrics and mocking melody.

    Don’t miss Fikus this year as they will be supporting their new album at major festivals such as Hudson Music Project, Luna Light Music Fest, Farm Fest and once again, to the Catskill Chill.

    Key Tracks: Something Stanky, Dingo, Space Cowboy Part 2

    Watch the official music video for “DayCrawler” off of Living Life Through Multicolored Scenery
    [youtube http://www.youtube.com/watch?v=A-lM1A-E4H8]

  • Review: Ringo Starr and his All Starr Band at Artpark

    Thousands of people with umbrellas and ponchos crowded the fields of Lewiston’s Artpark for Ringo Starr and his All Starr Band. The sky was filled with heavy overcast with a few rays of sun but that did not stop the generation of The British Invasion and a few younger generations from waiting on the famous drummer.

    Ringo Starr Artpark

    The opening band for Ringo Starr and his All Starr Band was New York City’s very own, Andy Suzuki & The Method. The band filled their set with alternative songs with a mixture of blues and folk. Suzuki’s voice won the audience over with the loud applause and whistles after each song. Suzuki dedicated the song “Born Out of Mischief” to his mom and to all the other moms and dads in the crowd. The band kept the crowd entertained by making them a part of the show – clapping along to the chorus of “Lucy (The Devil)”. Suzuki even took a moment to point out his mom in the crowd while she waved back. The band ended with a bang, getting the crowd excited for Ringo Starr.

    The stage immediately started to prepare for the one-time Beatle to make his appearance. The crowd cheered as the crew revealed the famous drummer’s drum kit with a huge red star on the bass drum. As the stage changed, so did the weather. The clouds came in thick and dark and in just a few minutes it started down pouring and rolls of thunder echoed throughout the hills. Fans continued to stand in the rain and chanted “Ringo! Ringo! Ringo!” until lightning was seen. The venue announced moments later that the show was postponed until the storm passed. People took cover in their cars, under the merchandise and beer tents or stood in the rain. Fans waited with crossed fingers for the rain to stop. In less than half-hour, the rain stopped and the sky cleared up. People were instructed to go back to the venue as the stage was swept dry for Ringo.

    Ringo Starr ArtparkThe All Starr Band made their first appearance on stage shortly after the stage was cleared of water. The crowd grew louder before everyone got the first look at Ringo Starr, who came out on stage, raising his hands with peace signs and thanked the crowd for holding up in the rain and said – “We would have played in the rain but they would not let us.”

    Ringo’s All Starr Band consisted of many well-known names in the music industry, Todd Rundgren (guitarist), Greg Rolie (keyboardist), Steve Lukather (guitarist), Richard Page (bassist), Gregg Bisonette (drummer) and Warren Ham (saxophonist/ percussionist). The whole band had the amazing ability of singing and performing with each talented artist, it was as thought the audience witnessed five different bands performing on one stage.

    The band opened up with Carl Perkins’ “Matchbox”. Throughout the night the setlist was a mixture of early Beatles songs, “Don’t Pass Me By” and “I Wanna Be Your Man”. Ringo had a sing along with the crowd for “Yellow Submarine”. He joked with the crowd saying if they did not know the song, they were at the wrong show. But also a mixture of 80’s songs were lead by the All Starr Band and some of the favorites of the night were, “Africa” was sung by Steve Lukather (Toto), “Black Magic Woman” sung by Gregg Rolie (Santana) and “Broken Wings” which was sung by Richard Page (Mr. Mister). Page’s incredible voice took the crowd by awe and a few lighters were seen swaying in the air during the song.

    Towards the end of the night, Ringo performed the international single “Photograph” also co-written by George Harrrison. But the crowd sang loudly to “With A Little Help From My Friends”, Ringo could barely be heard while the crowd sang  and fans wrapped their arms around one another’s shoulders. After the song was finished, Ringo thanked the crowd and said that was it and briefly left the stage. But the All Starrs quickly started getting the crowd to clap their hands up high and the band started singing “Give Peace a Chance”. Ringo came back to join in with the last song and performed the song in remembrance of John Lennon.

    Tears could be seen on some of the faces in the crowd as the band bowed together on stage. Wishlists and bucketlists were crossed off for most people there as they witnessed the most famous drummer of all time. Ringo Starr and his All Starr Band made an impact of every rock n roll fan in that crowd. It was not just a rock concert, to some; it was a memory that will last them a lifetime.

  • Hearing Aide: Bryan Howell and the Standalones ‘Welcome To The World’

    a4173681299_10Even though Central New York’s own Bryan Howell and The Standalones are an unsigned group, they have already accomplished being on Little Steven’s Underground Garage Sirius/XM radio for their single “Why Oh Why” from the EP Lightning Through My Soul. The band has already released two EPs and their second one was released in May of this year, Welcome To The World.

    Welcome To The World is one of those very unusual albums that can create a sound that combines an older and newer beat. The band’s sound is like a collaboration between The Rolling Stones and Weezer. The opening song off the album is “(Don’t You) Blindside Me”. Howell’s vocals and lyrics gives the song a rock edge while the guitar and drums bring almost a ‘60s vibe to it.

    “Nothing To Give You (But Everything)” is a slower track on the album and the beginning focuses more on Brandon Brault: on drums. The drums come in steady as the guitar and bass slowly bring it to a surprisingly faster chorus. Howell passionately sings about how he is not the richest man in the world but he will give all his love to whom his heart is set on.

    The last track off the album, “Baby, Don’t Look Back”, brings more of a faster swing than the other songs off the EP. The song also has one of the more longer guitar solos towards the end which shows the bands definite influence of The Clash.

    The album is a great combination of garage, rock and even a hint of indie. Welcome To The World brings out the diversity of artists that Bryan Howell and The Standalones are influenced by (Bruce Springsteen, The Knack, Elvis Presley and The Strokes). Any fan of ‘60s to late ‘90s music will love the fine balance that Howell and his band bring to this EP.

    Key Tacks: Baby, Don’t Look Back, Oh Please, Valerie, (Don’t You) Blindside Me

    Welcome To The World can be purchased HERE. Visit Bryan Howell’s Facebook and Website.