Author: Stu Kelly

  • Hearing Aid: Aqueous Release New Album: ‘Cycles’

    Aqueous have more than cemented their reputation as a powerful, young band on the rise with the release of their new album Cycles, which was officially released on October 21. The new album features a collection of heavy-hitting material full of raw emotion and supremacy. One of the most impressive aspects about this band’s range is their uncanny ability to seamlessly drop into a thick, heavy, pocket funk groove with such conviction. The aggressive direction of the music can turn on a dime and take the listener on a full ride of different directions as each member complements the overall sound flawlessly. The band seems to be intertwined on a much deeper level than sheer talent, they seem to have a much more appreciating understanding of their craft and each other’s role as one unit. Having already developed a reputation for themselves around the festival circuit, Aqueous are currently juggling a nice touring schedule that lead up to their album release party in Buffalo on October 25 at the Buffalo Iron Works.

    aqueous cyclesThe album opens up with “Dawn” an eerie instrumental string arrangement that could have easily been embedded in a classic 1950’s film before dropping into “Kitty Chaser (Explosions)” which gives the listener a full taste of the band’s broad range. Right out of the gates the band works its way into an abstract groove that builds a perfect loop for experimentation. The song builds nicely and it’s refreshing to listen to something so organically driven and original. The music is very much precise, well rehearsed and calculated but still leaves plenty of room to breath for improvisation. Clocking in at just less than 10 minutes of prowess, “Kitty Chaser” is full of energy and sheer power that serves as a great introduction to the new album and all it has to offer.

    “2020” keeps the energy consistent and showcases the adept connection between [former drummer] Nick Sonricker on drums and Evan McPhaden on bass. The rhythm section works with unconventional times signatures that create a nice platform for Dave Loss and Mike Gantzer to paint over. The piercing guitar solos are full of energy and the music is nothing short of astoundingly beautiful. “The Median” creatively intertwines the song’s lyrics with a collection of different chords strumming, including an upstroke reggae feel before launching into an ambient groove of bass popping funk that finds deeper direction with the work of a synth. “Skyway” features an impressive blend of genres that’s primarily fueled by heavy guitar, something notably similar to Umphrey’s McGee and their sound. Blending elements of reggae, funk and progressive rock seem to be an easy task for the young blossoming band and at times the music takes a direction of maturity that speaks volumes well beyond the band’s years.

    The music takes an interesting turn with the “Complex Pt. I >Wandering>Complex Pt. II” as the band experiments with an extensive palate of effects that complements the music’s complexity well. It’s not uncommon for musicians to hide behind effects that mask any sort of true identity, often acting as a distraction. However, Aqueous uses effects creatively that add to their sound in a compelling fashion and these effects don’t deteriorate the overall quality and direction of the music. The level of control and authority the band has with their unique sound is inspiring and exciting to say the least. “King For A Day” kicks off with a building tone that eventually explodes into full swing where the listener is met with the lyrics before the band breaks off into a melodic jam fueled by soaring guitar and a heavy heartbeat rhythmic section.

    The album closes with “Starring Into the Sun”, a 15-minute adventure packed full of talent and soul. The many layers of this song can be perceived in several different ways. There’s a collection of something for everyone through this number as the musical spectrum can be as broad as heavy, distortion infused power chords, all the way to a soft melodic breakdown on the keys. The extensive and uplifting psychedelic jam can be compared to something from Pink Floyd. The song melodically builds upon itself and as it continues to unfold the band pushes into new ground valiantly as the band never once losing control of the reigns.

    It’s clear that Aqueous will be a force to be reckoned with for a very long time. The next wave of jam bands is upon us as these musicians have redefined many beloved subgenres by pushing their musical limits to a refreshing level of genre-bending authenticity. Aqueous are in full pursuit of something organically driven and original and there’s no sign of slowing down.

    Key Tracks: The Median, Complex Pt. II, Kitty Chaser (Explosions), Staring Into the Sun

    *Editor’s Note – New drummer Ryan Nogle took over duties for Nick in August 2014 after recording completed

    Website |Bandcamp | Tour | Facebook | Twitter

  • Hearing Aide: Buddy Black and The Ghost Umbrellas ‘The Story on the Road to Waterloo’

    Buddy Black and The Ghost Umbrellas have returned with their latest release, The Story on The Road to Waterloo (A Vampire Love Story in Three Acts). The new release speaks volumes of abstract mysteriousness and musical maturity for the blossoming band from Toronto. The lyrics are delivered with an outpouring surge of emotion as Buddy Black’s voice serves as the perfect vessel to do the music justice. Peeling away at the many layers of Black’s lyrics will take the listener down a rugged and untraveled road, meandering through many twists and turns of darkness. The music compliments Black’s vision well and at times morphs into its own unique form of basic, acoustic folk forming sounds that could be skyrocketed into a punk rock feel at any given moment. The range of this band is impressive and the energy encapsulated in the studio will truly translate to the live atmosphere.

    This album marks the first official release for the band in over a year. The chemistry between Black and long time friend and multi-instrumentalist Dayne Polny is remarkable. Polny has not only found a well-rounded niche in the Ghost Umbrellas but he’s also been involved in nearly every one of Buddy Black’s numerous backing bands and side-projects.

    The story opens with the self titled track “The Story on the Road to Waterloo”, the simplicity behind the music and the gruff lyrics could easily be a carousing soundtrack to sailors who’ve finally returned home to land after years at sea. “Emily” provides a splash of optimism as the message behind the music is generally upbeat and while the song is inspired by love there’s still a glimpse of darkness behind the passion.

    “You Need To Know” serves as the perfect bridge for the story as this is one of their most well composed numbers. The acoustic guitar is anchored by a slide guitar painting a message over the heartbeat drumming section. There’s nothing more satisfying than when an artist successfully blends two genres together. Most often this sort of accomplishment is done without rhyme or reason, or on accident. Buddy Black and The Ghost Umbrellas have managed to fuse a heavy punk/indie foundation with elements of folk and acoustic guitar inspired ballads. “You Need To Know” is complete with a soft acoustic interlude before the rest of the band comes back in with authority. The chilling backing vocals also help lift the song to monumental peaks of raw emotion.

    As the album continues to progress the music becomes more electric driven and heavy. “Renfield Would Approve” and “Fuck You and Goodbye” flow nicely into one another and while they’re both under three minutes each both songs pack a punch and are packed full of energy and emotion. While the volume may go to 11, none of this is a distraction from Black’s astonishing vocals or melodic compositions. There’s a lot of substance behind the music as Black’s voice is every bit unique and powerful. The album closes with “Can the Circle Be Unbroken?” another full band sing-a-long that’s catchy music still leaves listeners pondering alternate meanings embedded in the lyrics.

    Currently the band is touring extensively through Canada as well as finding time to write and rehearse new material. The band is also preparing for a live release later this year. Until then, fans can catch them on the road as Buddy Black and the Ghost Umbrellas are a genuine force to be reckoned with. Successfully fusing two sacred genres, the band is breaking through into new ground that very few artists even dare to explore.

    Key Tracks: You Need To Know, Emily, The Story on the Road to Waterloo

    Buddy Black and The Ghost Umbrellas Facebook | Bandcamp | ReverbNation
  • Hearing Aide: Moogatu Team up with Ron Holloway for Debut Album, ‘Meat’

    Moogatu have more than just hit a major breakthrough as a band with the release of their debut album Meat, they’ve also opened doors for how smoothly different genres can blend amongst progressive rock and roll. Traditionally, progressive rock can be overpowering and often so dominating that it drowns out anything else musically that may be too mellow or tame. By teaming up with legendary saxophonist Ron Holloway, who has collaborated with the Allman Brothers, Tedeschi Trucks Band and Widespread Panic to name a few, Moogatu have found a solid medium of jazz and funk being tucked away into the thick progressive rock elements that they use to build their musical foundation.

    The album opens up with “Orca” which is a perfect song to showcase their sharp precise musical breakdowns. After what sounds like a guitar pick being dragged across the strings, the band drops into a rock groove that intricately builds upon itself before Brian Raubacher (guitar, vocals) handles the lead vocal responsibilities. Steve Jacyna (drums) and Brian Zupruk (bass) lock in to a pulsating rhythmic section. Chris Lee (guitar) opens it up and lets his PRS rip through the last part of the song. As Lee shreds into parts unexplored, it’s clear that Moogatu have taken a page right out of Umphrey’s McGee’s book.

    Dipping into their more jazz fueled approach, “Appreciation” surfaces next featuring Ron Holloway. Holloway takes the music to new bountiful levels as he leads the meandering jams with his Saxophone. Moogatu still finds room to exhibit their musical abilities with their note-for-note precise breakdowns. Moving into “Mary” the band wastes no time delivering a guitar fueled dueling solos and as the music drives itself forward the mysterious lyrics are firmly planted amongst a thick palate of funk and rock and roll. “Mary” tells the story of an antagonist plagued by overindulgence, with a complex twist.

    The following three song segment of “Better Batter pt. 1” > “Powder Room” > “Better Batter pt. 2” leave endless possibilities of monumental exploration in a live atmosphere. Moogatu are known for their deep driving force of improvisation and these three songs do their reputation justice, even for studio cuts. The album closes on “Anniversary Dinner,” a high-energy number lead by Raubacher on the vocals. Packed full of stunning guitar work complimented by an adequate rhythm section “Anniversary Dinner” which will surely grow to be one of Moogatu’s well renowned staples.

    The future is bright for Moogatu as they further establish themselves as a thriving progressive rock and roll jam band around the greater Washington, D.C. area. Having already supported band like Dopapod, EOTO, Keller Williams, Tea Leaf Green, Steve Kimock, The Werks and Papadosio; it’s safe to say that Moogatu will continue to be a driving force in the jam band community.

    Key Tracks: Mary, Appreciation (ft. Ron Holloway), Orca

    Moogatu on Facebook