Author: Michael Hallisey

  • Albany Native Dani Moz to Launch New LP This Month

    Dani MozDani Moz, a fan favorite of last year’s installment of NBC’s music talent show The Voice, took to social media to announce her latest EP, When It Comes To Love, will drop on November 18.

    “I’ll be posting some other goodies for sale in addition to the digital EP,” stated Moz, “so be sure to stay locked into my website and all of my social media channels for all the scoop – I can’t WAIT for you to finally get your hands these tunes!”

    Moz, born Danielle Mozeleski, was an aspiring musician from Albany, New York when her career took off with her appearance on NBC’s hit television show. She is best known for performing Lady Gaga’s “Edge of Glory” during the playoff round. She was ultimately eliminated in the first round of live shows.

    In an interview, Dani Moz talked about her preparations for this EP.

    She already has one EP, titled Untamed, under her belt.

  • Laws Against Sound

    All is quiet in the rural community of Newstead, but this past summer, the rural, Western New York community served as a battleground in what has become a war on noise, with laws against sound in need.

    The fight against noise pollution has been all the rage in 2014. In January, the USA Today published a story stating noise as the leading quality of life complaint in, of all places, New York City.  The fight has even hit Bourbon Street, where New Orleans’ city council is addressing whether or not to strengthen its own noise ordinances.

    Located 25 miles northeast of Buffalo, Newstead boasts a population of approximately 8,500 people. Some of which reside in the trailer park community of Quarry Hill Estates, who last November spoke to the town board to complain of noise levels coming from a neighboring venue. The then-proposed law was subsequently nicknamed “Braun’s Law” named after Braun’s Concert Cove.

    laws against sound
    Braun’s Bar & Grill boasts an “outdoor” venue that includes a spacious canopy built in part to limit noise from disturbing neighboring property owners. (Photo Credit: Braun’s Bar & Grill/Facebook)

    Braun’s Concert Cove was established in 2012 to compliment the bar and grill owned by Ray Braun. The footprint of the property is located on Main Street, approximately 2600 feet from Quarry Hill Estates. It has two predominate structures; one of which is the bar and grill, the other is the “cove” that resembles something similar to an airplane hangar.  One local music reviewer described how the structure dwarfed a mid-week concert audience of 500 people.

    From this stage, several hard rock acts have played to crowds numbering in the thousands. Ted Nugent, Yngwie Malmsteen, Pop Evil, Sebastian Bach, Jackyl – have all recently performed. On September 6, Winger played Braun’s last concert. It was a contract already negotiated before Braun’s Law passed.

    Braun’s Law had nearly passed back in April, but one abstention from council member, Marybeth Whiting prevented a majority vote. At the time, Whiting said she wanted to research the subject further. In July, when the Town Board advertised it would bring the subject back for  a vote, an online firestorm erupted.  This time, all the weight was placed on Whiting’s vote.  With just a few days before the board meeting, Braun quickly took to Facebook, posting Whiting’s picture and phone numbers at the town office, including her personal cell phone number and email address.

    HERE SHE IS!!!,” read the post on the Brauns Bar & Grill Facebook page, “the council woman who is voting YES to the ‘Brauns law’ as they call it, to put us out of concert business. … Email her, call her, call her office. LET HER KNOW!!! ASK HER WHY?”

    Before passing into law, Whiting addressed the attention she received from her opposition. She cited the names of neighboring communities with noise laws – Clarence, Lancaster and Townawanda. She also named cities outside of New York, with continued reputations for hosting live music, despite the presence of noise laws – Red Rocks, New Orleans and Austin.

    “This isn’t rocket science,” said Whiting, from her seat on the board. “The town of Newstead isn’t any different from any of these communities. Whether it’s loud noise or residents in place – more often than not there is a noise ordinance in place. It is an effort for everyone to coexist, not to close any one business down.”

    “It would be wrong to conclude that my vote counts any more than anyone else’s on this board. However, Mr. Braun has chosen to single me out in very vile, demeaning and derogatory ways.  In doing so, Mr. Braun has shown this entire community the type of person he really is. Life is full of choices. I could have chosen to respond in kind, but I did not.”

    The thread of comments referenced in this article was promptly deleted from the Braun’s Concert Cove Facebook page within the days following the town board meeting.

    “I attended the town board meeting that was held awhile back on this matter,” said Newstead resident Deborah Loke, who brought along a decibel meter.  The amplified voices within the Town Hall on that evening peaked at 99.1 decibels, she said.

    “At the time I brought up the Basket Factory Restaurant in Middleport that was shut down by their town board. The business was very renown, but due to the short-sightedness of their town passing an extremely low noise ordinance, it was the straw that broke the camel’s back and it was shut down a short time later.”

    Here in Upstate New York, we’ve covered news regarding Frost Ridge Campgrounds in Le Roy, where town officials are combating against campground owners hosting outdoor concerts. In the college town of Amherst, lawmakers recently disallowed the use of loud speakers from 11 p.m. until 7 a.m., affecting fast food drive-thrus. And, in July, the Town of Newstead included a noise ordinance into its own law books – outlawing noises louder than 80 decibels after 9 p.m., and 65 decibels after 11 p.m.

    In favorable atmospheric conditions, a sound registering at 110-decibels can be heard from a distance of 12 miles away. The sound of an electric shaver registers at approximately 80 decibels.

    “She probably is a good lady,” stated Braun, of Whiting. “But making a bad decision that we need more answers to is what I want. I did not build this massive place on approval of town to have six regulars come in for a beer and sandwich in the afternoon. How will that pay for this place? No tax credits here. No funding here either. … No one knows the behind the scenes we have done to make this happen, nor will many care, but I’m not going down without answers or a fight.

    Someone needs to pay me my money back if this is how it can [come to be] and can be pushed out of a town that approved it.”

    The comparison the town board attempted to draw between Newstead and Austin was to argue how communities, large and small, face similar challenges, establish noise ordinances, and still support live music.

    But, the Texas city goes beyond establishing decibel thresholds.

    “Austin’s approach to sound is more than enforcement,” said Don Pitts, Manager of the Music & Entertainment Division of The City of Austin’s Economic Development Department. “What we’ve learned over the past five years is that you can’t solely depend on enforcement.

    The Music Office conducts an investigation for each amplified sound application and we prepare a report recommending approval or denial of the application and any appropriate conditions and restrictions. We base our report on the following criteria below. We also use cut off times and days of weeks among other things to mitigate the impact to nearby residents.”

    The entertainment division first assesses whether or not a venue is suitable for providing outdoor music. The office considers several factors, including local topography and proximity to residential and commercial property.

    The governing body that administers over a city of nearly 900,000 people is apparently conscious of how surround buildings can serve as a buffer as well, as they also look into building design, the construction of the stage and orientation of speakers. As the Live Music Capital of the World, Austin has a stake in nurturing the local music scene. Pitts explained that a joint effort between his office and local venue owners created a program to assist business owners prepare an acceptable environment for all to enjoy.

    “The Music Venue Assistance Program (MVAP) is an innovative program based on the Music Division’s music venue case study work with Cedar Street Courtyard and Black Heart Bar, and launched in 2013 with Council support,” said Pitts. “MVAP assists qualified venues to acquire sound mitigation technologies through a low-interest emergency personal loan program, and also provides them with best practices expertise for deploying those technologies with maximum efficacy.

    This program has already proved to be a win-win solution for neighborhoods and venues alike, creating high-quality listening experiences for music patrons, while simultaneously providing significant reduction of sound bleed in residential areas.”

    Drawing comparisons between Newstead and Austin leaves much for speculation. Both sides of the argument state that Braun’s Concert Cove was cooperating with the suggestions from the town board, which one could compare to Austin’s MVAP program.  However, it remains to uncertain as to whether or not Braun’s would even pass Austin’s initial review process due to how closely it stands to an existing residential area.  Nonetheless, it is clear Newstead did not follow Austin’s lead, despite its own comparisons.

    As the changing of leaves usher summer away in New York’s Upstate, the fallout from Braun’s Law continues into the winter months. Councilmember Whiting resigned from her post on August 5. Her letter to her compatriots stated she no longer wanted to be a politician.

    Braun immediately invoked words of litigation before the board placed the law into effect. However, as of the drafting of this article, he has not filed a lawsuit.

  • 518 Drummers Union Clinic at Trick Shot

    Trick Shot Billiards and Music Hall in Clifton Park host the 2nd Annual 518 Drummers Union clinic Tuesday, August 26.

    The clinic features John Glassbrenner and Brian Zink. Proceeds from the clinic goes towards a benefit for Zink’s behalf.

    Zink, drummer for the local band Fort Rooster, suffered considerable losses from a resent fire. The promotional poster described it as a “total loss.”

    “As for how we got the idea for the clinic, it first started off as a brainstorm of mine because I saw a lot of articles about drum clinics and said, ‘I can do that right at Trick Shot featuring local talent.’,” said Greg Gamache, head audio and production engineer at Trick Shot. “I have all the resources. So I contacted Brian and John and they were in. We got the backing from Parkway Music to help with sponsorship also.”

    Zink has won multiple Guitar Center Drum Offs in recent years.

    Glassbrenner is the drummer for the death metal band Incontinence. The band that hails out of Schenectady is finalizing their latest album, Infecting Paranoid Minds.

    “Jason Bittner (of Shadows Fall) graciously donated an autographed ride cymbal to be raffled off during the clinic,” said Gamache. “The cymbal was used exclusively on the Dimebag tribute song ‘Leave It Alone”, written by Tristan Grigsby and also features Dave Ellefson and Tim Ripper Owens.”

    Trick Shot is located at 1602 Rte 9 in Clifton Park. 518 Drummers Union event starts at 6 p.m. and scheduled to last until 9:30 p.m. A $5 cover gets you into the show, along with food and drink specials, and a 50/50 raffle. Donations are also accepted.

  • Changes Made to Conehead Buddha Lineup

    Conehead Buddha recently announced major changes to their lineup as they head into moe.down on August 30.

    conehead buddha
    Conehead Buddha

    Newcomers Suke Cerulo (guitarist of Schleigho fame), Colin Almquist (bass) and Amit Shamir (drums) are each identified as family, according to the band’s recent press release, and join Chris Fisher (lead vocals, percussion, guitar), Terry Lynch (trumpet, vocals, hand percussion), Shannon Lynch (saxophone, flute, vocals), Shaun Bazylewicz (trombone), and Mike Dunn (keyboard). The perceived familiarity among them all lends the band confidence that their sound will “tighten up” and “rock harder” as they prepare to hit the studio with new tunes.

    The first official set for this raging eight-piece is on August 30 at moe.down music festival in Turin, N.Y.

    One of the original genre-blending bands to grace the jam scene. Conehead Buddha plays songs you can dance to. Sometimes they’re in a trance-like jam, sometimes they’ve got a salsa pulse and sometimes they rock it out with a taste of ska. Whatever the groove, CB is an exciting band to see live and get down to.

  • Hearing Aide: Ace Frehley ‘Space Invader’

    When Ace Frehley releases an album like Space Invader, what you can expect to get from it can be summed up in one, single phrase. Let’s be honest. It’s going to have whatever he damn wants in it. Frehley is a rock legend. Yes, there is an emphasis on the word legend. He’s a founding member of KISS. And, while they currently tour along with Def Leppard without him, he’s got a another solo album on the shelves today.

    Ace Frehley Space InvaderListen to him, and he will point out that he continues to be the best selling member of the original band when you compare each member’s solo work. He’s one of the best guitarists to ever walk the land. You need only a few fingers on your hand to name the rest of the company in that group:  Jimi Hendrix, Jeff Beck, Jimmy Page, Pete Townshend.  The rest, they all have Ace to thank.

    “I don’t think much about how I influenced a whole generation of guitar players because that idea is so big [laughs],” said Frehley. Pearl Jam’s Stone Gossard, Lenny Kravitz and the late Dimebag Darrell of Pantera are amongst the numerous artists whom have pointed to the legendary guitarist as a profound inspiration. “I’m not egotistical and I try to be humble about all facets of my life but it’s kind of mind blowing to know I was a huge influence on a new crop of guitar players in the same way that people  like Hendrix, Page, Beck and Townshend had an impact on me. I was influenced by all those  players and now I’m lucky enough to have that kind of influence on guitar players younger than me  that grew up listening to KISS and Ace Frehley. It goes full circle and it’s the way that rock and roll  evolves. It’s a good feeling and it makes me feel proud. I hear my influence on some players and it just puts a smile on my face and gives me a little hop in my step.”

    Ace Frehley Space InvaderIt’s no secret that Frehley had once sought other means to add a hop to his step. His career, his personal life, has been marred by years of substance abuse. But, as of 2014, Frehley has been sober for seven years. And, with the release of Space Invader, Frehley is already comparing this work with that of his first solo album from 1978 that reached platinum status.

    Now, all things considered, there is nothing cutting edge coming out of Space Invader.  Everything about it has a nostalgic feel that takes one back to the ’70s.  First, the subject matter is a tip of the hat to his KISS stage persona as The Spaceman. Second, the album title is reminiscent of the arcade game of nearly the same name (Space Invaders – also from 1978). Even the album cover would look sharp plastered on the side of an arcade game cabinet. This is a fact that is certainly not missed by Frehley, as evidenced by his cover of The Steve Miller Band’s “The Joker.” Nonetheless, Frehley is not a young buck cutting his teeth trying to establish a signature sound to separate himself from the rest of the pack.

    Oh, no.

    Ace Frehley Space InvaderYou know how you often read music critics describe a song, or a band, as “arena rock,” and you’re not so sure what it means, so you go look it up in a dictionary? [Sorry. Too archaic of a term.] Wikipedia it? Right after the above definition you’ll find: See Also: Ace Frehley.

    Frehley announced on his Facebook page yesterday the release of collector guitar pics in each of the first 25,000 printed CDs.

    Space Invader provides music fans a showcase display of a legend at work, from singing to writing to sometimes double-timing as both lead guitarist and bassist. Antiquated as the sound may be to the contemporary fan, the best way to appreciate this album is to consider the style from the 63-year old rocker is the original source most others have imitated through the course of the past 40 years. Space Invader is available at online stores and brick and mortar retailers, or in the official Ace Frehley online store.

    Key tracks: “The Joker, “Starship (instrumental), “Change”

  • Billy Idol Album and Book Out Soon

    British punk rock legend, Billy Idol is busy putting the finishing touches on what will be his eighth studio release.

    Once released later this year, Kings & Queens of the Underground will be Idol’s first release in eight years.   The album features Steve Stevens, his long-time lead guitarist, Stephen McGrath on bass and Billy Morrison on guitar, with Eric Eldenius on drums and Paul Trudeau on keyboards.

    The 58-year old has kept his fans abreast of his on-going plans on his Twitter page.  Such plans not only include the upcoming album, but an autobiography as well.

    The autobiography, Dancing With Myself, promises to discuss his early days as front man of Generation X, to his life on top of the world during the 1980s.

    “I am hopelessly divided between the dark and the good,  the rebel and the saint, the sex maniac and the monk, the poet and the priest, the demagogue and the populist.” stated Idol, through a press release posted on his official website. “Pen to paper, I am putting it all down, every bit from the heart. I am going out on a limb here, so watch my back.”

    Release dates have not been announced as of date.  But, unofficial word through sources in the United Kingdom suggest that both the album and book will hit the shelves shortly before Idol tours Europe in November. His website also alludes to the possibility of a larger world tour.

    This is the latest Billy Idol album since Happy Holidays in 2006.

  • No Takers for Glens Falls Civic Center Sale

    Since its opening in 1979, the Glens Falls Civic Center has never turned in a profit, as said by the city’s mayor John Diamond at a Common Council meeting in July and it is now for sale.

    The Glens Falls Civic Center as represented on the city's property map. (Photo Credit: City of Glens Falls)
    The Glens Falls Civic Center as represented on the city’s property map. (Photo Credit: City of Glens Falls)

    Not exactly a shining endorsement to prospective buyers of the 35-year old sports and entertainment arena.

    The city had placed the property up for auction yesterday, and according to several news sources, no buyers showed.

    “We have discussed openly for several years about options on a regional basis,” said Diamond on July 22. “We, in City government, are about to engage in the budget process for next year. Since 1979 the building has never made any positive revenue. I look at it as more of a destination/quality of life initiative, but the economy of scale has changed since 1979. In order for us to be competitive within ideas of a tax cap, we have to make sacrifices. In order to continue to provide services that City residents are accustomed to or improving on, something has to change. I have come to the conclusion that the only option is to sell the Civic Center and put it into private sector, with the idea that whoever buys it will continue on as a recreational arena.”

    The city had placed a minimum bid of $1.5 million. Attached to the prospective sale were two contracts; a three-year lease with the Flames minor league hockey team and a management contract with Global Spectrum. According to Wikipedia, the Civic Center was built with $3 million. When factoring in the rate of inflation, it cost $9.75 million in today’s money, representing a near 85 percent loss that the city was willing to lose on the property.

    Former ESPN radio personality and present real estate agent, Brian Sinkoff, said the expected asking price just doesn’t meet present demand.

    According to the Albany Business Review, the minimum asking price at yesterday’s failed auction is equal to an offer the city had received from a local developer just a few years ago.  That same developer said, after now doing his due diligence, opted not to purchase.

    For ten years, the arena held a virtual monopoly in attracting larger musical acts for the Capital Region – Aerosmith, Metallica, Scorpions, Def Leppard, Rush, Motley Crew, Boston and 38 Special all headlined acts at the approximately 4,700-seat indoor venue.

    In 1989, The Who rehearsed there over a two-week period. And, The Grateful Dead played there three times during that decade.

    More recently, Phish performed The Beatles White Album in its entirety on Halloween in 1994.

    The seating capacity is no longer ideal for today’s demands, and the monopoly it once held was revoked when Albany opened a 15,000-plus seat arena of its own in 1990, now known as the Times Union Center.

    Prospective buyers were required to present 10 percent of the minimum asking price, or $150,000, to attend yesterday’s auction.

  • Sirens & Sailors Release Video, On Tour Now

    Sirens & Sailors, the five-piece metalcore group out of Rochester, recently released a new music video in support of their debut album, Skeletons.

    The band is currently on tour in Europe, where they will stay until the end of August before they pick up again to tour the United States along with Beartooth in the fall. The domestic tour only skirts Upstate New York, hitting venues in Toronto, New York City, and Worcester, Mass. in October. A full schedule of both the European and US tours can be viewed below.

    “The Chosen One” is Sirens & Sailors’ second video from their first, full-length album. Though Skeletons is marketed as the band’s debut album, they have two EPs under its belt since forming in 2005. Since then, the band has developed a healthy following, having toured extensively with such acts as Affiance, Dr. Acula, Knights of the Abyss, The Air I Breathe, and King Conquer. The group has also appeared on the Van’s Warped Tour.

    Sirens & Sailors Tour Dates
    August 11 – Leeds, UK – Temple Boom
    August 12 – Dundee. UK – Non Zero’s
    August 13 – Manchester, UK – Sound Contral
    August 14 – London, UK – Scream Lounge
    August 15 – Toulon, France – Local Morts Subtles
    August 16 – Barcelona, Spain – Sla Tube
    August 17 – Madrid, Spain – Sala – TBA
    August 19 – Paris, France – Le Klub
    August 20 – Oberhausen, Germany – Resonanzwek
    August 21 – Tilburg, Netherlands
    August 22 – Prague, Czech Republic – Chapeau Rouge
    August 23 – berlin, Germany – Open Air
    August 24 – Wroclaw, Poland – Cema Strona Miastra
    August 25 – Bratislava, Slovakia – Rock N’ Ribs
    August 26– Vienna, Austria – Das Bach
    August 28– Ostrava, Czech Republic – Barrak Club
    August 29- Mechelen, Belgium – Kamikaze

    w/Beartooth, Vanna, Alive with Me Tour
    October 3 – Chicago, IL – The Beat Kitchen
    October 5 – Toronto, ON – Hard Luck Bar
    October 6 – Worcester, MA – The Palladium (Upstairs)
    October 7 – Philadelphia, PA – The Barbary
    October 8 – New York, NY- Gramercy Theatre
    October 9 – Baltimore, MD – Ottobar
    October 10 – Richmond, VA – The Canal Club
    October 11 – Charlotte, NC – Neighborhood Theater
    October 12 – Atlanta, GA – The Masquerade
    October 14 – Fort Lauderdale, FL – Culture Room
    October 15 – Orlando, FL – Backbooth
    October 17 – Houston, TX – Walters
    October 10/18 – Dallas, TX – The Door
    October 19 – San Antonio, TX – Backstage Live
    October 21 – Mesa, AZ – Nile Theater
    October 22 – San Diego, CA – Soma Sidestage
    October 23 – Anaheim, CA – Chain Reaction
    October 24 – Sacramento, CA – Assembly Music Hall
    October 26 – Murray, UT – Murray Theater
    October 28 – Denver, CO – The Marquis Theater
    October 30 – St. Louis, MO – Fubar
    October 31 – Columbus, OH – The Basement

  • Amsterslam to Rock Carpet City

    Sharpshooters Billiards and Sports Pub promises it will get pretty loud in the Carpet City this Saturday. The Amsterdam venue plays host to “Amsterslam”, an outdoor, heavy metal event boasting ten acts for ten dollars.

    As of date, the playbill includes the following bands – The Power, Renewal Of Faith, Seven Year Silence, Accusations of the Insane, Built For Battle, Totally Gnarly, Declension, Widowed, Autumns Shroud, and CHOKE on your TEETH.

    The event is sponsored locally by Joelggernaut Productions, Needlewurks CP, and Revenge Tattoo.

    Attendance requires patrons to be at least 18-years old, unless accompanied by a parent or guardian. Gates to the show open at 3 p.m., with the first act scheduled to begin at 4 p.m.

    Sharpshooters Billiards and Sports Pub is located at 35 E. Main Street in Amsterdam.

    amsterslam

  • Robin Williams 1951 – 2014

    One of our writers approached the editorial staff on Monday morning about writing a preview for a local comedy show.  As it is, few publications dedicate themselves to writing comedy reviews, and after a lengthy online debate, neither is this one.  But by the following morning, I shot an email to the rest of our editorial staff to inform them of my intent to write about another comedian.

    The irony in which Robin Williams lived his life, and how it ultimately came to an end, would not be lost on his beloved Dead Poet’s Society character, John Keating. The comedian and respected actor, according to several news reports, chose to end his life Monday morning at the age of 63. The news of such a vibrant life that had suddenly been extinguished was shocking. Once details emerged as to how, sentiments quickly turned to heartbreaking.

    The Academy Award winning actor, and five-time Grammy Award winning artist, was introduced to the limelight in 1978 in the starring role of the television sitcom, Mork and Mindy. With such an expansive career that has since stretched across five different decades, Williams touched millions of people that includes Upstate New York. News of his death traveled across social media.  On Facebook, Plattsburgh alum recalled his performance at the school in the mid-’80s.  Sean Allen, Director of Marketing for The Palace Theatre, said his performance on the Albany stage in 2008 was “the top five funniest live performances I have ever seen in my life.”

    His stand up routine was a window into his own life, with Williams commonly running at a manic pace for sixty minutes or more, with hardly a few seconds between jokes. The subject often referred to drug and alcohol abuse, to which he had openly admitted to being a recovering alcoholic.  In his 1986 performance at New York City’s Metropolitan Theatre, he had said he gave up drinking, and remained sober for 20 years before a brief relapse.

    Contrasting his adult-themed act on the stage, Williams touched young fans with several performances on both television and silver screen – the aforementioned role as the alien, Mork; as the Genie in Disney’s Aladdin; and his first movie role as Popeye. In several interviews, Williams attributed his comedy to being shy as a child. He allowed his imagination to create characters, and lived out stories as a one-person performer.

    Williams was among 20 students accepted into Juilliard School in New York City in 1973, and ultimately one of only two accepted into the Advanced Program by John Houseman that year. The other actor was Christopher Reeve, whom Williams maintained a friendship with until his death in 2004. It was later in Williams’ career where he received his most notable acclaim in adult dramas- as an English professor in Dead Poet’s Society; as a doctor in Awakenings and Patch Adams, and in What Dreams May Come.  As Dr. Sean Maguire, Williams earned the Academy Award for Best Supporting Actor, for his performance as a grieving psychologist determined to get through to a troubled patient played by Matt Damon, in 1997’s Good Will Hunting.

    Williams’ body of work covered the dreams of childhood and the hopes and struggles that come with being an adult, which perhaps has made it difficult for his fans to deal with the news of his passing. His candid interviews and heart-touching roles have endured the years, having sometimes served as ever-present lessons about life. Yesterday’s news was as sudden as the end to his 1982 film Life According to Garp, and continues to echo out into the silence he has left behind. The deafening of which compels one to scream out “Jumanji” in an attempt to reverse the day’s events. I know you can’t rationalize the act of a depressed man, but I wonder if Robin Williams would have known just how many people would be pained by his death, would he have carried through with it? I don’t see the need to judge him. I can empathize to an extent. I suppose as common as it is for people to call him selfish, there are just as many people who wonder how it could have been prevented. And, that’s not to blame the people close to him either. He is a celebrity, and too many people have an unhealthy obsession with famous people. But, he was a part of my childhood and I related to him after learning he was painfully shy as a child, as was I – and still am. As trite as it sounds, to hear he died was a punch to the gut. To hear he chose suicide, I felt the loss of opportunity – to see him again, to extend gratitude towards him for sharing his talents. For the lack of a better phrase, it plain sucks that he’s gone.

    O Captain! My Captain! Godspeed.