Author: Johnny Goff

  • Phish in Canandaigua: Cuddly But Muscular

    The 2014 summer tour from Phish continues to be an ever-unravelling adventure in setlist construction and jam sequences. The show at Canandaigua on Tuesday was no exception. Launching into the rarity “Buried Alive” right out of the gates, the foursome then segued into an oddly placed but adventurous first-set “Twist”, clocking in just over 8 minutes. From there, Phish went right into straight-forward versions of  “Heavy Things”, “555” (the first of 4 tracks off the new album Fuego) and “Halley’s Comet” before really finding their stride for what was potentially the most focused closing 2nd half of a first-set the band has played this summer tour. Starting at 8:06 p.m., When they started Bathtub Gin and really not letting up until the closing notes of David Bowie at 9 p.m., the band painted a melodic canvas for 54 minutes straight swaying in an out of intensity and exploration until the set finished.

    Phish in CanandaiguaHarkening back to the aforementioned adventurous setlists, this writer can assuredly say pre summer-tour, he would not be clamoring to ooze compliments over a “Bathtub Gin”, “Wingsuit”, “Divided Sky”, “Wombat”, “David Bowie” First set closer. However, it as if Phish, whether it be intentionally or serendipitously, is beginning to find their footing for the new Fuego tracks. The Canandaigua setlist did not contain one cover and had a ton of new material, so it could be argued the band is carefully, and strategically trying to integrate the new material into their setlists, that in many ways in recent years, had become very predictable.

    Phish in CanandaiguaOf note from the end of this first set, was the 17 minute “Divided Sky”, which seemed to perfectly jive with the divided sky and piercing sunset over Canandaigua Lake at the same time.  This version is definitely a top-3 version from the 3.0 era. Another impressive showing also came from “Wombat” (clocking in at over 7 minutes) which has quickly risen to be a ridiculously fun dance number with bassist Gordon and keyboardist McConnell having enjoyable interplay. This has got to be one of the silliest, yet funkiest phish songs to come out of the barn in the past decade with the chorus “Cuddly, but muscular.” The entire pavilion inside of CMAC was getting down with many observed to be thrusting their Wombat wings in almost mock Chicken-dance and shadowing the original Wombat strut from Abe Vigoda from last year’s Halloween set. The jam was shorter than many of us would have liked but was a tight little package of funk. Definitely: one of the “jammiest” highlights of the night.

    Phish in CanandaiguaThe second set began with a monstrous “Down With Disease” that ebbed and flowed from a laid back sonic sound scape to an intense funky jam with Page McConnell crushing several sections of the arrangement with powerful keystrokes. All told, the DWD clocked in just over 20 minutes and was truly a playground of emotions. It perfectly summarized where this band is at on this summer tour installment. Seemingly firing on all cylinders, Phish has is leaving predictability aside and blazing new trails, especially in the song selection and placement in the second set, specifically the previously notable 2nd set, 2nd song which had previously been “thee slot” to expect an exploration. That continued Tuesday at CMAC when the band, coming off the heels of the raucous DWD, eased into a shortened “Back on the Train”.

    Phish in CanandaiguaThe second set continued in this quick-hitting fashion but never officially stopping and starting an arrangement and seguing set start to finish. Albeit short affairs with a 6 minute “Back on the Train”, a 5 min “NICU”  (first one of summer tour), an 8-min “Theme from the Bottom” and a 5 minute “Meatstick”, the set truly felt like one big melodic jam with a 9-minute “Gotta Jiboo” and a 10+ minute “Fuego” taking center stage before a longer than 2014 summer-tour standard “Run Like an Antelope” brought what was one, very cohesive set and show to a close. The encore was “Character Zero” and the band quickly exited the stage to hit the long overnight trip to Detroit for next show on the tour.

  • Phish return to CMAC after four year wait

    Just before Phish sinks their toes into the ground and sets a different course for the Midwestern leg of their 2014 Summer Tour, The Vermont quartet will leave the Big Apple for greener pastures for one more Upstate stop in the Finger Lakes. Their pit-stop into Canandaigua Performing Arts Center (CMAC) Tuesday, July 15th will mark the 5th time Phish has visited Canandaigua; albeit only the 1st time in the past four years.

    Phish CMAC
    poster by Jeff Soto

    Thus far on the 2014 Summer Tour, the band has charted new territory by perhaps placing their single-most ever determined focus on their new material, off their recently released album “Fuego.” Before the Phish faithful started hitting the message boards with “Mehs” and groans of disapproval, the first 6 shows of this tour beg phans to listen to the already interesting song combinations, cleverly slotted new album material, and in spots, those dirty, spacey jams all of us jaded vets drool over. In addition to the most recent shows at the Mann in Philadelphia and tour opener in Mansfield, Ma., Phish continued to recently please their “Upstate Base” with 3 consistent nights at SPAC in Saratoga Springs, NY over July fourth weekend, at what has evolved as the real summer home base for the band from Burlington.

    In addition to staying true to his pre-tour omen of limited cover material this tour, Frontman Trey Anastasio and crew have mostly refrained from traditional second set opening favorites “Crosseyed and Painless” and “Golden Age”, despite the Mann 2nd night’s Crosseyed. The band really seems to be in their place, really focused on their core material, spanning the past 30 years and with their new material from “Fuego” –  with the title song “Fuego” really showing some tentacles as the band’s next true jam vehicle.

    Canandaigua is no stranger to the strange when it comes to Phish. Informally known as the “Fleezer” show (derived from combining Finger Lakes and Tweezer) from June 22, 1995, and this NYS Music Contributor’s first show, Phish dropped an almost entire Tweezer 2nd set. Surprises could still be in store  for the CMAC as Phish has been known to drop serious sleeper setlists for shows that have yet to sell out.

    Note to NYS Music readers: Tickets are still available for the Canandaigua show.

  • Grassroots Festival of Music and Dance Announces 2014 Lineup – Dickie Betts, Anders Osborne, Donna The Buffalo and Many More!

    One of the longest running annual music festivals in the country announced the artist lineup for their 2014 installment Thursday and lucky for NYS Music readers; that festival is centrally nestled in Upstate New York.

    Grassroots Festival 2014 Lineup Celebrating their 24th festival this year, Grassroots Festival of Music and Dance unveiled the artists who will be gracing the multiple stages at the Trumansburg Fairgrounds July 17-20.

    Spawned as a brainchild from Grassroots host band, Donna The Buffalo, the 2014 Grassroots lineup has some notable national acts coming to the Finger Lakes. In addition to multiple sets from the aforementioned Donna the Buffalo, other Upstate artists include The Horseflies, John Brown’s Body, Sim Redmond Band and Jimkata, just to name a few.

    However, some of the headlining artists should also assist the box office with ticket sales. (Not that Grassroots Festival of Music and Dance has ever had an issue attracting music lovers.)

    “We’re very excited about the lineup,” Festival co-founder and Donna the Buffalo front man Jeb Puryea told on Thursday following the artist lineup. “This year, we’re pretty happy about having Dickey Betts & Great Southern coming. I mean, that’s pretty awesome. We’re also pumped to have Lake Street Dive coming this year. They’re an awesome band, who is real up and coming, so we’re lucky to have them coming by this year.”

    Lending to the down-home vibe, no one artist really ever outshines the others 80+ artists each year at Grassroots, but Puryear was quick to mention that Lake Street Dive, who recently donned the March issue of Rolling Stone was heralded by the publication with “This Year’s Best New Band” tag.

    “I am also personally excited to have Anders Osborne coming by this year,” Puryear added.

    Other notable acts include regulars Preston Frank and His Family Zydeco Band, Keith Frank and Soileau Zydeco, Danay Suarez, Driftwood, Giant Panda Guerrilla Dub Squad, Jim Lauderdale, Big Mean Sound Machine, Black Castle, The Speckers, Afrobeta, Joe Driscoll and Sekou Kouyate and Keith Secola and His Wild Band of Indians.

    Ranging from Americana to alt-country, roots/reggae to afrobeat and bluegrass to jam, Grassroots continues to provide festival goers with one of the most eclectic lineups in the country, let alone Upstate New York. Many also still contend the no-hassle, on-festival grounds camping with local foods and drink are some of the most affordable and hospitable atmosphere one can still find amongst music festivals.

    For a complete list of artists visiting Trumansburg in July, visit www.grassrootsfest.org or @GrassrootsFest on twitter.

    Four-day festival passes are currently on sale for $115 or at the gate for $130.

  • Still Crazy After All These Years: Phish kicks off the first of four nights at MSG to close out 2013

    An uncharacteristically warm New York City late-December day with sunny weather greeted the Phish faithful on Friday, December 28, 2013 as they collectively made their final tour treks to the Big Apple after a stellar 2013 year of music from Phish. In addition to numerous architectural and logistical changes accompanying the MSG experience, fans were greeted to a tighter security presence outside both pre and post show, but the typical darling Garden security and usher staff once inside the now-slightly less friendly confines of MSG……

    Phish MSG 2013

    Typically, the first of any multi-night venue engagement is filled with a palpable energy and the first set from Phish on the 28th was no exception. Coming out of the gates to open the four-night affair was a rare-opening “The Wedge”, the first of its kind in the past 15 years. From “The Wedge”, the quartet settled into the 3.0 anthem of sobriety, “Stealing Time from The Faulty Plan.” Following, the band queued up a near-flawless” Mound”, (a song often flubbed throughout the years), which was the first real sign to many vets, that they in no way showed any rust following a few months off after another superb run of Dick’s shows in Denver.

    What transpired after “Mound” concluded is what phans should consider as a solid re-listen for one of the better stretches/song pairings of the entire run. Yes, I said ‘the entire run.’ Any critical Phish phan should note that to really enjoy this first show and portions of the others during this MSG run, displacing one’s stereotypes of “longer songs equal better songs” is required. From “Mound”, they began a rousing, fast-paced “Axilla” that seamlessly segued into a funked-out “Birds of a Feather” and then into a spacey, dreamscape of a 12-minute, Type II “Wolfman’s Brother”. For those with ‘Live Phish Re-listen ADD Syndrome’, as many can relate, feel free to drop in around the 3:45 mark and then really crank up your stereo between the 6 to 8:45 minute mark. From there, guitarist Trey Anastasio refrains from whale-calls and just layers and layers soprano licks until hitting that textbook crescendo and Garden crowd finalizing its best first-set energy thus far.

    Phish MSG 2013

    With most knowing a “cool-down” song was in order, many phans were observed beginning to chat or prepping to get a cold one. Instead, Trey dropped a toying few chords of “Wilson” and crowds politely obliged with the obligatory “Wil-son” chorus, to what Trey and keyboardist Page McConnell laughingly responded, “Ha-ha, Nope.” Immediately thereafter, Trey ripped a quick “Aw Fuck” and “Simpsons” signal with the chorus “D’oh!”. The levity was quickly forwarded to the band unveiling their first of the weekend’s installments from their yet-to-be-released Wingsuit album. When first played in Atlantic City, the band played the highly-infectious “Monica” acoustically. Many in the Phish phandom had since wondered how the song would translate live in the middle of a setlist. Phish answered that question with another 5-min. rousing vocal-filled ballad, but with no stand-up bass for Mike. From a slightly mundane eight minute “7 Below”, they ripped my favorite four and a half minutes of the night with a very noteworthy “Tube.” All phans know “Tube” is always ripped, but there are some notable livetronica backdrops from Page during this rendition. The first of the weekend’s nine sets was finally concluded with 2.0 faves “Free” and “Julius.”

    Notably, the setbreak music was later discovered to be all songs from 2013 (Dr. Dog and Chico Trujillo), while the next night on the 29th, songs were all released in 2003 (Calexico and The New Pornographers), the 30th had music from 1993 (Bjork, A Tribe Called Quest and Uncle Tepelo) and on New Years Eve, songs from Phish’s first year were played during setbreak (“Electric Avenue”, “Mexican Radio” and “Rock the Casbah” among them). Chris Kuroda, who typically handles setbreak music outdid himself with an Easter egg stretched out over the run.

    Kicking off the second set of the band’s 28th show at the Garden on December 28 in their 30th year as a band, Phish broke out with a slithering, spacey “Sand” jam clocking in at 13 minutes. (Do not miss the last 3 minutes of this one) From “Sand”, they segued into pretty standard versions of “Back on the Train > Tweezer” before abruptly bailing on it and not without observable sighs and grunts from phans. Trey pulled the rip-cord on the final “Tweezer” of 2013 with 3.0 mainstay “Backwards Down the Number Line.” However, many were quickly won back over by Trey’s final two minutes of “BDTNL” setting the table for the highlight of the night (and previous NYE MSG stunt) “Steam”. The meandering, slow-paced intro really takes definition into a tight jam around the five-minute mark of some excellent interplay between bassist Mike Gordon, Page, Trey and drummer Jon Fishman’s spooky-vocal whines. The latter half of this Steam really embodies what made Phish so sonically successful in 2013:  never going alone into a jam sequence but rather feeding off of each other in order to get there.

    Phish MSG 2013

    The 12-minute “Steam” jam eventually evaporated perfectly into “Silent in the Morning”, a song personifying how appreciative, quiet and respectful Phish phans can be, even in the World’s Most Famous Arena. Also, notably ‘twas the the final line of the lyrics, “I think that this exact thing happened to me just last year” having significance as the boys wrap up the final year of their contract with MSG.  Once again in 2013, “Silent in the Morning” ‘brought us to our knees’ without “The Horse” rearing up the tail end. Instead, Phish came in with their second Wingsuit number of the night with an underwhelming “Waiting All Night” before capping it all off with a fairly standard but fun nonetheless 11-minute “Run Like an Antelope.” Following a brief break, Phish returned to the stage to wrap up a solid first night affair with “Suzy Greenberg” featuring Trey and Mike guitar dueling. Lastly, phans were satisfied to get the night’s closing “Tweeprise” before spilling out into Manhattan for more bouncin’ ‘round the boroughs.

    Set 1: The Wedge, Stealing Time From the Faulty Plan, Mound, Axilla > Birds of a Feather, Wolfman’s Brother, Monica^, Seven Below* > Tube > Free > Julius

    Set 2: Sand > Piper > Back on the Train > Tweezer > Backwards Down the Number Line, Steam > Silent in the Morning, Waiting All Night, Run Like an Antelope

    Encore: Suzy Greenberg, Tweezer Reprise

    * Can’t You Hear Me Knocking tease
    ^ Aw Fuck! and Simpsons signals before song