Author: jg

  • Hinder Signs New Record Deal with New Singer

    On the heels of a public announcement that Hinder signed with The End Records on November 4, it should also be noted that Nolan Neal will be the new singer of the band.  Nolan Neal, owner of 16th Edge Studios located on the famous “Music Row” in Nashville has been filling in with the band for the past year, but no official statement of his role in the band had been announced until this week.

    hinder new recordSpeculations of Neal replacing founding member and vocalist Austin Winkler after Winkler entered rehab in 2013 have been ongoing, including an unofficial update to the band’s Wikipedia page.  The band and Neal never made an official announcement on the transition, until the announcement of the new single “Hit the Ground” scheduled for November 24 and a new album with Nolan Neal on vocals planned for 2015.

    With Hinder’s debut release Extreme Behavior in 2005, Hinder sold over three-million copies in the US and their #1 single, “Lips of an Angel” launched the band into the hearts of rock and roll fans everywhere.  The band has had continued success throughout the decade with Winkler including their latest release Welcome to the Freakshow that went to #3 on the Hard Rock charts.

    Hinder also brought on veteran manager, Mark Adelman, of Career Artist Management. Adelman has worked with such heavy metal gods such as Megadeth, Slayer, and Anthrax, making one curious of the new direction of Hinder.  Of course, Adelman has also worked with acts such as Kenny G and Rufus Wainwright.

    Below is a video of new lead singer Nolan Neal performing with friend, Bobby Amaru (Saliva) at a private show in Albany, New York. They gave Neon Gods a taste of a brand new tune, written by Nolan.

    For More Information visit Hinder’s Official Site, Facebook and Twitter.

  • World’s Loudest Month Announces Dates

    Metal heads and hard rockers have been waiting patiently for the dates of the World’s Loudest Month, while they know it’s May, it’s not quite definite what order they are in.  This year AEG Live, Danny Wimmer, and RockHouse are including a new stop  called Northern Invasion festival in the Twin Cities (Minnesota).

    The World’s Loudest Month brings together the biggest names in rock music.

    The 2015 World’s Loudest Month festival dates and locations are as follows:

    Monster Energy Fort Rock: April 25 in Fort Myers, FL
    Monster Energy Welcome To Rockville: April 25 & 26 in Jacksonville, FL
    Monster Energy Carolina Rebellion: May 2 & 3 in Concord, NC
    Northern Invasion: May 9 in Somerset, WI
    Rock On The Range: May 15, 16 & 17 in Columbus, OH
    Rocklahoma: May 22, 23 & 24 in Pryor, OK
    River City Rockfest: May 24 in San Antonio, TX
    RockFest: May 30 in Kansas City, MO

    “With each passing year we continue to work hard to bring something special to the rock fans around the country and to make it easy and convenient for them to attend our events,” comments Joe Litvag, co-executive producer of the WLM series for AEG Live.  “That was the reason behind starting Northern Invasion in the upper Midwest.  There is such a tremendous community of rock fans in places like Minnesota, Wisconsin, Iowa, North and South Dakota, and nothing was all that convenient for them.  So, we thought, ‘Why not bring them a rock festival that they can call their own?’”

    “After selling over 360,000 tickets last year for World’s Loudest Month we are constantly looking for great cities and strong markets to add to the family of festivals associated with WLM.  Minneapolis has an incredible rock radio station and it’s only fitting that we bring Northern Invasion to the region as our newest destination to the World’s Loudest Month,” says  Danny Wimmer, co-executive producer of the WLM series for DWP.

    Not sure which one to go to? Here are some links to more info on the various stops of the WLM tour.

    Monster Energy Welcome To Rockville (April 25 & 26, Jacksonville, FL)

    www.WelcomeToRockvilleFestival.com

    After selling out in 2014, Monster Energy Welcome To Rockville kicks off the World’s Loudest Month and celebrates its 5th year anniversary, returning to Jacksonville, Florida April 25 and 26th. Florida’s biggest rock festival lineup will be revealed Monday, December 8, with tickets going on sale Friday, December 12.

    Monster Energy Fort Rock (April 25, Fort Myers, FL)

    www.FortRockFestival.com

    The World’s Loudest weekend includes South Florida’s Biggest Rock Festival, Monster Energy Fort Rock, Saturday, April 25 at JetBlue Park in Fort Myers, Florida–the spring training home of the Boston Red Sox–for its 3rd consecutive year after selling out last year. The full festival lineup will be released Monday, December 8, with tickets going on sale Friday, December 12.

    Monster Energy Carolina Rebellion (May 2 & 3, Concord, NC)

    www.CarolinaRebellion.com

    Rock City Campgrounds at Charlotte Motor Speedway will host the fifth annual Monster Energy CarolinaRebellion. In 2014, the mid-Atlantic’s biggest rock festival sold out of camping and VIP packages, and over 60,000 fans were treated to two and a half days of picture perfect weather. For the 2015 festival, layaway packages will be offered for the first time beginning Cyber Monday (December 1, 2014). Further details regarding layaway (ticket prices, camping and hotel packages) will be announced in the coming weeks, with the concert lineup to follow in early 2015.

    Northern Invasion (May 9, Somerset, WI)

    www.NorthernInvasion.com

    Look for details soon about this new rock and camping festival that will take place during the World’s Loudest Month.  Lineup, ticket information, and camping information will be announced in December.

    Rock On The Range (May 15-17, Columbus, OH)

    www.RockOnTheRange.com

    ROTR sold out in advance for the second year in a row in 2014, with 120,000 concert-goers on-hand at Columbus Crew Stadium to experience blistering performances from 60 of the world’s hardest rocking bands on three stages over three days. In 2015, ROTR will welcome live music’s top cable channel, AXS TV, to film the weekend as part of their live festival coverage.  Weekend Field GA and Stadium GA layaway tickets are on sale now at www.rockontherange.com. Also new to Rock On The Range in 2015 will be the Jack Daniel’s Old No 7 VIP Lounge which features amenities such as dedicated Wi-Fi, charging stations, private restrooms, premium food options and more. This upgrade will be available on all ticket purchases.  Returning packages like the ROTR VIP Packages, Hotel and Ticket Bundles and Camping packages will go on sale Monday, November 10 at 10:00 AM ET. Detailsand prices for VIP, Hotel, and Camping Packages are available at www.rockontherange.com.  Regular tickets will go on sale once the band lineup has been announced in early December.

    Rocklahoma (May 22-24, Pryor, OK)

    www.Rocklahoma.com

    In May 2014, a record crowd of over 60,000 fans turned out for the eighth year of America’s Biggest Memorial Day Weekend Party featuring the best current active rock artists and classic bands at “Catch the Fever” Festival Grounds. Rocklahoma’s seat renewal process will begin on Monday, November 17, 2014 and runs through Wednesday, January 7, 2015. The renewal option is available to those who purchased a Weekend Reserved or VIP Package ticket in 2014. To renew seats for 2015, please call 866-310-2288 or email info@rocklahoma.com and a team member will contact you as soon as possible.  Rocklahoma’s 2015 lineup will be announced in January.

    River City RockFest (May 24, San Antonio, TX)

    www.rivercityrockfest.com

    River City RockFest returns to the AT&T Center in San Antonio for its third year. Look for concert lineup details to be announced soon. In 2014, nearly 20,000 were in attendance at San Antonio’s premier rock festival, with 25 top rock bands performing on four stages.

    Rockfest (May 30, Kansas City, MO)

    www.RockfestKC.com

    Rockfest returns to Penn Valley Park in downtown Kansas City for its 23rd year. In 2014, Rockfestclosed out the World’s Loudest Month festival series with over 50,000 in attendance for the seventh consecutive year of America’s largest one-day music festival.

    The World’s Loudest Month mobile app is available to download via iTunes and Android.

    Website: www.WorldsLoudestMonth.com
    Facebook: www.facebook.com/WorldsLoudestMonth

  • Interview: Vintage Trouble, Set to Take Over The Hollow and the World

    This Sunday, Sept. 28 Vintage Trouble will be coming to The Hollow Bar in Albany, N.Y. This four piece rock n’ roll blues band hailing from California have been touring the country for a few years now, at times being asked to support major acts such as, The Who, Bon Jovi, and the Dave  Matthews Band.

    In a phone interview earlier this week with NYS Music’s Jim Gilbert, all four members were excited to play Albany and share their music with the Capital Region.  “We’ve been touring non-stop for three and a half years now, just getting off the ‘Summer of Trouble’ tour and extending it to the ‘Swinghouse Acoustic’ tour that we are on now.”  Vintage Trouble has toured the world and plays around “200 shows a year, but up to 260 if you include radio stations” and other similar media outlets.  The even played the Jay Leno Show four times in one year.

    When asked how he is able to continuing to sing every night with the brutal tour schedule, lead vocalist, Ty Taylor explained, “By not thinking about it. Stress is horrible and if you think too much [you could cause the issues]. Drink plenty of water and [practice] mental control.” He went on to say that he, “relies on the microphone to do its job” and trusting the mic allows him not to strain too much.

    While the band is getting well-known for its initial release, The Bomb Shelter Sessions, drummer Richard Danielson reassured us that the band has been, “writing on the road and we have a lot more than those 10 songs.  We have three-quarters of the new album done and other songs to fill two hours.”  Stops on this tour can hear potentially up to 20 or more songs in a night, that will surely leave them craving for more.

    People began to hear about them from these support gigs and began to arrive early to hear the band blaze through their short opening sets. With front man Ty Taylor moving about the stage like a mix between James Brown and Roger Daltrey, Nalle Colt soloing all over the songs, and Rich Barrio Dill and Richard Danielson holding down the rhythm section, the band is a sight to see and a pleasure to your ears.

    It was this energy that attracted acts such as Bon Jovi, Lenny Kravitz and even The Who, to include them on European legs of their tour.  Bassist Rock Barrio Dill said they were “only going to be in the UK for three weeks, but ended up staying for seven months because these opportunities kept coming up”.  All the touring and travel, “cultivated a lot of new material.”

    Taylor proudly went on to say that Vintage Trouble is “an independent band. It cost us less than $1000 to make the record. We couldn’t do a world release, [so it was slow to hit some countries.] It was released only a year ago in Japan and debuted at #4.  It took three years to get around the world, but like my mother always said ‘patience is a virtue.”

    While Vintage Trouble just went into a recording partnership with Blue Note Records, the label is giving them a lot of freedom.  There is a mutual feeling of pride in releasing their own work, but it is nice to have a big brother helping them out.  However, recording is only a part of the equation.  Rick emphasized that “we consider ourselves a live band first. Wherever we take it, we will be a live band.”

    Starting out at Harvelle’s Blues Club in Long Beach playing a weekly residency in a place with “true old blues energy” the locals dubbed it Trouble Tuesday. In fact, a friend of the band called the ever-growing weekly audience, “TroubleMakers”.  That name stuck and fans from around the world have joined the TroubleMakers.  With nearly 12,000 in their Facebook group, Nalle added, “the band stays in touch daily with the group.”.  It is also THE place to go to find out about the pre-show parties and after show events, as well as interact with like-minded fans.

    Tickets are currently on sale now. The show starts at 7PM with The Soul Selector Tom PaPa Ray. Make sure to come out for this show and end the week with some rock n’ roll medicine.

  • Best Songs to Celebrate International Talk Like a Pirate Day

    Most major holidays have songs related to them, whether it be children’s classics like “Here Comes Peter Cottontail” for Easter or modern classics like “Monster Mash” or “Thriller” fer Halloween. Nevermind th’ endless annoyin’ Christmas carols that we have to endure startin’ in early November. But this day, this day be a shore leave, too.

    International Talk Like a Pirate Day be gainin’ momentum, mostly due to social media’s massive cravin’ fer people look like absolute idiots. On ’tis day, we get to sound like an idiot, too. ‘Tis okay, ’tis all in jolly a ruckas ye blastin’ scalliwag.

    At NYS Music we be more interested in th’ music that celebrates band ‘o pirates, them lost souls wanderin’ th’ sea fer a wee lovely booty. Not much has changed, we still wander around fer lovely booty, but not we don’t wear Arrr patches over our eye or have a trusty parrot on our shoulder. However, we have long beards again ‘n if ye be off to most music festivals, th’ wench be surely similar to a scurvy pirate’s ship after a few days at sea.

    It wouldn’t be a scurvy pirate’s song list without th’ classic “Yo Ho (It’s a Pirate’s Life fer Me)”. While it was written in 1967 fer th’ band ‘o pirates ‘o th’ Caribbean, not th’ Johnny Depp version, it has become th’ most well-known ‘o th’ list, mostly because ‘o ’tis usage in multiple Disney movies. From th’ Mighty Ducks to th’ Black Pearl, even th’ Jonas Brothers did a cleaned up version ‘o th’ song. Instead ‘o sin’in’ “Drink up me hearties” they softened it by sin’in’ “Stand up me hearties”, not like we needed another reason to hate th’ Jonas Brothers, but ’tis be a jolly one to add to th’ list. Heartly enjoy, ‘n sin’ along. Even if ye be at set the sails, who cares, it be a shore leave after all.

    Roger McGuinn be best known as th’ backbone ‘o th’ Byrds, servin’ as their lead guitarist ‘n vocalist fer th’ bands entire existence (1964-1973). After th’ Byrds, McGuinn did a few solo albums includin’ Cardiff Rose that contains th’ second song on me list ‘o scurvy pirate classics. ye can’t imagine a scurvy pirate ship without th’ Jolly Roger sailin’ sinisterly above. Therefore ye can’t have a list ‘o songs without th’ good ol’ “Jolly Roger” appearin’ at least once.

    https://www.youtube.com/watch?v=Mbwi1r1Jq2w

    A pirate’s life isn’t always an easy one. Th’ journey to Davy Jones’s locker isn’t ever extra far away. Tom Waits captured th’ solemnness ‘o th’ sailin’ away into th’ wind, in th’ 1974 ballad “Shiver Me Timbers”. Wit’ references to th’ crows’ nest ‘n Cap’n Ahab, Waits alludes to th’ metaphoric sea, while suggestin’ a different type ‘o scurvy pirate’s life. One ‘o leavin’ everythin’ to be off practicin’ his craft of writin’, perhaps even th’ lonely existence ‘o a musician on th’ road. A choice that many ‘o us struggle wit’ daily, do we leave everythin’ behind to follow our dreams, or stay at home ‘n constantly wonder, “what if?”

    One ‘o th’ most recognizable names in scurvy pirate lore be Captain Kidd, tried ‘n executed fer piracy in 1701. A one time pirate hunter, Kidd turned coat ‘n became a pirate himself. Th’ tales ‘o Captain Kidd may be greatly overstated accordin’ to historians, but th’ allurement ‘o his hidden treasure propelled him to infamy. Th’ Newfy-band, A Great Big Sea, be known fer ’tis sea shanty-esque sound ‘n storytellin’ lyrics, often ‘o th’ sea. It makes sense considerin’ Newfoundland’s location ‘n Scotish, Irish ‘n Cornish heritage. ’tis be much more upliftin’ than th’ last tune, guaranteed to put a smile on ye face, however ye may want to sail off to ye Skull & Scuppers fer a Guinness afterward.

    Pirates have been depicted in movies and theater for the past few centuries, from Shakespeare to Disney the role is often glamorized.  However, Gilbert & Sullivan’s “The Pirates of Penzance” takes it to a whole new level and was an immediate smash hit in New York and London.  If singing and dancing pirates weren’t enough to curl your whiskers, the famous opera was made into a ballet in the early 90s.  The “Pirate King” is a jolly number that sings of a life dedicated to the life of plundering and pillaging.

    In these tryin’ economic times wit’ unemployment bein’ high ‘n underemployment bein’ even higher, Tim Curry sin’s ‘o another option in th’ Muppet’s Treasure Island. Imagine bein’ a “Professional scurvy pirate” ‘n makin’ ye livin’ seekin’ out adventure wit’ buckos. Buccaneers aren’t just a football team in Florida, ’tis tune speaks how band ‘o pirates hated in Spain were sometimes rejoiced in England. Th’ Muppet’s franchise scored quite th’ lovely booty wit’ th’ movie as well, brin’in’ in over $34 million in th’ mid-90s.

    Th’ Beatles’ George Harrison took th’ scurvy pirate tradition to a new level hijackin’ a stage ‘n confusin’ th’ band ‘n Eric Idle, th’ host ‘o Rutland shore leave Television show, in 1975. sin’in’ “The Pirate Song” a short spiritly ditty, wit’ a catchin’ chorus ‘o “wit’ a Yo-ho-ho, ‘n a ya-ha-ha”. Idle was part ‘o th’ joke, havin’ co-written th’ song wit’ Harrison, but played it straight fer th’ audience.

    I ain’t likely makin’ a compilation ‘o music videos without includin’ at least one metal song. Quinton Stephenson ‘n Zakas collaborated on “Terror ‘o th’ Sea.” wit’ lyrics like, “We pledge allegiance one ‘n all, wit’ Ali Raja in th’ mornin’ sky. We rape ‘n we murder, we take what we gunna, we live by th’ sword ‘n by th’ sword we’ll die” it was a must have on th’ list. Th’ video highlights some epic scurvy pirate battles from well-known movies timed perfectly wit’ th’ music.

    As I followed th’ treasure map carefully on ’tis adventure, I found th’ song that tells th’ story ‘o “Billy Bones” who met his fate ‘n be lyin’ in Davy Jones’ treasure chest on th’ beach. Nothin’ left but his bones, Billy be bein’ mocked out by his frienemy, a shipmate, that be makin’ light ‘o th’ trip to Davy Jones’ LockerSkip Henderson also composed a song used in band ‘o pirates ‘o th’ Carribean in Davy Jones’ treasure chest scurvy dog’s Chest, “a pair Hornpipes (Tortuga)”. Henderson’s compilation ‘o scurvy pirate songs, Billy Bones ‘n Other Ditties, can be found on th’ ship deck, or iTunes, ‘n be perhaps ye best choice fer a scurvy pirate themed parrrty, at 17 songs, ye can even put it on repeat ‘n be jolly fer a few hours.

    That’s it fer me list ye scurvy dogs, i be needin’ to set sail ‘n find some grub ‘n spiced rum. ’tis be me day after all ‘n I don’t want to be wastin’ any more ‘o me precious the hour findin’ songs fer th’ likes ‘o ye. heartly enjoy th’ songs ‘n leave in th’ comments ye favorite scurvy pirate songs.

  • “Lace Up” Albany – Machine Gun Kelly Adds Armory Date

    Rapper Machine Gun Kelly, aka MGK, may be on tour with Limp Bizkit, but that isn’t stopping him from taking a night that the tour has off to stop up to Albany to play the Washington Avenue Armory. The 24-year old is no stranger to Albany fans who have packed the place last year to see this dynamic young star.  MGK released his second full album last year, Black Flag, and is perhaps best known for his many mixed tapes that he released leading up to being signed by Diddy three years ago to Bad Boy Records.

    “I got the name Machine Gun Kelly because of my rapid-fire delivery when I was 15 and started doing shows,” says MGK.  That rapid delivery is still there mixed with the maturity of time.  Fans relate to his lyrics, coming from a broken home and being an outcast in tough neighborhoods with no brothers or sisters to look out for him.  Colson Baker moved around as a child and was essentially raised simultaneously by his father and the streets after his mother left him at a young age. Ready for the prime time, MGK is on a shooting star and passengers should hop aboard now.

    Mark your calendars for an Oct. 4 date with openers to be announced soon. Tickets are available now at Ticketfly.  Avid Entertainment has promised an exciting fall line-up for the second largest venue in the city, and this, along with other fall dates previously announced such as, Masquerave, Pierce the Veil, Slayer, it is a good indication that they holding true to their word.

    A hint at a big announcement yesterday by Washington Avenue Armory’s Michael Corts gave us a hint as to whom may be announced. His partner at Avid Entertainment, Darren Sparato, all but confirmed my educated guess this morning.

    Early tour releases already showcased a New York City date on October 8 and a Boston date on October 10, with a few off dates in October as the only viable option. The big hint in the clue was 19XX. Did it mean the band 1975, a reference to Van Halen’s famous album 1984, or Prince’s party anthem, “1999”? No, I think it paid reference to Machine Gun Kelly’s chest tattoo, Est. 19XX.

  • Zac Brown Band Serves Up Much More than Chicken Fried

    While most people may know the Zac Brown Band as those country guys that sing about fried chicken and a cold beer on a Friday night, I can assure you there is a whole lot more on this band’s menu. Upstate New York fans in Darien Center and Saratoga Springs had the opportunity to hear country, rock, blues, bluegrass, metal, and island music in the same evening. Six different bands didn’t play, just one. Well, two if you count the spectacular opener, Sturgill Simpson, who is in a category all to himself.

    Sturgill Simpson started the evening off with no introduction and no high-production stage setup. It was just Sturgill, his band, and their immense talent. That alone was enough to fill the stage. While he may have sung a cheating song in pure old country fashion to start the evening, die-hard country fans were met with great music and some non-traditional country topics as the set progressed. Simpson looked like he walked off the set of Welcome Back Kotter, wearing a non-country uniform consisting of a 3/4 sleeve baseball jersey, think 1970′s. In fact, everything about him screamed the ’70s – his attire, his musical style, and even his haircut. It was reminiscent of listening to AM radio in my mom’s kitchen – tapping my feet while eating my Farina Cream of Wheat and grabbing my bagged lunch before running off to school. However, with lyrics like “There’s a gateway in our mind that leads somewhere out there beyond this plane, Where reptile aliens made of light cut you open and pull out all your pain” and “Every morning when I rise I look in the mirror and despise, The sight of everything and all that I’ve become.” This is definitely not my mama’s country music. Perhaps more like listening to a modern-day metaphysical outlaw – a splendid mix of Kris or Willie’s ability to write and Merle or Waylon’s soulful badassery that spews out in the music. Sturgill didn’t speak a whole lot on stage, but when he did, he commented that “this (SPAC) is a really cool venue, man” and that Upstate “is a really beautiful place.” A nice realization to others that New York is much more than skyscrapers and taxi cabs.

    The Zac Brown Band could possibly be country music’s best live band. Their music pulls you in, though after hearing it, you might choose to jump right in on your own. It was no surprise that the eight-piece band brought a huge sound, featuring three guitars (Zac plays along while singing with his rich, melodic tones), fiddle, bass, keys, drums and additional percussion. The multi-part harmonies supplied by the rest of the band gave emphasis to choruses, as if the 17,000 in attendance singing along to every song weren’t enough.

    Upbeat fiddlin’, sweet guitar pickin’, twangy singin’ all went together to make some soulful, redneck rock. From that to Mediterranean feel, island music, the band seemed to do it all. It didn’t matter what type of tune ZBB played, the crowd stayed on their feet and danced the summer night away. The first set included a brief intermission while the stage crew switched over to the acoustic set. During that time, the entire band didn’t leave the stage. Instead, they shot, flung, slingshot and tossed about a hundred t-shirts into the eager crowd.

    The acoustic portion included six of the band members playing various stringed instruments, including Clay Cook on mandolin and John Driskell Hopkins on the uke. The harmonies were out of this world and throughout SPAC, couples embraced and swayed side to side as the lyrics plead “don’t give up on me”. The acoustic set also included James Taylor’s “Fire and Rain” and Billy Joel’s “Piano Man”, but someone forgot to include the piano. Before the set ended, he brought a young boy to the stage, and after a brief introduction, nonchalantly added, “Derek, let me introduce you to your new friend” and handed him a signed guitar.

    The second set started with a storm, hail and lightning on a shim covering the entire front of the stage. As the music started up, lights began to shine on the musicians behind the shim. “Let it rain, let it pour” being sung as the shim rose, yet the storm continued behind the band. During the brief ten-minute set break, Zac found the time to change into a top hat and dressed all in black. Shortly into the set, an unexpected cover of Metallica’s “Enter Sandman” had Hopkins wailing out the lead vocals. The country crowd let their hair down and put their horns up high as they sang as loud and proud as they did for Zac’s owns songs. Toward the end of the second set, Zac Brown Band busted out Marshall Tucker’s iconic “Can’t You See”.

    During “Colder Weather”, Zac spent the whole song shaking hands and offering up fist bumps to the front couple rows in the pit. A sincere smile came across his face as he gazed up over the appreciating audience. You could see the reciprocated appreciation in his eyes.

    The first song of the encore, “Day of the Dead”, had the entire band in glow-in-the-dark skeleton outfits. The four-song encore also included Charlie Daniel’s “Devil Went Down to Georgia”, and it took until the last song of the show for fans to hear “Chicken Fried”. It may have been the most popular dish on the menu, but the variation throughout the evening couldn’t help but make you feel both full and satisfied.

  • When is a Cover Song Better Than the Original?

    hen we go out for a live show, even to see our favorite band playing their hit songs, there is a certain excitement we feel when they decide to do a cover song.  Even legends that have 40 or 50 years of their own music, play covers and the crowd goes insane.  What makes a cover so special?  When is the cover better than the original song?  I’ve come up with a list of 10 songs that I think are better than the original.  This isn’t carved in stone and there will be countless songs that could have made the list that didn’t.  Music is such a fluid thing that my list next week probably wouldn’t be exactly the same.  That’s what makes music so special. It lives. It breathes. And sometimes, it dies only to be reborn.

    10. Metallica’s version the Irish traditional song “Whiskey in the Jar”.  While they mostly despised working on their Garage Inc album and the covers that they barely knew like Bob Seger’s “Turn the Page“, the light at the end of that album was “Whiskey in the Jar”.  It kicks ass and before you say anything, I realize that it was inspired by Thin Lizzy’s version of the same song.  Metallica’s is just better.

    9. While on Irish covers, the Dropkick Murphy’s “The Wild Rover” was more of an anthem than a cover.  The band has dominated stages around the world and this song still gets the crowd in a frenzy.  Many know the lyrics from growing up in any Irish pub across the land, but when the Dropkick Murphy’s hit you with it, you feel it in your bones.

    8.Disturbed’s take on Genesis’s “Land of Confusion”.  While I’m not sure this is actually better than the original, lead singer David Draimain is currently voicing his very loud opinions in support of Israel in these trying times.  I feel like the conflict, his current Twitter feed blowing up and the sentimentality of the song makes this one that fits this week, but may not be here in a month.

    https://www.youtube.com/watch?v=anjT71N4PGM

    7. Talking Heads’ interpretation of Al Green’s “Take Me to the River”.  Who knew that the Talking Head’s had soul and rhythm and could pull off this genre of music?  Apparently they did and this opened the doors for more soulful, funk direction for the band and further cemented them as musical pioneers leading into the video age.

    https://www.youtube.com/watch?v=xxygqSTO1lQ

    6. Patti Smith’s “Gloria” was originally done by the band, Them, 11 years before the first mistress of punk dominated the scene and helped establish women’s roll in the NYC feminist movement of the late 70’s.  Smith’s version of the song carries an anger, an assertiveness the original couldn’t.  She was one of rock’s bad asses and had the chops to pull off this song like no one else.

    https://www.youtube.com/watch?v=JJx5626euOo

    5. Jimi Hendrix’s cover of Bob Dylan’s “All Along the Watchtower”.  In fact there can be a whole article on Dylan songs that were done better by others than the legend himself.  Let’s face it, the man was a writing genius, but performing was hit or miss.

    4. Alien Ant Farm doing Michael Jackson’s “Smooth Criminal”.  This really put AAF on the map, the talented alternative band from California has not shaken the success of this cover that seems to define them.  While they are looking forward to their 5th studio album, this cover from their first one in 2001 still casts a shadow over their worthwhile originals.

    https://www.youtube.com/watch?v=mcXYz0gtJeM

    3.Nirvana had it’s share of incredible covers.  I am going to pick Lead Belly’s “Where Did You Sleep Last Night?” thought this could have just as easily been the Meat Puppets’ “Lake of Fire” or Bowie’s “The Man Who Sold the World“.  Curt’s voice is soulful, raspy and carries a tone that fits the solemness and desperation that fits with the lyrics.  The shouting verse at the end seals the deal – the sadness tells you that Cobain has felt this loneliness in his core.

    https://www.youtube.com/watch?v=ZeJkbqjQvnk

    2.Soft Cell’s “Tainted Love”. Who even realized that it was recorded 17 years before it hit number 1 around the world in 1981 by Gloria Jones?  Soft Cell transformed the song and made it theirs while still holding true to some of the soulfulness of the original.

    1. Johnny Cash’s version of NIN’s “Hurt”.  Perhaps it was the timeliness of this cover toward the end of Cash’s life when he recorded it or the solace in the video.  “Hurt” came to life and choked up the toughest person when the man in black unleashed it onto the world.

    So there you have it, even as I wrote this I questioned myself a million times.  Should I include something from the greatest cover band in my opinion, the Grateful Dead? Or how about an incredible cover by Bruce Springsteen that typically holds more energy and vigor than the original.  There are countless versions of Beatles songs that I enjoy better than the originals, but I didn’t have help from my friends, I just pulled the plug and went forth.

    What’s your favorite cover?  Be sure to like on Facebook and post links to your favorite covers from huge acts to local bands.  We’d love to hear from you.

  • Photo Gallery: James Taylor returns to SPAC after 11 Years

    The SPAC lawn is almost famous on its own.  How many musicians have shouted out from the stage to “the lawn people” to see how they out there are doing?  Shout outs and reassurance that “they” are important, too.  Sometimes over $40 a ticket, the lawn seats are no longer considered the cheap seats.  For James Taylor, it seemed like everyone in Saratoga had their lawn chair out on the ultimate lawn enjoying the original ‘JT’ sing classics like “You’ve Got a Friend” or “Fair and Rain”.  The lawn chairs were lined up on the hill and clear across the back lawn.  Thousands and thousands of SPAC lawn chairs filled with four generations of James Taylor fans.

    It was the second solo performance of the week at SPAC that seemed to attract a lot of couples.  The night was the perfect July evening in Saratoga, the temperature was just right and not a drop of rain.  The sound surrounding the crowd was spot on – perhaps the best sound mix of the season, thus far.  Taylor and his All Star band played for nearly 3 hours covering his almost 50 year career.  Even some new songs, such as “Today, Today, Today” were added to the night’s set list.  The North Carolina native now lives just across the Massachusetts board from New York in Berkshire County, after an 11-year hiatus from playing Saratoga I think it is safe to welcome him back and hope for many encores in years to come.

    Set 1:
    Something in the Way She Moves, “Today, Today, Today”, Lo and Behold, Copperline, Everyday (Buddy Holly cover), Country Road, Millworker, Carolina in My Mind, One More Go Round, Sweet Baby James, You’ve Got a Friend (Carole King cover)

    Set 2:
    Stretch of the Highway, You and I, Handy Man (Sparks of Rhythm cover), Hour That the Morning Comes, Steamroller Blues, Only One, Fire and Rain, Up on the Roof (The Drifters cover), Mexico, Your Smiling Face

    Encore:
    How Sweet It Is (To Be Loved by You) (Marvin Gaye cover), Shower the People

  • LIVE: Rising Again with New Lead Singer, Chris Schinn

    Being the new guy is never easy. Try filling big, famous shoes. LIVE was one of the most popular grunge bands in the 1990s; I wasn’t the only one who was seriously bummed when the band split under some vague and ugly circumstances in 2009. Those of us paying attention were pleased to hear that the band was going to march on, but eyed the new lead, Chris Schinn with a decent amount of skepticism. And really, who wouldn’t? Anytime the new guy gets up on stage with an iconic group of performers, the fans’ critical eye gets super sharp. Most of us stubbornly refuse to accept lead replacements of super awesome bands, even if they are a great fit.

    Schinn told us, when we sat down with him in Verona, that he’s been guilty of the same thing. But then he saw Alice in Chains perform with William DuVall (replacing the original lead, Layne Staley). When he left that show, not only was he sold on the “new” Alice in Chains, but he also thought to himself, “I could see myself doing that.” A short time later, he was. Before I saw him perform with LIVE during the Summerland Tour in 2013, I was seriously doubtful that the band could live up to my expectations without Ed K. I’m a fan of Ed too, so I went in with the same skepticism of a kid meeting their new step mom. But, WOW. I was not disappointed. I’m not the only one; Schinn told us about a fan who approached him after a show to tell him that she drove hours to that show fully prepared to hate him. But in the end, the opposite happened: she fell in love.

    Schinn said that unlike the challenge of selling his acceptance to old LIVE fans, fitting in with the Chads and Pat was easy. Naturally, he was a LIVE fan in the 1990s (his favorites then were Operation Spirit, Pain Lies on the Riverside, and Lakini’s Juice). He also knew the guys personally; his former band, Unified Theory, actually opened up for LIVE during the Distance to Hear tour. Schinn and the rest of LIVE share responsibility for song-writing, many laughs, a good amount of patience — patience that I’ve been lacking actually as a fan. I’ve been eager to hear what they are up to, but they have taken things REALLY slow. It’s already been a couple of years since Schinn joined the group, and their first album together, The Turn, isn’t due out until October 2014. They wanted to make it good; get it right. They are using a lot of the same folks who have worked with LIVE in the past, including Jerry Harrison and Tom Lord-Alge, so we can expect the same quality of material found on Throwing Copper.

    On stage Schinn adds his own style to the show while bringing the audience close enough to LIVE-as-we-knew-them. Admittedly, there is a different energy that flows from the songs of old. LIVE’s established fan base expects to hear the old, popular stuff, and that’s Schinn’s key to their hearts. But when LIVE played their new music the vibration kicked up a notch. Schinn promised us four new songs during the performance at Verona, and noted that whereas a lot of LIVE’s previous work included references to water and rebirth, the newer material is harder, with many references to fire. Schinn’s favorite current LIVE song is “Siren’s Call”, the lead track on their new album, and it is awesome, and I’m not the only one who thought so. Schinn says, and I agree, to “give it a listen.” The Turn will be released in October and LIVE will promote it on tour. Dates will be announced on the bands website and related social media sites.

    Setlist: The Way Around, Iris, Top, All Over You, Siren’s Call, Pain Lies on the Riverside, Operation Spirit, Beauty of Grey, Dolphin’s Cry, Rattlenake, Freaks, Don’t Run, Selling the Drama, Lightning Crashes, I Alone, 6310 Rogerton Encore: Lakini’s Juice, White, Discussion

  • Goo Goo Dolls, Daughtry and Plain White T’s Rock Out Sunday Night at SPAC

    Goo Goo Dolls were joined by Daughtry and Plain White T’s at SPAC this weekend. The Plain White T’s came out to a very unassuming stage, a few blue and pink lights, no flashy LEDs or props.  The were there to make music and delight the ears with their essentially acoustic set. The Chicago-based band got to Saratoga early and Tom Higgenson (vocalist) decided to walk around the wonderful SPAC grounds. He took some video and photos of the springs and geyser. He asked the crowd if the geyser was real, and while it isn’t, the crowd led him to believe it is – so that’s the story he’s going to tell.  SPAC’s legacy continues to live on and another musicians top place to play. On stage, it was just the five guys playing, singing beautiful tunes to the incoming crowd.  Gates opened only 45 minutes before the set, so most people were stuck outside.  It is sad that people decide for whatever reason to miss the openers, or for venues to open gates up too late. Whether it is SPAC or a local venue, your favorite band started as an opener for someone. How cool would it be to be the one that discovered them that far back and you build that loyalty from the start. Those fan relationships are truly special and unique. The Plain White T’s did appreciate those that got inside early to hear them.  They dedicated their hit “Delilah” to the audience and changed the last verse to “Hey Saratoga, here’s to you.” After that a nice singalong of the chorus, followed by their other hit “Rhythm of Love.”

    Daughtry took the stage and the screams of the 30-something girls filled the air. A battle of Chris’s powerful vocals and the squeals of fan girls reveling in his American Idol glory. The sound was dead on and the energy wasn’t lacking at all. Even a bad joke, Chris pointing out that he was wearing a plain white t and said he supporting the band that just opened the show. Not too many laughs, so he followed up with a much funnier quip “Well, that went over like a fart in church.”  Outside on the lawn, the $10 upgrades that LiveNation occasionally offers helped fill the lower seats of the amphitheater and the lawn, as usual, was packed, even for a Sunday night. Daughtry played his favorite tune “Wild Hearts”, off the new album and the band’s fourth, Baptized, which had a distinctive modern-country flare.  There is a fine line and compromise playing the bands favorites intermixed with fans’ favorites from the past eight years. When the blasting drums of “Battleships”, the latest single, blew out from the stage, the imagery of a Battleships wasn’t hard to comprehend.  The added touch of the mandolin countering the heavy drum was well composed.  The set had few more songs, including “Home” dedicated to those who’ve served and who are serving. Daughtry knowing his audience, Volvo driving soccer moms, the set was comprised of mostly ballads and very little rock.  Overall it was a fine performance, but you can’t help to hope that Chris Daughtry finds his inner rock star once again and blows the roof of things.

    Upstate’s own Goo Goo Dolls absolutely rocked the stage with tunes spread over their past 20 years of success. A perennial favorite at SPAC, this was one of their strongest performances in years. Hits like “Iris”, “Slide”, and “Name” intermixed with some new songs and others sung by Robby Takac (bass). Robby’s tunes tend to be a little edgier and reminiscent of early days of pop-punk. The Goo Goo Dolls are now from California, but these Buffalo-bred rockers joked about New York still smoking pot at concerts. Commenting that in California people eat it, bake it, put it in pills, and shove it wherever they can, they don’t really smoke it nowadays because it’s so strong that you’d be high for five days. During “Come to Me”, a song John Rzeznik wrote for his wife was a good opportunity for a man in the front row to propose to his future bride (she said “yes”). This led to a humorous exchange with another woman up front, Kara, who was looking for love herself, Rzeznik described her as a voodoo hippie, the conversation continued sporadically throughout the rest of the evening. The proposal was followed by “Black Balloon” with the typical black balloons being tossed into the air. They were batted frantically toward the stage, where Rzeznik hit, or tried to at least, them away.  When he missed one, it actually interrupted his singing so he could laugh at himself.  The band played a new song “Caught I the Storm” that is worth giving a listen to if you remember the glory days of the band. It really is one of the best songs I’ve heard from the band in years and deserves a listen.  “Name” will be turning 20 next year and is further proof of the legacy the band had established for itself. From there the set finished itself out ending with fan favorite “Iris” and then a two song encore of “Sympathy” and “Let Love In.”

    Setlist: Lazy Eye, Dizzy, Slide, Big Machine, Rebel Beat, When the World Breaks Your Heart, Already There, Bringing on the Light, Come to Me, Black Balloon, Stay With You, Here Is Gone, Caught in the Storm, Feel the Silence, Name, January Friend, Another Second Time Around, Better Days, Slow It Down, Broadway, Iris

    Encore: Sympathy, Let Love In