Robert DeLong and Kip Chapman Celebrated WEQXmas at Putnam Den this past weekend.
Author: Bryan Lasky
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Hearing Aide: King Gizzard and The Lizard Wizard ‘I’m In Your Mind Fuzz’
King Gizzard & The Lizard Wizard is a name you are going to be hearing a lot of in the near future. Their latest album I’m In Your Mind Fuzz is out now and is a 42 minute psychedelic journey of proportions not seen in many years. All ten tracks seep right into one another without letting you catch your breath for more than a second, if you are even given a second. All seven members of the band meld into a beautiful creation on I’m In Your Mind Fuzz with no one member sticking out, making it a true group effort.
Although the band hails from Australia, they recorded much of the record at Daptone Studios in Brooklyn and in Hunter Mountain, New York. When I spoke to the band at a recent show in New York during their time here for the CMJ festival, they loved being in New York and recording in two different parts of the state. They especially liked Upstate New York and the openness of it all compared to New York City. The spaciness in parts of the record can most likely be attributed to the wide open land of Hunter Mountain.
The first four tracks come at you like a bullet. These 13 minutes are some of the tightest on the record and feel like one straight thought that the band decided to break up and name four separate things. Right off the bat the drums and distorted guitars of “I’m In You Mind” get your head moving along. Once the fuzzy vocals and harmonica come into the picture, you’re already hooked. The four tracks are straight out of the psychedelic sounds of bands like The 13th Floor Elevators. The music continues that way through the last seconds of “I’m In Your Mind Fuzz” before transitioning into “Empty” which slows down the proceedings slightly, but not enough for you to want to stop bopping along with what the Australians are producing for your ears and mind to take in.
The next highlight on the album is “Hot Water” that sounds as if it could be a Jethro Tull outtake, from the flute to the vocal delivery it is a spot on tribute to the great band. A brief respite of the beginning 40 seconds of “Am I In Heaven” gives you one more moment to catch your breath before the full punk and psychedelic sounds roar right back into your mind. “Slow Jam 1” and “Satan Speeds Up” bring the album to a slowed down dream like state. Beautiful vocal work and otherworldly effects on the guitar shine of these two tracks before the closing eight minute epic of “Her & I (Slow Jam II) bring it all home for the record. The band is at their most classic rock moment with this song, giving a performance reminiscent of The Doors or a jam from early Santana, and gives the listener a sense of accomplishment of completing the record on such a high note after everything that has been thrown at them.
King Gizzard picked the perfect name for this album as you feel in the beginning as if you are losing your mind with the sounds that are coming at you at such a rapid pace. As the record goes on though you go into a fuzz, along with the band, as you have no idea what will be thrown at you next. To have the band end the album with such a long track that could be played on any radio station in the world, despite it’s length, shows how confident this band is in their music. Run to your nearest record store, or your I-Tunes account, and get this album immediately and hope the band comes back to the states to play some live shows again soon, they are not to be missed.
Key Tracks: I’m In Your Mind, Cellophane, Her & I (Slow Jam II)
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Ray LaMontagne Turns the Palace Into a Supernova
Words by Lauren Byrnes
On Sunday night, Albany’s Palace Theatre was given a real treat: The Belle Brigade opening for Ray LaMontagne. LaMontagne’s new album, Supernova, was produced by The Black Keys’s Dan Auerbach and promised a new sound from the singer/songwriter.
The opening act, The Belle Brigade, was a traditional four piece rock band with a brother and sister duo at its heart. Barbara and Ethan Gruska play the drums and guitar, respectively, and both do the vocals for the band. Their set at the Palace ran about 45 minutes and was excellent. Their sound was reminiscent of the pop rock sound that predominated in the 1990s without ever truly giving in to it. They have been touring with Ray for the past 6-7 months and were even part of his band during the singer/songwriter’s set.
Ray came on about half an hour after The Belle Brigade had finished to an eager crowd. The sound was different from his earlier works as Mr. Auerbach’s influence was well evident from the first song on. Four out of the first five songs came from the new album where the new rock influences were heavy. The first song, “Lavender”, had an incredible trippy feel to it. The use of the synth/keyboard contributed heavily to this. The four acoustic songs toward the end of his set were a nice call back to his days with The Pariah Dogs and much appreciated by the crowd. Throughout the performance, the lighting for him was very reminiscent of the old Joshua Light Shows from the Fillmore East and West of the 60’s and 70’s. LaMontagne’s lighting is usually subdued to fit his folksy background, but with this new direction, the lighting fit perfectly along the vein of his musical supernova.
Overall, the combination of the two bands was unmatched in compatibility. The pop rock sound of The Bell Brigade matched with the folk and newfound psychedelic sound of Ray LaMontagne made for a truly magical evening of music.
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Phil Lesh and Friends Continuing Their Dominance at The Capitol Theatre
Last weekend Phil Lesh and Friends played their first of a five weekend residency at the storied Capitol Theatre, starting with a Halloween show. Highlights included spooky takes on “Death Don’t Have No Mercy,” “Sympathy for the Devil” and both versions of “Dark Star” with “Fire on the Mountain” sandwiched in between. An encore of Warren Zevon’s “Werewolves of London” ended the night, like the song did for The Grateful Dead in 1990 and 1991. The next night saw the band tackle “He’s Gone” which included an extended jam,”Mason’s Children” and a great encore of the run of “Help on the Way>Slipknot>Franklin’s Tower”. The two night run consisted of members John Kadlecik, Dan Lebowitz, Rob Barraco, Joe Russo, and Scott Law, while Nels Cline joined in on night two.This coming weekend Phil will be joined by Eric Krasno, Joe Russo, and Chris Robinson Brotherhood featuring Chris Robinson, Neal Casal, and Adam MacDougall. This line up is surely to take the music towards a more psychedelic sound. The 2005 tour with Chris Robinson has been said to be one of the stronger line ups in the Friends history. Eric Krasno most famously played with Lesh and Russo in Central Park at an unannounced show almost exactly one year ago. The set last about a half-hour and consisted of primarily jazz-style improvisation. The theatre should be buzzing with feelings of the mid 60’s as soon as the band takes the stage on Friday November 7. Tickets are still availabe, but are limited in supply.
This five week residency is of course part of the deal that Lesh maybe with Peter Shapiro, owner of Relix, Brooklyn Bowl, and The Capitol Theatre. Although it looks like Phil won’t be performing 30 shows at The Capitol Theatre like first thought, he will be getting close after he closes the year out with help from Joe Russo’s Almost Dead. The PhilRAD shows take place on December 30 and 31 and are already sold out. At age 74 Phil Lesh definitely won’t be doing this for much longer, so if you have the chance to buy a ticket, take the ride and see the bassist when you get the chance.
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BSP Enjoys a Night of Folk, Psychedelia and Rock From Across the Globe
A fall night at Kingston’s BSP saw three great bands take the stage for a small but enthusiastic crowd. Juan Wauters started the evening off with a wonderful set of acoustic tunes. The singer-songwriter’s tunes were short and fun, but allowed enough time for the duo’s great harmonies to shine through. The set at BSP was upbeat as the duo danced around the small stage, engaging the crowd. Juan had a child-like quality to him: he was so excited to perform on stage that it seemed he could play all night. The band was bathed in the best light show of the night, one which truly complemented their set. Juan sang the last song by himself, in both Spanish and English, which was a great way to end their evening.
Up next was Australia’s King Gizzard & The Lizard Wizard and their brand of psychedelic folk-infused rock. The seven piece band furiously went to work during their short time on stage. The first few songs were segued amazingly– strung together for a non-stop 20 minute journey. “Sleepwalker” and “Hot Wax” off the band’s album Oddments were two highlights of the evening. During the set, front-man and guitarist Stu Mackenzie mentioned that the band was tired and they would be taking it easy tonight, but no one showed any signs of wear and tear from the road. The band has been playing many shows surrounding the CMJ Music Festival taking place in New York City, and they played yet another wonderful set for the lone show in Upstate New York during their time here. Talking with drummer Eric Moore after the set, he stated how much the band loved Upstate New York. Their newest album I’m In Your Mind Buzz, coming out November 11, was recorded in Hunter, NY this past year during which time, the band fell in love with the area. Hopefully the band will keep the area on their tour docket for everyone to enjoy in the future.
White Fence ended the night of music with a punk rock attitude that the crowd loved. Their sound was reminiscent of early tracks by both The Who and The Kinks. Tim Presley played a fantastic lead guitar and his vocals perfectly suited the songs. A heavy dose of garage rock filled the small club to which people danced and bopped along during the hour long set. When the band wasn’t employing their fuzz pedals on their guitars, some of the music sounded as though it could have been mid 70’s Bob Dylan on stage. BSP put on a great showcase of three bands that are up and coming in the music scene throughout the country. The club has a knack for getting talented acts before they hit it big. If you want to see bands before they gain a buzz, head down as often as you can to the great shows put on by the small Kingston club!
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Southside Johnny and The Asbury Jukes at The Egg
Southside Johnny & The Asbury Jukes played a rocking two hour set at The Egg on October 18. Although the venue wasn’t sold-out, everyone who was in attendance was either dancing in the aisles or dancing in their chairs. Southside played songs spanning his whole career and even took requests from the crowd. He was in a joking mood, mentioning how Buffalo has the worst snow in the world, New Jersey will transform Ebola into lobster like creatures because of their pollution, and how it’s impossible to find your way into The Egg itself. With more than 40 years under their belt, Southside and The Jukes show no signs of slowing down anytime soon.
Southside Johnny & The Asbury Jukes at The Egg – Albany, NY
Set 1: Angel Eyes, Forever, This Time Baby’s Gone for Good, Walk Away Renee, Harder Than it Looks, Key to the Highway, Strange Strange Feeling, Take it Inside, Rhumba & Coke, Got Me Where She Wants, This Time It’s For Real, Without Love, Some Things Just Don’t Change, On The Beach, Talk to Me, Working Too Hard, Passion Street, Fever, Trapped Again, Havin’ A Party
Encore: Ooh Poo Pah Doo, I Don’t Want To Go Home, Hearts of Stone
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White Fence, King Gizzard and The Lizard Wizard, and Juan Wauters to Converge at BSP on October 23
Coming to BSP in Uptown Kingston, NY are three bands that have been turning heads all over the country and the world for one night only. White Fence released For the Recently Found Innocent this past July and have garnered nothing but raves reviews Tim Presley, who records under the name, has used a lo-fi and psychedelic sound throughout his career to weave in and out of the listeners ears. This latest record sees him re-team with Ty Segall to produce a beautiful set of elaborately crafted songs, harmony vocalizations and trippin’ guitar tones that conjure a fantasy about reality.
Joining White Fence will be Austrlia’s own King Gizzard & The Lizard Wizard. These psychedelic garage rockers have also been receiving high praise from the music community and as of this month have released seven albums in three years. The prolific seven piece band were brought together through living in a share house and their mutual love for Pavement and Three Oh Sees. Each album the band has released has increased their psychedelic prowess and have given them an opportunity to reach more people. They have been dubbed a tour de force of reverberated rock ‘n’ roll and these guys and they deliver to a tee at their shows.
Opening the show is Juan Wauters who released his debut album N.A.P, North American Poetry and dreamed big throughout the album. He came to New York to live with his father and they worked in factories together to bring the rest of the family to New York. Juan’s lyrics have continuously looked to take dreams and turn them into reality. With a various cast of musicians and a great light show live, he should be a great start to the show.
The show starts 9 PM sharp and only costs $12 in advance and $15 at the door. Tickets can be bought now here. Don’t miss out on the psychedelic rock that is going to take over BSP this Thursday. It won’t be long until all three of these bands outgrow a venue as small as BSP.
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A Day with Wild Adriatic, Triumphantly Conquering the Capital Region
Pulling up to my house in their touring van with nothing but smiles, Wild Adriatic took me in for a day in the life in Upstate New York. We headed up the Northway to a Red Robin in Clifton Park to enjoy lunch and talk about their tour that just finished up. A wild week in Texas, New Orleans, North Carolina, and Pennsylvania had just ended, and Mateo Vosganian, Rich Derbyshine, and Travis Gray had stories to share from the road. From a night or two of smaller crowds to sing-a-longs in the car to a stop off in Maryland at an open mic that proved to be a great night of music for the band, Wild Adriatic had plenty of stories to tell over burgers and fries.
Pulling into Charles R. Wood Festival Space for Rocktoberfest in Lake George, the sounds of AM Bodega could be heard over the speakers. As the band unloaded the van and set up shop, AM Bodega were playing a solid set of music including some nice jams and a good take on Led Zeppelin’s “No Quarter”. When it was time for Wild Adriatic to take the stage, the audience, although not large, all came close to the stage to watch the band take over for an hour and a half. Despite the tour and the long drives, the bands energy on stage was tremendous. Travis’s voice was in fine form, belting out his signatures wails and hitting every note. Rich was bouncing and dancing all around the stage non-stop throughout the set. Finally Mateo was hitting his drums with all his might and even at times was shaking the stage he was going so hard.
The set saw more covers than I am used to seeing from the band, but since they had a long set to play, they delved deep into their repertoire and busted out “Mary Jane’s Last Dance” by Tom Petty and “Get Lucky” by Daft Punk. Both were done beautifully, as was expected when upon the opening riffs. When the three of them decided to play covers, they do so as close to the original as they can. Travis was in a talkative mood as well from the stage, happy to be home seeing familiar faces after being on tour. The band was also very comfortable with one another on stage letting themselves get lost in a ten minute rendition of “Mess Around”. Having been touring so extensively lately the band has acquired this jamming skill to add to their live show and it suits them great. Locking into the song, they moved through three separate phases in their jam and brought it all back home, returning to the chorus of the song to close out the set.
After the set and packing up their gear, Wild Adriatic hung out, signed merchandise and talked with fans. As Black Mountain Symphony started up their country-rock, the van was finally packed up and we drove back down the Northway to Albany for the night show and tour capper at The Hollow Bar. The night’s setlist was written and the radio was on loud as we headed down the road listening to Joe Walsh, Mountain, and Led Zeppelin. Another load in and another soundcheck later, everyone was hanging in the basement of The Hollow when Titanics came down to hang out as well after finishing up their own soundcheck. Soon Party Boat was also down there waiting for the show to start, and three bands from Upstate New York were all trading touring stories and having a good time. Another meal was eaten at The Hollow with more stories from the road before Party Boat started the show. Their garage and surf infused rock was a great start to the evening. The laid back vibe won the crowd over with jokes and new music from the Albany band and are definitely worth catching the next time they are on the bill at a show.
Titanics came on next after a short break and the duo played a great set of indie-rock music. The music turned spacey at times, which was great to see. The blend of loops, keys, guitar, and vocals had the crowd take notice to not sleep on them either. With new music just out recently, these guys are really starting to become a local Albany fixture with bigger things to come. Taking the stage for the second time of the day, Wild Adriatic stormed on with “Lonely” and the crowd responded with dancing and chanting and singing the song right back at them. Some more left field covers for the band happened in The Darkness’s “I Believe in a Thing Called Love” and MGMT’s “Electric Feel”, and both went over great with the crowd. I was amazed at how much energy Travis, Mateo, and Rich all still had from earlier in the day. Everything sounded and looked as if it was their first performance of the day. Wild Adriatic are road warriors and just want to be on stage all of the time. The packed house at The Hollow gave just enough room for everyone to dance and have a good time. There was some more jamming from the band as well, showing the Albany crowd that touring gets a band tighter and lets the songs shine even more than you remember from the last time you saw them.
Closing down the tour with Led Zeppelin’s “Rock And Roll” was a perfect tour-capper. Smiles, hugs, and drinks were shared among all the familiar local faces after the show was over. Wild Adriatic loves to remind audiences they are from Upstate New York and like to keep everything done with the “family” they have built up here. It was no coincidence that the last shows they are playing before heading to Europe are in the Capital Region of New York. The band has a lot to look forward to coming up really soon, but they also like to take a second and enjoy the moment. The Hollow provided them with a home town show to celebrate how great this year has been to them and they will be playing one more night at the venue before going abroad. That night is Halloween evening and the band is planning some great things for night. Be sure to get there for the fun that is going to take place and wish them safe travels before they head onto a plane across the Atlantic to conquer some new territory.
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Interviewing Wild Adriatic on Pulling Double Duty, and more
Albany’s own Wild Adriatic will be playing two shows on Saturday October 11, one in Lake George and one in Albany. The two shows cap a week-long tour that saw the band go down to Texas for a few shows before making their way back home. To start off their day they will be on the bill alongside Rusted Root, Black Mountain Symphony, and AM Bodega at Lake George’s Oktoberfest taking place at Charles R. Wood Park, where The American Music Festival just took place. Following that show the band will pack up the van and head down the northway to Albany and make their way to The Hollow Bar for their show with locals’ Titanics and Party Boat. I got the chance to speak to Mateo Vosganian, drummer and beard extraordinaire of Wild Adriatic. It included interviewing Wild Adriatic about this past summer, playing multiple shows in a day, their upcoming European tour and more.
Bryan Lasky :How was the past week or so of tour in Texas?Mateo Vosganian: The past week in TX was a crazy one! Every time we go back the shows get a little better and we keep making new friends along the way. This time we were fortunate enough to join our friends The Continuums from Austin on a little run of shows. It was our first time in Bryan and Houston but both cities were cool with smaller shows at sweet venues. The San Antonio, Fort Worth, and Austin shows were all awesome and then yesterday we had the pleasure of playing New Orleans for our first time! It was a small Monday night show with some great local acts, but the venue was awesome and we’ll be back in town for Mardi Gras 2015.BL: What is it about Texas that keep you going back? I think this was the second or third time for you there if I’m correct.MV: Texas is awesome. Plain and simple. The weather is always nice (if a little overwhelming with the heat/humidity, but hey…), the people are typically laid back and fun in the bigger cities we visit, and the music fans there love rock and roll. Playing to a room of new faces in TX is one of our favorite things to do because we’re always confident in more than half the room being very into what we’re doing. Texas has stayed engaged with us as a band, even though we’re in NY and only tour down every 3 months or so. There are a few great promoters and venues down there who have put their faith in the band and are working to help us grow down there. We’re grateful for the little set up we’ve been ushered into down in TX. So much so that we’ve decided to move to Austin from 2/10-3/23 this year. We’ve rented a house and rehearsal space and will be writing and demoing for a new album down there. We’re going to be meeting with producers and basically figuring out the vibe for the next record while we’re there, as well as a 4 week residency at Empire Garage & Control Room before a crazy week at SXSW 2015. We have some great friends down there we’d like to collaborate with and we all feel like living there for a bit will help us bolster even more of a buzz down that way. And even if not, it’ll be a totally sweet vacation from NY to escape the middle/end of winter.BL: Is there any new music on the horizon? I know Big Suspicious only came out in January, but fans are already clamoring some new tunes.MV: Hell yeah. We’ve got 2-3 tunes we’re going to start playing in Europe hopefully. We’ll probably play a few over this next month as we prepare for the Euro tour. Then when we get home we’re back in writing and US touring mode til we move to Austin for a more focused writing push. I’d really like to do a new single EP with a new single, a new b-side, a few b-sides from Big Suspicious, and a live or cover track early in 2015. I’m hoping to have something together for that before SXSW. Then LP #2 will be aiming for January 2016.BL: Is it difficult playing 2 or more shows in a day? It seems like you guys have been doing it a lot latelyMV: I wouldn’t say it’s difficult. Oftentimes it’s stressful since it involves a cramped timeframe and everyone is rushing to get everything done and get it done perfectly so we can be on time for the next gig. Typically if we have 2+ gigs in a day, we’re excited about all of them so we’re able to keep the energy high and adrenaline flowing for the whole day. We had a conversation in June 2013 and then again when the album came out about how it was time to say yes to everything. I think we’re winding down on the say yes to EVERYTHING thing but having a solid work ethic and be willing and available to play early and often has helped us immensely.BL: So a European tour is happening next month. How did that come about and how are you guys feeling going into the shows?MV: We are all anxious as hell to get over there and get started. We’ve had a great publicist, Carmen, working hard for us in Europe and have had some great reviews of the album and have heard from a lot of excited European fans. We’ve been touring relentlessly since the album came out and I think we all feel really good on stage right now as a trio. We’re learning and growing together, and it’s made for some nice transitions in how we play live. We’re as high energy as ever but the amount of attention we’re each paying to each other on stage is at a heightened level. We’re all much more aware and that’s allowed us to take a few more risks and read the room (and each other) a lot better. As far as how it came about, our European booking agency Teenage Head Music heard about us randomly through a friend and reached out. THM is an awesome agency because pretty much their entire roster is American bands or bands from other countries like Australia and New Zealand, all going to Europe for tours on a very cool routing of venues in a handful of great countries.BL: How important do you feel having a local radio station is to building a following for a band around a city with how the music business has changed and everything is accessible online?MV: I think it’s pretty important, but building a following for a band is a very complex undertaking. The way to do it varies by band, by city, by genre, etc and there are so many contributing factors to what builds a band these days. A local radio station that is active and involved in the community is absolutely a key factor to spreading the word. We’re fortunate to have snagged the ears of WEQX listeners and the local area has been crazy supportive as far as showing up at our shows, dancing their faces off, buying merch, and spreading the word. We meet so many awesome people who tell us they’re going to bring more people next time they come see a show, and that is priceless. I think one of the things that has become clear is that the music business relies a lot more on having a supportive community of people invested in each other than ever before. We’ve had a very successful year and we owe it all to the help of other bands and their management (at every level of the game, from moe. to our homeboys the Continuums in Austin, TX and beyond), the promoters who take continual risks on bands, the radio stations who play bands when no one else is, and the music lovers who come out to shows, buy the album, and tell a friend. There’s a whole lot of people who rely on each other to bring new music to the world, and we try to re-invest in our friends and business acquaintances who do good things for the community around them.BL: Any other plans you have coming up that you’d like to let the public in on yet, or do you want to leave some surprises for everyone?MV: Announcing our New Years Eve plans soon! It’ll be our first and only Upstate NY show after returning home from Europe and before 2015! More exciting things will be announced over the next few months, I promise!Tickets for both shows this Saturday are available now. Catch them at these small shows while you can before they move on up to hopefully some larger venues in the near future. -
The Sea The Sea and Great Mutations dive into Albany
On a Fall October night in Albany at The Low Beat, two local bands took to the stage to show that the music scene in the area is alive and well. The Sea The Sea, with openers Great Mutations played their first and third live shows of the area, respectively, and made new fans to those who were in attendance. Three piece act Great Mutations, from Troy, started the evening off with some easy-going rock tunes that would sound perfect on the California coast. Their songs were well written, both musically and lyrically. The beginning of their set saw some trepidation from the band, but by the end of the set their confidence oozed through the music. Lead singer and guitarist Matt Thouin said after the set that the band likes to mainly record and haven’t looked into playing live shows, but hopefully this will change as the band showed off a lot of potential in their 40 minute set.
After a short break The Sea The Sea played their first Albany show. Duo Mira Stanley and Chuck E. Costa played a great set of folk-rock that had signs of deep space and jamming thrown in for good measure. The Sea The Sea’s name, which means ‘a cry of joy’, came from a Greek tale of soldiers arriving to see the ocean and exclaiming the words and Mira and Chuck sing their songs with such joy that the name fits perfectly. Their harmonies at times soared over the music with their dreamy lyrics and made everyone in the venue focus on what was being sung instead of the music that was being produced.
With only one album to their credit, The Sea The Sea decided to surprise the crowd and play a set mostly composed of brand new music that no one has heard yet and hopefully will make the second album the band plans on recording will living in the Albany area once again. The one song they played from their first album was the title track “Love We Are We Love” and it gave the group a moment to not worry about the new material and let them go zone in on the music. The rest of the music throughout the night was wonderful as well. The best new track was “Drunken King” near the end of the evening. The haunting track has Pink Floyd vocal wailing from Mira, while Chuck sings straight forward and plays the keys. The minimal music in the song lets the lyrics really be the forefront of what the listener is hearing throughout the song.
With two guitars, a harmonica, a drum set, a keyboard, and two voices, The Sea The Sea put on an hour-long set that seemed to go by too quickly. Though the music is not what one would consider busy, it melds perfectly with their voices to create a beautiful sound-scape that gets caught in your head and doesn’t want to leave. The band is now once again living in the Capital District and should be playing regularly around town. The small crowd at The Low Beat for the show were won over by show’s end. Hopefully as more shows pop up for The Sea The Sea, the crowds for this great duo continue to rise like the tide.
