Tag: Palace Theatre

The Rascals Brought Broadway to The Palace Theatre

The Rascals pulled into The Palace Theatre on Sunday, November 24th with their beautifully orchestrated Broadway concert to an ecstatic crowd to end their four night run of Upstate New York cities. Playing 31 songs over a span of over two hours, the band showed why they were one of the most influential bands of the 1960s.

“Once Upon A Dream” is not your usual concert. Throughout the show, the history of the band is told on a gigantic video screen between songs by both the band and actors playing younger versions of the band. To be able to see all of these hits and get the group’s history all at once is amazing. Little Steven, best known as one of the guitarists in The E Street Band, helped bring the group back together for this show. It had been his dream for years to see these four great musicians play together again. He is also a history buff when it comes to music, so he made sure that the two were paired together, and it really could not have been better.

The show was split into two sets with the first set getting more of the history of the band from song to song. By the end of the set the band is getting into the big hits, playing “I Ain’t Gonna Eat Out My Heart Anymore” right into “Good Lovin’ ” to close out the show. The audience showed their appreciation for Felix Cavaliere, Eddie Brigati, Dino Danelli, and Gene Cornish, giving the group a standing ovation at the conclusion of the set as well as at the beginning of the second one.

The second set saw less video interruption and more musical performance. A major highlight was “How Can I Be Sure” which let Eddie shine on lead vocals. He looked to have been taken aback by the ovation from the crowd. Each member had a chance to shine with Gene doing great guitar work all night, Dino pounding on the drums like a machine, and Felix sounding great vocally and laying down perfection on the keys. They all seemed very excited to be in Albany as they got quite the ovation after their last song “People Got to Be Free (reprise).” They thanked everyone, including those who help put the show on, and then sent the crowd home with “See” capping off a great evening.

The show was supposed to return to Broadway in a few weeks, but it has been cancelled. The band is hoping to reschedule it sometime next year. Once the dates are announced, you would be wise to make sure you get tickets as this show is not to be missed. They may be getting up there in age, but the music is still vibrant and the band is in high spirits throughout the show.

Setlist: Set 1 – It’s Wonderful, I’ve Been Lonely Too Long, What is the Reason, You Better Run, Carry Me Back, Slow Down, Mickey’s Monkey>Turn On Your Lovelight>Mickey’s Monkey (Reprise), Come On Up, Baby Let’s Wait, Too Many Fish in the Sea, If You Knew, Hold On, I Ain’t Gonna Eat Out My Heart Anymore, Good Lovin’

Set 2 – Good Lovin’ (Reprise), Love is a Beautiful Thing, Groovin’, Do You Feel It, Away Away, It’s a Beautiful Morning, Sueno, Find Somebody, A Girl Like You, It’s Love, How Can I Be Sure, People Got to Be Free, Heaven, A Ray of Hope, People Got to Be Free (Reprise)

Encore – See

December 4, 2013
moe. Rocks The Palace Theatre & Rings In The New Year With Special Guests

Albany’s Palace Theatre welcomes rock band moe. for a two night New Year’s Eve run! Eastbound Jesus, a northern rock band from Greenwich, New York, will accompany them on December 30th, and the talented horn section of 90’s jam band Conehead Buddha will join them on stage for a full set on the 31st.

The members of Conehead Buddha are long-time friends of moe. and joined them at their festival in Turin, NY this past August. This band has been around since the 90’s, when ska became popular in the U.S. For anyone who does not know them, their album Rockets is well known among ska fans, putting them in the same realm as Sublime musically. After taking a small break from touring, this band has found their second wind, and has again been taking crowds in the North East on a ride. No set list necessary, this band “feels out the scene” and plays a show that is well-suited for almost any kind of crowd. The horn section consists of Shaun Bazylewicz on trombone, Terry Lynch on trumpet, Shannon Lynch on saxophone and flute. These musicians have an upbeat, talented style that allows them to sit in successfully with bands over a multitude of genres.

New Year’s Eve with moe. is sure to be a lively, rockin’ way to spend the New Year. Check out the energy in our state’s capital and celebrate the New Year with the talents of New York’s finest. Come get down with the moe.rons!

December 2, 2013
Dark Star Orchestra Brings The Dead Alive at the Palace Theater

Dark Star Orchestra took the stage at the Palace Theater in Albany on November 16th playing the original Grateful Dead setlist from the May 19th, 1977 at the Fox Theater in Atlanta, one of the infamous Spring of ’77 shows that make up a huge dynamic of what the Grateful Dead did in their prime.

Dark Star Orchestra is a band completely established around the extensive archives of the Grateful Dead and their immense set lists that spanned the 30 years of touring. To some, it may be an anomaly how a cover band could acquire the amount of attention that Dark Star has achieved in their 15 years of touring, but after seeing them live it is no wonder they have gained as much positive attention and feedback over the years.

The scene outside of the Palace Theater before the show began could have been passed off as a Grateful Dead Show of the past. Deadheads swarmed the street, some selling goods, others talking about their excitement and predictions for the show.

The show began with “Promised Land” into “Sugaree”, which indicated to any knowledgeable Grateful Dead fan that this was going to be an excellent night of music. The Spring 1977 tour for the Grateful Dead was perhaps the pinnacle of their performances, including such famous shows as May 8, 1977 at Barton Hall at Cornell University. Much like most Grateful Dead Shows of the past the Palace theater was thick with smoke and the aisles filled with dancing fans, engulfed in the music. Dark Star Orchestra has an uncanny way of encapsulating The Grateful Dead’s sound and vibe throughout each show.

The highlights included the first set’s “Sugaree” and “Dancing in the Streets.” The “Sugaree” from May 19, 1977 is referred to as perhaps one of the best of all time. The second set was on fire with a phenomenal “Ramble on Rose,” “Terrapin > Playin’ in the Band > Uncle John’s Band> Drums > The Wheel > China Doll > Playin’ In The Band.” May 19th did not have an encore, so Dark Star Orchestra closed with “Let Me Sing Your Blues Away”, which they proclaimed defined exactly what they were about as a band. Their second encore was the famous sing along, feel good song, Warren Zevon’s “Werewolves In London”, ending what was clearly a crowd pleasing show that definitely made its mark on Albany.

Set 1: Promised Land, Sugaree> El Paso, Peggy-O, Looks Like Rain, Row Jimmy, Passenger, Loser, Dancin’ in the Streets

Set 2: Samson and Delilah, Ramble on Rose, Estimated Prophet, Terrapin Station> Playin’ in the Band> Uncle John’s Band> Drums> The Wheel>China Doll> Playin’ in the Band

Encore: Let Me Sing Your Blues Away, Werewolves in London

November 20, 2013
Brian Wilson and Jeff Beck Rocked Out at The Palace on October 8th

Brian Wilson and Jeff Beck make for an unlikely pair to headline a tour, yet their individual sets provide an interesting contrast of the music from the 1960s and 1970s. Wilson with his Beach Boys tunes, Pet Sounds and more experimental material are starkly opposite to Jeff Beck’s guitar sound that can be heard emulated in heavy metal songs to this day. Together, the show they put on at The Palace Theater in Albany over the course of two separate sets and one stellar group encore made the night truly memorable.

Brian Wilson and musicians were set up Big Band style with 12 others in his group, performing an acapella tune, “Their Hearts were Full of Spring” by The Four Freshmen, to start the night off on a weird yet intriguing note. Following familiar Beach Boys tunes like “Do it Again” and “Don’t Worry Baby,” the first half of the set was focused on the singer/songwriter, giving intros to songs before performing them, familiar or not. A sign of a musician in his later years, discussing the history and background of the music, was well-received by the audience and the stories elicited knowing nods from the mostly seated crowd. “Sail on Sailor” and “Heroes and Villains” stood out among these tunes, the former off the forgotten Holland album while the latter was quite psychedelic in the vein of Pet Sounds, as the backup band sang a synthesizer friendly ballad that could substitute as music for a montage in any 1980s film.

Set highlights included “God Only Knows,” Brian Wilson’s signature work and one he spoke with great pride of, recalled Big Love and sister wives; “Sloop John B”, with vocals from the diminutive Al Jardine were accompanied with soft flute and the harmony of guitarist Jeffrey Foskett, and “I Get Around,” which has forever ingrained the image of sperm navigating Fallopian tubes in the memories of Gen Xers, was as good as any other Beach Boys tune that night, something the crowd was excited to hear, even though it seemed repetitive from last year’s 50th anniversary tour. “Good Vibrations” and “Fun Fun Fun” closed out a set with the crowd rising to do their best white-hair surf rock boogie to, if their hips could manage.

Brian Wilson Setlist: Their Hearts were Full of Spring, California Girls, Do it Again, Then I Kissed Her, Don’t Worry Baby, Little Bird, Old Man River/Cottonfields, Til I Die, Sail on Sailor, Heroes and Villains, Marcella, Pet Sounds, God Only Knows, Sloop John B, Wouldn’t it be Nice, Help me Rhonda, I Get Around, Good Vibrations, Fun Fun Fun

If Brian Wilson’s set was the Obi-Wan/Luke side of the force, then Jeff Beck and his band represented the Dark Side, but Jeff made a much better offer towards crossing over than The Emperor ever did. Opening with “Eternity’s Breath/Stratus”, the soaring prog-rock sounds wowed the crowd in a manner befitting the Maxell ‘Blown Away Guy’ ads of the 1980s. Drummer Jonathan Joseph powered “You Know You Know” with loud, sharp intensity, a tune whose guitar riffs recalled Living Colour’s “Cult of Personality”. Beck traded licks with guitarist Nicolas Meier and plucky bassist Rhonda Smith, who had Wooten-esque chops honed from her days with Prince. In fact during the brief bass/drums segment, there was more than a hint of jazz improv with a nod to a Flecktones style of jamming spreading to all five band members. “Little Wing” – well, if one of the members of the Yardbirds can rock it, why can’t two?

Then, the anticipated collaboration came and what a treat it was and finally, we saw why these two musicians were touring together. Members of both bands converged and played party to “Our Prayer”, with its trippy humming/vocals, while “Surf’s Up” had skyward vocal peaks. Beck’s “Brush with the Blues” was deep and soulful, painful almost. “Rollin and Tumblin” recalled Robert Johnson’s “If I Had Possession Over Judgement Day” and gave some gritty blues equal time on the stage, to complement the jazz influence in the first set “A Day in the Life” was nasty and dark, rocked out perfectly.

For the encore, all of Brian Wilson’s 13 band members and Jeff Beck’s quintent polished off the night with “Barbara Ann” and “Surfin USA.” I’ve never seen Jeff Beck perform before but he did not look comfortable on such unchallenging pieces, but when it came time for Beck’s performance of “Danny Boy,” he once again pressed play on the Maxell tape, leaving the audience with a reminder that the Boys were in the first set and the Men were in the second set, with the Rock God having the final word.

Jeff Beck Setlist: Eternity’s Breath/Stratus, Even Odds, You Know You Know, Yemin, Pump, Little Wing, You Never Know, Corpus Christi, Big Block, Our Prayer*, Surf’s Up*, Brush with the Blues^, How High, Rollin and Tumblin^, A Day in the Life

Encore: Barbara Ann#, Surfin’ USA#, Danny Boy#

*With members of Brian Wilson’s Band
^Brian Wilson vocals
# featuring all members of both bands

October 16, 2013
The Rascals to Bring “Once Upon A Dream” to the Upstate Region This Fall

Coming to the Upstate Region this fall is a show that is part concert and part Broadway production. The The Rascals, the legendary group from the 60’s, will be coming to Binghamton, Rochester, Buffalo, Syracuse, and Albany during the third week of November. The show, which is produced by Steven Van Zandt, goes through their tumultuous history with newsreels, old concert footage, and filmed segments playing behind the band both during and between songs. Van Zandt had been trying to get the group back together for many years, but the members did not want to do it. Finally, with this show, he convinced them to agree to come together and they have been playing shows since December 2012 when the show premiered at The Capitol Theatre. The group was a major force in the music scene in the 60s, starting out as The Young Rascals. They were one of the few American Bands that thrived during the British Invasion. Their brand of rock ranged from blue eyed soul to folk rock to protest songs, even dabbling in civil rights issues. Some of their bigger hits include “Beautiful Morning”, “Good Lovin’”, and “Groovin”. In the early 70’s they went their separate ways until they were inducted into the Rock and Roll Hall of Fame for a one night only performance until now. The original members, Felix Cavaliere, Gene Cornish, Eddie Brigati, and Dino Danelli, are all here for these shows and these are can’t-miss events. The Rascals are back and they are ready to bring a spectacular show to the Upstate Region. For more information on ticket availability check here.

Upstate New York dates

November 19 – Broome County Veterans Memorial Arena, Binghamton, NY

November 20 – Auditorium Theatre, Rochester, NY

November 22 – Shea’s Performing Arts Center, Buffalo, NY

November 23 – Landmark Theatre – Syracuse, NY

November 24 – Palace Theatre, Albany, NY

September 24, 2013
Alice Cooper’s Extreme Theatrics Give Life to The Palace Theatre on July 19

The Palace Theatre got schooled in Rock and Roll and theatrics from Alice Cooper on July 19^th, as Alice put on a show that included his signature prop cane being thrown into the crowd along with money with his face on it, as well as strait jackets and a monstrous Alice-Frankenstein stalking the stage. The faithful fans in the crowd got all the hits and screamed for more once he was done.

Coming out to the notes of “Hello Hooray” and following that up with hits “House of Fire,” “No More Mr. Nice Guy,” and “Under My Wheels”, the crowd got going right off the bat. His band played hard every moment of the evening with all three guitarists absolutely slaying their instruments. They each got their own moment in the spotlight with their section of solos and jamming after “Dirty Diamonds.” Alice worked in songs from many of his albums throughout the night, but made sure to keep the focus on Welcome to My Nightmare and Billion Dollar Babies, much to the crowd’s delight.

During a one-two punch of “Devil’s Food” and “Feed My Frankenstein” Alice continued his theatrics by having a snake around his neck in the first and having a giant Frankenstein monster stalk the stage during the end of the second. During “Killer”, the guillotine came out and Alice’s head was chopped off, much to the delight of the crowd. There was then a four song medley where he paid tribute to what he called his “drunken dead friends” by covering “Break On Through (to the Other Side)”, “Revolution”, “Foxy Lady” and “My Generation.”

Cooper then played three of his biggest hits to close out the show: “I’m Eighteen” was followed by “Poison”, and had the entire crowd singing along with Alice. To close out the show, “School’s Out” rang through the Palace Theater and sent everyone home with a smile on their faces. Alice is still definitely a performer to go see if you have a chance, especially if you love a little theater mixed in with a lot of rock and roll.

Setlist: Hello Hooray, House of Fire, No More Mr. Nice Guy, Under My Wheels, I’ll Bit Your Face Off, Billion Dollar Babies, Caffeine, Department of Youth, Hey Stoopid, Dirty Diamonds, Welcome to My Nightmare, Go to Hell, Devil’s Food, Feed My Frankenstein, Ballad of Dwight Dry, Killer, I Love the Dead, Break On Through (to the Other Side), Revolution, Foxy Lady, My Generation, I’m Eighteen, Poison

Encore: School’s Out

July 25, 2013
Johnny Mathis serenades fans at The Palace Theater in Albany on April 4th

Legendary singer Johnny Mathis performed last Thursday April 4^th at the Palace Theater in Albany, NY. I was originally told about this show by my parents, who grew up listening to his classic hits and were eager to see the crooner in action.

The Palace Theater was the ideal setting for a Johnny Mathis concert, given its rich history and architecture. The crowd slowly shuffled in with most of the fans being no younger than 55. It was an unfamiliar feeling for me to be one of the youngest concert goers at a show. I was both thrilled and surprised to see a full orchestra set up on stage. Knowing that The Palace Theater has plenty of space for the music to travel around in, I suddenly couldn’t wait for the show to start. Luckily for me and everyone else, Johnny Mathis started the show at 8pm on the dot and was greeted with a slow-rising standing ovation.

The opener was “When I Fall in Love”, to which I had never heard such utter silence from a crowd. Every set of eyes and ears were locked on Mr. Mathis, giving him his much deserved attention and respect. He stated how he was “thrilled to be at The Palace” and was going to play some songs that we’ve all heard before but he loved to sing them. After a few notes, it was easy to understand why Johnny Mathis has broken the Guinness World Record for selling over 350 million of his various gold and platinum albums worldwide. Despite being 78 years old, Johnny Mathis can still sing every word as crisp and clear as on his albums, and still with great gusto. Mathis sang his classic hits such as “It’s Not For Me to Say” and my favorite, “Chances Are.” The songs were filled with charming doo-wops and sincere, long sustained notes.

Throughout the entire show, at the start of every song, the whole audience would sigh and swoon. Johnny Mathis would sing a few notes, the crowd would sigh in admiration and I could hear the folks around me gently singing the lyrics to each other. As humorous as it was, it was still heartwarming to be included in a nostalgic evening for concert-goers. Mathis ended the first set with an emotional cover “Yesterday” by The Beatles. There was a brief intermission where comedian Brad Upton kept guests entertained with clean cut jokes about today’s youth and their obsession with technology, the humor of getting older plus plenty of marriage/relationship advice. Mr. Upton delivered each punch line with charm that it was no surprise that he won the crowd over in just a few laughs. Brad Upton recently was the winner of the Las Vegas Comedy Festival and has appeared at Caesar’s Palace as part of the HBO Comedy Festival.

Johnny Mathis began the second set with the recognizable song “Pure Imagination” from the film Willy Wonka and The Chocolate Factory. One of Mathis’ signature songs, “Misty”, received plenty of cheers due to the soaring string section and tender lyrics. The second set was mellow and easy going until Johnny Mathis brought up his fellow band mate and “Dear friend of 48 years”, Gil Reigers to center stage. The crowd got antsy as this was a sure sign that the two would play “12^th of Never”, a warm ballad with gentle guitar strumming from Reigers. Johnny Mathis ended the evening by serenading the crowd with the classic song “You’ll Never Know” and thanking the talented orchestra, loyal band mates, his dedicated fans and of course, the beautiful venue, The Palace Theater.

April 12, 2013
Trey Anastasio Band closes out Winter Tour at The Palace, January 26, 2013
Trey Anastasio loves Albany – for evidence, take a look at his opening words to the sold out house at The Palace Theater in Albany on a frigid January 26, 2013. “Thank you guys, this is the … I just want to say how much it means to me whenever I come here … I have so many friends here tonight from this part of the country … Thank you so much. This is also the last show our tour, so lets celebrate … Thank you for sharing it with us.”

And with that, Trey led his band into the song that the original trio of Trey, drummer Russ Lawton and Saratoga Springs resident Tony Markellis wrote back in 1998, “First Tube”. A Grammy nominated rock instrumental that usually closes down these TAB shows, “First Tube” got the crowd moving early on. “Cayman Review” followed, now a classic first set staple for many years now that features Ray Paczkowski on clavinet to drive the funk into the song. With the crowd settling in, they were treated to “Alaska”, one of the handful of crossover songs that Phish and Trey Band both play.

Rather than drop this tune in the middle of set two, per usual on Phish tour, Trey brought it out early and let the song shine in its proper venue – with TAB and with horns. The placement wasn’t just great – the version of the song was impressive as well, with some extra licks from Trey while Jennifer Hartswick, Natalie Cressman and James Casey (Lettuce) continued to pepper the tune with just the right dose of horn. “Tube Top Flop” (ne, Wobble), surprisingly showed up net, as this is one of the earliest songs from TAB, debuting in 2001 on his first big band tour. Although it fell out of rotation, its appearance tonight elicited great cheers from the older TAB fans who followed the bob and rhythm of the horn-driven piece.

“Pigtail”, possibly the most poppy Trey song to date, and written by longtime writing partner and friend Tom Marshall, has become a staple of Trey shows in the past two years, its flirty lyrics and confusion-inducing refrain, “I’m conscious again, unconscious again, I’m conscious again, unconscious again”, is the kind of tune that sticks in your head, pleasantly, and accented by Trey’s guitar bursts at the end of each refrain. What was once a 20-minute song in 2001, “Last Tube” is now half that but compressed into an equally stellar song. This high energy, spastic tune with a dash of Caribbean Island music gets the band firing on all cylinders at once, blowing up the song before crashing it down with a big band finish that peters out. “Last Tube”, welcome back to TAB! The Bob Marley classic “Small Axe” followed, as did two new songs, “Dark and Down” and “Scabbard”, off the new album Traveler.

“Dark and Down” was more somber than anything else up until this point of the show, while “Scabbard”, a Zappa-esque single, captures the best of Trey’s songwriting skills and multi-instrumentalism of this band. “Greyhound Rising” provided the other piece of somber bread for this relatively new music sandwich. “Shine”, Trey’s breakout single from 2005 has proven to grow as a crowd favorite and continues to take shape in the regular rotation. Set closer “Money, Love and Change” was another oldie and goodie that can still find the nasty notes to cap off a set.

During setbreak, it was easy to observe that the crowd for a Trey Anastasio Band show is different that a Phish crowd. At SPAC in the summer, the crowd is typically 80/20 guys/gals, but at TAB it is closer 60/40, plus some older fans who come out in larger numbers to the Palace. The band attracts more couples to shows, either as a segue to seeing Phish, or replacement value for Phish shows not seen/enjoyed as a couple. The ornate building’s interior continually looks sparkling and new (The Palace is nearly twice as big as the past week’s show at the Landmark Theater in Syracuse) and the broad interior walls gave the light show room to make an incredible visual spectacle throughout the show as the lights danced all over.

Set two began with the Afrobeaty “Curlews Call”, building the band’s sound up, particularly with the percussion supplied by returning TAB member Cyro Baptista, whose inventive percussion instruments (gong and flippers, anyone?) make him not just a band member to watch, but one to listen for on show recordings. “Gotta Jibboo” is never a disappointment and having horns once again adds an extra layer to the upbeat tune. A standard “Alive Again” came next, then a trio of songs from Traveler: “Land of Nod” is incredibly horn driven, especially Natalie Cressman’s trombone, while “Valentine” was played much like the album version, although that’s hardly a bad thing. The reworking of “Valentine” for Traveler includes more vocals from Cressman and Hartswick, and although when performed live, the song could have been stretched out a bit by Big Red, the true highlight in this song is the visual interpretation that one can gather from the lyrics:

“Jagged beams of light, explode and dance in the darkness around me. And I can reach out and touch the beams and the light turns sold and wraps around my wrist. One makes a loop, a thousand more follow, a thousand more follow till my arms are surrounded by a conical web of light. My arms in the eyes of a web of light, a tornado of light beams and I feel the pull and start to rise, and every beam is there to guide.”

In a recent interview with NPR, Trey mentioned how this song reflected his time getting sober period while living in Saratoga Springs, a Valentine letter to God. Listen around the 7:40 mark of the interview to hear Trey talk about the genesis of the song.

Speaking of great lyrics, “Architect”, while a bit mellower, still carried the themes from “Valentine” that are marks of Trey’s life from 2006-2008. Fan favorite, “Sand”, recently destroyed by Phish the past few years at 18 minute clips, is a staple from the original trio. But with horns, again, it’s just sublime. Although Phish fans are getting spoiled with these extended versions on Phish tour, the reserved Sand on TAB tour not only suffices, it gives a new spin to a classic. The strong anthem of “Tuesday” stepped in, where the vocals of Hartswick and Cressman continued to dominate, but not overpower the song. Then there’s “Clint Eastwood”, the Gorillaz original that debuted as a cover last year at The Palace. Jennifer Hartswick’s powerful vocals are not to be missed – you’ll still be amazed that she did the lyrics for the album version in just one take.

With the show winding down, “Traveler” appeared, and while it started out slow, grew into one of the more impressive tunes of the night, generating swaying motions from the crowd amid the lyrics “Maybe if you stand still, you are traveling too, making it easy for someone to choose you”. Trey took a moment to introduce the band as the song’s chorus was repeated, then delved into “Push on Til the Day”, one of the most popular and well known TAB tunes, where it is always fun to watch Trey spin around with his guitar leading up to the triumphant big band ending. An encore of The Five Steps’ “O-o-h Child” was very apropos for the evening for this reviewer and capped off a whirlwind tour for Trey Anastasio Band.

Even though he didn’t play some tunes that have been staples of his shows – “Drifting”, “Sultans of Swing”, “The Devil Went Down to Georgia”, “At the Gazebo”, “The Way I Feel”, or “Burlap Sack and Pumps”, – it became clearer during this short tour that Trey’s catalog for TAB has grown so much that you can start to expect the unexpected and never get the same show twice. Trey has grown as a band leader with TAB and expanded his catalog with both bands. It is impressive enough to see him with Phish, but with TAB, it’s a completely different experience, and one that is continually changing and improving.

Out into the cold night we went…

Setlist

Set 1: First Tube, Cayman Review, Alaska, Tube Top Flop, Pigtail, Last Tube, Small Axe, Dark And Down, Scabbard, Greyhound Rising, Shine, Money Love And Change
Set 2: Curlew’s Call, Gotta Jibboo, Alive Again, Land Of Nod, Valentine, Architect, Sand, Tuesday, Clint Eastwood, Traveler, Push On Til The Day
Encore: Ooh Child

Download bvaz’s recording of the show

Download andyjah’s recording of the show
February 1, 2013