Tag: ithaca

  • SOLARiS Will be Ringing in the Funk for New Year’s Eve in Ithaca

    SOLARiS announced its New Year’s Eve show on December 31st at The Gates in Ithaca, New York’s Collegetown. Come join SOLARiS for a three sets face melting New Year’s cheer that you wont soon forget. With special guest DJ Gundz spinning between sets, so the music will be bumping all night long. The Gates has extended its drinking hours meaning the party wont stop until 3:00 AM.

    The Gates 301 Eddy Street, Ithaca, NY. Admission: $10 (Includes food – more details TBA) Age: 21+

    SOLARIS NYE

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  • Something to TAUQ About – Tauk and Aqueous Join Forces in Ithaca

    New York City’s Tauk and Buffalo’s Aqueous (TAUQ?) have a problem. The bands had teamed up for the second time of their seven appearances together this fall only to discover, that not one, but BOTH band’s vans are under duress. Luckily, after some quick warranty work, the Tauk-mobile was back in action, and in true musical brotherhood form, they escorted the Aqueous boys on time to Ithaca for their dual show at Lot 10 on October 25th.

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    The venue is new to the Ithaca scene and sits conveniently off the downtown Commons area on South Cayuga Street. Composed of a lower lounge area that features DJs and couches and an upper area with a bar and stage, it’s certainly a welcome addition to a city that has struggled to find a central place for musical gathering since the 2012 closing of Castaways.

    Tauk kicked things off around 10:30 with their self described brand of rock fusion. Sounding like a prog-ified MMW with shades of Zappa and King Crimson thrown in, the bands buzz is well deserved. Virtual soundscapes abound between shifting rock-based tension and smooth jazzy ambiance throughout the set. The mostly instrumental songs enveloped the amassing crowd of Gorge-us Ithacans who appreciatively hollered for more. And more they were given in the form of a top notch outro cover of, in this reporters opinion anyway, the BEST Beatles song ever, “I Want You (She’s So Heavy)”.

    DSC_2083Buffalo’s groove rock powerhouse Aqueous was up next, taking the stage shortly after midnight to a relatively packed house given the cold Southern Tier evening. Having hit the area heavily over the past few years, the band has gathered a local fan base who danced their asses off for seemingly every note of the set. Amongst the set of excellent original material the band still found time for a quick jam on P Diddy’s “Bad Boy’s For Life” with Tauk’s drummer Isaac Teel happily offering up some vocal offerings. After a quick and delicious encore of Radiohead’s “Just”, both bands disappeared into the cool Finger Lakes night.

    Fear not if you missed this excellent band duo, as Upstate NY has two more chances to see Tauk and Aqueous team up. This Friday, Rochester gets the love at The DubLand Underground. (18+ 7$ 10pm). Saturday they are off to the legendary Nietzsche’s in Buffalo. (21+ 7$ 9:30PM)

    Check out Tauk’s newest single “Sunshine Harry” here.

  • Dan Smalls Presents Announces Fall Lineup at The Haunt in Ithaca, NY

    Dan Smalls Presents recently announced the fall schedule for The Haunt, in Ithaca, NY. Known throughout the Upstate New York Region as the premier concert promoter, Dan Smalls Presents is bringing the hottest musical artists in the country to our neck of the woods. Their shows are well run and highly organized and we here at are proud to announce the artists coming this Fall.

    Tickets for these Dan Smalls Fall shows in Ithaca go on sale Friday 8/9/13 and can be purchased online or at the venue box office.

    October 10 – Brooklyn based funk all-stars Turkuaz will start off the season with their appearance at the Haunt. Doors open at 8:00PM and the show is at 9:00PM, Ages: 16+.

    October 18John Brown’s Body brings their Roots based Reggae to The Haunt. Doors open at 8:00PM and the show starts at 9:00PM, Ages: 16+.

    October 27Tera Melos will introduce their punk/prog-rock tunes to Ithaca all the way from Sacramento, C.A.. Doors open at 8:00PM and show starts at 9:00PM, Ages: 16+.

    October 13 – Regulars to the Upstate scene Jimkata and their signature brand of song-oriented electro-rock, will be a rager for sure. Doors open at 8:00PM and the show starts at 9:00PM, Ages: 16+.

    November 11Spiritual Rez will light up the dance floor at The Haunt. Doors open at 8:00PM and the show starts at 9:00PM, Ages: 16+.

    December 13 – Bluegrass fans will be treated with the sounds of Driftwood and some good’old foot-stompin hootnany. Doors open at 8:00PM and the show starts at 9:00PM, Ages: 16+.

  • Dancing Amongst the Magic – Grassroots Festival 2013

    Finger Lakes Grassroots Festival of Music & Dance was held on the 18th- 21st of July, 2013. Not really though. Really it began on Rabbit Run Rd. behind the Trumansburg Fairgrounds outside of Ithaca on July 17th. Anybody there will tell you. Cars, trucks, buses and RVs lined up early Wednesday morning to get in line and do their best in claiming a good spot on the grounds. Loyal fans spent the night on the side of the road in the humidity and July heat carrying Grassroots cheer with them, as they reminisced about past years. When Thursday morning arrived, the hard work had paid off and at noon, hot pink bracelets were on and gates were opened. People filled up the fields and both onsite and offsite camping almost full as the much anticipated music began.

    To many, Grassroots is a summer staple, a place where they return again and again, often times carrying new friends along, recommending the joy to others they meet on their travels. Musicians and crowds carry similar chants: “Grassroots is not like any other festival, it is in a class all of its own. Casting spells and sharing the whole wide world on four stages.”

    The popular new camping area dubbed “Next door camping” is a great place to stay while the festival unravels. You can hear sounds from the famous stage at the Infield, as well as be tempted by sights and sounds coming from the Grandstand stage. Thursday evening The Blind Spots kicked the festival into full gear, mixing oldies, funk, reggae, rock and the gorgeous vocals of lead singer Maddy Walsh up into the perfect brew. Their rendition of “Purple Rain” kept people talking through the weekend. Staying at the Grandstand would have kept anyone satisfied with bands like Driftwood, Rubblebucket, and of course Giant Panda Guerrilla Dub Squad filling up the night with sound. At Grassroots though, a different world is a walk away. Down a dusty old path to the Infield, festival creators Donna the Buffalo was making beautiful music before handing the stage over to old time favorites Rusted Root. Meanwhile, the famous Grassroots dance tent was successfully being turned into a NYC dance club with newcomers DJ Bill Kelly & Richard McVay.

    Grassroots parties ‘til the moon goes down. So after a perfect night of raging, Friday comes too quick. Yoga in the dance tent tempts most festival goers but the early morning sun seems like too much and the crowds remain small (“maybe tomorrow?”) One of the perks to being a Grassroots flower is you get second chances. Everything happens twice. Any overlapping bands, events or adventure usually give you a second chance. There is the double-scheduled bands, the healing tent activities happening each day, ethnic and comfort food available all hours of the night, shuttle buses that leave every ten minutes to the forest at offsite, the free-flowing art in the barn and of course the forever tumbling gorges a walk away.

    Friday at Grassroots promised some of the biggest acts of the weekend including Jim Lauderdale, Emmylou Harris and Rodney Crowell, Sim Redmond Band, and John Brown’s Body. If you are willing to look and listen you’ll find a few new favorites as well. The Spam Allstars from Miami, Florida rocked the Grandstand Friday evening taking festival goers from the hot Latin music of South America to the cool trance music of Canada.

    Saturday is the day to get down at Grassroots. Anyone who makes their way to this sweet spot will tell you, “If you’ve got some energy left, save it for Saturday.” It is the day to roam the grounds, do some shopping at the array of local artisan booths, and take a gander at the artistic creations that will leave you both impressed and inspired. Just stopping in the picnic area and taking a look at the sights that surround you are enough to fill your senses. The people are a work of art. Everyone dares to be different. There’s the dancers, the painted ones, the glitter goddesses, the families, the farmers, the jugglers, the musicians (everywhere) and the fairies on stilts; which will of course lead you to the kids play area, the drum workshop, the hula-hoopers, and the bubble blowers. Everywhere you go there is something to see, something to hear and someone to meet.

    Saturday music offered yet again a beautiful lineup. Elliot Martin of Black Castle and lead singer of John Brown’s Body satisfied the rootsy souls in the Dance Tent while Driftwood put on another stellar performance at the Grandstand. Festival au Désert Caravan For Peace shared music from across the world in the Infield. The Horseflies, a Grassroots favorite took over the crowd with their trance-like folk melodies and tempting beats, the Grandstand was overflowing with intrigue. Finally the one, the only, Samite of Uganda. Samite is a beloved Grassroots act whose African music and beautiful talent on flute and Kalimba (thumb piano) has not been enjoyed in the evening hours in years. The sights and sounds of faraway places and warm tones pour into your soul and have you begging for more beauty. The crowd was pleased pleasantly and gratitude was all around.

    As for the Dance Tent on Saturday night, it is legendary. Keith Frank & His Soileau Zydeco Band play their hearts out until the sun comes up. Colored paper lanterns lit the way as dancers swayed to the music and made their way to the stage. The crowd was thrilled to finally be there in that moment, a year’s worth of waiting finally paid off. And it was so worth the wait. There is something about that energy, some kind of passion found in that present moment that is like fuel. It keeps you burning, it keeps you going, dancing, feeling alive, ready for more music, and more memories.

    Then there was Sunday. The Happiness Parade filled the pathways of the festival with theatrical masterpieces, music from drumming, tambourines, harmonicas, guitars, chanting and laughter. This was the perfect day to make a visit, experience the festival in a nutshell and tap into your own creativity. Beyond that the mellow, sunny, open vibe that lingered on Sunday from the joy created all weekend was lovingly intoxicating and left us all begging to stay just a while longer. Who better to unwind in this feeling and under the bright sun with, than Sim Redmond Band. Their warm sound just mimics the atmosphere and makes you feel right at home.

    As neighbors fade away, crowds dwindle down, and reality starts calling, the Sunday party does anything but wind down. Bands like Preston Frank & His Zydeco Family Band, Miami natives Suénalo, and Donna the Buffalo kept things alive and full of energy until the end.

    All of Grassroots music, uniqueness, humbleness, talent and beauty not only have the locals coming back for more but also continues tempting music lovers worldwide, and making Grassroots Festival of Music and Dance one of the world’s top festivals of its kind.

  • The 23rd Annual Finger Lakes Grassroots Festival of Music and Dance: Staying Different by Remaining the Same

    In this day and age where music festivals are popping up like a game of  Whack-A-Mole, it’s nice to know there’s an oasis of musical and arts gatherings right in our own backyard, one that is celebrating its 23rd consecutive year. That festival is Grassroots and that backyard is Trumansburg, NY.Grassroots Festival 23rd

    “The uniqueness of Grassroots really lies in the feeling where everyone who goes to Grassroots feels like a real part of the festival. You’re not being subject to an event, rather you’re part of it and creating your experience with everyone else, so everyone who comes to it is truly, a real part of it.” – Jeb Puryear, Donna the Buffalo

    Spawned from the brainchild of Donna The Buffalo members in 1990, the Finger Lakes Grassroots Festival of Music and Dance has evolved in many ways, uniquely, by not evolving. The festival has always stayed true to its roots (no pun intended) by offering the widest array of genres, cultures, instruments, ethnicities, flavors, beats and personalities of any festival in Upstate, which, in many ways, defies the current model of genre-specific festivals that have become so recently prevalent. This year’s lineup remains on par with that informal mission: attract the total diversity of people Upstate NY has to offer by offering the most diverse lineup to new and veteran festival goers July 18-21.

    “You know it’s really easy for a music festival to slide into that stereotypical niche of being hippie or whatever but I mean, yeah, sure I’m a hippie, but it’s a tough distinction to make. We get farmers and republicans to everyone. That’s one of our goals really is to make the masses of people, everyone from everywhere, to realize Grassroots can be a great event for everyone,” said Donna the Buffalo frontman Jeb Puryear in a recent interview. “The uniqueness of Grassroots really lies in the feeling where everyone who goes to Grassroots feels like a real part of the festival. You’re not being subject to an event, rather you’re part of it and creating your experience with everyone else, so everyone who comes to it is a truly, a real part of it.”

    Fresh off their latest album release, Tonight, Tomorrow and Yesterday, roots/zydeco/jam icons Donna the Buffalo returns home to the Finger Lakes to highlight this year’s extensive lineup.  In addition, other area acts include Sim Redmond Band, Giant Panda Guerilla Dub Squad, John Brown’s Body, Driftwood, Milkweed, Gunpoets, Thousands of One and Sophistifunk, among countless others. As always, some of the regulars will be making another appearance with Keith Frank and the Soileau Zydeco Band, and Preston Frank and His Family Zydeco Band keeping people kickin’ up their heels to ungodly hours each night in the infamous Grassroots Zydeco Tent. Other great acts include Rubblebucket, Rusted Root, Jim Lauderdale, The Town Pants and Chatham County Line but perhaps the largest draw of the festival (‘The Herd’ would contest) is expected to be for Emmylou Harris and Rodney Crowell. Perhaps, however, most of Grassroots charm arrives from hearing music or artists you have never heard of or maybe never have consciously self-introduced: Genres spanning afrobeat to Cuban, bluegrass to soul or reggae to…dare I even say it, country music.

    One of those said “acts”, if you can call their ensemble that, is called Festival Au Desert – a Caravan of Peace. Hailing from Mali, a nation currently torn in turmoil among recent throngs of Al Qaeda influence, the Festival Au Desert refers to themselves, comprised of several different Malian musical groups, as a ‘Festival in Exile’ and they will bring that mobile caravan of global rhythms to Trumansburg July 18-21. “The Festival of the Desert thing is gonna be pretty cool. It’s a product of when the forces of global politics invade something as pure as music,” said Puryear. “Al Qaeda is in the northern part of Mali, and getting unruly and next thing they did was start going into the villages and started outlawing music and outlawing something like music in Mali is a pretty heinous thing, so they have this festival in the desert every summer and they didn’t feel like they could hold it safely over there, so they decided to take their festival on the road and we were lucky enough to get ‘em.”

    In addition to the non-stop music July 18-21 at the Trumansburg Fair Grounds, Grassroots also boasts eclectic mixes of art, dance, food and activities. Since 1990, the festival has appeared to really grow with some of its original attendees. In addition to growing up as a festival, Grassroots has also expanded to now include Grassroots Festivals in North Carolina and Florida. “First, in the beginning of it all, with some proceeds, we wanted to bring awareness to AIDS. We started as a musical event and we decided to make it to go towards helping some causes. We branched out to arts and education and essentially, by branching out to helping education and the arts, we are essentially furthering our original mission, which is music,” said Puryear.

    Essentially, the Finger Lakes Grassroots Festival of Music and Dance promotes arts and education, provides family-friendly entertainment, on-site camping and food, a relaxed, friendly vibe, a diverse lineup of never-ending music and great Finger Lakes Scenery. Yet, despite all of this, Puryear said he knows there are music lovers in Upstate New York who still have not yet made it to one of the past 22 installments. “Everyone in this area is good people. People who come and finally get there after hearing about it for years just end up having an unbelievable time. I can even begin to recommend anything more assuredly than telling people to go to Grassroots festival. It really is special.”

    ‘s recommendations for this year’s lineup: Donna the Buffalo, The Horse Flies, Driftwood, Chatham County Line, The SPAM Allstars, The Speckers, Aurelio Martinez, The Campbell Brothers, Rubblebucket, Emmylou Harris and Rodney Crowell. For a complete listing of Grassroots artists: please visit www.grassrootsfest.org

  • The 2nd Annual Fiddler’s Picnic: A Photo Review

    Friday night of the 2nd Annual Fiddler’s Picnic was jam-packed with great music from the Capital Region’s own Eastbound Jesus, good ol’ Adirondack boys The Blind Owl Band and Dangermuffin coming all the way from Folly Beach, South Carolina. Despite the mud from earlier rains, the hollow was still great for dancing and a little bit of apple moonshine.  Camping was available anywhere you could stake your claim.

    Saturday at Statewide Music’s Fiddlers Picnic was a fiddle-tastic time for all. The site at Miller Hollow in Marion was immaculate and filled with shady areas to escape the burning sun. Escaping the blazing bluegrass was impossible though, yet every band brought their A-game and delivered killer sets. The day featured bands such as Rochester’s Clinton’s Ditch, Maine’s Mallet Brothers Band, Vermont’s Jatoba, Ohio’s  Rumbke Mountain Boys and Buffalo’s Floodwood. (Featuring Vinny and Al from moe.).

    Typical to every StateWide festival, this was a family affair, filled with friendly faces and plenty of children tearing around. At one point, HerbyOne’s own daughter blessed us with a beautiful rendition of “The Star Spangled Banner” from the main stage. Music and fun went late into the night once again despite undesirable weather conditions. Highlights were a fierce newgrass version of Phish’s “Rift” by Jatoba and all of Floodwood’s amazing set.

  • TAUK New Album “Homunculus” Forges New Path in the Jam World

    I had never heard of TAUK nor had I heard their music prior to giving the new album Homunculus a listen. I was pleasantly surprised and pleased that I had the opportunity to discover a new band with such a unique sound. Immediately from the first song, “Dead Signal”, I knew that these boys were not just your average garage band playing around with instruments. It is evident that each individual is a musician, and a talented one at that. The entire album is filled with psychedelic-jazz guitar riffs and trancey loops that keep their sound light and organic with a very subtle electronic undertone. The album is instrumental front to back, but even without vocals each individual song is so complex and layered that the void is easily filled.

    Homunculus TAUKA personal favorite was track number five, “The Chemist.” The blend of man and machine is at a perfect split in this song. The guitar is hard and heavy and rips through the electronic loops elevating each intricate note. Just when you think the song ends it comes back even harder than before. “The Chemist” is followed by a much more laid back song, “Dirty Mouth.” I was blown away by the highs and lows that they created within this five minute song. They take what could have been a relatively simple jam and add subtleties that create a whole other world within the music. “Curtain Call” starts off with heavy drum influence and veers off into very slow, melodic guitar. Parts of the song broke away with organ and keys which created a very unique sound. Another personal favorite was “When in Doubt.” The song starts off very melancholy and slow but is picked up by the drums and keys. For a relatively slow tempo song “When in Doubt” is very hard-hitting. The entire album was nothing short of phenomenal these boys certainly did not disappoint a first time listener.

    Editor Pete Mason had the chance to sit down with the guys of TAUK at this years Summer Camp Music Festival. When asked to explain the meaning behind their new album’s name, they said Homunculous has multiple meanings, varying in sound and not restricted; this can be taken within many interpretations, among them ‘the mind within the mind’ and ‘an inherent force.’

    TAUK has been throughout Upstate recently, playing with Aqueous in Buffalo, as well as in Ithaca and New Paltz. They also played this year’s snoe.down Festival which they spoke very highly of for themselves and the audience. They were happy to get a longer set which allowed them to experiment freely and immerse themselves within each song as opposed to compacting their songs and jams within a stricter set time. Their brand of psychedelic improv gives them the space they need to completely redirect their jams in any direction without constriction.

    If you like jam, funk, electronic, rock, fusion or pretty much music in general you will enjoy Homonculus. You can catch TAUK at Floyd Fest, July 25th in Floyd, Virginia and Maz Fest August 1-4 in Roscoe, NY.

    Key Tracks: Dirty Mouth, The Chemist, When in Doubt

    Download the album here

    Track listing:
    1. Dead Signal
    2. Afro-Tonic
    3. Hello Narwhal
    4. The Spot
    5. The Chemist
    6. Dirty Mouth
    7. Curtain Call
    8. Carpentino’s Rebirth
    9. When in Doubt
    10. In The Basement of the Alamo

  • Keller at The Haunt in Ithaca, February 20th

    On a frigid yet calm February night in the Southern Tier, I headed down to Ithaca to see Keller Williams at The Haunt. Keller popped into the jam scene in the early 90’s and has become known as the quintessential one man jam experience. While he does occasionally play with a band, this was to be a purely Keller experience and despite my long history in the jam scene, this was my first live exposure to his music.

    keller20The Haunt is a historic music venue in Ithaca that started in the 80’s and has hosted a myriad of top name talent over the years, including multiple shows by Phish in 1988 and 1990. The venue moved in the past decade and now resides slightly outside of town with a Gorge-ous deck alongside one of the inlets that feeds Cayuga Lake. With the 2012 closing of Castaways, the Haunt has become the premier go-to mid-sized musical venue in I-town. They feature an ever changing excellent selection of draft and bottled beers, RazorBack BBQ and all at comparable prices to other Ithaca venues.

    I arrived to the venue promptly at the 8 o’clock doors opening time and was surprised to already find a line of Ithacan’s eager for some Keller goodness. It was apparent this show was well marketed by the promoter (Dan Smalls Presents) and, despite the venues somewhat off the beaten path location, would be well attended.  The security and venue staff were incredibly gracious, efficient and accommodating and definitely added to the overall experience. The stage setup was sparse, with a few big white sheets as a backdrop, a bass, midi-esque drum pad and electric guitar set up on stands around the stage. Slightly after 9 the pre-show music stopped and an acoustic guitar started playing. Keller came onto the stage, barefoot as always, with his acoustic singing an original number. About seven minutes in, after being solely on acoustic guitar, the jam began and Keller made a move towards his bass guitar.

    If you’ve never had a live Keller experience like myself, it’s worth taking a minute to go through a jam sequence to see exactly what he offers. Keller picked up the bass, played a few lines until settling on something he liked, hit a pedal to loop it then headed towards his electric drum pad. He laid down a drum beat, set it to loop as well, then spent a minute singing some improv “Hello, how are you” lyrics to the Ithacan’s in house. A few minutes later he picked up his electric guitar, and adds an effects driven “horn sounding” layer to what’s already happening. Now that he had his entire imaginary band in full jam mode, he returns to the acoustic and jams along while using a selection of pedals in front of him to stop, start, and change the tempo of the other looped instruments at will. This ability to change the direction of multiple loops while adding his own improvisational acoustic and vocal additions kept the jamming always fresh and non-repetitive despite the single musician on stage.

    Around 13 minutes into the show, the loops are all silenced and he started some beat box jamming. He layered four or five different vocal lines on top of each other before adding some electric drums. It soon became apparent that this would be the first cover of the handful we received that evening, as the loops morphed into a delightful cover of Steppenwolf’s “Born to be Wild”. The cover featured multiple additional brass section sounding effects loops on the electric and Keller himself adding some Spinal Tap inspired air bass. The crowd was frenzied at this point and moving in a giant mass of jam inspired euphoria.

    keller24The set ended around 10:30 in grand style, with a double bird: the Grateful Dead’s “Bird Song” with a long experimental segue into Phish’s “Bird’s of a Feather”. If this was Keller’s version of giving the audience the bird, they didn’t mind, as the end set applause was deafening.

    During the setbreak I stepped outside to enjoy the Haunt’s picturesque side deck overlooking the inlet. I talked to a few fans who all thoroughly enjoyed the first set. One fan sported a fully functional “Fun Meter” pin on the side of his hat which was fully in the red. After making sure he wasn’t going to have a Fun-aneurism being that far in the red, I ventured inside for the second set. The second set started a few minutes before 11pm with some more original material. After some more fun loops and an impromptu improvised vocal “Ithaca jam”, the music segued into Heart’s “Barracuda” complete with “trumpet” vocal sounds and some serious hotness. This section was the champion of the night for me. Barracuda ended and Keller went into another original track. Not done with the covers yet, this track quickly transformed into the traditional “Deep Elum Blues”, made popular by The Dead. Next up was the Keller original “Kidney With a Cooler”, which got some added love with a flavor of the O’Jay’s “For the Love of Money” and a pile of additional vocal horn sounds. The covers continued with The Talking Head’s “This Must Be the Place” with some more vocal improvisation.

    The last track of the second set was an extended jam based on G Love and Special Sauce’s “Stepping Stones”. The crowd was devouring this one wholeheartedly and the pre-encore break left the crowd screaming “Kell-er, Kell-er!!” until he came back for one more.

    The encore was another crowd favorite, Sublime’s “What I Got”. Keller then left the stage and I made my way back through the crowd to find my way home. A great night, a great show, and a Keller fan I have been made. Kudo’s to The Haunt, Dan Smalls Presents, and of course Keller and crew for delivering such a memorable experience.
    See him on March 16th when he heads to Higher Ground in Burlington, VT

  • Papadosio and Consider the Source at The Haunt in Ithaca, February 10th

    On my way to see Papadosio and Consider the Source at the Haunt in Ithaca,  NY on Sunday, February 10th, I was reminiscing about the first time I saw Papadosio. About 2/3 of the way to Ithaca, I noticed a NY State Trooper pulling a U-turn behind me as I passed him. It was also this time when I noticed my driver side headlight was out. Had I realized that my registration expired two days earlier, I would have passed on the show. Being thisclose made it impossible to resist finishing the trip. After ticketing me I took a more roundabout route that would avoid any future conversations with officers.

    I was happy to arrive in time to catch the latter half of Consider the Source ‘s set. They have an incredible raw energy performing live. The barrage of sound from the stage assaulted my senses, they build into a frenzied jam to finish the set. Gabriel Marin’s guitar face is one of the best I’ve seen.

    Enjoying the set right behind me was none other than Jeff Bujak and his assistant/hoop goddess Jen Dulong. Also present for the show were Eli, Chuck and Rob from Dopapod, who had recently played with Papadosio on the tour and have had a great series of shows with the band, including an incredible New Years Eve show two months ago.

    Papadosio began and the dancing began with it. I like to juggle at shows and Papadosio provides a great backdrop of music for me to juggle to. With undulating layers of synths and moody textured tones, Papadosio improvised and pushed the boundaries of their sound. While I recognized some of the songs, a few off of the new album T.E.T.I.O.S I was not familiar with. Ending with “All I Knew”, they played it perfectly. It was a truly beautiful song and was a great way to end the evening, albiet with a stop to pick up a headlight for my car.