NYS Music 20​13

Tag: hiphop

  • Get Lucky this Friday the 13th with The Kollectiv and Groovestick

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    This Friday at 9pm don’t miss two of Upstate New York’s fresh and funky bands, The Kollectiv and GrooveStick, appearing at The Hollow in Albany. Groovestick has become a growing Capital District sensation with their heavy organ infused, progressive funk. The trio is a collaboration with Dan Gerken on guitar (Timbre Coup/Mirk), Chris Carballeira on organ/keys (Dirty Paris, Funk Evolution) and Frantz Celestin on drum kit (The Kollectiv, Dirty Paris).

    This will be a special reunion show for The Kollectiv, since they have had band members living on the west coast and haven’t played together for months. The original lineup consists of keyboardist Eric Luba, guitarist Jaden Carlson, Frantz Celestin on drums (GrooveStick), Chris Duffy on bass (Dirty Paris), Lars Viola on turntables (M.A.E.), and guitarist Taylor Frederick (Technicolor Tone Factory). Deep into December, they are staying true to the old holiday saying, “There’s no place like home for the holidays” and eager to see long awaited fans and friends in Albany and at the Black Oak Tavern in Oneonta on Saturday.

    Before their big weekend, was lucky to catch some free time with Taylor Frederick about their time apart, practice and the year ahead.

    Susan Rice: It’s been quite some time since the Kollectiv performed in Upstate New York. What have you guys been working on since your time off?

    Taylor Frederick: Well Duffy is finishing up college in Albany as of right now, Lars is down in NYC producing and working with his hip-hop projects at True Statement., Frantz has been hard at work with his new funk trio Groovestick, and Eric and myself moved out to Boulder, CO at the end of May, and dove into the music scene out here pretty quickly. He is now in The Jaden Carlson Band, and I am now playing with Technicolor Tone Factory. As for Eric and myself, I know JCB is planning on a two month national tour starting at the end of February or beginning of March, and TTF will also be on tour at that time heading west toward California, and also heading south into Texas around the same time. Tour dates are going to be released in early 2014.

    SR: Do you find it difficult to keep in touch with band members living across the country? Do you log in practice time with each other?

    TF: It’s a little difficult at times. You tend to get caught up in life, and sometimes that makes time fly by a bit faster than one would like. But we do keep in touch quite a bit. Since Eric and I are out here we have been running the old stuff and some new surprises for the run and the rest of the boys have been doing their own individual runs on the material.

    SR: Do you guys feel like you will need like you need a lot of practice before the show? I would be nervous if I had to play with a band that I haven’t seen in month’s haha.

    TF: Well the funny story is the band was founded on straight improv, even the songs. We just kind of get lucky that we all know them well enough that when we hear a tease of something, we all pick up on it and can go right in. It’s a pretty amazing bond to have with a group of musicians. It doesn’t happen often but when it does its magic. For the run however we have been learning a bunch of new material on our own, and whatever we decide on, the setlists will kind of determine what we can fit in between point A and point B.

    SR: What is the band most excited for on your Holiday/reunion run in Upstate NY?

    TF: We’re just pumped to be playing music together again. It’s always a good time when we get together. Our friends from all over the place always come out as well and we seem to make new ones at ever show. It’s slowly turning into just a giant family reunion.

    SR: Does the Kollectiv have any plans for 2014 that fans can look forward to? New music? More East Coast shows?

    TF: As far as 2014 you never know. There have been some old studio recordings that just may resurface, and maybe a couple festival appearances? We’ll have to wait and see. Right now just keep an eye out for JCB, TTF, Groovestick, M.A.E, Dirty Paris and our other respected projects!

  • Album Review: The Chronicles ‘Spanning the Gap’

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    The Chronicles, a progressive jazz band from Albany have released their second studio album this month, Spanning the Gap. Their newest album was produced and mixed by musician Alan Evans of Soulive, who even makes a guest appearance on a few tracks. The seven-piece band combines the flavors of funk, soul, jazz and hip hop to create a dynamite album that is not easy to put down. The album is available for free listening and immediate digital purchase on their website, where you can also order vinyl copies.

    The album kicks off with “Village Living”, a groovy attention grabbing guitar melody from Justin Henricks that soon meets up with the eruption of the full band sound. The horns get dirty as they jazz up the song with a wide range of notes with the organ blasting in full effect. “Interzone” switches into a smooth and chill retro groove with a slow tempo that increasingly picks up pace into a jumping back and forth dance party. “Way Back Home” brings in Tara Merritt for vocals for a sensitive yet tough twist, suitable for The Chronicles diverse sound. This song features a more sophisticated feel with the strong string presences of Iris Mulhern on harp, Phil Ducreay on Violin and Dylan Perrillo on String Bass. “Vibe” features strong cymbal playing and percussion for a relaxed funky feeling with a little help from Alan Evans.

    “Just Knew”, an upbeat song with a great blend coming from every musician making for a unstoppable funk machine. Philippe Chow brings his trumpet to the table for an extra and always appreciated boom. “Spanning the Gap” gets a dose of hip hop from Jeff Nania, spitting out lyrics in sync with the modern chill jazz with a light piano solo from Tyrone Hartzog to finish off the song, proving that The Chronicles have no problem bridging multiple genres. “Quartal” is where Nicholas Lue shines with heavenly piano peaks and a consistent locomotive vibe. “Bad,Bad,Bad” features vocals recorded by Tyrone Hartzog, organ player of the band, with funky guitar riffs giving off the bad boy charm. “Reprise” ends the album with robust, soulful keys and steady bass notes from Daniel Lawson, to fade out with echoes of the haunting harmonies.

    Key Tracks: Way Back Home, Just Knew, Spanning the Gap

  • Dirty Dozen Brass Band brought Mardi Gras to Albany

    On Saturday February 9th, the legendary Dirty Dozen Brass Band brought their thirty plus years of funky syncopation to the Massry Center for the Arts at The College of Saint Rose in Albany.

    The opening band, The Chronicles, are Albany natives and I arrived in time to catch the last four songs of their opening set. Their sound made me imagine Lettuce and The Roots, canoodling in a jazz bar, full and polished with energy to spare. I’ll be hoping to see them at a venue where the space is more dance friendly.

    After a short intermission, the Dirty Dozen Brass Band took the stage. On tour promoting their newest album Twenty Dozen, they are not quite a dozen, but seven musicians. Original members Gregory Davis (trumpet/vocals), Roger Lewis (baritone sax), Kirk Joseph (sousaphone) and Kevin Harris (alto sax) were joined by three younger musicians, a trombonist, keyboardist and Terrence Higgins on drums. At 24 years old, Terrence may be younger than the band, but he holds the rhythm down.

    Starting out with “Big Chief” and continuing on into “Burn Down the Levee” and “Oo-Poo-Pah-Doo” before returning to “Big Chief”, DDBB had me wishing Massry was better suited to let loose and dance. Through fiesty solos and a hot backbeat, most of the crowd remained seated, even after prompted by Davis to stand up. “Just for tonight, it’s Mardi Gras in this 20° weather” he instructed us. “You aren’t in Albany anymore.” He had us all clapping and singing along after demanding “When I call to you, you respond!” When the power failed in some mics, they powered through it, their sound saucy and resonating in the room. Davis kept us involved, shouting out over the crowd for us to sing a long.

    During “Git Up”, again we were instructed to stand and dance, and this time it worked. Most of the audience complied and were clapping and dancing with the beat. Towards the end, Davis brought two audience members onstage to dance, which they did with enthusiasm, if nothing else.

    Not to leave the crowd unsatisfied, DDBB stitched songs into a closing medley with “Big Mamou” followed by a favorite “When The Saints Go Marching In” reprised by “My Feet Can’t Fail Me Now.” Leaving the stage to a standing ovation and much fanfare, we were graced with one last song, a duet by Davis and Lewis. They perform a very sweet and sultry “Saint James Infirmary Blues” which was a beautiful end to a very intimate show.

    Listen to “Jook” from their new album Twenty Dozen