Tag: BEATLES

  • Phish Returns to Glens Falls in Grand Fashion

    When Phish announced their fall tour plans a few months back, the Glens Falls Civic Center date jumped right out at me. I was lucky enough to attend the Halloween ’94 show there that catapulted the band into the mainstream, and sent me from coast to coast the next two plus years following the band around. I was not going to miss it!

    After a rock solid show in Rochester the day before, and after picking up my friend Adam in Herkimer, we set off for Glens Falls. Arriving in town around 4:30, the Civic Center was in view and the crowd (and the police) were already surrounding the building. The ’94 show did have some bad moments as those shut out started to rush the gates and throw bottles at police. This time around, the police presence was beefed up around the venue, but the preshow crowd was mild mannered at best with most smiling and chatting among phriends.

    Several preshow parties were in effect, and after parking off Elm and South, I set off for 42 Degrees. Specializing in custom made glass works, 42 Degrees is one of the premier head shops in all of Upstate NY. With in-house glass blowing, and munchies and drinks available, 42 Degrees was packed by the time I arrived. My next stop was Aimee’s Dinner & Movie, which hosted an art show featuring some of the scene’s best artists, and the next door Wallabee’s Jazz Bar, where local favorites High Peaks Band were laying it down for the masses. Check them out when you can they deliver!

    From there I ventured over to the Downtown City Tavern to catch a set by Acoustically Speaking, featuring Mik Bondy and Kat Walkerson of The Garcia Project. This stripped down duo features Mik on guitar while both he and Kat share vocal duties. Their soulful renditions of Garcia Band favorites meshed perfectly with my Octoberfest preshow draft. After talking with Mik and Kat on their break, I headed over to the Civic Center to get my credentials and check in for the main event.

    Although I had a floor ticket for this one, I headed instead to the upper level behind the stage to snag some dancing space. Not surprisingly, I ran into some other ’94s up there looking for some space as well. It wasn’t long before I found a sweet spot as the lights lowered and the band appeared on stage. The energy was already amped up considerably, and when the opening notes of “Back in the USSR” started, it was like a flame to gasoline as the place erupted. It brought me back for sure, and the lyric “Gee it’s good to be back home” really nailed the moment. Phish left no doubt that this was not a total throwback, when the opening guitar licks of “Stealing Time From the Faulty Plan” sent us all back to the future; Trey was on his game already.

    Next up was “Water in the Sky”, which gave me a chance to catch my breath and my second wind. I would need it as a seven minute “Undermind” showcasing Page’s funkiness led to a midset “David Bowie” reminiscent of a mid-90’s version, clocking in at just over 10 minutes. Old school favorites “Golgi Apparatus” and “Gumbo” were next, followed by Mike Gordon’s “Yarmouth Road”, which debuted at SPAC this summer. The old school feel continued with “Camel Walk” and “Horn”, and was followed by a decent but standard version of “Limb by Limb”.

    phish returns glens falls

    “I Didn’t Know” was next, which brought Fishman and his vacuum out behind his kit. Trey asked “For 19 years we’ve all been wondering, is he gonna do it again??”, referring to Fishman getting naked at Glens Falls Civic Center the last time they played. He replied: ” I can if you want, but I doubt you want that”. The set ended with a standard version of “Split Open and Melt” that did feature some Trey licks towards the end. On paper this was a decent set at best, but if you were there, the place was rocking and the energy was intense.

    After some random acts of kindness during the intermission, I headed down to the floor, just to the right of Chris Kuroda and the light board. “Rock and Roll” opened the set with a bounce and some ripping guitar from Trey. The groove slowed and “Seven Below” emerged, a standard version that gained momentum towards the end, which led to a spirited version of “Alaska”.

    The set’s highlight was the 14 minute “Twist”, complete with full band exploration for the first time all night. CK was on fire as well, and his new light rig was put to the test. A very soothing “Wading in the Velvet Sea” followed, one of the best versions I’ve seen or heard, which led to “Harry Hood”, featuring a glow stick war that wouldn’t quit. The place was going crazy for sure, and the “Chalkdust Torture” that followed continued the late set dance party proper.

    After a very loud and lengthy ovation, the band reappeared, and Trey spoke about how great it was to play near Burlington and in Upstate New York in particular, and that many friends and family from the past 30 years were there to help celebrate. The band then revisited their Halloween past with a fitting “While My Guitar Gently Weeps” to wrap it up.

    Exiting the arena, everyone was smiling from ear to ear, all of us knowing we were a part of Phish history once again.  Fans ended their night at Hotshots, were Albany’s Mister F and Vermont’s Twiddle, or Touchpants, for the perfect nightcaps to an incredible day of live music in Upstate New York.

  • An Interview with Ralph Castelli of RAIN – A Tribute to the Beatles

    RAIN – A Tribute to the Beatles will be playing at the Palace Theater on March 18th. I recently spoke with Ralph Castelli, who has played Ringo Starr for nearly 30 years in the Broadway production. Tickets are available at The Palace box office.

    Ralph Castelli Tom Miller: Hi Ralph. Can you tell our readers what they can expect to see next week at the RAIN – A Tribute to the Beatles show?

    Ralph Castelli:  Sure. The show is obviously a show about the Beatles. It’s a live concert with a theatrical element to it. What I mean by that is it’s a multimedia extravaganza which is a time capsule that takes the viewer all the way back to the early 60’s. As the curtain opens, the viewer will see the complete set of the Ed Sullivan stage where the Beatles performed on that famous evening in February 1964. Then we move forward chronologically, showing more videos of events going on at the time, many costume changes, different stage sets which resemble Beatles album covers, and of course more Beatles music. We continue forward through the Sgt Pepper’s era, which of course is very colorful with the whole “flower power” movement, and our hair is getting longer (laughing) and our sideburns are getting bushier. Then we get into Abbey Road which takes us to the end of the show.

    TM:  That really sounds amazing! Do you have a favorite era or part of the show?

    RC:  Well, every two years or so we re-vamp the show so this is a new show for us. There’s a lot of new videos and a lot of new songs. Nearly 40% of the songs in this show are new for us. I think my favorite part of this show is the Sgt. Pepper’s era and I actually like everything from Sgt. Pepper’s to the end of the show. I really love it all. It’s hard to pick a section of their career that I like the most.

    TM:  How about playing it? Is any era more difficult than another?

    RC:  Yeah, definitely. When we get into the Sgt. Pepper’s album and All You Need is Love, there’s a fifth band member that comes out and plays with us. The only way we could perform these songs live was to have a fifth member. There’s a lot of intricate parts and over dubs that the Beatles used. “Strawberry Fields Forever”, for example, is very tricky ’cause of all the over dubs. You know, trying to get it all in the context of the song is tricky, but at the same time, it’s really fun. But the only way we can do it live is to have a fifth member.

    TM:  How long have you been with the production?

    RC:  I’ve been with RAIN for almost 30 years.

    TM:  Being with RAIN for so long, you must have a ton of interesting stories and experiences. Can you share a few that stand out?

    RC:  Oh, yeah! There’s a lot of great stories and interesting places and a lot of great people. Nothing really stands out right now but I do meet a lot of interesting people. That’s what stands out the most. A lot of those people share their stories with us, about when they saw the Beatles or even stories about meeting them. Those are the stories I enjoy hearing. Another great thing I enjoy is, sometimes when the curtain is raised, we can see two or even three generations of Beatles fans watching the show together. You know what I mean? You see the grandparents, and then the parents and their kids. It’s really something special when you think about it. There’s always a lot of kids, both teenagers and younger kids. And they all know the words to the songs!

    TM: That actually brings me to my next question. Do you guys, the band, feel an obligation or responsibility to bridge the past to the present as far as keeping the Beatles experience and Beatles music alive? Especially to the younger generations?

    RC: You know Tom, it just seems to happen that way. It just transcends that way. It’s a natural progression for our show. Touring the country or being on Broadway like we are now, it’s just natural that the experience and the music is introduced to younger generations. It’s not something we have to go out of our way to do. It just happens naturally. The kids are loving it as much as their parents and grandparents!

    TM:  That’s great news for everyone! And that leads me to my final question. With the “Beatles Generation” getting older and ultimately fewer and fewer, where do you see the future of RAIN?

    RC:  Well, we just had that discussion with the production agency and management not too long ago. We see the show going on for another 10, 15, or even 20 years. Especially on Broadway. There’s tons of Broadway shows that run for decades. I still think this show has a lot of life left in it. And we do it right, you know? We’re like Kentucky Fried Chicken (laughing), “we do Beatles right!”

    TM:  Ralph, it’s been great talking to you. I’m really looking forward to seeing you and seeing the show. Thank you.