Tag: albany

  • Marco Benevento and WOLF! Keep Albany Warm at Red Square

    Marco Benevento last partied at Albany’s Red Square months ago on the first day of June. An exciting Saturday night at Red Square started off with the garage-rockabilly stylings of WOLF! Scott Metzger treated the crowd to his raw guitar work throughout the set, while Taylor Floreth kept the steady beat going underneath him. Dave Dreiwitz played bass with them for the second time ever and fit right in with them. Scott joked between songs with the crowd and it seemed as if the hour was over before it started. Hopefully Scott will bring the band back around to the Capital Region soon for a longer performance.

    DSC06982 (1) copy

    With the cold weather quickly settling into Upstate, Benevento had the Capital District already excited for 2014 as he promised to announce the month of his fall residency at Red Square. Marco Benevento blasted off with “The Real Morning Party” a youthful tune with Nintendo charm that geared the crowd up for play time. The trio went on into a blur of covers throughout the night such as The Bangles “Walk Like an Egyptian” and “Jump into the Fire” by Harry Nillson. Benevento donned the big tiger mask for one of his newest songs from the album, Tiger Face, “Limbs of a Pine”, getting a big roar from the audience and bowing to bassist Dave Dreiwtiz. Andy Borger hit hard the petals with Benevento raising his mug in approval with a catchy verse leading the crowd to a repetitive “HEY/WOO” cheer.  The crowd was rowdy all evening, but really took it to an extreme during the song, with a few people walking on stage and dancing.

    DSC07208 (1) copy

    Benevento and Dreiwtiz exchanged smiles during “RISD” as they played with upbeat and innocent lightheartedness. “Escape Horse” brought about a dark, dangerous side to the night as Benevento hit every note on his keybords with tremendous madness and Borger pounded deep beats. The band took a moment to thank the fans and asked for their vote on which month in 2014 their residency at Red Square should be. October got the loudest cheers and  Marco proclaimed, “As long as we have the ladies with red clown noses, we’ll be here next October, celebrating the release of a new album at that time!” The night ended with the group singalong of “Rainy Day Women #12 and #35” by Bob Dylan and the curveball of Britney Spears “Toxic.” It’ll be seem like a long year until Marco Benevento returns to Albany in October, hopefully he’ll return for another season starter. Until then, Benevento will be ending the year at The Capitol Theatre on Dec 27th with Joe Russo’s Almost Dead and a post-Phish Show at the Highline Ballroom on Dec 30th and he will be sitting in with The Midnight Ramble Band for a special New Year’s Eve Ramble at Levon Helm Studios in Woodstock, NY.

  • Wooten Brothers Bring the Family to Albany and Buffalo for the Holidays

    Musical families have been around in the business for quite some time with last names like Jackson, Dylan, and Marley indicating an extensive lineage of artists.  There have been few that have the collective talent the family of the Wooten Brothers possess.  While not as known as some of the aforementioned examples, Victor, Joseph, Roy, and Regi have already left a lasting mark in the industry and continue to widen their influence today.

    Wooten Brothers

    This Sunday, December 15th and Monday, December 16th, The Wooten Brothers will be taking the stage at at The Egg in Albany and The Tralf Music Hall in Buffalo, respectively.  It has been several years since the foursome have toured and they should be firing on all cylinders with the Albany and Buffalo dates being two of the last three of this incredible tour.  It is rare that these guys get together, so this is a special one for not only the fans, but the four on stage as well. The show that awaits is a night of pure fusion as each have a huge array of influences that could be pulled from at any point. Roy, also known as Futureman, is the drummer with brother and bassist Victor in Bela Fleck and the Flecktones. Roy plays what he calls a “drumitar” which looks similar to a guitar, but employs various drum sounds via an array of buttons. Those familiar with classic rock might also know of Joseph who is the keyboardist for the Steve Miller Band. Something must have been in the water because there was no shortage of talent to go around this family.

    vw_pub2_photo by steve parker

    If still needing more of a push though, there’s a pretty good chance that you’ll catch one of the world’s best bassist that night. Victor Wooten, yes from above, is one of the most recognized and talented bass players both currently and overall. Youngest of all of the brothers, Victor has won five Grammy’s with Bela Fleck and the Flecktones adding his smooth groove and virtuosic touch to a bluegrass/jazz fusion. Among other awards, Victor was also named the tenth greatest bassist of all time by Rolling Stone readers in 2011. The sounds he pulls out of his bass could go unexplained by a seasoned musician.

    Albany and Buffalo were luckily selected as two of the 13 dates along the East Coast for this two-week family jaunt. Thanks to the brothers, Upstate gets an early gift this year.

  • Formula 5 and TAUK – On the Rise at The Hollow

    Two of the most up and coming improvisational bands combined forces for a funky Friday night throw down at The Hollow in Albany. Despite the threat of a possible snow storm, dedicated fans made the journey downtown to celebrate the end of the work week with drinks and great music. Tauk, the four piece space funk band from Brooklyn, has been heavily touring across the East Coast this year and was happy to return to the Capital District. Formula 5 is no stranger to the area as they supply fresh local jams to the masses on a steady rotation. Tauk and Formula 5 are two bands to watch for in the New Year ahead.

    DSC06616 (1) copy

    Tauk quickly filled the dance floor as their electronic-infused rock sound moved through the room. Their slow and monstrous buildups leave plenty to the musical imagination. Guitarist Matt Jalbert and Bassist Charlie Dolan hit high altitude chord elevations that keep the audience on the tip of their dancing toes. Isaac Teel is a multi-tasking, beat-making machine as he uses a tambourine with his left hand, drums with his right hand and holds his left drum stick in his mouth. Keyboardist A.C. Carter adds soulful organ notes before dipping into groovy techno melodies. The quartet ended their set with a killer mash-up of Led Zepplin’s “Immigrant Song”, Kool & The Gang’s “Jungle Boogie” and “Bulls on Parade” by Rage against the Machine which they have named, “Immigrant Boogie Parade.” Tauk will hit the road in January with Karl Denson’s Tiny Universe after they throw down at a Phish after-party with Fikus at DROM on Dec 28th. Their newest album, Homunculus is available for free download here.

    DSC06788 (1) copy

    Formula 5 had something for everyone as they have performed diverse covers and unique original songs. The band started with a solid cover of Elton John’s “Grey Seal” before erupting into their party starter anthem “Excalibur.” Greg Bell of Guthrie Bell Productions took a moment to raffle off free tickets for all his shows in 2014 proving that live music is the best gift for anyone. Formula 5 is growing to be a band where as they grow, you listen for the teases, songs within songs, and “songception” moments. Fans were thrilled as they recognized Was (Not Was)’s “Walk the Dinosaur” and Phish’s “The Moma Dance” during the funky “Pedro.” The boys have been working on a new album which hopefully will drop in the spring, the sooner the better for everyone.

    DSC06797 (1) copy

    Formula 5 Setlist: Grey Seal*, Excalibur, Catch Me -> The Ride -> Ticket Giveaway@ -> The Ride, Epiphany -> 3 Ring Circus, Rising Tide, Pedro% -> Jungle Love#, Earthbound, Music Never Stopped, Hot Box
    E: Goin’ Down^
    * Elton John cover
    @ Greg Bell raffled off tickets while the band played a background breakdown of “The Ride”
    % “Walk the Dinosaur” (Was Not Was) teases, “Moma Dance” (Phish) teases
    # Steve Miller Band

  • The Final Shows at Valentines Slated for December 20+21

    A monumental shift in the Albany jamband scene is upon us – Valentine’s, located at 17 New Scotland Ave in Albany, a longtime haven for bands like moe. Conehead Buddha, Ominous Seapods and many others passing through the area, will be closing its doors on New Years Eve.

    Albany area promoter Greg Bell of Guthrie Bell Productions will present his final weekend of shows at Valentines on December 20th and 21st. On Friday, two of the venue’s past favorites will reunite, FreeBeerandChicken and Wreckloose, with doors at 8pm and show at 9:30. Cover is $10. On Saturday, Albany favorites Peter Prince and Moonboot Lover, Dr. Jah and the Love Prophets, and Subduing Mara will perform. Doors at 8, show at 9 with a $15 cover. Both shows are 18+

    Come celebrate the historical relationship between Valentine’s and Guthrie Bell Productions with friends and family throughout the Capital District! This night will be one for the books and will be there to bring you all the details of this sure to be infamous night of music and farewells.

    Guthrie Bell has brought so many bands to Valentine’s over the years that the list reads like a Who’s Who of Northeast Jambands –  moe., Disco Biscuits, Soulive, Ominous Seapods, Moonboot Lover, Conehead Buddha, Schleigho, Free Beer and Chicken, Yolk, Eastbound Jesus, Dr. Jah, Formula 5, Timbre Coup and hundreds more. Come join us and bid farewell to an historic venue.

    Please note: Guthrie Bell Productions will continue to produce and promote live music in the Capital District. They currently have scheduled events at The Palace Theatre, The Hollow Bar + Kitchen, and Red Square. Check out their facebook event page for more details.

  • Album Review: The Chronicles ‘Spanning the Gap’

    spanningthegap

    The Chronicles, a progressive jazz band from Albany have released their second studio album this month, Spanning the Gap. Their newest album was produced and mixed by musician Alan Evans of Soulive, who even makes a guest appearance on a few tracks. The seven-piece band combines the flavors of funk, soul, jazz and hip hop to create a dynamite album that is not easy to put down. The album is available for free listening and immediate digital purchase on their website, where you can also order vinyl copies.

    The album kicks off with “Village Living”, a groovy attention grabbing guitar melody from Justin Henricks that soon meets up with the eruption of the full band sound. The horns get dirty as they jazz up the song with a wide range of notes with the organ blasting in full effect. “Interzone” switches into a smooth and chill retro groove with a slow tempo that increasingly picks up pace into a jumping back and forth dance party. “Way Back Home” brings in Tara Merritt for vocals for a sensitive yet tough twist, suitable for The Chronicles diverse sound. This song features a more sophisticated feel with the strong string presences of Iris Mulhern on harp, Phil Ducreay on Violin and Dylan Perrillo on String Bass. “Vibe” features strong cymbal playing and percussion for a relaxed funky feeling with a little help from Alan Evans.

    “Just Knew”, an upbeat song with a great blend coming from every musician making for a unstoppable funk machine. Philippe Chow brings his trumpet to the table for an extra and always appreciated boom. “Spanning the Gap” gets a dose of hip hop from Jeff Nania, spitting out lyrics in sync with the modern chill jazz with a light piano solo from Tyrone Hartzog to finish off the song, proving that The Chronicles have no problem bridging multiple genres. “Quartal” is where Nicholas Lue shines with heavenly piano peaks and a consistent locomotive vibe. “Bad,Bad,Bad” features vocals recorded by Tyrone Hartzog, organ player of the band, with funky guitar riffs giving off the bad boy charm. “Reprise” ends the album with robust, soulful keys and steady bass notes from Daniel Lawson, to fade out with echoes of the haunting harmonies.

    Key Tracks: Way Back Home, Just Knew, Spanning the Gap

  • Umphrey’s McGee 2014 Winter Tour Announced

    Umphrey’s McGee has released their winter tour schedule for 2013 and  2014. The band will be making a stop in Buffalo, New York October 26th at the Town Ballroom and continuing their lengthy tour into 2014. Later in their tour, Umphrey’s McGee will be making a stop at Upstate Concert Hall February 2nd in Clifton Park, New York as well as the F Shed at the Market in Syracuse accompanied by Kung Fu on February 8th, and the Harro East Ballroom in Rochester, New York the following day on February 9th.
    UMp
    They will also be playing two nights at the Beacon Theater in New York City on January 17th and 18th.

    This tour celebrates 16 years of touring coast to coast and will be shared with many special guests throughout the tour including, The Werks, Kung Fu, Moon Taxi, and more TBA.

    October
    10.21 State Theatre, State College, PA
    10.23 House of Blues, Cleveland, OH
    10.24 Sherman Theater, East Stroudsburg, PA
    10.25 Stage AE, Pittsburgh, PA
    10.26 Town Ballroom, Buffalo, NY
    10.30 State Theatre, Kalamazoo, MI
    10.31 The Riverside Theater, Milwaukee, WI (w/ London Souls)

    November
    11.1 The Riverside Theater, Milwaukee, WI (w/ Cosby Sweater featuring Joel Cummins)
    11.2 The Riverside Theater, Milwaukee, WI (w/ Boombox)

    December
    12.16-20 Mayan Holidaze, Puerto Morelos, MEX
    12.28 The Fillmore, Denver, CO
    12.29 The Fillmore, Denver, CO (w/ Joshua Redman + Dumpstaphunk) SOLD OUT
    12.30 Venue TBA, Denver, CO
    12.31 The Fillmore, Denver, CO

    January
    1.17 Beacon Theatre, New York, NY
    1.18 Beacon Theatre, New York, NY
    1.29 Track 29, Chattanooga, TN
    1.30 Tennessee Theater, Knoxville, TN
    1.31 LC Pavilion, Columbus, OH

    February
    2.1 The Fillmore, Detroit, MI (w/ The Werks)
    2.6 Upstate Concert Hall, Albany, NY
    2.7 Lupo’s, Providence, RI (w/ Kung Fu)
    2.8 F Shed at the Market, Syracuse, NY (w/ Kung Fu)
    2.9 Harro East Ballroom, Rochester, NY
    2.13 The NorVa, Norfolk, VA (w/ Moon Taxi)
    2.14 Thomas Wolfe Auditorium, Asheville, NC (w/ Moon Taxi)
    2.15 The Fillmore, Silver Spring, MD (w/ Moon Taxi)
    2.16 The Fillmore, Silver Spring, MD

    Follow

     @Umphrey’s Mcgee |Facebook |Myspace|Instagram

  • The Future History of Valentine’s will be Written at Quail & Central

    The end is nigh. Valentine’s, the longtime Albany music venue and home to many a metal, moe. and Dr. Jah show, will soon close its doors as the Albany Medical Center expansion clears out the Park South neighborhood, taking with it many memories and a location that was tough to beat, both for up and coming bands and established acts over the past 20 years.

    Nothing will replace Valentine’s, but owner Howard Glassman isn’t throwing in the towel. Sometime in the new few months, Valentine’s will relocate to 335 Central Avenue, most recently occupied by Cagney’s, right next door to Pauly’s Hotel and across Quail Avenue from The Linda, WAMC’s Performing Arts Studio. While the name is still up in the air, Glassman says that after coming up with a name for the new venue, a search of a name revealed a bar in Albany years ago that already had that name, but shares, “We’ll come up with something. It’s 50/50-60/40 that it’s going to be Valentine’s. It’s of a time and a place, I don’t think you can take this here and call it Valentine’s but, you never know. Maybe we’ll open a bigger place and call it Valentine’s.”

    The new venue has about the same width as the current Valentine’s location, but with an Adirondack feel to the room as all the wood interior and surfaces give a North Country cabin feel that fits right in for Capital District live music fans; the bar will look and feel great. The stage will be located in the back of the venue, stretching the width of the room and have installed LED lights and a soundboard built into the end of the bar. While there is a lot of history at this new location (who in Albany didn’t go to Cagney’s when they were in high school/college?) and while some of this history will come from Valentine’s (The PA, Hank Williams and Muhammad Ali are coming along, per Glassman) the rest of the decor will start from scratch. Glassman adds “We’ll probably have some sort of garage sale for some stuff. People have already asked if they can have certain things. Someone already asked for the ‘No Pepper’ sign.” Fans can expect similar capacity and amenities akin to the current Valentine’s, but a big highlight to the new venue is a great amount of free parking on Central, Quail and in The Linda parking lot, which is free after 6pm – a big improvement on the crowded New Scotland/Park South area streets, which fans will quickly appreciate.

    The last couple months at Valentine’s is shaping up to send the venue out with a bang. Many bands are planning to perform, including Subduing Mara, who according to Glassman have been “Putting the feelers out for getting together and coming to play. Can’t Say is doing a gig (December 27th) and The Disenchanted are back together (December 28th). Greg (Bell, of Guthrie/Bell Productions) has Wreckloose, they’re doing a night and the next night he’s got (Peter Prince and) Moonboot Lover and Dr. Jah (and the Love Prophets) and I think he’s putting one more on that bill.” These final shows are expected to be announced for mid-late December and will confirm as soon as the dates are firm.

    Yet there was only a brief moment when Glassman was not considering to open another Valentine’s. “There was a small, small window of a day or two when my wife was like ‘Well now you gotta go get a job’, and I am uniquely unqualified for anything, so I had to go find the place.” The search had been ongoing since December 2012, but “Push came to shove and it was like, ‘Let’s do this’. The staff’s all on board, everybody’s ready to pick up and come on over here.” But the reality of the new venue and what is being left behind is not lost on Glassman. Not by a longshot. Howard’s views on the history of Valentine’s and his vision for the new location, whatever its name, are reassuring and inspiring to current Valentine’s patrons:

    “It’s gonna be a little different, only because it’s going to be our bar. It’s going to be our building. We can do whatever we want and not have to worry about getting kicked out. This is what I do, so this will be around as long as I’m around. I think people need to feel like they have their place. Think about all the bars that have closed. CBGB’s, Maxwell’s, think about when the Palais Royale was still open. It’s not the same (as Valentine’s) but it’s not the same for different reasons. But once we open up, hopefully the first Wednesday when The Deadbeats play, and people come in and they’re like “Ah there’s Grumpy and there’s Chris’, and they settle in, and I think when their ass makes an indentation in the seat, they’ll be cool and say ‘Alright. This is where we’re gonna hang for the next 20 years.’ I think it’s the vibe. It’s totally a vibe thing.”

    Stay tuned to Valentine’s for upcoming acts in the next few months. Stay tuned to on Facebook and Twitter for updates and news throughout Upstate New York.

  • Kung Fu lights up Red Square for a knock out

    DSC07304 (1) copy

    Albany got a high dose of funk on October 3rd at Red Square thanks to the funk professionals in Kung Fu. The quintet packs a supergroup punch with talented musicians from various bands – Tim Palmieri (The Breakfast, guitar), Todd Stoops (RAQ, keyboards), Rob Somerville (Deep Banana Blackout, sax), David Livolsi (Jazz Is Dead, bass) and Adrian Tramontano (The Breakfast, drums). Needless to say, these guys have plenty of experience on how to start a killer party, even on a weekday night. Often booked for the late night slots on festival schedules, it was refreshing to watch Kung Fu perform at an earlier time (10pm), giving concertgoers a stirring chance to soak up the lethal levels of musical fusion.

    With no opening act, the fans went wild as Kung Fu took the stage, eager to feel the funk. The sound came blaring out of the speakers and the groove hit via highlights including “God Made Me Funky”, with its simple chorus which the grateful crowd sang back to the band. Somerville blasted his horn with great enthusiasm that almost chipped the paint off the walls. It was a unique treat for the Red Square venue to have the Kung Fu lighting rigs that heightened the musical experience with the nonstop waves of bright neon. Guests were given the warning from the band, “Just because we stop playing, doesn’t mean we want to stop partying.” One of the best things about playing in the Upstate New York area for Kung Fu is the late night cut off time, usually much earlier in Connecticut.

    The second set brought the crowd to the dark side of the funk, as the band displayed a captivating chemistry of Sly & the Family Stone meets The Funky Meters, turned upside down and mixed with harder electronic rock. Kung Fu created a heavier rock vibe mixed with a slow groove, resulting in a hair-raising boogie. Stoops surrendered to the keyboards as he played with his eyes closed, feeling the music that he was feeding to the crowd. Livolsi hit deep notes on his bass in a steady rhythm of sinister delight.

    Kung Fu has a jammed packed fall tour with stops at the New York Harvest Fest in Monticello, a Post Phish show at The Palladium in Worcester, MA, a Halloween show at The Gramercy Theater in NYC and the Bear Creek Festival in Live Oak, Florida.

  • Mayoral Candidates in Albany Share Their Views on the Arts in the State Capital

    This past March, two business owners in Albany looked to open up a music venue in the Warehouse District, an area away from residences and perfect for a music venue. The Zoning Variance was denied in part due to concerns about parking (which were overstated by local bar owners) and complaints from one bar owner who now lives in the district. This venue was a great need in Albany, as there are venues for 100-300 fans (Valentines, Red Square, The Hollow), 1000 (The Egg) and up to 3000 (The Palace) as well as the Times Union Center (it’s still The Knick to us) for larger shows. There is a gap between the 300-1000 crowd sizes, and that stifles the growth of bands and groups, as well as limits the music that can come to Albany – once you outgrow a venue, you cant play here unless you become big enough for The Palace.

    mayoral candidates albanyThis leads to a lack of income that stays in Albany, sending bands to Clifton Park, Saratoga, Western Mass and Central NY, as well as Burlington, VT and NYC. It makes no sense that local bands should suffer because of a lack of a venue, and a zoning board that won’t allow for simple variances when all things are in order.

    We reached out to all 5 Mayoral candidates in Albany, asking them to share their thoughts on this issue, on the arts in general, as well as how they each hope to contribute to improving the arts in Albany. Covering music and arts across Upstate NY, takes this rare opportunity in a race for Mayor of Albany (that doesn’t involve a candidate named Corning or Jennings) to be a perfect time to enlighten our readers on an issue near and dear to their hearts.

    We reached out to all 5 candidates on the ballot, and Jesse Calhoun (R) Alex Poretti (L) and Kathy Sheehan (D) all got back to us with their thoughts, see below. Corey Ellis (D), declined to give a statement. Despite efforts to contact him, James Sullivan (C) did not get back to us with his take on this pressing issue.

    Jesse Calhoun, Republican Candidate for Mayor

    As both a musician and a candidate for mayor, this issue hits very close to home for me. It’s hard enough just being in a band. It took over a decade, to put together my band, The Ameros. It is hard to describe the feeling when you get the band that is a “perfect fit” but you know it when it happens. Due to the ever increasing legal restrictions on freedom and the oppressive bureaucracy here in Albany, two of my band mates are leaving the state. In addition, many of the venues we used to play have either picked up shop, or have been forced out of the area. The only thing that stands between Albany and a thriving nightlife is Bureaucracy. There are five local colleges. You guys reported in 2012 Albany had 154 musical acts per every 10,000 people. Let awesome places exist. Let the natural, young, musical environment that Albany is, thrive.

    Alex Portelli, Libertarian Candidate for Mayor

    I ran for mayor back in October because I grew up in this city and have seen what they’ve done to the nightlife. The libertarian philosophy is about live and let live, and families I grew up with made a living off of the bars and clubs. I want to abolish residential and commercial Zoning laws, throw out many permits that are hindering growth, and even abolish last call in a section of the city, essentially making a nightlife district. Though the “kegs and eggs” riot is most well known as causing a crackdown on the city nightlife, the city started the crackdown on the nightlife in around 2007 when a couple of women who had left a bar crashed their car going in the opposite direction on the thruway. After that happened, the city began to shut down a number of bars, sort of causing a ripple effect on the nightlife. A lot of young people turned to underground house parties, and the neighborhood known as the “student ghetto” became such an underground nightlife scene, drunken parties ended up rioting one St. Paddys day. But if the bars were never getting shut down and people had a place to go, there would be none of these problems.

    Kathy Sheehan, Democratic Candidate for Mayor

    “It would be premature for me to comment on a specific project, but I am an active board member of a large arts organization and a strong supporter of the arts. As Mayor, I will move quickly to create and implement a cohesive arts strategy. We must ensure that we have venues in our city that meet the needs of our diverse population. By engaging all of the stakeholders in our unique neighborhoods, I’m confident we can build vibrant entertainment districts that will improve quality of life and provide economic benefits to our City.”

  • Premiere Performances 2013-14 Concert Series at The College of Saint Rose Massry Center for the Arts

    The Premiere Performances 2013-14 concert series at The College of Saint Rose Massry Center for the Arts presents a full lineup of outstanding jazz, pop and classical concerts by some of the nation’s best contemporary and classical musicians. The series features such artists as Chick Corea, Toad the Wet Sprocket, The John Scofield Überjam Band, the College’s acclaimed Saint Rose Camerata, Chris Thile and John Medeski among others.

    Tickets for all performances are on sale now. Back this year: subscription packages that can save up to 30 percent on the cost of concert tickets and offer special benefits not available to single-ticket purchasers. Patrons may select their own custom-built packages. All performances will take place on the D’Arcy-Brady Stage in the Kathleen McManus Picotte Recital Hall, Massry Center for the Arts, 1002 Madison Ave., Albany.

    Opened in 2008, the critically acclaimed Massry Center for the Arts features the 400-seat Kathleen McManus Picotte Recital Hall, Esther Massry Art Gallery, choral and instrument rehearsal rooms, teaching studios, piano labs and classrooms.  Past performing artists include Dave Brubeck, Chick Corea, Ramsey Lewis, Maceo Parker, Tim Reynolds, Doc Severinsen, Livingston Taylor, Stefon Harris, the Boston Symphony Orchestra Strings, Yuja Wang, Paula Cole and the Preservation Hall Jazz Band.  The $14 million, 46,000 square-foot gem is certified LEED Gold, ranking it among the Capital Region’s most energy-efficient and Earth-friendly buildings.

    For complete concert and ticket information, including subscription packages, visit www.massrycenter.org

    The complete Premiere Performances 2013-14 schedule follows:

    Sunday, September 15 – The John Scofield Überjam Band featuring Andy Hess, Avi Bortnick and Tony Mason. Show starts at 7:30 p.m, $30 general; $15 students

    Saturday, September 21 – The College of Saint Rose Camerata
    Family Weekend Concert: Celebrating  National Hispanic Heritage Month. Show is at 7:30 p.m. and is a free show.

    Tuesday, September 24 – New Gary Burton Quartet, 70th Birthday Tour with special guests Bopitude featuring Gary Smulyan. The show is at 7:30 p.m, $30 general; $15 students

    Saturday, October 26 – The College of Saint Rose Camerata
    Instrumental Chamber Music. Show at  7:30 p.m., this show is free

    Sunday, October 27 – An Evening with Chris Thile. Show at 7:30 p.m., $30 general; $15 students

    Sunday, November 3 – Toad the Wet Sprocket. Show begins at 7:30 p.m., $30 general; $15 students

    Friday, December 6 – It’s a Jazzy Christmas! A Celebration of Vince Guaraldi’s Holiday Jazz Music. Show is at 6 p.m. and $20 general; $10 students; free for children under age 5 (requires ticket)

    Saturday, December 7 – An Evening with John Medeski. show starts at 7:30 p.m., $25 general; $12.50 students

    Saturday, February 15 – Saint Rose Camerata Chamber Music with Voice. Show at 7:30 p.m., this show is free

    Friday, March 14 – Andrew Tyson Piano Performance presented with Renaissance Musical Arts and Young Concert Artists. Show begins at 7:30 p.m., $20 general; $10 students

    Saturday, March 29 – Saint Rose Camerata – Season Finale Contemporary Chamber Music with Amplified Instruments and Electronic Sounds. Show is at 7:30 p.m., this is a free show

    Saturday, April 5 – Guitar Foundation of America Winner Rovshan Mamedkuliev. Show at 7:30 p.m., $20 general; $10 students

    Friday, April 11 – Chick Corea – Solo Piano Performance. Show at 7:30 p.m., $40 general; $20 students