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  • XFACTOR1 Blows Bearfest Away

    The eager concert junkies let out the occasional yelps of excitement as the outdoor music melted into silence. It was time for Xfactor1 to rock the stage and blow everyone away with what they had in store for us. One by one, each band member appeared: Zack (drums), Jerry D (bass), CLok (guitar), Cody (guitar), and QBall Wolf (vocals). They were more than ready to get Bearfest started the right way with “Bring It On.” What they unleashed was something different. Something refreshing and new. In a way, very erratic, if you will. “An xfactor is an unpredictable intangible,” explained Wolf to Upstate Metal’s Kate Drexel. “Our name simply means we want to be the number one xfactor in all things and all situations.”

    Xfactor1 continued their set with “It’s My Life” and a cover of The Rolling Stones’ “Paint It Black,” followed by “Break You.”

    Xfactor1 song writing is a group effort,” Wolf said. “Usually I will come up with a melody theme, and the guys will run with it until we add our influences. I think that influences are more than just ‘how do you sound?’ It’s attitude, passion, and ideals about life and music. Because of that, Metallica, Pantera, Korn, and other ass kickers come to mind.” These influences can definitely be heard in QBall’s unique voice as they proceeded with “You Suck.” Fans began to wave their horns in the air to the beat of the song followed by head banging.

    “I’m a huge Deftones fan so that would be awesome,” said Wolf when asked if he had the opportunity to collaborate with another artist. “Five Finger Death Punch would be great as well.”

    Before finishing the set, QBall had the fans gather in closer so the band could take a picture with the crowd in the background making an X with their arms in the air, a very similar moment the band shared at this year’s Rock on the Range. “We absolutely love playing the Rock on the Range festival (twice, ’09 and ’13), because it’s held in our hometown of Columbus, OH at Crew Stadium, and it’s like a huge family reunion.” Xfactor1 finished their set with “Never” and “Live Another Day,” leaving the crowd feeling warmed up, yet they wanted more from this killer band. Xfactor1 left the stage to presumably “film porn, party, play Texas Hold ‘Em poker,” according to QBall when asked what they do during their downtime.

    All in all, this band was beyond words. Just an absolutely mind blowing performance filled with catchy songs, and they definitely set the mood right for the night. Be sure to check out the band on Facebook. Their record, Famous.Last.Words was release in June 2012.

    Xfactor1 can put on one hell of a show. One you will not want to miss.

  • Meet your NYS Music Staff: Writer Quinn Donnell

    Quinn Donnell started writing for in the fall of 2012 as a freshman at Syracuse University. Originally from Northwest Indiana, Quinn’s adjacency to the Chicago music scene allowed him to establish an appreciation for live music by exploring the city’s abundant venues and various festivals throughout his high school career. Quinn credits his dad for his early exposure to artists like Bob Dylan and The Beatles, who helped him develop a taste in current music that Editor Pete Mason warmly describes as “that hipster stuff.” (ed. note – I do call it that, but I enjoy it too)Quinn Donnell

    As a student at SU, Quinn studies in the Bandier Program for the Music and Entertainment Industries. With plans to pursue a career in the music industry after graduation, Quinn has also written for the Chicago-based music website windycityrock.net and interned for Miscreant Records and Chicago music venues Schubas and Lincoln Hall. He’s also involved in SU’s student-run radio station, WERW and works as a College Marketing Representative for Sony Music Entertainment.

    Quinn’s musical bucketlist includes Arcade Fire, The Flaming Lips, Wilco, and Paul McCartney. He also hopes to someday make it to Bonnaroo, Primavera Sound, Sasquatch, and Newport Folk music festivals.

  • Halestorm’s Arejay Hale Talks to Upstate Metal

    Upstate Metal’s Kate Drexel had the lucky opportunity to do a phone interview with Grammy-winning band, Halestorm’s drummer, Arejay Hale. They talked about everything from the start of the band to discussing his crazy use of one of his favorite iPhone apps, Vine. But first, let’s go back to the birth of Halestorm.

    “Lzzy and I were on our way to our very first show,” Hale said. “We were playing the talent show contest in 1997, about 16 years ago this year, and we were driving to the venue in our parents’ car, and we were looking at each other like ‘you know, we can’t just go out there and say, ‘Hey, this is Lzzy and Arejay Hale’, you know? We actually have to have a band name that sounds bad-ass.

    “I recall being kind of teased in school, you know? You walk into class and it was like ‘Oh, here comes the Halestorm, and so on our way to our very first show, I was like ‘why don’t we just call each other Halestorm? What if we called ourselves Halestorm?’ She was like, ‘Yeah, that’ll work for now’, and sure enough, 16 years later, it’s still Halestorm!” explained Arejay in a very animated manner. “I guess we’re just influenced by Hanson maybe, I don’t know …It was like, ‘Hey! Their band name is their last name! Let’s do that too! We’ll add a twist to it; we’ll make fun of ourselves and call ourselves Halestorm!’ We don’t really take ourselves seriously.”

    As far as influences go, they range from John Bonham of Led Zeppelin and Keith Moon of The Who to jazz percussionists Buddy Rich and Chief Bey. However, for Halestorm’s latest record, Hale mentioned that he repeatedly listened to Black Stone Cherry’s album, and as a side note, revealed that the band did a studio session before Halestorm. “When we went into the studio to make the new record, we pretty much came right off tour. We really didn’t have a chance to take a break. We didn’t stop, and we just went into the studio. We finished up our last tour, and the next day we flew out to Los Angeles to start writing and recording the new record at the same time.

    “They wanted us to finish the record in two months, which ended up dragging out six months because we wanted to wait ‘til we were absolutely ready. But the first two months of recording were highly influenced by our fans, and the people we’ve met on tour, and the places we went to on tour. Songs like ‘Rock Show’ and ‘Freak Like Me’, those are all kind of just like anthems to the fans. Songs like ‘Love Bites’ and ‘I Miss the Misery’, and all the heavy stuff was really written in the very first two weeks of writing and recording the record. Just because we were still amped up from being on the road, we were still feeling the energy from playing live. When we went into the studio, we put a lot of live energy into the recording, so that was a big influence for us, the very first half.”

    And, of course, the band ran into a bit of an obstacle; they were asked to take a break before they could finish the record, something this very determined band was not willing to do. “Our producer went on vacation and we were like, ‘well, what are we gonna do?’ and they were like ‘go home’, and we were like ‘no, we don’t wanna go home, we wanna finish the record!’ So while everyone was on vacation, we went to our apartment on the beach and that’s when Lzzy started, you know, sitting and writing more of the intimate stuff, like songs like ‘Hate It When You See Me Cry’—It’s on our B Side of our new record—She was also writing stuff like ‘In Your Room’, the more softer side of the record.

    “So when we went back into recording after everyone took a break, Lzzy was kind of starting to get in touch with the softer side, I guess you can say. So, therefore, after listening to Lzzy kind of coming up with these more intimate lyrics and stuff like that, I started thinking more trimming down the music and chipping down everything, and I just wanted to write these more softer, intimate songs. So after that we came up with ‘Beautiful With You’, ‘Break In’, ‘Here’s to Us’, like these kind of like more intimate and about us, than just purely about us. So we went back into recording after that. We had all of these soft songs and we were like, ‘now we have all of these heavy songs and all of these soft songs, so how do we put these together?’ then we came up with the song called ‘Mz. Hyde’, and we were like ‘okay, I get it! We put it together!’ So another influence of the record was the story of Dr. Jekyll/Mr. Hyde, and that was a really cool concept for the album, and we thought, ‘okay, what if we just show the world both sides of Halestorm? The heavy side and the really intimate side, and we’ll do it on purpose and call it The Strange Case of Halestorm, which was inspired by The Strange Case of Dr. Jekyll/Mr. Hyde’.”

    Drexel then revealed that The Strange Case of Halestorm is her favorite record by them and truly loves the song ‘Mz. Hyde’. She also told Hale that she saw them at Carnival of Madness in Baltimore last summer with Evanescence and Chevelle, one of her favorite concerts, aside from seeing them kick ass at Rock on the Range.

    Soon enough, Drexel realized they were both deviating a bit from the interview, and then she proceeded to ask what Hale does on his downtime besides making hysterical Vines. A moment of silence took place before Arejay let out a hearty roar of laughter. “I am so glad my madness has an audience! I was introduced to that app while we were in Europe,” Hale said. “One of my bandmates showed me and started playing with it, and I started using it, and it is the most fun app I’ve ever used because it’s just the perfect amount of time to do something hilarious. Six seconds, then, when it’s done, you can edit it as much as you want, then it loops. It’s constantly on loop and repeat, and that just makes it hilarious. You watch something and you’re like ‘what?!’ then it plays again, and you’re like ‘oh my god!’ and then you play it again and you’re like ‘oh my god! That’s fucking hilarious!’”

    High recommendation from Drexel herself: if you have the Vine app on your smartphone, go follow Arejay. Vine name: Arejay Hale. “Besides that, I try to continue to write on the road,” Hale said. “It’s not easy ‘cause you’re constantly running around doing press, doing meet and greets, you know, try to get some catering whenever you can. My days are long on tour. Definitely on days off, if I do get downtime, I try to write; actually my favorite app in the world is Garage Band on the iPad. It’s great. It’s awesome ‘cause it’s got just the right amount of sound to be creative, but it’s still limited enough for when I’m sitting down and trying to write, I don’t concentrate on all the sounds when it comes to getting the musical idea out. So I like writing on my Garage Band app on my iPad. It’s really easy, it’s really convenient, and I just bought one of those Blue Snowballs, you know. I’ll just plug it in and lay down some vocals and try to put together some demos.

    “My problem is if I have downtime, I hate sitting around, I have to be doing something, and I have to be busy. Same thing when we’re off tour. I go home to L.A. and as soon as I get home, I can’t stand sitting around. I used to be on the go all the time, you know, on tour and constantly having to do something. So when I’m home, I do a lot of writing. I got a studio in my bedroom, my girlfriend, she works in the same studio, she’s got her own band, she does writing and recording and stuff like that, so the two of us will write together when I’m at home. It’s really great. Pretty much anywhere I go, I’m surrounded by talented writers and musicians, and I get to be creative whenever I can. So anytime I’m doing downtime, it involves something with music or something there.”

    Unfortunately, it was time to wrap up the interview with Drexel’s last question, what does music mean to you? “I don’t know any other way of life,” Hale said. “It’s been a part of my life since I was probably, like, five years old. [I] started jamming with my sister in the living room, and now it’s just become the only way of life right now. So for me, music is like air, it’s like just every element that I require to be alive and to be myself is what I think about music.

    “I think that without music, I don’t know where I would be or what I’d be doing. I’m just so lucky I caught the bug early and I was able to pursue my dream and my career at a young age to get me to this point at my age. I’m very, very lucky, so I think music just means everything to me. It’s my life, and I don’t know what else my life would be like without it. I just feel really lucky.”

    Halestorm continues to unleash their inner freak this Fall. Be sure to catch them while you can. They are one band you will not want to miss.

  • Candlebox 20th Anniversary Tour Stops in Oswego this Sunday

    The Seattle music scene in the autumn of 1990 was still the Pacific-Northwest’s best-kept secret. At the time, it was better known for Starbucks than for music and it would be another year before Nirvana’s Nevermind thrust the rainy town into the national spotlight. But in November of 1990, Candlebox was formed, ground their chops on the Seattle club scene and within three years had a quadruple-platinum self-titled album that launched the music career of Kevin Martin and company for years to come.  Following that success were two more releases, Lucy and Happy Pills, which both sold well.  But the relationship with the record company went sour in 2000 and the band took a six-year hiatus.

    In 2006 Rhino Records released a greatest hits album that led to a short tour that included all the original members of the band.  The tour led to a 2008 release, Into the Sun, that peaked at #4 on the Independent charts. Candlebox also released a live CD & DVD the same year, Alive in Seattle.

    Their fifth album, Love Stories and Other Musings, hit the stores in the spring of 2012 under Union Entertainment Group’s label Audionest.  Through some success and recent touring, Candlebox’s popularity has continued to rise back up enough to have the band scheduled for the ultimate rock cruise, “Ship-rocked” setting sail January of next year.  On the boat alongside Candlebox will be 5FDP, Papa Roach, Three Days Grace and Sevendust.

    This Sunday’s show at the new Oswego County Event Center will be Candlebox’s first time back in the Syracuse area since May 10, 2012 when they performed at the Westcott Theater. Prior to that they played the Lost Horizon in December of 2008 and have played other parts of Upstate New York every year since getting back together.

    We asked Candlebox front man, Kevin Martin, about the fans in Upstate New York and why the band seems to make New York a regular stop. “First and foremost, we sold one and a half million records in New York alone.  It has been our biggest market since day one.  New York fans have always been very supportive and purchased CDs, tickets and t-shirts.  The main reason we play New York so often is the fans and to keep the market alive.”

    Next year might be the first time in quite some time that we won’t be seeing Candlebox in New York, so the best chance for fans to see them on the 20th Anniversary tour is this week.  Kevin added that “next year we are going to take a break and work on being family members. We will be recording new material and when we do release a new album we will go back on tour and New York State will be one of those places.  New York State is where we have our best shows. But it probably won’t be until 2015.”

    A lot has changed in the 20 years since Candlebox released their quadruple platinum self-titled debut album.  The fans have gotten older and social media and the Internet have taken over the industry.  “Fortunately for us, the fans that started with us in 1994 had children. While their fathers and mothers listened to our music their children came to know every word and that is great for us.  Now we see the parents and their kids at our shows.  A lot of touring and large festivals [like Rockapalooza and Shiprocked] make it easier to reach those new fans.  Also, with Instagram we can immediately share pictures of guitars, our music, and what is happening on tour.  It’s been beneficial, yet a frustrating experience at times. People have opinions, people feel validation and an instant connection. In this day and age, it is also important to answer emails, Tweets and Instagram messages.  We do our best to let fans know you are listening to them.  Occasionally we cannot get back to everyone though.  You do get fans that don’t understand that we get between 150-200 emails a day. We try our best.”

    The Internet has also helped Candlebox reach other new markets, namely Europe.  While the band has only toured there three times, with social media and other ways of reaching out to fans, the European fan-base continues to grow and a Candlebox tour in Europe can be seen somewhere down the road.

    This Sunday at the Oswego County Event Center is a great chance for old and new fans alike to catch incredible musicians doing what they do best.  Some interesting discoveries that Upstate Metal also found when talking to Kevin Martin was that every song starts out acoustic.  Raw, unplugged, and from the ground up.  Kevin added that “shows like Unplugged was one of the best things for music. It showed what the music really sounded like, who had talent.  A lot of concert goers get used to hearing backing tracks, and live sets that are half ‘Pro Cuts’.”  With Candlebox you will get the real thing every time.  “Playing all live music is something special.”  We agree.

    Buy tickets by phone: (315) 668-1248 or Buy tickets online

    Visit Candlebox online and on Facebook

    Candlebox is Kevin Martin(vocals), Peter Klett (lead guitar), Scott Mercado (drums), Adam Kury (bass) and Sean “Memphis” Hennesy (guitar).

  • Candlebox: 20th Anniversary Tour in the Syracuse on Sunday

    The Seattle music scene in the autumn of 1990 was still the Pacific-Northwest’s best-kept secret. At the time, it was better known for Starbucks than for music, and it would be another year before Nirvana’s “Nevermind” thrust the rainy town into the national spotlight. But in November of 1990, Candlebox was formed, ground their chops on the Seattle club scene, and within three years had a quadruple-platinum album, and launched the music career of Kevin Martin and company for years to come.  Following that success were two more releases, “Lucy” and “Happy Pills” that both sold well.  But the relationship with the record company went sour in 2000 and the band took a six-year hiatus. Syracuse
    In 2006 Rhino released a greatest hits album that led to a short tour that included all the original members of the band.  The tour led to a 2008 release, “Into the Sun” that peaked at #4 on the Independent charts. Candlebox also released a live CD+DVD the same year, “Alive in Seattle”.Their fifth album, Love Stories and Other Musings hit the stores in the spring of 2012 under Union Entertainment Group’s label Audionest.   Through some success and recent touring, Candlebox’s popularity has continued to rise back up enough to have the band scheduled for the ultimate rock cruise, “Ship-rocked” setting sail January of next year.  On the boat alongside Candlebox will be 5FDP, Papa Roach, Three Days Grace and Sevendust.

    This Sunday’s show at the new Oswego County Event Center will be Candlebox’s first time back in the Syracuse area since May 10, 2012, when they performed at the Westcott Theater. Prior to that they played the Lost Horizon in December of 2008 and have played other parts of Upstate New York every year since getting back together.

    Upstate Metal Editor, Jim Gilbert, asked Candlebox front man, Kevin Martin, about the fans in Upstate New York and why the band seems to make New York a regular stop. “First and foremost, we sold one and a half million records in New York alone.  It has been our biggest market since day one.  New York fans have always been very supportive and purchased CDs, tickets and t-shirts.  The main reason we play New York so often is the fans and to keep the market alive.”

    Next year might be the first time in quite some time that we won’t be seeing Candlebox in New York, so fans’ chance to see them on the 20th Anniversary tour is this week.  Kevin added that “next year we are going to take a break and work on being family members. We will be recording new materials and when we do release a new album we will go back on tour and New York State will be one of those places.  New York State is where we have our best shows. But it probably won’t be until 2015.”

    A lot has changed in the 20 years since Candlebox released their quadruple platinum self-titled debut album.  The fans have gotten older and social media and the Internet have taken over the industry.  “Fortunately for us, the fans that started with us in 1994 had children. While their fathers and mothers listened to our music their children came to know every word and that is great for us.  Now we see the parents and their kids at our shows.  A lot of touring and large festivals [like Rockapalooza and Shiprocked] make it easier to reach those new fans.  Also, with Instagram we can immediately share pictures of guitars, our music, and what is happening on tour.  It’s been beneficial, yet a frustrating experience at times. People have opinions, people feel validation and an instant connection. In this day and age, it is also important to answer emails, Tweets and Instagram messages.  We do our best to let fans know you are listening to them.  Occasionally we cannot get back to everyone though.  You do get fans that don’t understand that we get between 150-200 emails a day. We try our best.”
    The Internet has also helped Candlebox reach other new markets, namely Europe.  While the band only toured there three times, with social media and other ways of reaching out to fans the European fan-base continues to grow.  A Candlebox tour in Europe can be seen somewhere down the road.This Sunday at the Oswego County Event Center ( https://www.facebook.com/OswegoCountyEventCenter)  is a great chance for old and new fans alike to catch incredible musicians doing what they do best.  Some interesting discoveries that Upstate Metal also found when talking to Kevin Martin was that every song starts out acoustic.  Raw, unplugged, and from the ground up.  Kevin added that “shows like Unplugged was one of the best things for music. It showed what the music really sounded like, who had talent.  A lot of concert goers get used to hearing backing tracks, and live sets that are half ‘Pro Cuts’.”  With Candlebox you will get the real thing every time.  “Playing all live music is something special.”  We agree.

  • Chenango 21st Annual Blues Festival August 16th & 17th

    This year is the 21st annual Chenango Blues Festival draws thousands to a beautiful rural venue in Norwich, NY. This year’s festival will take place August 16th & 17th at the Chenango County Fairgrounds. Tent Camping space is still available and can be purchased in addition to your festival ticket for $35.00 for the weekend (Camping Guidelines). Tickets are $20.00 in advance and $30.00 the day of the show, Ticket sale locations can be found HERE.

    Photo Courtesy Of: http://www.chenangobluesfest.org/2012-photos.html
    Photo Courtesy Of chenango blues fest

    Friday, August 16, 2013
    Frontier Communications – Free Friday Night show!
    Chenango County Fairgrounds – Tent Stage

    6:00 – 6:45 p.m. – Pinecone Fletcher
    7:15 – 8:30 p.m. – Tinsley Ellis
    9:00 – 10:30 p.m. – Dwayne Dopsie and the Zydeco Hellraisers


    Saturday, August 17, 2013
    Chenango County Fairgrounds
    Sheffield Bio-Science Infield Stage

    Gates open at 11:00 a.m.

    12:00 – 1:00 p.m. – Chris O’Leary
    1:45 – 3:00 p.m. – California Honeydrops

    4:00 – 5:20 p.m. – Larry McCray Band
    6:30 – 8:00 p.m. – Shemekia Copeland
    9:15 – Royal Southern Brotherhood


    Nelson & Flanagan/Grouse Ridge Kennel Tent Stage

    1:00 – 1:45 p.m. – Tas Cru
    3:00 – 4:00 p.m. – Valerie June
    5:20 – 6:30 p.m.- Ben Prestage
    8:00 – 9:15 p.m. – Honey Island Swamp Band

     

    **Please be aware that no tickets for Saturday’s show will be sold at the Friday show this year. Will call only from 6:00 – 7:00 p.m.

  • Fundraiser for Pat Tiernan Music Scholarship at Smokin’ Joe’s Barbeque in East Greenbush this Saturday

    Pat Tiernan was a 518 musician that performed often and sometimes for free.  He was a staple in the community and would even play during set breaks for other bands.  He loved music! Pat passed away suddenly last year and his legacy continues with a fundraiser in his name.

    The Pat Tiernan Music Scholarship was created to help students studying music achieve their goals.  In the spirit of live music, On Saturday, August 17, 2013, a fundraiser is scheduled at Smokin’ Joe’s Barbeque from noon until 7 pm.  There is a $10 donation fee for the outdoor event.  A shuttle bus is available from the parking lot of a nearby Hannaford.

    Local artists scheduled to perform include Molly Durnin, Cardiac Noose, Three Wheel Drive, Jet Crash Billy (acoustic), Brian Tiernan with Jeremy Buker and Kristen Kelly, Kevin Tiernan and Jeremy Walz, Joe Lowry, James Alanson Kirk and Pete Vumbacco, Mark Richardson and Friends, Grounds for Termination, and Sly Fox and the Hustlers.

    Please visit the Facebook event page for more information and complete band listing.

    Photo courtesy of Heather Marie Laughlin

  • It’s All Good in the Woods! A Review of Backwoods Pondfest 2013

    The city of Peru hosted one of the best kept secrets of Upstate New York on August 2nd and 3rd 2013 at the Twin Ponds Campsite with the music festival Backwoods Pondfest. The intimate music festival was set at the tip of the North Country, only a few exits short of Canada, making for a scenic ride from any direction for dedicated music lovers. Offering weekend tickets as well as single day passes, Friday’s guests were treated with a double rainbow in the early evening after a brief rain shower. Visitors were allowed to select their own campsites with car side camping. Whether in the far off quiet area, woods or grassy field camping, any spot on the festival grounds offered plenty of cool afternoon shade with a full sky view of the bright stars at night. Bands were located either on the Main Stage next to the bright blue school bus, named Lucy (belonging to host band Lucid) or on the Tent Stage, next to the wooded camping, with a soft sandy dance floor.

    Friday

    With a name like Backwoods Pondfest, it wasn’t a surprise that the bearded quartet Blind Owl Band was one of the first bands to start the weekend on the Tent Stage. The Saranac Lake locals consist of Arthur Buezo on guitar, Eric Munley on mandolin, James Ford on banjo and Christian Cardiello on bass. Their aggressive string music mixed with rowdy harmonies greeted festival goers to their neck of the woods with open arms and dancing feet. Spiritual Rez made everyone forget that they were even in New York with their heavy reggae dance music. Toft Willingham spit out rebellious lyrics to the crowd while thrashing about his long blonde hair as Rob O’Block shredded on the guitar. Kory Stanbury on saxophone and Quinn Carson on trombone provided a strong horn section throughout the set as Mohamed Araki surprised fans everywhere with his keytar. Ian Miller kept the party going with a constant quick rhythm and Jesse Shaternick’s lighthearted bass notes. The band has great chemistry as they provide an energetic performance with never ending reggae funk magnitude. Be on the lookout this fall for their new album release, Apocalypse Whenever and upcoming shows at The Catskill Chill and Wormtown Festival.

    For the past seven years, Backwoods Pondfest has been hosted by the Adirondack “Woods Rock” band known as Lucid. Their sound is unique as it varies from classic rock to blues to funky jazz to reggae and even doo-wop, a little something for everyone. With the festival set in their neck of the woods, Lucid has a dedicated fan base that overflowed from underneath the Tent Stage on Friday night. “Whiskey Dream”, with steady beats and cymbals from Kyle Murray was a crowd favorite as Andy Deller kept the keys at a playful tone. One of the highlights of the set was Kevin Sabourin repeatedly singing out the chorus line, “Friday is the best day of the week because I don’t have to work tomorrow” resulted in a massive tent-shaking sing along. Lowell Wurster blared off on his harmonica especially during “Backwoods”, a song meant for that weekend.

    Giant Panda Guerilla Dub Squad sent out a psychedelic reggae groove that made it easy for fans to dance all night. The band, hailing from Rochester, consists of James Searl on bass, Chris O’Brian playing drums, Dylan Savage and Dan Keller on guitar and Tony Gallicchio on keys who bring a laid back vibe that relaxes and recharges listeners at the same time. The night was set ablaze from the fire spinners and jugglers from Cosmic Karma Fire located to the left of the Main Stage.

    Jimkata lit up the Tent Stage with their electrifying rock that is similar to a Mario Bros. soundtrack for adults, complete with beeps, boops and mind melting instrumental jams. It’s no wonder this up and coming Upstate New York band from Ithaca has been building up fans on their busy summer tour with big performances at Summer Camp and Gathering of the Vibes. The end of the night performance at the Main Stage was from the experimental techno funk group, Dopapod. Keyboardist Eli Winderman, drummer Neal ‘Fro’ Evans, guitarist Rob Compa and Chuck Jones on bass swirled together a set that was full of funky melodies with robotic harmonies and pure reckless rock.

    Saturday

    Few things taste better than fresh music in the morning. The Chronicles from Albany opened up the Main Stage with set full of hot hip hop and sweet jazz served best for a Saturday morning after an all night rager. The Metroland, Albany’s alternative newsweekly, acknowledged them as “Best of Jazz” in 2012 and 2013, paying tribute to their unique blend of all things jazz, funk and gospel. Tyrone Hartzog displays a cascade of notes as he glides over the keys. One of the best things about The Chronicles is their unpredictable jams, especially with the horn section of Bryan Brundige on trombone and Jeff Nania on saxophone. Daniel Lawson sneaks in the heavy bass notes and with Justin Henricks strumming along gives the way to a rockin funk wave. Andrae Surgick keeps a steady and chill rhythm that sends plenty of cymbals sparks flying.

    Rack Em Let’s Go! definitely catches your attention with their band name alone but their music will stay with you way after their show. Exploding out of Boston, the rock and roll quartet gave a high energy performance, combining old school rock with a twist of modern soul and funk. Switching up the scene on the Main Stage was Fikus, delivering an electronic rock show with complete with funky harmonies and fast paced extraterrestrial melodies. Catch Fikus this coming weekend at Bella Terra Music Festival in Stephentown, NY. The Capital District’s top jam band Formula 5 steamed up the Tent Stage with their original dance heavy tunes plus a hot rendition of Phish’s “Sand” with guest appearance by Justin Henricks of The Chronicles on guitar.

    A music festival isn’t complete without a Grateful Dead cover band these days and Backwoods Pondfest booked the best one in Upstate New York, The Garcia Project. The Saratoga Springs locals provided fans with an easy listening afternoon full of their favorite Dead songs, especially a treasured version of “Tangled up in Blue” with haunting vocals from Mik Bondy and Kat Walkerson. Capital Zen played a hard hitting set under the tent with uncontrollable beats from Rye Wylie, reckless guitar from Terry Scoville and wild bass bombs from Tony Leombruno.

    Fans were left speechless from the first few soulful notes belted out from Jennifer Hartswick and especially during an extraordinary cover of the Talking Heads’ “This Must be the Place (Naïve Melody)” and Bill Withers’ “Ain’t No Sunshine”. The Jennifer Hartswick Band overflows with musical energy that carries its own direction.

    Electronic hip hop trio Sophistafunk tore the Tent Stage to pieces with bass heavy notes from Adam Brown, groovy beats from Emanuel Washington and robust vocals from Jack Brown. Afterwards, one of the founding fathers of funk, Bernie Worrell, gave a thunderous performance on the Main Stage with his heart stopping piano solos. The Bernie Worrell Orchestra lays out the funk, one layer at time, each grooving into the next twilight zone. Later, the Vermont based quartet Twiddle carried out the party vibe onto the Tent Stage and through the crowd. Their improvisational jams can start with a heavy rock feel then blasting into a reggae melody all with a fiery passion. Keeping with tradition, Lucid ended the festival weekend with their annual second set to close the Main Stage. It was a true free for all as festival goers, staff members and musicians danced together to the unrelenting and lively music of Lucid.

    Throughout the weekend, musicians and fans alike had nothing but positive feedback about the festival given the wide range of musical talent and beautiful scenery. Amid a very chill environment where festival goers formed a close knit bond, dedicated music lovers reveled in their adventure up north to Backwoods Pondfest.

  • The All-Inclusive Preview of Equifunk: The All-Inclusive Music Festival Part 5

    Equifunk: The All-Inclusive Music Festival is happening from August 16 to 18 and we have brought you over the past few weeks a preview of the bands that will be playing the festival.  We are wrapping up our preview with the daily schedule announcement as well as a preview of one of the Sunday headliners, Pork Tornado.

    Pork Tornado is a band co-founded by Phish drummer Jon Fishman and Dan Archer, who is a record producer and engineer and helped record Phish’s album Lawn Boy.  The band plays blues, country and rock covers as well as original material.  First formed in 1997, the band never really got moving until Phish’s first hiatus in 2000.  By 2002 the band had an album out and was touring regularly until Phish got back together.  The band does not perform much anymore so it is always a pleasure to get a chance to see them.  This is their only announced date for the rest of the year, so if you are a fan of the band you do not want to miss out on this show.

    Equifunk: The All-Inclusive Music Festival has been setting up some amazing events for the weekend.  There will be a 3 on 3 basketball tournament with one lucky team getting a chance to take on the guys from The Main Squeeze.  Tennis, kickball and softball games will also be taking place at the festival with artists joining in from time to time.  All food and beer is covered from when you step on to the premises on Friday all the way through Sunday morning’s breakfast, with plenty of food available to buy throughout the remainder of the day.

    equifunk music festivalThe daily schedule was released yesterday and can be found here, but we would like to give you some of the highlights of each day. Friday kicks off at 3 PM with the Woody Brown Project and does not stop until 3:30 AM with a set by Boombox. Throughout Friday there are no sets scheduled to overlap with The New Mastersounds headlining the night.  Saturday is the most packed day of the festival with music starting at 11 AM and going all day until a little before 4 AM.  The afternoon is looking great with back to back to back sets by Keller Williams & More Than A Little, The Heavy Pets, and Marco Benevento.

    The night is looking great too with Nigel Hall Band going into Anders Osborne with John Medeski followed by Soulive & The Shady Horns with Maceo Parker.  A late night Marco Benevento campfire set goes into The New Mastersounds & Friends set to close the day.  This will be the first time in six years that there will be music all day Sunday and the line-up for the day is great.  Music will be starting a little before 11 AM and go 12 full hours until 11 PM with no sets overlapping.  The day ending back to backs see The Revivalists go into Pork Tornado and the festival will close with The M&M’s, a super group made for the festival that includes Stanton Moore, Maceo Parker, Papa Mali, John Medeski, Robert Mercurio, and Marco Benevento.

    This is definitely going to be a great festival that you do not want to miss.  The levels of funk that will be coming from the speakers all weekend is going to be intense.  Tickets are available now here.  Check out our full preview of the Equifunk festival here.

  • Black and Blues: The Black Crowes and Tedeschi Trucks Band at CMAC

    The Black Crowes brought their long history of hits and booty shaking Rock n Roll to Canandaigua’s CMAC Amphitheater on a simply weather-tastic Wednesday, July 31st, along with Tedeschi Trucks Band. As the crowd made their way in from the lots and started to fill the pavilion and lawn, New York City’s London Souls provided some stupendous entrance music. The power guitar bass and drums trio formed in 2008 and has already climbed the touring ladder high enough to open for some major league acts. The band’s sound is largely based on a myriad of classic rock influences, with enough taste of jam to make a proper sandwich. Those that made it in early enough got themselves a treat and those that did not should make it a point to see these guys when they come back through. Catch them in upstate again October 22nd at Rochester’s Club at Water Street and October 26th with Umphrey’s McGee at the Town Ballroom in Buffalo.

    The Black Crowes
    The Black Crowes

    Next up was the husband and wife duo of Derek Trucks and Susan Tedeschi with eight other top notch musicians to fill out the self monikered Tedeschi/Trucks Band. Trucks is well known for being a young guitar prodigy touring with The Allman Brothers as a teenager and spending years in his own band until joining forces (in more ways than one) with fellow shredder and top-notch vocalist Susan Tedeschi in 2010. They tour with a full horn section, extra vocalists, and plenty of percussion. It’s hard to call this band an opener, as it was very apparent in the crowd that many were in attendance for them as much as the headlining act. There’s nothing cooler than watching a husband and wife lovingly try and out-shred each other and the crowd ate it up and asked for seconds.

    Tedeschi/Trucks Band
    Tedeschi/Trucks Band

    The Crowes hit the stage after about a 30 minute break and wasted no time getting into it with their classic “Jealous Again”. Chris Robinson, who seems even taller in person, was adorned appropriately in a white Buffalo Dead t-shirt and “skinny” blue jeans. Mr. Robinson, of course, is a longtime proponent and activist for marijuana regulation, so this reporter was not surprised to smell an interesting skunky scent emanating from the stage. The band ripped through hit after hit and a decent enough collection of deep cuts to please any fan. For the encore, most of the Tedeschi/Trucks Band joined them onstage for an incredible moment of jamtastic virtuosity covering Eric Clapton’s “Don’t Know Why” and Joe Tex’s “Show Me”. Twelve musicians all at the top of their game melding in unison was the cherry on the top of a sundae of an evening.

    Setlist: Jealous Again, Thick N’ Thin, Blackberry, Another Roadside Tragedy, How Much for Your Wings?, Bring On, Bring On, Wiser Time, She Talks to Angels, Oh! Sweet Nuthin’ (The Velvet Underground), Soul Singing, Thorn in My Pride, Remedy

    Encore: Don’t Know Why (Eric Clapton), Show Me (Joe Tex cover)